Creighton Hale Movies

Loosely based on a novel by James M. Cain, this romantic drama centers on the struggles of a humble vineyard worker (real-life opera star Mario Lanza) who rises to become a renowned opera star. In the original book, Damon, the protagonist, has a homosexual relationship with the patron who boosts his career, but in the film, the patron is a wealthy and manipulative young woman named Kendall (Joan Fontaine). As charming as she is selfish, poor Damon cannot help but fall in love with Kendall. Unfortunately, she is a fickle creature and soon grows bored with him, thereby breaking his heart and causing him to choke during his audition for the Met. Afterward, he flees to Mexico. There he comes down with a mysterious, debilitating movie disease. Fortunately, Juana, a beautiful ex-bullfighter's daughter is there to help him recover. Damon falls in love with her, but just as it looks like happiness will finally be his, conniving Kendall reappears. In addition to singing numerous selections from popular operas, Lanza also sings a pair of Sammy Cahn/Nicholas Brodszky pop tunes: "Serenade" and "My Destiny." ~ Sandra Brennan, All Movie Guide

Nineteenth-century saloon gal Roxy McClanahan (Yvonne DeCarlo) manages to inveigle herself into the uppermost rungs of polite New Orleans society. But Roxy has not reckoned with her old friendly nemesis, merchant seaman Frank Truscott (Rock Hudson), whose bankroll Roxy had lifted back in her wilder and woollier days. For a price, Frank agrees not to blow the whistle on Roxy's checkered past. He further agrees to allow her to pass off an orphaned child as her own daughter, the better to maintain her pose as a fabulously wealthy widow. Several rambunctious scenes later, Frank and Roxy finally realize that they're made for each other, and to heck with Society. More fun than most costume melodramas of its kind, Scarlet Angel benefits from attractive production values and a top-flight supporting cast, included future Gunsmoke co-star Amanda Blake as a viper-tongued society belle. ~ Hal Erickson, All Movie Guide

Based on a play by Fay Kanin, this comedy drama follows a successful congresswoman's emotional journey back to her alma mater. When Agatha Reed (Joan Crawford) is offered an honorary degree at her former college, she is forced to remember the reason she was expelled to begin with. Nearly twenty years prior, Agatha (Crawford) had an affair with Dr. James Merrill (Robert Young), one of her professors. After her departure, Dr. Merrill (Young) slowly rose through the ranks, eventually becoming the president of the school. Despite having left under less than desirable circumstances, Agatha is excited to see him and hopes to rekindle their relationship. Meanwhile, newspaper reporter Matt Cole (Frank Lovejoy), not only follow's Agatha to her former university, but unsucessfully proposes marriage. Unfortunately for him, the alumna's eyes are set firmly towards her old flame. However, once Matt (Lovejoy) and Agatha team up in a passionate attempt to update the school's outdated curriculum, she realizes who she truly loves. ~ Tracie Cooper, All Movie Guide

The Ben Hecht-Charles MacArthur Broadway comedy Ladies and Gentlemen formed the basis of the Warner Bros. laughspinner Perfect Strangers. The title characters are Terry Scott and David Campbell, played by Ginger Rogers and Dennis Morgan. She's a divorcee, he's a husband and father. Terry and David are thrown together by fate -- or rather, the LA judicial system. While serving as jurors on a murder trial, the two fall in love. Ironically, the woman on trial allegedly killed her husband because he'd asked for a divorce. The seriocomic tension develops on two levels: will juror Isobel Bradford (Margolo Gillmore) be able to sway the others to vote for the death penalty, and will Terry and David continue to pursue their romance at the expense of the happiness of others? ~ Hal Erickson, All Movie Guide

The hero of Ayn Rand's The Fountainhead is Howard Roark (Gary Cooper), a fiercely independent architect obviously patterned after Frank Lloyd Wright. Rather than compromise his ideals, Roark takes menial work as a quarryman to finance his projects. He falls in love with heiress Dominique (Patricia Neal), but ends the relationship when he has the opportunity to construct buildings according to his own wishes. Dominique marries a newspaper tycoon (Raymond Massey) who at first conducts a vitriolic campaign against the "radical" Roark, but eventually becomes his strongest supporter. Upon being given a public-housing contract on the proviso that his plans not be changed in any way, Roark is aghast to learn that his designs will be radically altered. Roark sneaks into the unfinished structure at night, makes certain no one else is around, and dynamites the project into oblivion. At his trial, Roark acts as his own defense, delivering an eloquent paean to individuality. He is acquitted, while the newspaper tycoon, upset that he could offer Roark no help during the trial, kills himself. This clears the way for a final clinch between Roark and Dominique on the skeleton of his latest building project. Ayn Rand's celebration of Objectivism didn't translate very well to film, with Gary Cooper coming off more selfish and petulant than anything else. The Fountainhead's saving graces are the solid direction by King Vidor, the rhapsodic musical score by Max Steiner, and the symbolism inherent in Cooper's manipulation of his power drill when he first lays eyes on Patricia Neal! ~ Hal Erickson, All Movie Guide

A Kiss in the Dark opens with a shot of Jane Wyman in a two-piece bathing suit. Alas, the dictates of cinematic construction demand that some sort of plot must follow this promising beginning. Wyman plays model Polly Haines, one of several mildly eccentric tenants in an apartment building owned by neurotic concert pianist Eric Phillips (David Niven). Requiring absolute peace and quiet, Eric intends to evict his tenants and thereby have the building all to himself. Soon, however, he is won over by the apartment dwellers, who in their own various ways are as high-strung as the musician. He also falls in love with Polly, just as expected. The supporting cast of Kiss in the Dark is peopled by such expert farceurs as Victor Moore, Broderick Crawford, Wayne Morris, Joseph Buloff, and Curt Bois. Making her final screen appearance is Maria Ouspenskaya as the building's resident "earth mother." ~ Hal Erickson, All Movie Guide

Filmed in 1947, Warner Bros. Night Unto Night wasn't released until 1949. Based on a novel by Philip Wylie, the film stars Ronald Reagan as John, a young scientist suffering from epilepsy (In 1951, Reagan would play another epileptic, baseball star Grover Cleveland Alexander, in The Winning Team). Viveca Lindfors co-stars as Ann, who is recovering from the loss of her husband. Both John and Ann head to the coast of Florida for rest and relaxation, and it is here that they fall in love. While John and Ann contend with their individual afflictions and private demons, their mutual friend Shawn (Broderick Crawford) dispenses philosophical advice. The psychological aspect of Night Unto Night seems dated and simplistic when seen today; even so, Reagan and especially Lindfors are convincing in their difficult roles. ~ Hal Erickson, All Movie Guide

The racehorse Seabiscuit really existed, but this is not his true story -- this is a romance and centers on lovely Margaret O'Hara (Shirley Temple), an Irish lass who comes to cheer on her uncle Shawn O'Hara's (Barry Fitzgerald) horse during the big races and ends up falling in love with handsome jockey Ted Knowles (Lon McCallister). He asks for her hand, but she will only marry him if he gives up racing because she is still mourning the death of her brother, who was also a jockey. Ted is torn because he loves her, but he also wants to ride her uncle's horse Seabiscuit to victory. Her uncle convinces him to ride and then engineers matters so that his niece will still marry Ted. The film includes footage of the real Seabiscuit winning two different races during the 1940s. ~ Sandra Brennan, All Movie Guide

Veterinarian Ronald Reagan contracts anthrax from treating diseased cows in this horsey melodrama from Warner Bros. In fact, Reagan's dutiful Dr. Larry Hanrahan is so busy with the cows that he completely ignores a summons from lady horse breeder Rory Teller (Alexis Smith) to treat her prize-winning stallion. Rory is pretty peeved over what she perceives as a slight and briefly, ever so briefly, contemplates accepting a proposal of marriage from smooth-talking author Stephen Purcell (Zachary Scott). Until, that is, the seriousness of Larry's condition finally forces her to take a drastic measure: to treat the dying vet with the same serum he had used on the cattle. According to some reports, Humphrey Bogart and Lauren Bacall were scheduled to star in Stallion Road as a follow-up to the hugely successful The Big Sleep (1946). Rather than appear in what they rightfully considered a Grade-B production, they chose to go on suspension. ~ Hans J. Wollstein, All Movie Guide

In this slick melodrama, a sort of film-noir for women, a nightclub singer has an affair with an unhappily married San Francisco doctor. Though the physician desperately wants to leave his wife, he lacks the courage to ask for a divorce. In retaliation, the singer accepts an offer to move East and start up a new club in New York. Lost without the singer, the doctor is without option until his partner suddenly dies. With a burst of inspiration, he fakes his own death and flees to New York. Later, he is horrified to learn that his death has been officially declared a homicide, and so he goes into hiding in the singer's apartment. To cope with his fear and the increasing success of his lover, the physician begins drinking heavily. This only makes him paranoid and more depressed and he begins to suspect his lover is having an affair. Upon confronting the "lover," a fight ensues, the doctor wins, and thinking he killed his rival, he takes off -- only to end up in a horrible traffic accident that leaves his face unrecognizable. Though plastic surgery gives him a new identity, it is at that time that he is arrested and sent back to California to stand trial for his own murder. Rather than burden his family with the shock that he is still alive, the doctor insists that his lover keep mum, and he stoically goes to trial where he is sentenced to Death Row. Beautifully photographed by James Wong Howe in typically expressionistic style, the film focuses on the desperation and entrapment of the characters and expresses a true bleak, fatalistic film-noir sensibility which makes this film unique in the genre. ~ Sandra Brennan, All Movie Guide

The third of four films bearing the title of The Perils of Pauline, this musical biopic purports to tell the life story of famed silent serial queen Pearl White. Right at the beginning, however, an introductory title informs the audience that what follows is merely "suggested" by incidents in White's life and career. Translation: The film is a fabrication from beginning to end, but an enjoyable one. Played on all four cylinders by Betty Hutton, White is introduced as a frustrated factory worker who aspires to become a dramatic actress. She joins a touring theatrical troupe managed by handsome but pompous Mike (John Lund), but fame and fortune elude her because she's unable to suppress her natural rambunctiousness. In desperation, White takes a job at a movie studio, where she promptly finds herself in the middle of a slapstick pie fight. With the help of bombastic director Mac (William Demarest), top-hatted villain portrayer Timmy (Billy De Wolfe), and imperious dramatics coach Julia (Constance Collier), Pearl soon becomes world-famous as the star of such cliffhanging, tied-to-the-railroad-tracks serials as The Perils of Pauline (hence the title of this film). At the height of her fame, she arranges for her theatrical mentor Mike to get a job as her leading man, forcing him to swallow his pride and admit that he's been in love with her from the moment he met her. A series of clichéd complications contrive to separate White and Mike, but he returns to her arms when she's seriously injured during a Parisian stage performance. A few fairly credible recreations of silent moviemaking techniques aside, The Perils of Pauline is wildly anachronistic and inaccurate (for one thing, Pearl White made most of her serials in New Jersey rather than Hollywood). As a musical comedy, however, the film passes muster, especially during the performance of such Frank Loesser tunes as "I Wish I Didn't Love You So" and "The Sewing Machine." As a bonus, the film rounds up several silent-movie veterans in cameo roles, including William Farnum, Chester Conklin, Jimmy Finlayson, Creighton Hale, Hank Mann -- and Paul Panzer, who played the sneering villain in the original 1914 Perils of Pauline. ~ All Movie Guide

If Paramount could rake in the bucks by teaming singer Bing Crosby and comedian Bob Hope in a series of Road pictures, then Warner Bros. could do the same. Lacking a Crosby or Hope, Warners paired Dennis Morgan and Jack Carson (who like Crosby and Hope were good buddies off-screen) and came up with the Two Guys series--which lasted two pictures. Two Guys From Milwaukee cast Carson as a wisecracking cabdriver and Morgan as a likable Balkan prince. Anxious to learn the "American way," Morgan joins Carson for a night on the town. Along the way, the boys fall in love with Joan Leslie and Janis Paige (Warners wasn't satisfied with just one Dorothy Lamour counterpart); and if you keep your eyes open, you'll see Humphrey Bogart and Lauren Bacall in a closing-scene cameo. Two Guys From Milwaukee had its premiere showing in the "beer city" of the title--which happened to be the childhood home of both Dennis Morgan and Jack Carson. ~ Hal Erickson, All Movie Guide