Robert De Niro

An action drama centering on the media circus, 15 Minutes focuses on a New York homicide detective named Eddie Flemming (Robert De Niro), a famous figure known for his heroic on-the-job manner. A tabloid news anchor (Kelsey Grammer) attempts to get the scoop on Flemming's latest beat when a pair of Eastern European criminals (Karel Roden and Oleg Taktarov) find a way to manipulate the media by filming their exploits, which they believe they can sell to bloodthirsty journalists and make themselves rich. In the wake of a double murder, Flemming teams up with Jordy Warsaw (Edward Burns), an arson investigator assigned to help locate the murderous pair. Meanwhile, Flemming must contend with his news reporter girlfriend Nicolette (Melina Kanakaredes) as he and Jordy find themselves enveloped in a lurid series of events that threatens to jeopardize their safety. Kim Cattrall, Avery Brooks, and Vera Farmiga are also featured in the cast. ~ Jason Clark, All Movie Guide

Telecast to coincide with the six-month "anniversary" of the horrific terrorist attack on New York's World Trade Center, the powerful and poignant two-hour CBS TV documentary 9/11 grew out of an independent film project inaugurated by French filmmakers Jules and Gedeon Naudet several months before the tragedy. Originally intending to produce an in-depth study of a "typical" American fireman, from the rookie training days to matriculation as a full-fledged firefighter, the brothers virtually lived in the headquarters of the F.D.N.Y.'s Engine Seven, Ladder One company. Thus it was that the Naudets were on hand to tape record the airliner "bombing" of both towers one and two on that fateful September 11 -- and even more dramatically, one of the brothers was able to record the hectic activities of the firefighters as they courageously went about their duties in the doomed lobby of tower one -- with only minutes to spare before both towers would collapse into a sickening mass of rubble. Although the more appalling examples of carnage are tactfully left unshown, such chilling vignettes as the offcamera sounds of crashing glass, indicating that another victim has jumped to his or her death from the uppermost heights of the twin towers, are left intact, obliging CBS to run a disclaimer in hopes of sparing the victims' loved ones any further anguish (too, the amount of understandable profanity spoken by the harried firefighters far exceeded anything ever heard before on mainstream American television). Telecast with only three commercial interruptions on March 10, 2002, 9/11 was dedicated to all the victims of the tragedy, with most of the proceeds going to the Uniformed Firefighter Association Scholarship Fund. The special garnered one of the highest ratings posted by CBS in years, with 38 million viewers tuning in. ~ Hal Erickson, All Movie Guide

This homage to the cinema by venerated movie-maker Agnes Varda, often dubbed the "grandmother" of the French New Wave, features an all-star international cast. The story is based upon the memories and insights of the 100-year old Mr. Simon Cinema. He lives in a magnificent house filled with movie memorabilia. To help him remember the important details of his career he hires Camille, a film student to write down his remembrances and experiences which have involved all areas of movie-making. Camille comes once a day for 101 days. Film clips, photographs and actual visitors highlight his stories. As he continues to spin his yarns, the imagery in the film smoothly morph into other images. Camille, when not recording, is involved in other exploits including a romance with a production assistant, Mica who aspires to becoming a director. She also begins plotting a way to get to Mr. Cinema's fortune by having a friend pose as his long lost heir. Many other characters are peripherally involved including Death, an Italian seeking the rights to his film catalogue, and a memory specialist. ~ Sandra Brennan, All Movie Guide

The American Film Institute put together this movie of film clips from all eras of American filmmaking as a Bicentennial tribute to the country. Narrated by Charleton Heston, the 83 film clips included all relate to American history, or reflect on the character of Americans. The clips are grouped into five categories: The Land, The Cities, The Families, The Wars and The Spirit. As much a tribute to American filmmaking as it is a tribute to the country, in this compilation, scenes are shown from such diverse films as Birth of A Nation and 2001. ~ Clarke Fountain, All Movie Guide

Everyone's favorite neurotic mafia boss (with the possible exception of Tony Soprano) is out of prison and back on the couch in this sequel to the hit comedy Analyze This. Ever since he ended up behind bars, mob leader Paul Vitti (Robert De Niro) has been in sad shape, alternately weeping like a child and singing favorite tunes from West Side Story. Fearful of his emotional stability, prison officials release Vitti into the custody of his psychiatrist, Dr. Ben Sobel (Billy Crystal), but this is far more responsibility than Sobel wants -- he's having troubles with his family after the recent death of his father, also an analyst, and has been overworked since taking over his late father's practice. Sobel becomes even more exasperated when he learns Vitti will be moving into his home, which is especially upsetting for Sobel's wife, Laura (Lisa Kudrow). As Sobel tries to get to the root of Vitti's problems -- which are very much real, even if he was faking his symptoms behind bars -- he tries to help Vitti find a straight job, which is hardly easy for a man of his temperament. And adding to all this confusion, several members of Vitti's old crew are after him, determined to insure that he doesn't pass along any incriminating information. Analyze That also features Cathy Moriarty-Gentile, Joseph Viterelli, and baseball legend Yogi Berra. ~ Mark Deming, All Movie Guide

The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer's whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn't know that he had the answer all along -- even before Louis entered his office. Also available in the "unrated" video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet. ~ Hal Erickson, All Movie Guide

Based on a true story as related by neurologist Oliver Sacks, Awakenings stars Robin Williams as the Sacks counterpart, here named Dr. Malcolm Sayer. Something of a klutz and naif, Dr. Sayer takes a job at a Bronx psychiatric hospital in 1969. Here he's put in charge of several seemingly catatonic patients who, under Sayer's painstaking guidance, begin responding to certain stimulati. Apprised of the efficacy of a new drug called L-DOPA in treating degenerative-disease victims, Sayer is given permission to test the drug on one of his patients: Leonard Lowe (Robert De Niro), who has not communicated with anyone since lapsing into catatonia as a child. Gradually, Lowe comes out of his shell, encouraging Sayers to administer L-DOPA to the other patients under his care. Julie Kavner and John Heard also star. ~ Hal Erickson, All Movie Guide

A guaranteed tear-jerker, Bang the Drum Slowly centers on professional baseball player Bruce Pearson (Robert DeNiro) and his team mate Henry Wiggen (Michael Moriarty), who supported Bruce to the bitter end after learning that the young catcher was diagnosed with Hodgkin's disease and would soon die. When hayseed Pearson first joined the team, he and Wiggen, the team's red-hot pitcher were oil and water. The other team members were none to thrilled to have Pearson on their team. Wiggen changes his attitude when he learns of Pearson's illness, and when the other team members find out, they too become more helpful until the inevitably teary ending. Look for popular character actor Danny Aiello in his feature film debut. The story is based on a novel by screenwriter Mark Harris and was first filmed for television. ~ Sandra Brennan, All Movie Guide

Shelley Winters, who once played the spoofish "Ma Parker" on Batman, brings the same larger-than-life approach to her portrayal of real-life Ma Barker in Bloody Mama. Presiding over her outlaw gang, consisting mainly of her goonish sons, Ma goes on a Depression-era rampage of bank robbery, murder and kidnapping. Obviously filmed in a hurry-watch as the Barker mob drives past modern shopping centers-- Bloody Mama strives for an entertaingly sleazy aura, especially when dealing with the incestuous subtext of Ma's relationship with her boys. And look who plays the Barker brood: Clint Kimbrough, Robert Walden and Robert De Niro! Bloody Mama was scripted by Robert Thom, whose previous collaboration with producer Roger Corman was the cult classic Wild in the Streets (former 1950s ingenue Diane Varsi appears in both films). ~ Hal Erickson, All Movie Guide

Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.

Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.

Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide

The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese's story of crime and punishment. The film chronicles the lives and times of three characters: "Ace" Rothstein (Robert De Niro), a bookmaking wizard; Nicky Santoro (Joe Pesci), a Mafia underboss and longtime best friend to Ace; and Ginger McKenna (Sharon Stone, in a role she was born to play), a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. Ace plays by the rules (albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state), while Nicky and Ginger lie, cheat, and steal their respective ways to the top. The film's first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece. ~ Jeremy Beday, All Movie Guide

The second film from writer/director James Mangold, the corruption drama Cop Land stars Sylvester Stallone as Freddy Heflin, the much-denigrated sheriff of tiny Garrison, NJ, a community which -- thanks to a technicality -- is populated almost entirely by members of the New York City Police Department. When young cop Murray "Superboy" Babitch (Michael Rapaport) becomes embroiled in a controversial shoot-out which leaves two black youths dead, he apparently commits suicide rather than face the wrath of an official investigation. In reality, however, he flees to safety back home in Garrison. In the wake of the controversial events, NYPD Internal Affairs lieutenant Moe Tilden (Robert De Niro) arrives in Garrison to uncover the truth, attempting to enlist Freddy to help watch the watchmen, including Superboy's uncle, veteran cop Ray Donlan (Harvey Keitel); coked-out Gary Figgis (Ray Liotta); and Joey Randone (Peter Berg), the husband of the woman (Annabella Sciorra) Freddy loved and lost. A rich, complex film about redemption, Cop Land's portrayal of Freddy's struggles to prove his worth mirrors Stallone's own return to thoughtful, character-driven drama after years of vacuous action roles. Like Freddy, he faces an uphill battle, fighting for respectability in the face of a superb cast including Janeane Garofalo, Cathy Moriarty, and Paul Calderon. ~ Jason Ankeny, All Movie Guide

In this documentary on director Elia Kazan, his views on his life and oeuvre are brought forward through a long interview conducted by Michel Ciment, by a talk with Robert De Niro, and by clips from his movies America, America and Baby Doll. Although his interview is long, Kazan does not probe too deeply into his methodology or some of the more critical moments of his life, or why he had not worked on many projects in the years before this interview (1982). ~ Eleanor Mannikka, All Movie Guide