John Carradine Movies
Though best known to modern filmgoers as a horror star, cadaverous John Carradine was, in his prime, one of the most versatile character actors on the silver screen. The son of a journalist father and physician mother, Carradine was given an expensive education in Philadelphia and New York. Upon graduating from the Graphic Arts School, he intended to make his living as a painter and sculptor, but in 1923 he was sidetracked into acting. Working for a series of low-paying stock companies throughout the 1920s, he made ends meet as a quick-sketch portrait painter and scenic designer. He came to Hollywood in 1930, where his extensive talents and eccentric behavior almost immediately brought him to the attention of casting directors. He played a dizzying variety of distinctive bit parts -- a huntsman in Bride of Frankenstein (1935), a crowd agitator in Les Miserables (1935) -- before he was signed to a 20th Century Fox contract in 1936. His first major role was the sadistic prison guard in John Ford's Prisoner of Shark Island (1936), which launched a long and fruitful association with Ford, culminating in such memorable screen characterizations as the gentleman gambler in Stagecoach (1939) and Preacher Casy ("I lost the callin'!") in The Grapes of Wrath (1940). Usually typecast as a villain, Carradine occasionally surprised his followers with non-villainous roles like the philosophical cab driver in Alexander's Ragtime Band (1938) and Abraham Lincoln in Of Human Hearts (1938). Throughout his Hollywood years, Carradine's first love remained the theater; to fund his various stage projects (which included his own Shakespearean troupe), he had no qualms about accepting film work in the lowest of low-budget productions. Ironically, it was in one of these Poverty Row cheapies, PRC's Bluebeard (1944), that the actor delivered what many consider his finest performance. Though he occasionally appeared in an A-picture in the 1950s and 1960s (The Ten Commandments, Cheyenne Autumn), Carradine was pretty much consigned to cheapies during those decades, including such horror epics as The Black Sleep (1956), The Unearthly (1957), and the notorious Billy the Kid Meets Dracula (1966). He also appeared in innumerable television programs, among them Twilight Zone, The Munsters, Thriller, and The Red Skelton Show, and from 1962 to 1964 enjoyed a long Broadway run as courtesan-procurer Lycus in A Funny Thing Happened on the Way to the Forum. Though painfully crippled by arthritis in his last years, Carradine never stopped working, showing up in films ranging from Everything You Always Wanted to Know About Sex But Were Afraid to Ask (1972) to Peggy Sue Got Married (1984). Married four times, John Carradine was the father of actors David, Keith, Robert, and Bruce Carradine. ~ Hal Erickson, All Movie Guide
This quaint horror anthology is loosely based on the works of horror novelist R. Chetwynd-Hayes -- who is portrayed by John Carradine as an active participant in his own tales. The author is invited by a suave vampire (Vincent Price) to accompany him to the title establishment, where he observes the secret social customs of various species of monsters -- which apparently include drinking, dancing, and watching undead strippers remove more than just their clothing. He is also made privy to the mating patterns of these creatures, whose tendency to inter-breed creates such new strains of monsters as the "shadmock" (a vampire-like entity with a deadly high-pitched whistle) and the "humgoo" (the sullen offspring of a human and a flesh-eating ghoul). Price's descriptions of these new beasties trigger accompanying vignettes far less entertaining than the framing story, which is rife with horror movie in-jokes, cheesy rubber monster masks, and music by pop-reggae band UB40(!). Accomplished horror-omnibus director Roy Ward Baker seems to delight in the opportunity for pure camp, although the overall silliness of the proceedings has put off more than a few horror buffs. ~ Cavett Binion, All Movie Guide
- Starring:
- Vincent Price, Donald Pleasence, (more)
- 1981
This compilation of previews from low-budget action films & softcore sex films is hosted by veteran horror actor John Carradine (with an appearance by his sons David and Keith). Among the trailers featured are those for Disco Godfather, Bury Me An Angel, Terminal Island, The Twilight People and Sweet Sugar. ~ Brian Gusse, All Movie Guide
This uproariously bad film marks the less-than-glorious return of producer/director Jerry Warren, shameless purveyor of such cinematic abominations as Teenage Zombies, of which this is a remake of sorts. The crazy-quilt story line defies all rational explanation, but essentially begins with a wayward hot-air balloon crew -- including Warren alumnus Robert Clarke and a dog named Melvin -- becoming stranded on an island overrun by nubile jungle girls in Frederick's of Hollywood leopard-skin thongs. What sounds like an ideal vacation is disrupted by a bunch of zombies in Ray-Bans, the monster-making practices of a bleach-blonde mad scientist named Sheila, and the superimposed face of John Carradine (lifted from another film) mumbling "The Power! The Power! The Power!" Also on hand is a gibbering, drooling Steve Brodie as a howling mad pirate, and Cameron Mitchell as an equally deranged sea captain. It's very likely Warren himself had no idea what his own film was about, so viewers shouldn't waste valuable time trying to make sense of it. ~ Cavett Binion, All Movie Guide
- 1980
- R
Fassbinder protegee Ulli Lommel directed this moody, atmospheric but ultimately derivative horror film about a dark family secret and the broken mirror which releases that secret's malignant spirit. The film's prologue opens in the 1960s, when a young boy conspires with his sister to murder their mother's cruel and abusive lover. Flash forward to the present, with both siblings scarred by the emotional demons of their past: the boy has remained mute since that fateful day, and his sister (Suzanna Love, aka Mrs. Lommel) is tormented by nightmares. If that weren't enough, a literal demon is released when the old mirror which paid witness to their deed is shattered, releasing their victim's enraged spirit to seek bloody revenge... and he's not too particular about who he takes it out on. Released on the coattails of Halloween, this film retains many elements of John Carpenter's seminal work (brooding piano/synthesizer score; 20-years-later supernatural revenge motif) and borrows heavily from The Exorcist for its demonic-possession climax, but retains none of those films' well-crafted suspense, choosing instead to rely on shock effects and shots of sharp objects plunging into throats, eyes, mouths and abdomens. Lommel's use of rich colors and inventive camera angles lends a suitably creepy mood, but a better script might have elevated this one to true cult-classic status. Followed by a tired sequel constructed mainly of reused scenes from its predecessor. ~ Cavett Binion, All Movie Guide
- Starring:
- Suzanna Love, Ron James, (more)
- 1980
- R
An agoraphobic author decides she needs a more suitable environment in which to pen her best-selling Gothic novels and so moves to a decaying Victorian mansion. She isn't there long before she discovers that it is being haunted by a pack of ghostly prostitutes, all of whom died there when it was a house of ill repute. The spirits take over the woman and use her as their instrument of revenge. ~ Sandra Brennan, All Movie Guide
- Starring:
- Robin Groves, Christopher Loomis, (more)
- 1979
The Seekers was the third and last TV movie based on John Jakes' Kent Family Chronicles (the others were The Bastard and The Rebels). Heading the huge all-star cast is Randolph Mantooth as Abraham Kent, son of elderly Revolutionary War vet Andrew Kent (played by Martin Milner, replacing the first two films' Andrew Stevens), who has resettled in the treacherous Northwest Territory. Part One of this two-part, four-hour production finds young Abraham trying out a series of occupations, while his brother Gilbert (George Deloy) goes into his father's publishing business. Part Two takes us up to the War of 1812, as seen through the eyes of Jarod and Amanda Kent (Timothy P. Murphy and Sarah Rush), who shortly thereafter head westward. Originally syndicated as part of the Operation Prime Time package, The Seekers made its debut during the week of December 2, 1979. ~ Hal Erickson, All Movie Guide
- 1979
- R
This inept, obviously low-budget, poorly-acted horror-comedy is primarily a showcase for Nai Bonet a belly-dancer turned actress in her role as Nocturna, the last descendant of Count Dracula. Nocturna has followed her love interest -- rock guitarist (Tony Hamilton) -- from Transylvania to Manhattan in spite of the wrath of her infamous grandfather, who proceeds to follow her. But his thirst for revenge is thwarted by Jugulia (Yvonne de Carlo), a vampiress with a protective bent toward Nocturna, her musician, and their friends. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Nai Bonet, Yvonne De Carlo, (more)
- 1978
- R
One of the less offensive Al Adamson productions of the 1970s, Save Our Beach is an R-rated rehash of all those "Beach Party" flicks of days gone by. The beer-swilling, hormone-driven teenaged protagonists are hardly paragons of virtue, but at least they're more likable than the greedy, grasping adult characters. When the villains decide to bulldoze the beach to erect a passel of condominiums, the kids retaliate, using sex as a weapon. You've never heard of most of the cast members, though John Carradine picks up a quick paycheck as a wisecracking judge. Save Our Beach was originally released as Sunset Cove. ~ Hal Erickson, All Movie Guide
- 1978
Originally titled Stories from the Bible, Greatest Heroes of the Bible was designed as a seven-part TV miniseries; evidently the specter of low ratings forced the network execs to telescope the presentation into four installments. The series began with the story of David (Roger Kern) and Goliath (Ted Cassidy). Next we were offered the tale of Samson (John Beck) and Delilah (Ann Turkel). The Flood was next on the agenda, with Lew Ayres as Noah. This was followed by Joshua (Robert Culp) at the walls of Jericho. Moses (John Marley) was the central character in the next chapter, followed by Solomon (Tom Hallick) and Bathsheba (Carol Lawrence). The story of Joseph (Sam Bottoms) and his Brethren rounded out the presentation. While other miniseries prided themselves on being lensed in Europe and the Mid-East, Greatest Stories of the Bible declared itself as an "All American Production;" for example, Canyon City, Utah, stood in for Jericho. This miniseries was telecast November 19, 20, 21 and 22, 1978. ~ Hal Erickson, All Movie Guide
- 1978
- R
Also released under the titles Sensuous Vampires, Cemetery Girls, and Night of the Bloodsuckers, this horror film revolves around a sinister vampire (John Carradine) who sends out a horde of undead beauties to bring back victims for his dinner. ~ Iotis Erlewine, All Movie Guide
A delightfully horribly sci-fi horror outing, Monster is the story of young people whose lives are placed in jeopardy by the presence of a gigantic prehistoric lake monster created from toxic waste. ~ Sandra Brennan, All Movie Guide
- 1978
Cruise Missile takes its time getting to its much-anticipated climax, but by and large it's worth the wait. Peter Graves heads a special task force, assigned to literally save the world. A wacko has gotten hold of a nuclear cruise missile, and has threatened to touch off World War 3. What possible benefit this will have for the villain is never completely explained; it's enough that it provides a consistent level of suspense. Curt Jurgens and Michael Dante costar in this apocalyptic nailbiter. ~ Hal Erickson, All Movie Guide
- 1978
This hilariously awful killer-bee epic from director Alfredo Zacharias features surprisingly good special effects and horrible acting. Cult favorites John Saxon and Angel Tompkins star as scientists trying to deal with a U.S. invasion by trillions of sentient bees. The bees want humans to stop polluting the environment and they enlist Saxon to deliver their ultimatum to the United Nations. As Uncle Ziggy, John Carradine, before being shot by hitmen, delivers his dialogue as if speaking through dry heaves in a bad German accent. There are some exciting scenes of mass destruction as swarms of bees attack large crowds (including the Rose Bowl Parade, where President Ford is seen briefly) and then Saxon comes up with a plan. His proposal suggests the use of a chemical which turns the bees homosexual ("That reminds me of a certain neighborhood I know in L.A.," says one delegate). Eventually, Saxon goes to the U.N. to deliver the bees' message, only to meet with scorn. Naturally, billions of bees then burst into the room to plead their case. There are some well-done plane crashes, the bee scenes are realistic and incredibly numerous (a scene where they carpet Saxon's bedroom is astounding), and the storming of the U.N. is a classic. But all of this is compromised by annoying geometric wipes between scenes and some of the worst writing and acting to ever survive the cutting-room floor. Oddly enough, the same year's big-budget The Swarm would not improve on any of these areas, and is not as funny as this film either. ~ Robert Firsching, All Movie Guide
- Starring:
- John Saxon, Angel Tompkins, (more)
John Wainwright (Larry Hankin) is an author whose body and soul have been invaded by the reincarnated spirit of the sinister hypnotist Svengali. His best-selling new book on reincarnation not only admits this fact readily, but cites it as proof, though the public dismisses it all as an entertaining publicity stunt. The book's publisher, Sir Steven (Norman Pierce), knows better, however. He, like Svengali, is a member of the Society of the Bleeding Rose, a Satanic cult that has discovered the secret to immortality through human sacrifice and the theft of souls. Despite the new book's tremendous popularity, Svengali has a skeptic who challenges the veracity of his claims. Dr. Gregorio (Geoffrey Land) is a psychiatrist who disdains belief in the occult as superstition and quackery, but what Gregorio doesn't let on is the reason he considers himself an expert in such matters; he's actually a vampire, a creature of the undead who knows the truth about eternal life. Sir Steven demands that Svengali procure a fresh, untarnished soul for their society's wicked rituals, and nightclub dancer Trilby (Jane Brunel-Cohen) is chosen to replenish the Satanists' supply of psychic energy. Unfortunately, Wainwright's soul is fighting to regain control of the body that Svengali has stolen, flooding the evil hypnotist with strange feelings of love for Trilby that he can't control. Gregorio attends the Black Mass to disrupt the society's sacrifice with his vampiric talents, but he hasn't counted on the interference of Stephanie, (Susan McIver), a young woman who lost her mother to Gregorio's fangs and is bent on revenge. ~ Fred Beldin, All Movie Guide
- 1977
Originally known as Christmas Miracle in Caulfield, USA, this made-for-TV film concerns the true story of striking coal workers who are imprisoned in a collapsed mine on Christmas Eve, 1951. ~ John Bush, All Movie Guide
- 1977
Richard Harris dodges bullets from stem to stern in this middling thriller, based on a novel by Alistair MacLean. The plot concerns high-sea hijinks aboard the Caribbean Star, a combination cargo ship and floating casino. In the midst of the high rollers and spinning roulette wheels appears Luis Carreras (John Vernon), an amoral mercenary who hijacks the ship. Taking his marching orders from a mysterious mastermind, he installs an atomic device mid-ship, holding both the passengers and the bomb hostage, hoping to exchange them for the gold bullion of an U.S. Treasury ship. All seems to be going according to Luis's plan until First Officer John Carter (Richard Harris), the attractive Susan Beresford (Ann Turkel), and Dr. Marston (Gordon Jackson) arrive to put a crimp in Luis's escapade. ~ Paul Brenner, All Movie Guide
- Starring:
- Richard Harris, Ann Turkel, (more)
The cheerleaders of Benedict High are a rowdy, randy bunch with little regard for rules, decorum, or anything that gets in the way of a good time with the stud football players they date. The big game against Baker High is coming up, and the intense rivalry between the schools leads to spirited chicken fights on the beach and extensive T.P. sessions. The cheerleaders' chaperone, Ms. Johnson (Jacqueline Cole), tries hard to rally her charges and keep their restless libidos from distracting the star players, but they continually take advantage of her sweet nature and naïveté, leading to high jinks which get some of their boyfriends suspended from the team. However, high school politics will soon be the least of their troubles. Benedict High's creepy janitor, Billy (Jack Kruschen), is a member of a local Satanic group, and he wants revenge against all the kids who ridicule him on campus. He kidnaps the four cheerleaders and Ms. Johnson, then drives them to a remote location to sacrifice and ravage his victims on a Satanic altar. Suddenly overcome by the dark forces of the underworld, Patti (Kerry Sherman) strips naked of her own volition and climbs upon the altar, where she is imbued with a strange power that knocks Billy cold. The girls seek out the nearest law, which turns out to be Sherriff Bubb (John Ireland); he also doubles as the Satanic High Priest of the area. When his wife, Emma (Yvonne DeCarlo), senses the dark power that has invaded Patti, they decide that they have been delivered the perfect virgin sacrifice to their evil Lord. The girls make a hasty escape, but discover that the tiny town they've landed in is a hotbed of Satanism, so they are recaptured and brought once again before the devil's altar for a Black Mass. But which of these sassy, over-sexed girls is the virgin meant for sacrifice? The shocking answer leads to death, destruction, and a whole new way of life for the cheerleaders of Benedict High. ~ Fred Beldin, All Movie Guide
This horror film concerns a shipwrecked yachting party. Rose (Brooke Adams) and her fellow yacht-mates, including the captain (John Carradine) run aground on an island when they hit an odd-looking freighter. Once beached, they meet up with an aging SS Commander (Peter Cushing) who had been in charge of a crew of zombies. This is not meant as a comment on the quality of the men under him, they were "real" zombies. Since the zombies were taken from the ranks of murderers and other miscreants, they were not activated and the SS Commander sunk them with his submarine. Now they are rising up from the depths to create mayhem among the stranded members of the yachting party. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Peter Cushing, Brooke Adams, (more)
- 1977
J. Lee Thompson directs Charles Bronson in this strange western variation on Herman Melville's Moby Dick. Bronson plays a man named James Otis, who is disturbed by dreams of a giant white buffalo. He returns to the west under his new name --Wild Bill Hickok. Amongst his travels, he meets Chief Crazy Horse (Will Sampson), who is roaming the plains in an obsessive search for the giant white buffalo that killed his young daughter. Chief Crazy Horse wants to slay the beast in revenge for his daughter's death, and Wild Bill Hickok teams up with him to hunt down the giant white buffalo. ~ Paul Brenner, All Movie Guide
- Starring:
- Charles Bronson, Jack Warden, (more)
About ten minutes into The Shootist, Doctor Hostetler (James Stewart) tells aging Western gunfighter John Bernard Books (John Wayne), "You have a cancer." Knowing that his death will be painful and lingering, Books is determined to be shot in the line of "duty." In his remaining two months, Books settles scores with old enemies, including gambler Pulford (Hugh O'Brian) and Marshall Thibido (Harry Morgan) and reaches out to new friends, including a feisty widow (Lauren Bacall) and her hero-worshipping son (Ron Howard). Throughout the film, Books' imminent demise is compared with the decline of the West, as represented by the automobiles and streetcars that have begun to blight the main street of Books' hometown. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Lauren Bacall, (more)
- 1976
- PG
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This spoof makes fun of a certain famous German shepherd movie star from the 1920s. The mayhem begins when the head honcho of a financially struggling studio turns a lost dog into a legend. The story features a number of old stars making cameo appearances. ~ Sandra Brennan, All Movie Guide
- Starring:
- Bruce Dern, Madeline Kahn, (more)
In the wake of such Satanic-themed thrillers as Rosemary's Baby, The Exorcist and The Omen comes The Sentinel. When New York fashion model (Cristina Raines) splits with her fiance (Chris Sarandon) and moves into an old brownstone, she soon discovers she has more than she bargained for in the lease. As luck would have it, a mysterious blind priest (John Carradine) who lives upstairs happens to be guarding the doorway to Hell, and she has been chosen as his replacement. Incidentally, when the door is finally opened, out spills an assortment of deformed humans whom director Michael Winner hand-picked from hospital wards and circus sideshows. ~ Jeremy Beday, All Movie Guide
- Starring:
- Chris Sarandon, Cristina Raines, (more)
Elia Kazan directed this curiously constipated film adaptation of F. Scott Fitzgerald's unfinished final novel, about Monroe Starr, a brilliant and efficient studio executive (based upon Fitzgerald's experiences with MGM wunderkind Irving Thalberg). Robert De Niro plays Monroe Starr in a cool and detached manner, and as Kazan pans around the Hollywood Dream Factory of the 1930s, Starr juggles several productions, deals with nervous actors and recalcitrant directors, stays afloat in the Hollywood corporate battlefields, and secretly carries on a love affair with an even cooler and more detached English girl, Kathleen Moore (Ingrid Boulting). ~ Paul Brenner, All Movie Guide
- Starring:
- Robert De Niro, Tony Curtis, (more)
