Creighton Hale Movies

A Child is Born is a remake of 1932's Life Begins, softened to conform to stricter movie censorship and lengthened to qualify as an "A" picture. The film is an episodic account of one particularly busy night in a maternity hospital. A generous portion of screen time is lavished on a gangster's moll (Geraldine Fitzgerald), about to give birth to her illegitimate baby. The young woman dies in childbirth, but other subplots end more happily. Even at 79 minutes, A Child is Born seems more padded and protracted than its 1932 predecessor--notably in a contrived sequence wherein the only surgeon qualified to perform a delicate operation is blinded in an accident. ~ Hal Erickson, All Movie Guide

The satirically titled A Damsel in Distress stars the ebullient June Caprice. On vacation with her family, June falls in love with her tour guide. Ordered by her parents to remain in her hotel room, Caprice escapes for a rendezvous with her boyfriend. Instead, she makes the acquaintance of London playwright Creighton Hale, who turns out to be just the right man for her. A Damsel in Distress was based on a story by P.G. Wodehouse, later adapted into the 1937 Fred Astaire vehicle of the same name. ~ Hal Erickson, All Movie Guide

In this romantic melodrama, Bette Davis plays twin sisters for the first time (she would do so again in 1964's Dead Ringer). Kate Bosworth (Davis) is a sincere, demure girl and talented artist. Her twin sister Pat (also Davis) is a flamboyant, man-hungry manipulator. Orphans, the girls' guardian is their cousin, Freddie Lindley (Charles Ruggles), with whom Kate elects to spend a summer on Martha's Vineyard. There, she meets Bill Emerson (Glenn Ford), a handsome engineer spending a summer vacation as a lighthouse inspector. Kate falls deeply in love with Bill, but when Pat shows up, he goes for the more exciting sister, eventually marrying her. Devastated, Kate throws herself into her art, but she becomes discouraged under the tutelage of an abusive master, Karnock (Dane Clark). A sailing accident gives Kate the chance to take her sister's place -- but can she fool Bill into believing that this sweet, innocent woman is his philandering, scheming wife? A Stolen Life (1946), a remake of an earlier picture by the same name that had been produced by Paramount only seven years earlier starring Elisabeth Bergner in the twins role, was nominated for a Best Special Effects Oscar. ~ Karl Williams, All Movie Guide

An incredibly long but never dull adaptation of the Rachel Field best-seller, All This and Heaven Too was based on a once-notorious European scandal. Star Bette Davis, playing Henriette Deluzy-Desportes, is first seen as a French schoolteacher in a 19th century American seminary. When her supervisor, Reverend Henry Mortyn Field (Jeffrey Lynn), has questions to ask about her tainted past, Henriette relates her story in flashback. She had been hired by French duke De Praslin (Charles Boyer) to be the governess for his children. De Praslin's wife (Barbara O'Neil) was insanely jealous, so much so she inadvertently threw De Praslin and Henriette together. Henriette was willing to leave rather than cause more discord, but the influential wife vengefully refused to write a letter of recommendation (a bravura scene). Later, the impoverished Henriette was arrested as an accomplice in the murder of De Praslin's wife. The latter's position in French society stirred up volatile political ramifications, with Henriette innocently in the center of the storm. De Praslin committed suicide, exonerating Henriette on his deathbed, but she had already been condemned in the court of public opinion. Disgraced, she left for America to start life anew, which brings the story back to the present. Unable to continue running away from herself, Henriette confesses her past indiscretions to her students -- who promptly forgive her. Casey Robinson had a hell of a job adapting Rachel Field's cumbersome novel, but, by golly, he pulled it off. The performances in All This and Heaven Too are enhanced immeasurably by the lush Max Steiner musical score. ~ Hal Erickson, All Movie Guide

Creighton Hale emulates bucolic movie favorite Charles Ray in Annexing Bill. Hale plays a poor farm boy, in love with cute-as-pie Gladys Hulette. Everything changes when Hale comes into a huge inheritance. The boy forgets all about the girl, but she is willing to forgive him when he loses his money on Wall Street. This languid slice of Americana was directed by an Englishman, Albert Parker . ~ Hal Erickson, All Movie Guide

This typically overproduced Marion Davies vehicle casts her in a distaff variation of The Prisoner of Zenda. An American lass, Davies is obliged to impersonate her male cousin (Creighton Hale), heir to the throne of Graustark. Our heroine is quite fetching in male drag, and it's amazing that the Graustarkian courtiers don't tumble to her masquerade earlier than they do. Once she's been revealed to be a girl, Davies is able to move about freely in her efforts to squelch the plans of villainous Roy D'Arcy. The final reel of Beverly of Graustark was filmed in eye-pleasing early Technicolor. The film was based on a popular novel by George Barr McCutcheon. ~ Hal Erickson, All Movie Guide

An angry divorce is the curious source of humor in the offbeat "Our Gang" comedy "Big Ears." Though little Bobby "Wheezer" Hutchins loves both his father and mother (Creighton Hale and Ann Christy), he wishes that they would stop quarrelling. Overhearing their plans to split up, Wheezer is at first delighted, assuming that a divorce is some sort of present. Learning the truth, he begs his pal Matthew "Stymie" Beard for advice. Stymie suggests that, if Wheezer were to get a bellyache, his folks would forget their differences. Acting upon this, Wheezer consumes vast quantities of lard and soap, then samples the entire contents of the family's medicine chest! Fortuately, he survives, whereupon his parents promise to stop fighting --- at least for now. Originally released on August 29, 1931, "Big Ears" is absent from the "Little Rascals" TV package, but is, however, available on home video. ~ Hal Erickson, All Movie Guide

When a young man confesses to theft, his wealthy and influential father has him "shanghaied" aboard one of the company ships in this silent melodrama starring Creighton Hale and 1924 WAMPAS BABY STAR Dorothy Mackaill. Mackaill, a former "Follies" girl, plays Linda Harper, whose father (Alec B. Francis) is falsely accused of the theft actually committed by gambler Billy Craig (Hale). The latter confesses but to shield his ailing wife (Fanny Midgley), Craig, Sr. (Ralph Lewis) has him "abducted." Escaping this predicament easily enough, Billy is warned by old man Harper that Linda has gone to see nasty money-lender Glenn Hayden (Richard Tucker) in an attempt to cover the stolen money. Billy goes after her and arrives just in time to save the girl from a fate worse than death. Written by the husband-and-wife team of Hope Loring and Louis D. Lighton, this routine melodrama was directed by Phil Rosen, a typical Hollywood professional who would go on churning out genre films of all kinds until shortly before his death in 1951. ~ Hans J. Wollstein, All Movie Guide

Edward G. Robinson plays orchid-loving gangster Little John Sarto, who aspires to "real class." During a power struggle with usurping mobster Jack Buck (Humphrey Bogart), Sarto is taken for a one-way ride, but he escapes his would-be assassins and hides out in a monastery overseen by Brother Superior (Donald Crisp). Sarto insists that he'd like to become a monk himself, but in fact he's using the monastery as a hideout, the better to mount his counterattack against Buck. Eventually Sarto's resolve is weakened by the kindness of the monks, and he decides to turn over a new leaf. He sees to it that Buck is brought to justice, and also fixes up his true-blue "moll," Flo Addams (Ann Sothern), with good-hearted Texas rancher Clarence Fletcher (Ralph Bellamy). (News flash! Bellamy gets the girl for once!) Sarto, now known as "Brother Orchid," returns to the monastery for good, declaring that he's finally found the real class. Though Edward G. Robinson didn't want to play another gangster, he agreed to star in Brother Orchid in exchange for being allowed to essay the lead in Warner Bros.' historical drama A Dispatch From Reuter's (1940). ~ Hal Erickson, All Movie Guide

Although Warner Bros. "officially" disbanded its B-picture unit in 1941, the studio continued to grind out lower-berth features for the next three years. One of these was Bullet Scars, which had the look of a 1930s gangster meller which somehow escaped filming at the time of its inception. Decked out with a lavish toupee, Regis Toomey stars as country doctor Steven Bishop, who is strongarmed into operating on wounded bank robber Joe Madison (Michael Ames) without reporting the wound to the cops. Coerced into assisting Bishop is trained nurse Nora (Adele Longmir), who happens to be Madison's sister. Falling in love with Dr. Bishop, Nora helps him sneak a message to the cops, and the result is a noisy climactic shootout (pieced together with a handful of new shots and stock footage from earlier Warners epics). Variety was understating the case when it described Bullet Scars as "a very unpleasant film." ~ Hal Erickson, All Movie Guide

One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide

In New York to attend a police testimonial in his honor, Honolulu detective Charlie Chan runs smack dab into another murder. The victim is a blackmailing nightclub singer who had listed the names of all known criminals in Manhattan in her diary. The diary disappears, and Charlie joins a glib newspaper reporter (Donald Woods) and a photojournalist (Joan Marsh) in hunting down the killer. Several false leads and red herrings later, Charlie puts the pieces together and fingers the killer--who true to form is the least likely suspect (especially for a "typical" New York murder case). Charlie Chan on Broadway represented the 15th appearance by Warner Oland as the aphorism-spouting Oriental sleuth. ~ Hal Erickson, All Movie Guide

In this mystery, a detective and his secretary go on vacation and end up solving a murder. ~ Sandra Brennan, All Movie Guide