Robert Carradine Movies
The youngest of four sons of actor John Carradine, Robert Carradine has followed his brothers Keith and Bruce and half-brother David into the performing trade. Robert made his film bow as a teenager in 1972's The Cowboys, playing juvenile leads until his facial features matured into those of a young character actor. He appeared with his brothers in the 1982 western The Long Riders, which co-starred such show-biz siblings as the Keaches (Stacy and James) and the Quaids (Randy and Dennis). In 1984, Robert Carradine scored a hit as one of the bespectacled, slide-rule-bearing leads of the raunchy comedy Revenge of the Nerds (1984), followed in short order by Revenge of the Nerds II: Nerds in Paradise (1987). ~ Hal Erickson, All Movie Guide
"You don't make up for your sins in church; you do it in the streets; you do it at home. The rest is bulls--t, and you know it." Returning to the autobiographical milieu of his 1968 debut Who's That Knocking at My Door? for his third feature, Martin Scorsese examined the daily struggles of a wannabe hood to keep his morals straight on the streets of Little Italy. Driven equally by his wish to become a respectable gangster like his uncle (Cesare Danova) and his desire to live his life like St. Francis, Charlie (Harvey Keitel) takes on his energetically unhinged friend Johnny Boy (Robert De Niro) as his own personal penance, intervening to get Johnny Boy to pay off a debt to the local loan shark Michael (Richard Romanus). Despite his promises to his epileptic girlfriend Teresa (Amy Robinson) that they will move out of Little Italy once he strengthens his position in his uncle's world, Charlie's involvement with Johnny Boy further ensnares him in the neighborhood. When Johnny Boy decides to mouth off to Michael rather than pay him, Charlie, Johnny Boy, and Teresa try to flee Michael's murderous anger (and an assassin played by Scorsese), forcing Charlie to realize that the rules of the streets do not mesh with absolution. Whereas fellow "film school generation" director Francis Ford Coppola transformed the Hollywood gangster movie into metaphorical epics about the Mafia and capitalism in The Godfather (1972) and The Godfather Part II (1974), Scorsese revised the genre in the opposite direction, focusing on the gritty minutiae of daily life and drawing from personal memory. Combining documentary-style realism (even though most of the film was shot in L.A.); kinetic editing and camera movement; and expressionistic lighting, angles, and film speed, Scorsese presents an intimate picture of the trivial incidents and latent violence of Charlie's and Johnny Boy's world, naturalistically unfolding their experiences rather than simply explaining what motivates them. They lead a claustrophobic, petty existence that Scorsese and screenwriter Mardik Martin witnessed growing up in Little Italy, complete with a soundtrack of hit songs like "Be My Baby" and "Jumping Jack Flash" that had poured out of neighborhood radios. Mean Streets opened at the New York Film Festival to excellent notices and played strongly in New York but failed to duplicate that level of business elsewhere. Even so, Mean Streets established Scorsese and De Niro as formidable young talents and marked the beginning of a long-running and fertile collaboration that continued in such films as Taxi Driver (1976), Raging Bull (1980), The King of Comedy (1983), and Goodfellas (1990). Scorsese's exceptional grasp of the texture of day-to-day life, the rhythm and cadences of street talk, and cinema's visual and aural possibilities makes Mean Streets one of the pivotal films of the 1970s, as well as of Scorsese's career, and an influence on such future filmmakers as Spike Lee and Quentin Tarantino, among many others. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Robert De Niro, Harvey Keitel, (more)
- 1973
"Alice" was the pseudonymous name of the teenaged author who wrote the book upon which this above-average TV movie was based. Jamie Smith-Jackson portrays a shy, slightly overweight high schooler who is so anxious for acceptance that she falls in with the drug crowd. In a methodical, almost casual matter, we see how Alice descends into a nether world of pushers, pimps and prostitution. Perhaps to make the point that this could be the story of any impressionable youth, few of the characters are identified by name: Julie Adams plays "The Mother," William Shatner "The Professor," Andy Griffith "The Priest," and so on. Filmed in a cinema-verite fashion, Go Ask Alice makes excellent use of relatively unfamiliar Los Angeles locations. ~ Hal Erickson, All Movie Guide
In one of John Wayne's more interesting late Westerns, "The Duke" plays Will Anderson, a crusty veteran cattleman preparing a 400-mile drive to get a herd of steers to market. Shortly before the trip is scheduled to begin, Will's crew quits when they get word of a nearby gold strike. With little time and few alternatives, Will recruits eleven boys, ages nine through 13, and teaches them the basics of herding cattle and riding the range. Bruce Dern plays a memorably foul villain and cattle rustler named Long Hair, while Roscoe Lee Browne portrays Jebediah, the cattle drive cook, and Colleen Dewhurst is Kate, a madam. ~ Mark Deming, All Movie Guide
- Starring:
- John Wayne, Roscoe Lee Browne, (more)
- 1971
Having unofficially adopted Jamie, Ben is poised to make it official in court. His plans are scuttled by the arrival of Jamie's actual grandfather Callahan (Will Geer, who wants to take the boy back with him to Boston. Written by Jean Holloway, this Bonanza episode served as a reunion for Will Geer and Mitch Vogel, who'd previously costarred in the theatrical feature The Reivers. Also worth noting: The adroit usage of "flashback" footage from the previous episodes "A Matter of Faith" and "The Grand Swing", and the supporting appearance by a pre-stardom Robert Carradine. "A Home for Jamie" originally aired on December 19, 1971. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
