Bronagh Gallagher Movies

A disastrous trip to London proves to have a silver lining for a middle-aged American jingle writer in this romantic slice-of-life drama starring Dustin Hoffman and Emma Thompson. Harvey (Hoffman) is about to lose his unfulfilling dead-end job writing jingles when he boards a plane to attend his daughter's wedding in London. He hasn't turned out a memorable tune in some time, and should Harvey fail to come up with something catchy during his trip overseas, he knows that his boss (Richard Schiff) is ready and willing to let him go. Upon arriving in London, Harvey is devastated to learn that his daughter (Liane Balaban) has opted to have her stepfather (James Brolin) walk her down the aisle instead of him. And things are about to get worse, too. Harvey realizes that he won't be able to suppress his sadness through the whole reception, and makes a quick getaway in hopes of catching a plane back home. Perhaps if he can attend an important meeting on Monday morning, his boss will have some sympathy and grant him a momentary reprieve. No such luck, however, because when Harvey misses the flight and calls his boss to explain, he is fired over the phone. Later, at the airport bar, Harvey is drowning his sorrows when he strikes up a conversation with no-nonsense Office of National Statistics employee Kate (Thompson). Kate doesn't have much of a social life; most of her time outside of work is spent suffocating under the love of her smothering mother (Eileen Atkins). She's just gotten through a humiliating string of blind dates, and something about Harvey's situation and demeanor strikes a sympathetic chord in the lonely civil servant. Likewise, Kate's intelligence and compassion prove unexpectedly invigorating to Harvey. Both Harvey and Kate had always assumed that love had passed them by -- could this middle-aged romance be the glimmer of a new beginning? ~ Jason Buchanan, All Movie Guide

A professional thief finds his luck going from bad to worse when he's sent to Russia to steal a priceless antique crucifix and becomes the terrified target of a serial killer who takes the title of "headhunter" all too seriously. Career larcenist Ritchie Donovan (Stephen Dorff)'s latest job has just ended in tragedy, and he still owes a fortune to a fearsome Russian godfather. Fortunately for Ritchie, the crime kingpin is feeling especially benevolent today, and offers the luckless cat burglar one last chance to settle his debt. All Ritchie has to do is travel to Moscow, ascent a skyscraper penthouse, crack the safe, and steal an antique crucifix. It couldn't have been a simpler plan, but when the robbery ends in murder and police surround the building, Ritchie and the gang are forced to take hostages. Just as it begins to appear as if all hope is lost, the elevator that Ritchie and his fellow gangsters are traveling on comes to a complete stop on the building's unused thirteenth floor. But landing on the thirteenth floor of this building may not have been the lucky break it first appeared, because lying in wait on the hidden level is a serial killer with a knack for collecting heads. He makes no secret of his hobby either, because his gruesome trophies line these seldom-wandered halls like a nightmarish testament to the ultimate gamesman. With the cops closing in from below, psychotic Russian gangsters on all sides, panicked hostages freaking out, and a homicidal maniac somewhere too close for comfort, all Ritchie cares about now if getting his feet back on the ground before he loses his head. ~ Jason Buchanan, All Movie Guide

One of the great stories of doomed love is given a new screen interpretation in this historical drama. After the collapse of the Roman Empire, King Donnchadh (David O'Hara) of Ireland has become the de facto ruler of England, but one of his underlings, Lord Marke (Rufus Sewell), dreams of uniting British forces with an eye toward self-rule. One of Marke's most valuable allies is Tristan (James Franco), Marke's protégé, who has become a brave warrior since he was rescued by the lord after his parents were murdered by Irish forces during a battle. While Marke and Tristan dream of banishing Ireland's presence in England, Tristan has a secret he's been hiding from Marke -- after suffering serious wounds during a hard-fought battle, he was rescued and nursed back to health by Isolde (Sophia Myles), King Donnchadh's daughter, and the two fell deeply in love. But the couple were separated after Tristan returned to England, and when King Donnchadh attempts to quell the British uprising by staging a tournament among the nation's greatest warriors, with an extreme and rather personal surprise in store for Tristan.
Tristan & Isolde was directed by Kevin Reynolds, and produced in part by Ridley Scott, who attempted to bring the story to the screen back in the 1970s. ~ Mark Deming, All Movie Guide

The family-oriented comedy Thunderpants, directed by Peter Hewitt, concerns an unfortunate ten-year-old who suffers from nearly incessant intestinal gas issues. Patrick Smash (Bruce Cook) is shunned by much of his family and his classmates because of the unpleasant odors that are forever emanating from him. Only his nerdy friend Alan A. Allen (Rupert Grint), who has no sense of smell, will help Patrick in his goal to become an astronaut. Eventually, Patrick becomes involved with representatives of the United States space program, as well as an opera singer (Simon Callow) who needs Patrick to "play" an exact note at a perfect moment. Ned Beatty and Stephen Fry round out the cast of this quirky comedy. Thunderpants was screened at the 2002 Cannes Film Festival. ~ Perry Seibert, All Movie Guide

A woman who wants to get rid of her husband has second thoughts when he's suddenly not the man he once was in this romantic comedy shot in Ireland. Harry McKee (Brendan Gleeson) is the host of a long-running television series called "What's Cooking?" in which he shares recipes with celebrity guests. Harry is also an alcoholic, and chronically unfaithful to his wife Ruth (Amanda Donohoe), which has earned him a certain amount of bad publicity over the years. Ruth decides she's had enough of Harry's unreliability and demands a divorce, which Harry is in no position to contest. But the day before their divorce is to be declared final, Harry is attacked by muggers; his injuries leave him severely disoriented, and as a result he humiliates a powerful politician (James Nesbitt) on the air before passing out and falling into a coma. A week later, Harry regains consciousness, but something has happened to his memory -- he can't recall anything that has happened in the past 25 years, and he's convinced that he is only 18 years old. Ruth discovers her husband is now literally a different person, and with a little prodding she's able to re-educate Harry into a sweet-tempered and monogamous teetotaler. Harry isn't able to leave his past entirely behind, however; even if he can't remember it, the politician he embarrassed is eager to get revenge. Wild About Harry also features George Wendt and Adrian Dunbar. ~ Mark Deming, All Movie Guide

On the eve of near-future Northern Ireland's first general election, well-marketed reformer Michael Brinn (Robert Lindsay), a shoo-in for prime minister, has newspaper columnist Dan Starkey's dander up. Working the election beat alongside visiting Boston Globe writer Charles Parker (Richard Gant), Starkey (David Thewlis) watches his pointed barbs slide off Brinn's Teflon-coated backside. Drowning his troubles in drink in a Belfast park, Starkey invites beautiful art student Margaret (Laura Fraser) to a friend's party, unaware of her ties to both the IRA and to Brinn's political party. When Starkey's wife (Laine Megaw) catches him canoodling with Margaret, she kicks Starkey out and he ends up in Margaret's bed. When the girl turns up mortally wounded a mere day later, mouthing the words "divorcing Jack" just before her death rattle, Starkey finds himself a suspect in the murder. Donning a ridiculous wig and going on the lam, he must fend off a nationwide manhunt while tracing the connection between Margaret's death and the upcoming election. Shown at the 1998 Cannes Film Festival, this British/French co-production marked director David Caffrey's feature debut. Irish writer Colin Bateman adapted his own novel, one of several to feature Starkey as a protagonist. ~ Brian J. Dillard, All Movie Guide

Based on the novel by Valerie Martin, this gothic suspense story offers a fresh perspective on Robert Louis Stevenson's classic horror tale Dr. Jekyll and Mr. Hyde by presenting the material from a different viewpoint -- that of Mary Reilly (Julia Roberts), an Irish servant girl who has come to work for esteemed surgeon Dr. Henry Jekyll (John Malkovich). Mary is fascinated but also intimidated by her new employer, while the doctor seems to take a personal interest in her that goes beyond mere professional courtesy, much to the annoyance of Mr. Poole (George Cole), Jekyll's brutish manservant who also appears to have his eye on her. Jekyll's interest in Mary increases when he learns that she was abused as a child by her violent and repressive father. The doctor seems to take a keen interest in the violent and uncontrollable side of human nature. One day, he announces to his housekeeping staff that his new colleague, Edward Hyde, may be dropping by unexpectedly and not to be alarmed at his presence. Just as she's become attracted to the studious Dr. Jekyll, Mary is fascinated by the brash and impulsive Mr. Hyde, though he carries an air of danger with him at all times -- and Mary doesn't realize at first that he is merely a manifestation of the darker side of Jekyll's personality. Mary Reilly also features Glenn Close as the Madame Mrs. Farraday. Stephen Frears -- who previously worked with Close, Malkovich and screenwriter Christopher Hampton on 1988's Dangerous Liaisons -- directed. ~ Mark Deming, All Movie Guide

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic. ~ Leo Charney, All Movie Guide

"The Irish are the blacks of Europe, Dubliners are the blacks of Ireland, and the North Siders are the blacks of Dublin ... so say it loud -- I'm black and I'm proud!" Or so Jimmy Rabbitte (Robert Arkins) tells his slightly puzzled friends as he tries to assemble a rhythm & blues show band in a working class community in Dublin in Alan Parker's film The Commitments. Jimmy is a would-be music business wheeler and dealer, and he's decided what Dublin needs is a top-shelf soul band. However, top-shelf soul musicians are hard to find in Dublin, so he has to make do with what he can find. However, after a long round of auditions, Jimmy makes two inspired discoveries: Deco (Andrew Strong), an abrasive and alcoholic streetcar conductor who nevertheless has a voice like the risen ghost of Otis Redding, and Joey "The Lips" Fagan (Johnny Murphy), a horn player who knows soul music backwards and forwards and claims to have played with everyone from Wilson Pickett to Elvis Presley. Before long, the band -- called the Commitments -- is packing them in at local clubs. But do they have what it takes to make the big time? Based on the novel by Roddy Doyle, who also co-wrote the screenplay, The Commitments is sparked by fine performances by its young cast and enthusiastic performances of a number of '60s soul classics; the cast, who play their own instruments, reassembled the band for a concert tour after the film became a hit. ~ Mark Deming, All Movie Guide