Olaf Hytten Movies

No relation to the 1933 film of the same name, the 1942 Universal programmer Destination Unknown stars William Gargan as a pilot for General Chennault's Flying Tigers. As such, Gargan is on hand to witness Japanese skullduggery in China, long before Pearl Harbor. When a cache of jewels, intended to finance Chiang Kai-Shek's fight against the Japanese invaders, disappears, Gargan and adventuress Irene Hervey desperately search for the missing gems. Everyone seems to be awfully mercenary, but patriotism wins out before the end. As was customary in wartime films, the Japanese in Destination Unknown are depicted as offensively as traffic would allow, so it's best to regard this film within the context of its times. ~ Hal Erickson, All Movie Guide

"Even a man who is pure at heart/And says his prayers by night/May become a wolf when the wolf-bane blooms/And the moon is full and bright." Upon first hearing these words, Larry Talbot (Lon Chaney) dismisses them as childish folderol. After all, this is the 20th Century; how can a human being turn into a werewolf? Talbot soon learns how when he attempts to rescue Jenny Williams (Fay Helm) from a nocturnal attack by a wolf. Collapsing, Talbot discovers upon reviving that Jenny is dead-and, lying by her side, is not the body of a beast, but of a gypsy named Bela (Bela Lugosi). The son of fortune teller Maleva (Maria Ouspenskaya), Bela was a lycanthrope, or "wolf man." And now that he has been bitten by Bela, Talbot is cursed to suffer the torments of the damned whenever the moon is full. Arguably the best of the "original" Universal horrors (original in the sense that it was not based on an existing literary property, a la Frankenstein, Dracula and The Invisible Man), The Wolf Man boasts one of the most stellar casts ever to grace a "B" picture: Lon Chaney Jr., Claude Rains, Evelyn Ankers, Ralph Bellamy, Warren William, Patric Knowles, Maria Ouspenskaya and Bela Lugosi. The man-to-wolf transformation sequences -- one of which took a full 24 hours to film -- are thoroughly convincing, thanks to the cosmetic genius of Jack P. Pierce (Chaney had wanted to emulate his father by developing his own werewolf makeup, but existing union rules would not permit this). Alas, after this powerhouse opening volley, the Wolf Man character was relegated to a series of cheap sequels, teaming him with other Universal shock stars: Frankenstein Meets the Wolfman (1943), House of Frankenstein (1944) and House of Dracula (1945). The final ignominy was Abbott and Costello Meet Frankenstein (1945), in which Lawrence Talbot (Chaney again), having been cured of lycanthropy in House of Dracula, reverts to his werewolf status -- and has to endure the one-liners of Lou Costello to boot! ~ Hal Erickson, All Movie Guide

Acting spouses Laurence Olivier and Vivien Leigh star in Alexander Korda's tragic tale of the adulterous love affair between Emma Lady Hamilton and Lord Horatio Nelson. The story begins in 1786, as the young and vivacious Emma Hart (Vivien Leigh) marries Sir William Hamilton (Alan Mowbray), the British ambassador to the court of Naples. Seven years pass and British naval hero Lord Horatio Nelson (Laurence Olivier) arrives at court to gain the king's assent in the war against Napoleon. Lady Emma and Lord Nelson fall in love. When they return to England, Emma and Nelson unashamedly begin to live together, although Nelson's wife refuses to divorce him. When the war takes a bad turn, Emma convinces Nelson to resume command and Nelson goes off to lead the victory at Trafalgar, where he is mortally wounded. After Nelson's death, Emma falls into depression and despair. ~ Paul Brenner, All Movie Guide

A hunter finds himself in a world of danger when he decides to stalk Adolf Hitler in this taut WWII thriller. Capt. Thorndike (Walter Pidgeon) is an expert big-game hunter from England. While hunting in Bavaria, he happens upon Hitler's Berchtesgaden estate and spots the Fuhrer; he has his rifle in tow, and he toys with the idea of firing at the dictator, even raising the unloaded weapon, putting Hitler in the crosshairs, and pulling the trigger to make the gun click. Unfortunately, this draws the attention of Maj. Quive-Smith (George Sanders), a Gestapo leader assigned to guard the Führer, who promptly apprehends Thorndike, drags him off and attempts to force him to sign a confession. When he refuses, he's brutally beaten and dumped into a hole in the woods, and must climb out and make his way to safety, by hiding as a stowaway on a Danish steamer. The poor fellow then runs afoul of the menacing Mr. Jones (John Carradine), who steals his passport and identity. By the time Thorndike returns to London, the hunter has become the hunted, with Gestapo agents combing the streets looking for the would-be assassin. Thorndike finds an unlikely ally in Jerry (Joan Bennett), a seamstress and sometimes streetwalker who takes him in and helps him hide from the German forces closing in around him. And meanwhile, he must still contend with teh nefarious doings of Mr. Jones Man Hunt was directed by Fritz Lang, the great German director who fled to Paris in 1933 rather than accept a commission from Joseph Goebbels to make Nazi propaganda films. He came to America the following year. ~ Mark Deming, All Movie Guide

Neither James Cagney nor Bette Davis were particularly pleased with the outdated screwball comedy The Bride Came C.O.D., but both performers behaved with thorough professionalism, doing a lot more for the film than the film did for them. Davis stars as flighty heiress Joan Winfield, whose impending marriage to bandleader Allen Brice (Jack Carson) does not rest well with her oil-rich father Lucius K. Winfield (Eugene Pallette). When Joan announces that she intends to defy her father's wishes and elope with Brice, Winfield hires charter pilot Steve Collins (Cagney) to kidnap the girl and deliver her back home, C.O.D. Nearly bankrupt, Steve goes along with the scheme, but on the return flight his plane crashes in the desert. Realizing that he's only a few miles from civilization, Steve schemes to keep Joan from signalling any potential rescuers by chasing her into an old tunnel and convincing her that they're hopelessly lost. When Joan tumbles to the scheme, she forces Steve to let her marry Brice. The surprisingly cooperative Steve agrees, knowing full well that he still has a few aces up his sleeve. So guess who Joan ends up with at fadeout time? Genuine laughs are few and far between in this hectic farce, but at least Bette Davis has one hilarious moment, predicated on her outraged delivery of the word "Mustard!" ~ Hal Erickson, All Movie Guide

With a little extra effort, Washington Melodrama might have passed muster as an A picture. Frank Morgan stars as millionaire philanthropist Calvin Claymore, who comes to Washington in hopes of promoting a Senate bill on behalf of European war relief. Away from his wife (Fay Holden) and daughter Laurie (Ann Rutherford) for the first time in years, Claymore succumbs to tempation and spends a night on the town with chorus girl Mary Morgan (Anne Gwynne). Though nothing of a sexual nature transpires, Claymore finds himself in a compromising-and possibly fatal-position when Mary later turns up murdered. Blackmailed by slimy nightclub emcee Whitney King (Dan Dailey), Claymore is unable to turn to the police, and must stand by helplessly as the trail of clues leads inexorably to himself. Making matters worse, reporter Walt Thorne (Kent Taylor), the principal investigator on the case, has fallen in love with Claymore's daughter Laurie. It's a melodrama, all right, done up in style by MGM and a topnotch cast. ~ Hal Erickson, All Movie Guide

Despite its alluring title, Bedtime Story is an innocent little domestic comedy about a bickering married couple. Fredric March is a successful playwright specializing in vehicles for his beautiful actress wife Loretta Young. Young wants to retire from the stage and set up housekeeping on a little Connecticut farm. March refuses to acknowledge her wishes and continues working on his latest play, which is being written for her. She petulantly walks out of the relationship, taking up with straitlaced banker Allyn Joslyn. One does not need a crystal ball to determine the outcome of all this, but Bedtime Story goes through its expected paces with finesse, helped along by such reliable supporting players as Robert Benchley and Eve Arden. ~ Hal Erickson, All Movie Guide

A Clarence Buddington Kelland story was the source for the mildly farcical For Beauty's Sake. If he wants to inherit a fortune, bookish astronomy professor B. E. Dillsome (Ted North) must operate his aunt's beauty parlor for a two-year period. Business is very, very slow, prompting Dillsome's girlfriend Dime Pringle (Marjorie Weaver) to bring in a hot-shot press agent Jonathan B. Sweet (Ned Sparks) to publicize the establishment. Before long, our benighted hero finds himself mixed up in a murder plot and a blackmail scheme. The raucous comedy relief of Joan Davis and the patented deadpan asides of Ned Sparks more than make up for the film's plot deficiencies. ~ Hal Erickson, All Movie Guide

Every time that sinister Oriental megalomaniac Dr. Fu Manchu is ready to kill, sounds of strange drums can be heard coming from -- well, nowhere really. In 1939, Republic Pictures purchased the rights to the first six of British pulp fiction writer Sax Rohmer's popular "Fu Manchu" stories. The result became the studio's second longest action serial and one of its most enduringly popular. The head of a sinister conglomeration known as the Si-Fan, Dr. Fu Manchu (Henry Brandon) goes in search of the Sacred Scepter of Genghis Khan, with which he hopes to rule all the tribes of the Orient and evict the foreign infidels. Helping the good doctor is Fah-Lo-Suee (Gloria Franklin), his Eurasian daughter, and a seemingly unlimited supply of Dacoits, henchmen turned into slaves by having undergone frontal lobotomies. Dr. Fu Manchu is, as always, opposed by Sir Neyland Smith (William Royle) of the British Foreign Office. This time, however, Sir Neyland is not only aided by his very own "Dr. Watson," Dr. Petrie (Olaf Hytten), but also by a young American, Allan Parker (Robert Kellard), whose father (George Cleveland) had become yet another of Fu Manchu's many victims. Complicating the search is the attractive presence of Mary Randolph (Luana Walters) who, like most of her ilk, has a tendency to get herself into serious trouble at the most inopportune moments. Although the Oriental fiend appears all-powerful at times, Sir Neyland and his friends once again save the free world from enslavement -- although it takes them 15 chapters to do so. ~ Hans J. Wollstein, All Movie Guide

Hollywood films about the Revolutionary War almost invariably lost money at the box office, and The Howards of Virginia was no exception, despite the presence of Cary Grant in the lead. Most of the story takes place in the colonial capital city of Williamsburg, Virginia, where Matt Howard (Cary Grant) dedicates himself to the causes of Life, Liberty and the Pursuit of Happiness. Remaining faithfully at Matt's side through his early years as a frontiersman and on into his life among the "landed gentry" is his wife Jane Peyton Howard (Martha Scott), the sister of unregenerate royalist Fleetwood Peyton (Cedric Hardwicke).

Most of the high points of the Revolution are herein recreated, including the Stamp Act riots, the Boston Tea Party, and Patrick Henry's "Give me Liberty" speech. Curiously, however, director Frank Lloyd stages these scenes in a flat, near-throwaway fashion; even the inflammatory Henry (Richard Gaines) is hampered by unimaginative camera angles. Other historical personages parading through the film include Thomas Jefferson and George Washington, played respectively by Richard Carlson and George Houston. Though it's rather rough sledding in its feature-length version, The Howards of Virginia plays quite well in the half-hour abridgement prepared by Columbia for schoolroom showings. ~ Hal Erickson, All Movie Guide

The schizophrenic screenplay of The Earl of Chicago is rendered even more bizarre by the uneven performance by Robert Montgomery. He plays Silky Kilmont, a Runyonesque American gangster who inherits a British title (Earl of Gorley) and mansion. Taking charge of his new estate, Silky has an amusing time trying to acclimate himself to the customs of the "landed gentry". Things take a sinister turn when Silky discovers that his trusted attorney Doc Ramsey (Edward Arnold) is actually a bigger crook than he is. In a rage, Silky murders Ramsey, then goes into what appears to be a catatonic shock, refusing to defend himself at his murder trial. Blood finally tells at the climax when Silky Kilmont, aka the Earl of Gorley, meets his fate with a dignity and decorum worthy of his aristocratic forebears. The queasy atmosphere of the film is heightened by its utter lack of romance; outside of character actress Norma Varden, there are barely any women in the film at all. ~ Hal Erickson, All Movie Guide

Gene Autry rescues a young boy from a gang of kidnappers in this delightful musical-Western from Republic Pictures. Having lost their jobs with the rodeo, Gene and sidekick Frog Millhouse (Smiley Burnette) are heading west when they discover a young British stowaway, Ronnie Willoughby (Clifford Severn Jr.), who mistakenly assumes that the two cowboys represent his father's large "Rancho San Quentin." Gene, however, doesn't have the heart to tell the boy that San Quentin is no ranch at all, but the state penitentiary. Along the way, the merry little group picks up a couple of pretty hitchhikers, runaway society bride-to-be Joyce Halloway (June Storey) and her kid sister, Patsy (Mary Lee), and they, too, keep mum about "Rancho San Quentin." In fact, Joyce nobly arranges for her own family ranch to be renamed after the prison lest the boy should learn the truth. Wrongly assuming that Gene and company are kidnappers, Ronnie's father, Frederick (Lester Matthews), makes a daring escape from San Quentin but Gene manages to make it appear as if the escapee is returning from a long and arduous cattle drive. The real kidnappers turn up soon enough, of course, and after the inevitable chase, Willoughby's establishes his innocence and Gene agrees to stay on as Joyce's foreman. Gene Autry, Smiley Burnette, and girl singer Mary Lee perform no less than seven musical numbers, including the title tune, "The Singing Hills," "Give out With a Song," Headin' for the Wild Open Spaces," and "Wooing of Kitty MacFuty." A television print entitled Keep Rollin' also exists, but without many of the songs and all the Mexican cantina production numbers. ~ Hans J. Wollstein, All Movie Guide