Charles La Torre Movies

One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide

In this drama, a has-been stage thespian finds that his alcoholism is ruining his life. When his daughter, a cripple, attempts to show her concern, he rebuffs her with his cruel, razor sharp witticism. His drinking and cynicism continue to increase, but, through it all, his daughter stands steadfastly beside him until her heart is stolen away by a handsome composer. He begins helping her to convince the theatrical community that her father is still a talented actor. Meanwhile, the father, thinking the composer will take his daughter away, remains suspicious of the young man's motives. Finally, after working in a series of odd jobs, the old man lands the lead in King Lear where he is a smash. He then renews a relationship with a wealthy old girlfriend. Meanwhile, the young couple also begin their relationship in earnest. ~ Sandra Brennan, All Movie Guide

The Song of Bernadette is a reverent recounting of the life of St. Bernadette of Lourdes. As a teen-aged peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Jennifer Jones) experiences a vision of the Virgin Mary in a nearby grotto. At least, she believes that she did. The religious and political "experts" of the region cannot accept the word of a silly little girl, and do their best to get her to renounce her claims. Bernadette's vision becomes a political hot potato for many years, with the authorities alternately permitting and denying the true believers' access to the grotto. No matter what the higher-ups may think of Bernadette, there is little denying that the springs of Lourdes hold some sort of recuperative powers for the sick and lame. Eventually, Bernadette dies, never faltering in her conviction that she saw the Blessed Virgin; years later, she is canonized as a saint, and the Grotto of Lourdes remains standing as a permanent shrine. The 20th Century-Fox people knew that The Song of Bernadette would whip up controversy from both the religious and the agnostic. The company took some of the "curse" off the project with a now-famous opening title: "To those who believe in God, no explanation is necessary. To those who do not believe in God, no explanation is possible." Jennifer Jones' performance in The Song of Bernadette won her the Best Actress Oscar in 1943. ~ Hal Erickson, All Movie Guide

According to this exuberant Paramount musical, famed pre-Civil War minstrel performer Daniel Decatur Emmett looked and sounded exactly like Bing Crosby! Very loosely based on the real Emmett's life and career, the film is essentially an excuse for an unending stream of Southern-fried ballads and boisterous blackface production numbers. The best scenes involve Emmet's creation of the minstrel tradition, helped along by Billy De Wolfe as the original "Mr. Bones." As Emmet's sweetheart Millie Cook, Dorothy Lamour has less to do than fourth-billed Marjorie Reynolds as Jean Mason, the physically challenged girl whom Emmet ultimately marries. In the midst of several old-time musical numbers, Bing Crosby introduces one of his lasting hits, "Sunday, Monday and Always". ~ Hal Erickson, All Movie Guide

Within its brisk 78 minutes, Jam Session manages to accommodate the singing, dancing and acting talents of Ann Miller, a romantic main plot, a comic subplot-and no fewer than six big-name orchestras. The story is the old saw about a small-town girl named Terry Baxter (Miller), who wins a trip to Hollywood. Unable to impress any of the tinseltown bigwigs, Terry is about to pack it in and head home until she meets go-getting screenwriter George Carter Haven (Jess Barker). Several mishaps and setbacks later, Terry not only lands a studio contract, but Haven as well. In addition to the terpsichorean talents of Ann Miller, the film spotlights such major big-band names as Charlie Barnet (playing "Cherokee," of course!), Louis Armstrong, Alvino Ray, Jan Garber, Glen Gray and Teddy Powell, along with vocalists Nan Wynn and the Pied Pipers. A tantalizingly brief clip of Jam Session was featured (wildly out of context!) in the 1968 Monkees film vehicle Head. ~ Hal Erickson, All Movie Guide

In this crime programer, Arsene Lupin (Charles Korvin) is an expert jewel thief from France who, while aboard a train, notices that Stacie (Ella Raines), a beautiful woman from England, is travelling with a large and valuable emerald. Lupin steals the gem, but he becomes so infatuated with Stacie that he reroutes himself to Great Britain in order to return it to her. However, while in the process of doing so, he discovers that her cousin Bessie (Gale Sondergaard) is planning to murder Stacie in order to claim her inheritance. Lupin is determined to intervene to save Stacie's life, but doing so puts him at risk of being captured by Ganimard (J. Carrol Naish). ~ Mark Deming, All Movie Guide

Uncertain Glory finds Errol Flynn atypically cast as French criminal Jean Picard, a craven coward whose many misdeeds have earned him a date with the guillotine. Detective Marcel Bonet (Paul Lukas) intends to see that Picard keeps his appointment with the executioner, despite the fact that there's a war on. When the Nazis capture 100 French hostages to force a resistance saboteur to surrender himself, Picard offers to pose as the saboteur and thereby save the lives of the innocent villagers. In truth, he plans to escape once he's turned himself over to the Nazis, leaving the villagers in the lurch, but at the last moment his latent patriotism overcomes his sense of self-preservation. Errol Flynn's character is almost as inconsistent as the script, but war films invariably made money in 1944. ~ Hal Erickson, All Movie Guide

A middle-aged Clark Gable returned from active duty in World War II to star in this MGM release that was heavily advertised as his big comeback. Gable is Harry Patterson, the bosun mate on a merchant marine vessel, a tough sailor and fighter with the proverbial girl in every port. But while in a San Francisco library, looking up a book on the human soul for his sidekick Mudgin (Thomas Mitchell), who thinks his soul has departed his body, Harry meets librarian Emily Sears (Greer Garson), whom he woos, marries, and leaves to sail off on another freighter. When he returns, Emily has retreated to an old farm to await the birth of their child. Harry continues to resent staying in one place, but he ultimately changes his tune when his baby's life hangs in the balance. Garson and Joan Blondell, playing her outspoken best friend, are both terrific, and Gable gives a less heroic performance that's a thoughtful change for him, although critics at the time were less than charitable. ~ Don Kaye, All Movie Guide

"You can live a long time in three days -- sometimes when you're in a tight spot, you can live a year in ten seconds." US Army Air Force Major Bob Collins (Robert Cummings), Captain "Shakespeare" Anders (Don Defore), and Lt. "Handsome" Janoshek (Charles Drake) are three happy-go-lucky combat pilots, decorated heroes who are on a tour promoting War Bonds. Their public relations representative from the Treasury Department, Ivy Hotchkiss (Lizabeth Scott), finds at first that can't do much more than tag along, picking up after them and observing their carousing, especially Collins, who seems to have a wide array of female acquaintances in every city they visit. Indeed, although she says little about it, their carousing is out-of-proportion to their circumstances -- yes, their current mission involves a lot of cramped traveling cross-country. shaking hands, endless speechifying, and even more endless listening to tributes to the heroism of the air corps, all of which gets boring and tiring very fast; but these men act like they're burning the candle at both ends, almost manic in their pursuit of women and laughs, and just as devoted to the three of them enjoying anything they do together, past the point of pilots' usual comraderie. They go so far as to sneak out ahead of one extremely important rally, but eventually Ivy gets them to straighten up and fly right, at least when they're supposed to, and the trio -- who has taken a liking to her for being such as good sport -- agrees to behave, at least when they're supposed to be meeting the public. After a few more misunderstandings, some of them comical, she actually gets to like the trio; the four of them become friends, and Ivy starts getting especially close to Bob, despite his womanizing ways -- but whenever she asks Handsome and Shakespeare about Bob's story, they get very close-mouthed and vague. She doesn't think too much of it, enjoying the time she's having with them, until the truth is accidentally dumped in her lap by a well-meaning medical officer (Rhys Williams) -- that Bob, for all of his freewheeling, happy-go-lucky outlook on life and love, is terminally ill. She suddenly understands their behavior and the true depth of the friendship that Handsome and Shakespeare share with him -- she's also nearly shattered, but she dares not let Bob know that she knows, for fear of destroying what little time he has left. The trio at last becomes a true foursome, bound together around Bob and Ivy. ~ Bruce Eder, All Movie Guide

Thousand and One Nights is an occasionally strident but generally successful satire of the popular Universal Jon Hall/Maria Montez epics. Cornel Wilde stars as a twentyish Aladdin, whose magic lamp yields two genies: Collosus-like Rex Ingram (repeated the role he played in 1940's Thief of Baghdad) and ravishing redhead Evelyn Keyes (who, like future TV genie Barbara Eden, was seemingly born without a navel). Wilde uses his new-found wealth and magical powers to woo princess Adele Jergens, but not without the opposition of villainous Dennis Hoey. Phil Silvers plays Wilde's comic sidekick, a man "born 2000 years ahead of his time" who wears glasses, spouts jive-talk ("Slip me some skin, Abdul!") and cracks anachronistic jokes. The final gag in Thousand and One Nights, in which the genie gives Phil Silvers the voice of Frank Sinatra, has been removed from many TV prints. ~ Hal Erickson, All Movie Guide

Jed Potter (Fred Astaire) is a popular radio personality who was once a famous dancer. He also used to be friends with Johnny Adams (Bing Crosby) until they became rivals for the affections of Mary O'Hara (Joan Caulfield). Jed lost out when Johnny and Mary got married, but life hasn't been too rosy for the couple since; Johnny's career in business was a washout, and not long after the birth of their daughter, the couple decided to divorce. Mary gave Jed another chance with her, but in time she chose to patch things up with Johnny, leading Jed to a close partnership with alcohol that ended with an accident, preventing him from ever dancing again. However, the aftermath of this tragedy helps bring the three former friends back together. Blue Skies was not much more than a framework for a bunch of musical numbers featuring great tunes from the Irving Berlin catalog, but when you've got Bing singing and Fred dancing to songs like "Puttin' on the Ritz," "You Keep Coming Back Like a Song," "A Couple of Song and Dance Men," and "White Christmas," why carp? Noted stage actor and tap dancer Paul Draper was originally cast as Jed, but he was fired after several days of filming and replaced by Astaire; Draper would make only one more movie before his film career came to an end after he was branded a Communist sympathizer. ~ Mark Deming, All Movie Guide

In this entry in the long-running "Bowery Boys" series, Slip Mahoney and his boys witness a murder, but cannot identify the killer. Upon seeing the victim in the newspaper, Slip and Sach head for the morgue and launch their own investigation. There they meet the victim's daughter; she owns the hotel where the boys witnessed the crime. To help them work undercover, she hires them on as bell boys. Later, a gangster mistakes Sach for someone else and gives him some valuable information about the murder which he immediately passes on to his policeman friend. Unfortunately, the policeman has been suspended for neglecting his daily duties. Fortunately, the Boys still manage to solve the murder, but not before embarking upon a crazy chase through a laundry chute. ~ Sandra Brennan, All Movie Guide