Mischa Auer Movies

The screen's foremost "Mad Russian" (though he was more dour than demented in most of his movie appearances), Mischa Auer was the son of a Russian navy officer who died in the Russo-Japanese war. Auer's family scattered during the Bolshevik revolution, forcing the 12-year-old Mischa to beg, borrow, and steal to survive. Orphaned during a typhus epidemic, Auer moved to New York where he lived with his maternal grandfather, violinist Leopold Auer. Inspired by the elder Auer to become a musician, Mischa entered the Ethical Culture School in New York, where he developed an interest in acting. Playing small parts on Broadway and with Eva LeGalleine's company, Auer persisted until his roles increased in size and importance. While appearing with the Bertha Kalich Company in Los Angeles, Auer was hired by Hollywood director Frank Tuttle for a minor role in the Esther Ralston comedy Something Always Happens (1927). During his first nine years in films, the tall, foreboding Auer was typecast as sinister foreigners, often playing villainous Hindu priests, Arab chieftains, and feverish anarchists. His comic gifts were finally tapped by improvisational director Gregory La Cava, who cast Auer as society matron Alice Brady's free-loading "protege" in My Man Godfrey (1936). Thereafter, the actor flourished in eccentric comedy roles in such films as 100 Men and a Girl (1937), You Can't Take It With You (1938) (in which he popularized the catchphrase "Confidentially, it stinks!"), Destry Rides Again (1939), and Hellzapoppin' (1941). During the 1940s, Auer starred in the radio series Mischa the Magnificent and headlined several Broadway flops. The following decade, he spent most of his time in Europe, playing aging oddballs in films like Orson Welles' Mister Arkadin (1955). Among Mischa Auer's last professional engagements was a 1964-1965 revival of The Merry Widow -- one of his few successful stage ventures. ~ Hal Erickson, All Movie Guide
1938  
 
In this socially conscious drama a sextet of juvenile delinquents flee a crime screen in their seedy ghetto and wind up getting invited to a posh mansion by a wealthy criminal. Their attempts to accustom themselves to the opulent surroundings nearly results in the destruction of the manse. Eventually they boys decide that they must return to the city and pay for their crime. ~ Sandra Brennan, All Movie Guide

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Starring:
Mischa AuerMary Boland, (more)
1938  
NR  
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Moss Hart and George S. Kaufman's whimsical Pulitzer Prize-winning Broadway play You Can't Take It With You was transformed into a paean to populism by director Frank Capra and screenwriter Robert Riskin. This is the story of the zany Sycamore household, presided over by Grandpa Vanderhof (Lionel Barrymore), a former businessman who has turned his back on commerce to enjoy life. At the Sycamores', everyone does just what he or she pleases. Penny Sycamore (Spring Byington), Grandpa's daughter, has become a novelist because someone delivered a typewriter to her home by mistake. Penny's husband makes firecrackers in his basement with the help of Mr. DePinna (Halliwell Hobbes), an iceman who showed up at the Sycamore doorstep one day and never left. Their daughter, Essie (Ann Miller), imagines that she's a prima ballerina, even though her dour teacher, Boris (Mischa Auer), assesses her work with, "Confidentially, it steenks!" Essie's husband, Ed (Dub Taylor), who'd rather play a xylophone than work, spends his free time selling Essie's candy, wrapping each package in paper from a used printing press that dispenses anarchistic slogans. The one normal member of the household is Alice Sycamore (Jean Arthur), in love with wealthy Tony Kirby (James Stewart).

Naturally, when the stuffy, aristocratic Kirbys come to the Sycamores' for dinner, the event is a disaster, capped with the arrest of everyone in the household. Hart and Kaufman's third act found the previously judgmental Kirby softening his attitude toward the freewheeling Sycamore clan, admitting that he's never had so much fun in his life. Screenwriter Riskin altered the focus of the play by throwing out the third act and concentrating upon Tony Kirby's father, Kirby Sr., who as played by Edward Arnold is transformed from a stock stuffed shirt into a ruthless, grasping tycoon, eager to buy up every house on the Sycamores' block to make room for a munitions plant. The film thus became the story of Kirby's regeneration at the hands of the carefree Sycamores. Enough of the play's screwball elements are retained to compensate for Riskin's speechifying and plot distortions (though the softening of one of the play's vital ingredients, Grandpa's refusal to pay his income tax, borders on the sacrilegious). You Can't Take It With You earned several Academy Awards, including Best Picture and Best Director (Capra's third Oscar). ~ Hal Erickson, All Movie Guide

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Starring:
Jean ArthurLionel Barrymore, (more)
1938  
 
Contrary to popular belief, the Nelson Eddy-Jeanette MacDonald Technicolor confection Sweethearts is not based on the 1913 Victor Herbert operetta of the same name (though most of Herbert's songs remain intact), but a Dorothy Parker-Alan Campbell brainstorm about a popular Broadway singing duo, starring in a long-running production of Sweethearts. The early portions of the film take place during a purported presentation of the Herbert piece, with Eddy and MacDonald singing their hearts out and Ray Bolger providing comic relief. We then segue into a long sequence wherein producer Frank Morgan, celebrating Sweethearts's six-year run, insists that Eddy and MacDonald attend a lavish party, where the weary performers are called upon to continue singing throughout the evening. Hoping for a few moments alone after escaping the party, Eddy and MacDonald are besieged at their apartment by friends, co-workers, hangers-on and sponging relatives. Seeking peace and quiet, the couple agrees to leave Sweethearts for the comparative calm of Hollywood. But their entourage, fearing that they'll lose their meal ticket if Eddy and MacDonald leave New York, arrange to inaugurate two profitable road companies of Sweethearts by contriving to split up the loving couple. Cleverly sidestepping the sugary sweet sentimentality that one might expect from an MGM musical of the era, the delightful Sweethearts is hampered only by its overlength. ~ Hal Erickson, All Movie Guide

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Starring:
Jeanette MacDonaldNelson Eddy, (more)
1938  
 
In this frothy comedy-drama, a businesswoman owns a successful service bureau for the filthy rich. Her service does everything from handling mundane finances to putting on weddings. Her most recent client wants her to prevent his rube of a nephew from coming to New York to visit him. She does her best and in the end, falls in love with the bumpkin after charming him away from his countrified girl friend. ~ Sandra Brennan, All Movie Guide

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Starring:
Constance BennettVincent Price, (more)
1937  
 
Previously teamed in six early-1930s films, James Dunn and Sally Eilers bring the total up to seven with their last co-starring vehicle We Have Our Moments. A trio of American crooks board a ship bound for Europe, intending to get rid of $100,000 in stolen dough. With detective John Wade (James Dunn) breathing down their necks, the crooks stash the loot in the trunk belonging to vacationing schoolmarm Mary Smith (Sally Eilers). As the voyage progresses, Wade falls in love with Mary, never dreaming that she's in possession of a hundred grand; in fact, she doesn't know it yet, either. Things get hectic as the villains tip their hand to recover the loot, but heroes and heroines never get killed in a romantic comedy, so rest easy. We Have Our Moments might never have been reshown after its initial 1937 release were it not for the presence in the cast of a young David Niven, billed third despite the slimness of his role. ~ Hal Erickson, All Movie Guide

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Starring:
Sally EilersJames Dunn, (more)
1937  
 
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An early Technicolor musical that concentrates on the fashions of the late 1930s, this film was reissued under the title All This and Glamour Too. The top models of the era, including several who are advertising household products, are in the cast. The plot centers around a chic boutique, whose owner, George Curson (Warner Baxter), tries hard to please his customers while keeping peace with his unhappy wife. A wealthy young woman, Wendy Van Klettering (Joan Bennett), decides to take a job as a model at the fashion house, just to amuse herself, but her presence annoys Curson, who must put together the best possible show to compete with rival fashion houses at the Seven Arts Ball. The film includes several hit songs, including the Oscar-nominated "That Old Feeling" by Sammy Fain and Lew Brown. ~ Michael Betzold, All Movie Guide

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Starring:
Warner BaxterJoan Bennett, (more)
1937  
 
Merry-Go-Round of 1938 was the first (and last) of a proposed series of films spotlighting top Broadway talent. Three headliners from the Great White Way--comedian Bert Lahr, pantomime artist Jimmy Savo and monologist Billy House--team with veteran Hollywood scene-stealer Mischa Auer. The storyline has our four heroes taking care of a cute little girl, but the plot is forgotten amidst a series of choice specialty acts, including Lahr's legendary "Woodman Spare That Tree." Universal took a bath with Merry-Go-Round of 1938, which explains why you never saw the 1939 edition. As for the stars, Bert Lahr went on to Wizard of Oz; Jimmy Savo returned to Broadway; Billy House became a Hollywood character actor; and Mischa Auer continued to be everyone's favorite "Gloomy Russian." ~ Hal Erickson, All Movie Guide

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Starring:
Bert LahrJimmy Savo, (more)
1937  
 
In this romance, a secretary is awarded a legacy. Later she meets a male secretary who begins protecting her from an avaricious baron endeavoring to steal her money. The two rivals engage in fisticuffs, and the secretary loses. Fortunately, he wins the love of the girl. He then reveals that his actually a millionaire himself. ~ Sandra Brennan, All Movie Guide

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Starring:
Madeleine CarrollFrancis Lederer, (more)
1937  
 
The girl is teenaged singing sensation Deanna Durbin; the one hundred men are out-of-work musicians. Still in her "little miss fix-it" stage, Durbin connives to help the musicians crack the big time. The person Durbin is most concerned with is her father (Adolphe Menjou) the 100th and most underemployed of the bunch. The men organize their own orchestra; all they need is a prestigious leader. Enter legendary conductor Leopold Stokowski, who after several refusals to listen to Durbin's entreaties is captivated when he hears the sounds of Liszt's 2nd Hungarian Rhapsody, as played by 100 shabby instrumentalists camped out on the stairway of his house. This film literally saved Universal Studios from receivership in 1937, assuring Ms. Durbin a movie career until she was too rich to care. ~ Hal Erickson, All Movie Guide

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Starring:
Deanna DurbinAdolphe Menjou, (more)
1937  
 
In this musical set in swingin' Manhattan, an heiress plans a ballet in the famous Moonbeam ballroom located atop a 100-story skyscraper. Unfortunately, the attending audience is quite bored until someone starts the place swinging. Musical numbers include: "Blame It on the Rhumba," "Where Are You?" "Jamboree," "Top of the Town," "I Feel That Foolish Feeling Coming On," "There's No Two Ways About It," "Fireman Save My Child" (Harold Adamson, Jimmy McHugh). ~ Sandra Brennan, All Movie Guide

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Starring:
George MurphyHugh Herbert, (more)
1937  
 
In this romance, a detective teams up with a count and travels to Budapest in search of an embezzler. While there, the two get involved with a female physician in whose house the criminal is concealed (the doctor doesn't know this). Soon the detective and the doctor are involved. Fortunately, by the story's end, he proves that she is innocent of harboring an international criminal. ~ Sandra Brennan, All Movie Guide

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Starring:
Mischa AuerWendy Barrie, (more)
1937  
 
Film collectors take note: Hal Roach's Pick a Star is not a Laurel and Hardy picture, though the popular comic duo does make a brace of amusing cameo appearances halfway through the film. A remake of Buster Keaton's Free and Easy, this is the story of how small-town gas-station owner Joe Jenkins (Jack Haley) tries to help his sweetheart Cecilia Moore (Rosina Lawrence) realize her ambition to become a movie star. At the behest of travelling entrepreneur Stone (Russell Hicks), Jenkins organizes a talent contest, the first prize being a trip to Hollywood and a screen test. When Stone turns out to be a crook and skips town with the proceeds of the contest, Cecilia is heartbroken, but Joe promises to go to Hollywood himself and make the right connections to assure her rise to stardom. Alas, the best Joe can manage in Tinseltown is a busboy job at the Colonial Club, a fact he tries to conceal from Cecilia and her wisecracking sister Nellie (Patsy Kelly) when they unexpectedly arrive in California as guests of movie-matinee idol Rinaldo Lopez (Mischa Auer). In desperation, Joe pretends to be a nightclub entertainer, but when this ruse is revealed, Cecilia angrily walks out on him, accompanying Rinaldo first to his movie studio and then to his apartment. Naturally Rinaldo has seduction on his mind, but innocent Cecilia doesn't realize this until Joe storms into the apartment with blood in his eye. Ashamed for his lascivious behavior, Rinaldo arranges for Cecilia to have a screen test for producer Klawheimer (Charles Halton). At the last moment, Cecilia suffers an attack of "camera fright," but Joe gently coaches her through her test, and there's a happy ending for all concerned -- even for sister Nellie, who's been relentlessly cynical about the storyline from first scene to last. Cast as "movie stars," Laurel and Hardy show up briefly in the movie-studio scenes to participate in a reciprocal-destruction sequence with their old screen nemesis Walter Long, and to perform an amusing musical routine with "dueling" harmonicas. Pick a Star has been reissued as Movie Struck, while the Laurel & Hardy scenes were released separately to TV as the ersatz two-reeler A Day at the Studio. ~ Hal Erickson, All Movie Guide

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Starring:
Patsy KellyJack Haley, (more)
1937  
 
The disarmingly zany Marry the Girl was one of the better Hugh Herbert "B"-vehicles for Warner Bros. Much of the story takes place within the walls of the ramshackle newspaper syndicate owned by the screwball Radway family. Purportedly the head of the operation, John B. Radway (Hugh Herbert) is under the thumb of his domineering sister Ollie (Mary Boland), while his niece Virginia (Carol Hughes) schemes to abandon journalism in favor of marriage to eccentric caption-writer Dimitri (Mischa Auer). The rest of the plot is a hodgepodge of farce, misunderstandings, and slapstick, all tied in with the solemn pronouncements of psychiatrist Stryker (Alan Mowbray) -- who turns out to be as crazy as the rest. In one of the saner moments of Marry the Girl, a shotgun is fired, whereupon a gaggle of geese in a wall painting suddenly take flight (it's that kind of movie). ~ Hal Erickson, All Movie Guide

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Starring:
Mary BolandFrank McHugh, (more)
1936  
 
This light-hearted musical romance follows the exploits of Nikki Martin (Lily Pons), a beautiful French opera star who stows away on an ocean liner in hopes of escaping her jealous fiancee. Once aboard, she joins an American swing band and falls in love with its leader (Gene Raymond), who, after hearing her sing, eventually comes to reciprocate her feelings. That Girl From Paris received an Academy Award Nomination for Best Sound, and includes musical highlights such as, "Seal It With a Kiss," "The Blue Danube," "Una Voce Poco Fa," and "The Call to Arms." Directed by Leigh Jason, this movie also features actors Mischa Auer, Frank Jenks, Lucille Ball and Jack Oakie. ~ Tracie Cooper, All Movie Guide

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Starring:
Lily PonsGene Raymond, (more)
1936  
 
The 1936 comedy-mystery The Princess Comes Across might well have been inspired by a real-life incident during the silent-movie era, in which a crafty San Francisco stenographer hoodwinked the Hollywood elite into believing that she was a Spanish princess. Carole Lombard stars as an alluring Swedish beauty who travels under the name of Princess Olga. Everyone whom she meets en route to America on the steamship Mammoth bows and scrapes to the Princess, while Hollywood anxiously awaits her arrival to star her in a big-budget film. Only the ship's bandleader, King Mantell (Fred MacMurray), refuses to defer to Olga, sensing that she may not be all she claims. Mantell's instincts are right on target: the "Princess" is a brass-nickel phony, a Brooklyn girl named Wanda Nash who has cooked up her royal guise with drama coach Gertrude (Alison Skipworth) as a publicity stunt to crash into movies. Unfortunately, a weaselly blackmailer Darcy (Porter Hall) gloms onto Wanda's true identity and offers to keep quiet in exchange for a huge cash settlment. At the same time, Darcy is attempting to shake down several other passengers on the Mammoth, including King Mantell. Inevitably, Darcy is found murdered in the "Princess"'s stateroom, and Wanda finds herself one of several likely suspects, among them Mantell. A quintet of international detectives, travelling to a convention in America, sets out to solve the mystery, which becomes even more mysterious when one of the detectives also turns up dead. Taking matters in his own hands, Mantell vows to clear Wanda's name, and in the course of things he realizes that he's madly in love with her--but will Wanda give up her hoax, and her future showbiz career, for Mantell's sake? Among the many highlights in this engagingly daffy film is Fred MacMurray's rendition of the enchantingly forgettable song "My Concertina." ~ Hal Erickson, All Movie Guide

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Starring:
Carole LombardFred MacMurray, (more)
1936  
 
Deanna Durbin, the teenaged soprano who literally saved Universal Pictures from bankruptcy, made her feature-film debut in Three Smart Girls. Durbin, Nan Grey and Barbara Read play three wealthy young sisters, living with their divorced mother (Nella Walker) in Europe. The girls learn that their father (Charles Winninger) has made plans to remarry. Correctly sensing that the bride-to-be (Binnie Barnes) is a fortune hunter, the sisters head to Manhattan to save Daddy from himself. Durbin is the primary architect in reuniting her parents, but not before satisfying her fans with several arias. Three Smart Girls not only spawned a sequel (Three Smart Girls Grow Up), but even a 2-reel Three Stooges parody titled Three Dumb Clucks! ~ Hal Erickson, All Movie Guide

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Starring:
Deanna DurbinBinnie Barnes, (more)
1936  
 
In this action film, a rebellious cop doesn't hesitate to bend the rules when it comes to roughing up prisoners and bringing in deadly gangsters. His insistence on working alone and on using excessive violence causes conflict with his superiors. They change their minds when he engages in a great shoot-out with a notorious gun-toting gang leader and brings him to justice. ~ Sandra Brennan, All Movie Guide

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Starring:
Preston S. FosterJane Wyatt, (more)
1936  
NR  
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One of the landmark "screwball" comedies of the 1930s, My Man Godfrey offers the radiant Carole Lombard in her definitive performance as flighty young heiress Irene Bullock, who on a society scavenger hunt stumbles on Godfrey (William Powell), an erudite hobo residing in the city dump. Godfrey becomes the family's butler, much to the dismay of Irene's father Alexander (Eugene Pallette), who thinks his household is crazy enough without another apparent lunatic under his roof. Halfway through the film, we discover that Godfrey isn't a penniless bum at all, but the scion of a wealthy Boston family. Having been burned by an unhappy romance, Godfrey dropped out of life, taking up residence in the dump. Here his faith in humanity was restored by his fellow indigents, who managed to survive and remain optimistic despite the worst deprivations. Meanwhile, however, he wants to straighten out the Bullock family, who he feels are a basically decent bunch beneath all their pretensions and eccentricities -- and along the way, of course, Irene determines that Godfrey will be her husband. While Godfrey's ultimate "solution" to the exigencies of the Depression seems more of a placebo, My Man Godfrey is all in all a totally satisfying jolt of 1930s-style wish fulfillment. ~ Hal Erickson, All Movie Guide

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Starring:
William PowellCarole Lombard, (more)
1936  
 
In this crime comedy, an ocean liner engineer messes up and ends up relegated to shoveling coal. Later he accepts a lovely cigarette lighter from a beautiful woman. He has no idea that it is chock full of purloined jewels and that she gave them to him to keep rival crooks from stealing them from her. Now the poor engineer finds himself pursued at every turn. ~ Sandra Brennan, All Movie Guide

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Starring:
Paul KellyArline Judge, (more)
1936  
 
In this drama, a boy's love for his loyal dog, helps him survive in a hard cruel world. The trouble begins with the boy's dog-hating wealthy father. Not wanting to part with his beloved pooch, the boy runs away and gets mixed up with gangsters. After several mishaps, the boy and his dog end up holed up in the woods with the fugitive gang leader. The cops are after the leader, and the gang members want to collect the huge reward offered by the boy's father. ~ Sandra Brennan, All Movie Guide

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Starring:
Jackie CooperJoseph Calleia, (more)
1936  
 
Based on a novel by Meredith Nicholson, The House of 1000 Candles is one of the slickest films ever to emerge from the Nat Levine unit at Republic. Phillips Holmes stars as diplomatic courier Tony Carleton, who's been entrusted with a secret message vital to the cause of International peace. En route to Geneva by train, Tony is drugged by sexy cabaret dancer Raquel (Rosita Moreno), who promptly steals the message -- only to be murdered by sinister master spy Sebastian (Irving Pichel), owner of a posh gambling casino known as The House of a Thousand Candles. Realizing that Tony is the only person who can decipher the message, Sebastian kidnaps Tony's sweetheart Carol (Mae Clarke), threatening to kill her if our hero doesn't cooperate. Rescued by his faithful valet (Fred Walton), Tony and Carol make their escape then expose the secret behind Sebastian's insidiously complex espionage network. Many reviewers in 1936 compared House of 1000 Candles to the best that Alfred Hitchcock had to offer -- quite a coup for director Arthur Lubin, a man best known for his Abbott & Costello and "Francis the Talking Mule" pictures! ~ Hal Erickson, All Movie Guide

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Starring:
Phillips HolmesMae Clarke, (more)
1936  
 
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The Gay Desperado is a 1936 musical lampooning the then-popular gangster pictures. Leo Carrillo plays a genial Mexican bandit, Pablo Braganza, who gets nowhere until he and his amigos begin studying gangster techniques -- courtesy of Hollywood movies. Selecting kidnapping as his crime of choice, Pablo snatches opera star Chivo (Nino Martini) simply because he likes his singing. But the bold bandito gets in over his head when he abducts a troublesome heiress, Jane (Ida Lupino), and her nerdy fiancé, Bill (James Blakely). Chivo hopes to extract a huge ransom for Jane's return, but the girl is more trouble than she's worth. All ends happily when Pablo engineers a romance between Jane and Chivo. ~ Hal Erickson, All Movie Guide

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Starring:
Nino MartiniIda Lupino, (more)
1936  
 
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Maxwell Anderson combined the Sacco-Vanzetti story with elements of the still-unsolved disappearance of Judge Crater, and the result was the blank-verse theatrical piece Winterset. Burgess Meredith, Margo and Eduardo Cianelli repeat their Broadway roles, respectively playing the grown son of an executed political radical, the woman who loves and stands by Meredith, and a menacing gangster with plenty to hide. 15 years after the execution, Meredith endeavors to clear his father's name, and to that end seeks out the judge (Edward Ellis) who presided over the trial, now a drunken, guilt-ridden derelict. Screenwriter Anthony Veiller remove most of Anderson's flowery dialogue and substituted a happy ending for the original play's cynically tragic denouement. Neither of these changes hurt the property, and in fact were heartily endorsed by Maxwell Anderson himself. But depression-era audiences, too wrapped in their own current problems to shed tears over the long-dead Sacco and Vanzetti, stayed away from Winterset in droves. ~ Hal Erickson, All Movie Guide

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Starring:
Burgess MeredithMargo, (more)
1936  
 
In this musical comedy, a pacifistic song-and-dance man is compelled to don a military uniform for one of his acts. Before he can blink, he finds himself fighting in Germany. Later he is tossed into jail after being accused of being an enemy spy. He escapes and somehow manages to capture a strategic hill; he is then awarded the prestigious Croix de Guerre for his heroism. ~ Sandra Brennan, All Movie Guide

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Starring:
Joe E. BrownJoan Blondell, (more)
1936  
 
A remake of the French comedy Monsieur Sans-Gene, One Rainy Afternoon gets under way when film-actor Phillippe Martin (Francis Lederer) heads to a darkened Parisian movie theater for a romantic rendezvous with his married sweetheart Yvonne (Countess Live de Margaret). But our hero sits in the wrong seat and kisses the wrong young lady: Monique Pelerin (Ida Lupino), the daughter of a powerful publisher Joseph Cawthorn. This innocent mistake snowballs into a national scandal, fomented by the hatchet-faced president (Eily Malyon) of the Purity League, with Phillippe earning the onus of "The Kissing Monster." It all culminates in one of those zany courtroom trails which proliferated in screwball comedies of the 1930s, wherein Phillippe defends himself by insisting that it is in a Frenchman's nature to be romantic, even with perfect strangers -- and as a result he becomes an international hero! One Rainy Afternoon was the first of a handful of United Artists talkies personally produced by studio vice-president Mary Pickford. ~ Hal Erickson, All Movie Guide

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Starring:
Francis LedererIda Lupino, (more)

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