Joanne Woodward

As warm as winter's fire and sentimental as the sixth glass of wassail, this heart-tugging made-for-television holiday drama tells the Depression-era story of a gruff Minnesota grandfather and his wife who must take in their teenage grandson for Christmas. A city kid, the youth finds it difficult to adjust to the quiet of farm living. It is also difficult to deal with his grandfather who treats him cruelly. Unable to stand it, the youth runs away, forcing the grandfather to deal with the reason for his unending anger and to admit that he feels guilty for the death of his son. The teleplay is based on a novel by Glendon Swarthout, The Melodeon. ~ Sandra Brennan, All Movie Guide

Budd Corliss (Robert Wagner) is an ambitious, poor boy from the wrong-side-of-the-tracks who murders his girlfriend Dorothy (Joanne Woodward) -- making the death look like a suicide -- when her pregnancy eliminates his chances of being accepted by her wealthy family. Her sister Ellen (Virginia Leith), refusing to believe that Dorothy has committed suicide, begins to investigate on her own. She meets Budd, and ignorant of his prior relationship with Dorothy begins a relationship with him. When Ellen discovers that Budd knew Dorothy, the stage is set for a final, dramatic showdown as Ellen fights to revenge her sister and save her own life. The script, adapted from the novel of the same name written by Ira Levin is excellent and tension-filled. Joanne Woodward is fine in a touching performance as the vulnerable and trusting Dorothy. A wooden performance by Robert Wagner in the pivotal central role mars the film and destroys some of its credibility, as Wagner, though handsome, lacks the charm and charisma necessary to make the character of Budd believable. Also, despite an excellent performance by Mary Astor as Budd's class-conscious, greedy mother, the film fails to achieve any sympathy for Budd or understanding of the motivations that drove him to do what he did. ~ Linda Rasmussen, All Movie Guide

When he takes a voluntary pay cut to help out his financially strapped boss, Dick Paine (Skip Homeier) must face the wrath of his nagging wife Beth (played by no less than Joanne Woodward). Demanding that Dick stand up for his rights, Beth tells him to go back to the office and confront his pinchpenny boss. Alas, Dick returns empty-handed, leading to a tragic denouement. This final episode of Alfred Hitchcock Presents' first season was previously heard on the radio anthology Suspense under the title "Too Little to Live On," starring Ozzie and Harriet Nelson. ~ Hal Erickson, All Movie Guide

In this drama based on Anne Tyler's Pulitzer Prize-winning novel, the long marriage of a couple en route to a funeral is seen from the viewpoint of those they encounter during the trip. ~ Sandra Brennan, All Movie Guide

Burt Lancaster was too young to play alcoholic, disillusioned Doc Delaney in the 1952 film version of William Inge's Come Back Little Sheba. At age 70, Laurence Olivier was too old for the part, yet Olivier's performance is far more persuasive than Lancaster's in this 1977 TV-movie remkae of Sheba. Inge's basic plot is left intact: Delany feels trapped by his marriage to the whining, slovenly Lola (Joanne Woodward, in the role created on Broadway by Shirley Booth). Doc can't appreciate the fact that, despite her inadequacies, Lola sincerely loves him; his emotional blindness stirs up a lot of trouble when a beautiful young woman (Carrie Fisher) rents a room in the Delany home. Despite American subject matter and setting, Come Back Little Sheba was produced in Britain by Granada Television. It was one of six plays coproduced for TV by Laurence Olivier as part of his "Great Plays of the 20th Century" series. Sheba was first seen by American viewers on December 31, 1977. ~ Hal Erickson, All Movie Guide

Crisis at Central High is the sort of film that fully justifies the existence of made-for-TV movies. This superior effort is a dramatization of the court-ordered integration of Little Rock, Arkansas' Central High School in 1957. With threats of violence mounting (and some carried out), it becomes necessary for the government to send in Federal troops to escort the nine black teenagers who have been chosen to break the color barriers. Covering events from the beginning of the scholastic year to the graduation exercises, the film is based on the journals of Central High teacher/administrator Elizabeth Hucksby, who is here played by Joanne Woodward. Adapted (with precisely no political axes to grind) by Richard Levinson and William Link, Crisis at Central High made its triumphant debut on February 4, 1981. ~ Hal Erickson, All Movie Guide

This two-part HBO miniseries is based on the Pulitzer Prize-winning novel by Richard Russo. Having long since sacrificed youthful ideals and values to remain in his New England hometown for the sake of his family, middle-aged Miles Roby (Ed Harris) finds his "secure" little world disintegrating when his wife, Janine (Helen Hunt), divorces him. Equally vexing is the emotional and financial pressure exerted by domineering town matriarch Francine Whiting (Joanne Woodward), who owns (among other things) the Empire Grill, the little diner that Ed has run for several years. As he reflects on what he considers to be a wasted life, Ed flashes back to memories of his curmudgeonly father, Max (Paul Newman, who also executive-produced the miniseries); his long-dead mother, Grace (Robin Wright Penn); his scapegrace brother, David (Aidan Quinn); his blossoming daughter "Tick" (Danielle Panabaker); and Francine's late husband, C.B. Whiting (Philip Seymour Hoffman). Also tied in with Miles' reminiscences is the spectacular saga of the rise and fall of Empire Falls, a once-prosperous mill town that has fallen into disrepair -- as have the town's once-rigid and inviolate social barriers. Despite the initial bleakness of Miles' plight, and the revelation of innumerable family skeletons as the plot progresses, the story is ultimately both heartwarming and life-affirming. Filmed on location in Maine, Empire Falls originally aired on May 28 and 29, 2005. ~ Hal Erickson, All Movie Guide

A dance instruction series from the Fred Astaire Studios, with instructors Lee and Peggy Santos. ~ All Movie Guide

Harry (Paul Newman), a middle-aged hardhat, has trouble communicating with his teenaged son Howard (Robby Benson). While Harry wants Howard to find a bread-and-butter job, the sensitive boy would rather pursue a writing career. Howard tries his best to please his dad, but ultimately realizes that he must march to his own beat if he's to find lasting happiness. The best scenes in this by-the-numbers domestic drama are those between Howard and his pregnant girlfriend (Ellen Barkin). Adapted from The Lost King, a novel by Don Capite, Harry and Son represents one of the rare occasions that star Paul Newman directed himself (at least officially!) ~ Hal Erickson, All Movie Guide

This 1986 video directed by Ken Harrison is part of PBS's American Masterworks series. The program presents a general overview of the life of 20th century American author Katherine Anne Porter, a complex and deeply psychological writer. It includes interviews with Porter contemporaries Robert Penn Warren and Eudora Welty, as well as with other friends and family members. Interwoven with these interviews are dramatizations of two of Porter's better-known short stories, The Grave and The Circus. ~ Brendan Walsh, All Movie Guide