B.J. Barie Movies

Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey's trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey's physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina's gangster boyfriend to destroy Stanley and use the mask's powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to "Cuban Pete." The film delivered enough laughs to become a surprise hit and, along with the same year's Dumb and Dumber, establish Carrey's status as a comedy superstar. ~ Judd Blaise, All Movie Guide

John McNaughton's flawed but interesting follow-up to Henry: Portrait of a Serial Killer languished in distribution limbo for years before its brief theatrical run and subsequent video release. It presents a completely different breed of killer: an alien criminal who is exiled to life on Earth in human form. As if that weren't punishment enough, the creature's human guise is susceptible to frequent head-eruptions, creating the constant need for replacement heads. This leads to a grim and violent series of episodes in which the creature pops the tops of various citizens, ranging from a kindly, homeless eccentric (Antonio Fargas) to a lascivious doctor (Tony Amendola)... at one point, he even "borrows" the head of a dog! Following the trail of discarded heads are two cops (Rae Dawn Chong and Don Gordon), who eventually begin to suspect they're not dealing with the M.O. of the average serial killer. A few creative plot twists (particularly at the conclusion), grim atmosphere and generally good performances enliven this one-note material, which nevertheless fails to measure up to the harrowing, character-driven horror of McNaughton's acclaimed debut feature. ~ Cavett Binion, All Movie Guide

Successful playwright Al Pacino can't get any work done as long as he is pestered by his wacko wife Tuesday Weld. Making things worse are the couple's obstreperous children, many of them products of her previous marriages. Just as Pacino is completing his latest work, his wife walks out on him. That's the good news: the bad news is that he's saddled with a bunch of snot-nosed kids. Still and all, Pacino finds time to inaugurate an affair with his play's leading lady, played by Dyan Cannon, while attempting to juggle the stresses of opening night with the needs of the demanding, often obnoxious children. ~ Hal Erickson, All Movie Guide