Del Close Movies

In this sequel to 1995's Mommy, "Mommy" (Patty McCormack), who had been convicted of murder and sentenced to death, escapes execution when she is wounded in a prison breakout attempt. While she is recovering, a physician convinces the courts that she would be able to live in a halfway house if she takes a violence-suppressing drug that he designed. Although her parole forbids contact with her daughter (who is now living with her sister and brother-in-law), she violates her parole by secretly visiting her one night. When people who are trying to keep her from seeing her daughter start turning up murdered, a local cop starts investigating her. ~ Brian Gusse, All Movie Guide

Saturday Night Live star Dana Carvey had his first leading role on the big screen in this comedy. Eddie (Carvey) and Lou (Todd Graff) are a pair of small-time con artists deep in debt to Pinkie (Mike Bacarella), a loan shark. During a lean period, Eddie and Lou resort to breaking and entering to make some money, but as they're clearing out a house, they overhear the answering machine announce that the owner is away on business for a few weeks -- and the housesitter won't be able to stop by. Eddie and Lou settle in and enjoy their good fortune, which just gets better when Milt (Robert Loggia) pays a visit. Milt assumes that Eddie is the housesitter, who is a close friend of his son. Eddie is soon introduced to Milt's beautiful daughter, Annie (Julia Campbell), and Milt decides that Eddie is executive material at his successful manufacturing firm. Soon Eddie starts to wonder if he should go on lying to the people he's come to like -- and there's the little matter of the 60,000 dollars that Eddie and Lou swiped from Pinkie's car. Opportunity Knocks also features Milo O'Shea and James Tolkan. ~ Mark Deming, All Movie Guide

"Fat Man" and "Little Boy" were the nicknames given the atomic bombs that were dropped over Hiroshima and Nagasaki in the waning days of World War II. This elaborately assembled film is the story of the events leading up to the dawn of the atomic age. Paul Newman plays General Leslie Groves, a hard-nosed career soldier who in 1942 finds himself the reluctant "nursemaid" to a group of idealistic scientists in Los Alamos, New Mexico. As the military head of the top-secret Manhattan Project, Groves intends to have the operation run by the book--and failing that, to have things his way at all costs. The film's storyline narrows down to a battle of egos between Groves and atomic scientist J. Robert Oppenheimer (Dwight Schultz), in his own way as contentious and childishly single-purposed as the general. ~ Hal Erickson, All Movie Guide

Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discouraged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925). ~ Karl Williams, All Movie Guide

A brother and sister grapple with family and lifestyle issues in this rock-n-roll drama. Real-life rocker Joan Jett stars as Patti Resnick, an unwed mother who sings and plays guitar in a Cleveland bar band with her brother Joe (Michael J. Fox). Estranged from her parents and struggling to make ends meet, Patti decides to dive headlong into a carefree rock-n-roll lifestyle. Good-guy Joe pulls away from music to provide some stability for her tiny son. It takes a family crisis to bring Patti back home and force her to face the prickly past with her devoutly Christian mother (Gena Rowlands). Despite a somewhat thin story, the film has solid performances all around, most especially from the refreshingly compelling Jett. Bruce Springsteen penned the title song. ~ Bernadette McCallion, All Movie Guide

This comedy makes fun of teen comedies as it chronicles a Midwestern town's feverish preparations for a big weekend party. Much of the story centers around the mad scramble for both youngsters and adults to find appropriate dates. The story was penned by Saturday Night Live alumni Al Franken and Tom Davis. ~ Sandra Brennan, All Movie Guide

In Thief, James Caan plays Frank, a professional jewel thief who wants to marry Jessie (Tuesday Weld) and settle down into a normal life. In order to achieve his dream of a family, Frank--who is used to working solo--has to align himself with a crime boss named Leo (Robert Prosky), who will help him gain the money he needs to begin his domestic life. Frank plans to retire after the heist, yet he finds himself indebted to Leo and he struggles to break free. Thief is the first feature film from director Michael Mann and it seethes with his stylish, atmospheric direction. Though his cool approach may put off some viewers, it's a distinctive and effective story-telling approach, and Caan's performance ranks among his very best, making Thief a crime movie like few others. ~ Stephen Thomas Erlewine, All Movie Guide

It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding. ~ Lucia Bozzola, All Movie Guide