Tom Stoppard Movies
Though his primary profession is as a renowned playwright, the versatile and prolific Tom Stoppard has also carved out a distinguished secondary career as a screenwriter.Born in Czechoslovakia, Tom Straussler and his family moved to Singapore in 1939 and then to India in 1941 to escape World War II's Axis powers. After his father was killed in Singapore, his mother married a British officer, and the renamed Stoppard family moved to England in 1946. Stoppard began his writing career at age 17, and worked as a journalist from 1954 to 1960. During the early '60s, Stoppard shifted to drama criticism and then fiction plays for TV, radio, and the stage. His 1966 play Rosencrantz and Guildenstern Are Dead turned Stoppard into a theater sensation when it opened in London in 1967. Complex, philosophical, and hilarious, Stoppard's retelling of Hamlet from the point of view of two minor characters wittily upended the Shakespeare text with a strong dose of Samuel Beckett-style existentialism.
In the subsequent decades, Stoppard wrote numerous plays remarkable for their wordplay, intelligence, humor, and erudition, whether he was dealing with absurdist farce (Travesties [1974]), modern love (The Real Thing [1982]), international politics (Every Good Boy Deserves Favor [1977]), or sex and science (Arcadia [1993]). Along with his original plays, Stoppard also translated a number of theatrical works by other European writers, including Vaclav Havel and Arthur Schnitzler. Though he once described his screenplays as more craft than art, Stoppard's literate film adaptations of various works by major authors have matched him with some of the most esteemed directors in international cinema, beginning with Joseph Losey's The Romantic Englishwoman in 1975.
Displaying his protean talents, Stoppard adapted Vladimir Nabokov for Rainer Werner Fassbinder's English language black comedy Despair (1978), Graham Greene's spy novel The Human Factor (1979) for Otto Preminger, J.G. Ballard's World War II story Empire of the Sun (1987) for Steven Spielberg, and E.L. Doctorow's gangster saga Billy Bathgate for Robert Benton. Making a foray into the art of original screenplays, Stoppard's collaboration on Terry Gilliam's outrageous, darkly comic science fiction-fantasy Brazil (1985) earned the Tony Award-winning playwright his first Oscar nomination for screenwriting. Stoppard notched another "first" when he agreed to step behind the camera as director in order to secure financing for the 1990 film adaptation of his own Rosencrantz and Guildenstern Are Dead. Featuring rising British actors Gary Oldman and Tim Roth in the title roles, Rosencrantz earned Stoppard the Golden Lion at the Venice Film Festival. Humorous reinterpretations of Shakespeare (as well as original screenplays) proved to be auspicious for Stoppard once again, when the costume comedy Shakespeare In Love (1998), about a blocked Will Shakespeare and his Juliet-esque inspiration, earned Stoppard and Marc Norman the Best Original Screenplay Oscar. Stoppard has been married twice and has four children. ~ Lucia Bozzola, Rovi
- 2012
Christopher Tietjens weds wicked socialite Sylvia as the Edwardian Empire crumbles around them. ~ Jason Buchanan, Rovi
Director Joe Wright reteams with Keira Knightley for this version of Anna Karenina, which boasts a script by Tom Stoppard. Knightley stars as the title character, a Russian woman who cheats on her respected husband (Jude Law) with a young soldier (Aaron Johnson) and suffers greatly for her betrayal. Wright sets the action in a theater, often segueing from scene to scene by utilizing different spaces within the same set. Anna Karenina screened at the 2012 Toronto International Film Festival. ~ Perry Seibert, Rovi
Jason Bourne (Matt Damon) races to solve the mystery of his past while being hunted by members of the very organization he was hired into as director Paul Greengrass brings author Robert Ludlum's popular character back to the big screen for his third feature outing. David Strathairn, Julia Stiles, Joan Allen, and Paddy Considine co-star. ~ Jason Buchanan, Rovi
- Starring:
- Matt Damon, Julia Stiles, (more)
The true story of a major breakthrough in intelligence technology created during World War II provides the backdrop for this blend of mystery, romance, and espionage, based on the novel by Robert Harris. Tom Jericho (Dougray Scott) is a gifted mathematician who is working with the British government on the development and maintenance of the Enigma machine, an electronic device that allows Allied intelligence agents to decode scrambled messages sent by Germany military officers. But the emotionally fragile Jericho is buckling under both the pressure of his work and the collapse of his relationship with Claire Romilly (Saffron Burrows), a co-worker with whom he's fallen deeply in love. After suffering a minor breakdown, Jericho is sent on a leave of absence, but when he returns to work, a crisis awaits: it seems the Germans have instituted a new code that the Enigma is not yet able to crack, and Jericho is needed to help unravel Axis communiqués before an important convoy of troops and materiel sets sail. It is also suspected that a German undercover agent has infiltrated the Enigma project, and Wigram (Jeremy Northam) is determined to ferret them out. In the midst of all this, Jericho receives troubling news that Claire has gone missing -- and that a file of German messages waiting to be decoded was found at her home. As Jericho works against the clock to crack the new German code, he forms an initially uneasy alliance with Hester Wallace (Kate Winslet), Claire's roommate and a fellow member of the Enigma project, as they try to discover Claire's whereabouts. Enigma was co-produced by Mick Jagger, who has a keen interest in the history of the real-life Enigma project, and even owns one of the original Enigma decoding machines. ~ Mark Deming, Rovi
- Starring:
- Dougray Scott, Kate Winslet, (more)
- 2000
- PG13
- Add Vatel to Queue Add Vatel to top of Queue
A man hoping to win the favor of a King finds that his heart has gotten in the way in this lavishly-produced comedy-drama. In 1671, the Prince du Conde (Julian Glover) is a figure of French nobility who is deep in debt and suffering from gout. Hoping to buoy his fortunes and his reputation, du Conde wants to win command of the French Army in an anticipated conflict with Holland. When du Conde receives word from the Marquis de Lauzun (Tim Roth) that that King Louis XIV (Julian Sands) wishes to spend three days at his estate, du Conde is determined to pull out all the stops, and he asks Francois Vatel (Gerard Depardieu) to make the arrangements. Vatel is a master chef with a genius for arranging spectacular entertainments, and he is determined that this will be a weekend that the king will always remember. But that's before Vatel meets Anne de Montausier (Uma Thurman), a lovely courtesan traveling with the king's party. Anne is the king's new mistress, but that doesn't stop Vatel from falling in love with her, and he is determined to win her heart. Produced in both English and French language versions, Vatel was chosen to open the 2000 Cannes Film Festival. ~ Mark Deming, Rovi
- Starring:
- Féodor Atkine, Hywel Bennett, (more)
William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of "The Rose," a theatre whose doors are about to be closed by sadistic creditors, but he's got a nasty case of writer's block. Shakespeare hasn't written a hit in years. In fact, he hasn't written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose's solvency on Shakespeare's new comedy, "Romeo and Ethel, the Pirate's Daughter." The problem is, "Romeo" is safely "locked away" in Shakespeare's head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer -- scandalous for a woman of her breeding -- who especially admires Shakespeare's plays and, not incidentally, Bill himself. Alas, she's about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola's romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet. ~ Merle Bertrand, Rovi
- Starring:
- Joseph Fiennes, Gwyneth Paltrow, (more)
- 1998
For this TV movie, Bob Rafelson directed James Caan as famous shamus Philip Marlowe. The novel Raymond Chandler (1888-1959) was writing during the year of his death remained unfinished until it was completed 30 years later by Spenser author Robert Parker. The British-based, Czech-born screenwriter/playwright Tom Stoppard scripted this telefilm adaptation. In 1963, the middle-aged Marlowe has put on a few pounds and gained a new wife, wealthy heiress Laura (Dina Meyer). In Poodle Springs, California, on the Nevada border, the couple lives in a house given them by P.J. Parker (Joe Don Baker), Laura's father. Framed for murder, Marlowe is bailed out by Laura, and he's soon hired to locate a gambler who owes $100,000. Investigating lowlife photographer Larry Victor (David Keith), Marlowe learns of a blackmail plot involving stripper Lola (La Joy Farr); he follows a trail that leads to a land scheme, while corpses begin to litter the landscape. This was James Caan's first TV role since Brian's Song (1971, later released theatrically), and the whodunit premiered July 25, 1998 on HBO. ~ Bhob Stewart, Rovi
- Starring:
- James Caan, Dina Meyer, (more)
The Amazon rain forest is a living laboratory for Dr. Robert Campbell (Sean Connery), a reclusive research scientist living with a Brazilian native tribe. Campbell has accidentally discovered a flower extract that cures cancer, but has been unable to duplicate the formula. With the assistance of Dr. Crane (Lorraine Bracco), he explores every possible chemical derivative, but continues to fail. When a child in the village is near death from a tumor pressing against his trachea, Campbell and Crane stand against each other on the moral issue to use the last of the successful serum to save him or to keep it for further analysis. At the last moment, Crane reconsiders, and agrees to save the child. At the same time, commercial loggers begin to creep ever closer to the village, and government officials demand the tribe's relocation. With only yards remaining between the bulldozers and the tribe, Campbell discovers a vital clue to the elusive elixir he seeks. His attempt to stop the workmen results in violence and a raging forest fire which destroys his lab equipment and the natives' village. The story ends with Campbell, Crane, and the tribe pushing deeper into the jungle in search of new answers.
In a change of pace from his usual action film fare, the skilled work of director John McTiernan brings emotional depth to what would otherwise be just another pro-environmental propaganda film. Connery, who had starred in McTiernan's crowd-pleasing 1989 film The Hunt for Red October, gives a convincing performance as the determined and complex researcher haunted by mistakes of the past. Bracco's character adds the realistic humor of the city scientist adjusting to Spartan life in the trees, but she does so with both strength and dignity. The constant bickering of two equally obstinate scientists gives a mild "honeymooners in the jungle" quality. Filmed in the Mexican rain forest, the canopy is captured in breathtaking cinematography. ~ Lucinda Ramsey, Rovi
In a change of pace from his usual action film fare, the skilled work of director John McTiernan brings emotional depth to what would otherwise be just another pro-environmental propaganda film. Connery, who had starred in McTiernan's crowd-pleasing 1989 film The Hunt for Red October, gives a convincing performance as the determined and complex researcher haunted by mistakes of the past. Bracco's character adds the realistic humor of the city scientist adjusting to Spartan life in the trees, but she does so with both strength and dignity. The constant bickering of two equally obstinate scientists gives a mild "honeymooners in the jungle" quality. Filmed in the Mexican rain forest, the canopy is captured in breathtaking cinematography. ~ Lucinda Ramsey, Rovi
- Starring:
- Sean Connery, Lorraine Bracco, (more)
In this film version of E. L. Doctorow's Billy Bathgate, Loren Dean plays the title character, a street-smart kid who inveigles his way into the confidence of 1930s gangster Dutch Schultz (Dustin Hoffman). Billy is ordered to look after Schultz' new moll, Drew Preston (Nicole Kidman), while Dutch fends off tax evasion charges and such up-and-coming rivals as Lucky Luciano (Stanley Tucci). Even though they know they're playing with dynamite, Billy and Drew fall in love. In attempting to escape Schultz' wrath, Billy succeeds only in putting himself in the thick of a gun battle between his boss and Luciano. When "Charley Lucky" emerges triumphant, Billy is forced once again to rely on his wits to escape being sent to the bottom of the briny in a cement overcoat. Bruce Willis shows up in an extended cameo as Dutch Schultz' former business associate. Billy Bathgate was adapted for the screen by British playwright Tom Stoppard. ~ Hal Erickson, Rovi
- Starring:
- Dustin Hoffman, Nicole Kidman, (more)
"Barley" Scott Blair (Sean Connery) is an alcoholic book editor from a bargain-basement publishing house in Great Britain who'd rather be drinking in Lisbon than attending a book dealers' show in Russia. So he's surprised when a CIA agent (Mac McDonald) pulls him from his boozy holiday. It seems that the CIA has through a book show intermediary received a package from a Russian book editor named Katya (Michelle Pfeiffer) containing amazingly detailed notebooks written by a cynical Russian physicist named "Dante" (Klaus-Maria Brandauer). The notebooks show that Russia's nuclear threat is a joke: Russian rockets "suck instead of blow...and can't hit Nevada on a clear day," in the acerbic words of CIA Agent Russell Sheridan (Roy Scheider). But why is Dante sending the notebooks to Blair? How shall the Western world respond to what could be the end of the nuclear arms race? Blair gets drafted by a British Secret Service agent (James Fox) to go to the new Russia to meet Katya. He must see whether the new Russia is still immersed in the old Cold War and whether the notebooks are genuine or another deadly chapter in the war of the spies. ~ Nick Sambides, Jr., Rovi
- Starring:
- Sean Connery, Michelle Pfeiffer, (more)
- 1990
- PG
- Add Rosencrantz and Guildenstern Are Dead to Queue Add Rosencrantz and Guildenstern Are Dead to top of Queue
Much as he would later do with Shakespeare in Love (1998), writer Tom Stoppard delivered a tale of Shakespearean origin from a skewed and unexpected perspective. In this case, it's the perspective of two relatively minor characters from Hamlet, Rosencrantz (Gary Oldman) and Guildenstern (Tim Roth), courtiers who, in the original play, were dispatched offstage before the narrative's conclusion. In Stoppard's script (which he also directed), the two supporting players take center stage as the events unfold in Elsinore Castle. Unable to determine the source of the prince's tortured despair, the duo ponders the question of fate as their predetermined roles are played out. Meanwhile, they dabble in a little verbal tennis and some ill-advised science experiments, and endure the puzzling attentions of mysterious wandering thespians led by (Richard Dreyfuss). Ordered to accompany Hamlet (Iain Glen) to England, the pair learn that the letter they carry instructs that nation's king to decapitate their mentally unbalanced and irksome charge, a revelation that Hamlet overhears. ~ Karl Williams, Rovi
- Starring:
- Gary Oldman, Tim Roth, (more)
Based on J.G. Ballard's autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes. ~ Hal Erickson, Rovi
- Starring:
- Christian Bale, John Malkovich, (more)
Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, Rovi
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, Rovi
- Starring:
- Jonathan Pryce, Michael Palin, (more)
- 1979
- R
This routine espionage drama is based on a novel by Graham Greene about a low-level British informant who is caught in a trap. Castle (Nicol Williamson) has a desk job in British intelligence. Around him are heavyweights like Col. Daintry (Richard Attenborough), Sir John Hargreaves (Richard Vernon), and Percival (Robert Morley) who will cold-bloodedly stop at nothing to do their jobs as they see fit. And Castle certainly is a nobody compared to them. One day when a friend of his in Africa needs some help, Castle is conned into supplying the Eastern block countries with info on demand. No one suspects him because of his low position, but when his office partner is hauled off, Castle begins to rethink his situation. This was director Otto Preminger's last film. ~ Eleanor Mannikka, Rovi
- Starring:
- Richard Attenborough, John Gielgud, (more)
Having made as many films as he had years, at 31, Rainer Werner Fassbinder essayed a slightly different approach for his 32nd film, Despair. Here, he uses a witty screenplay written by the well-known playwright Tom Stoppard, based on a novel by Vladimir Nabokov. Furthermore, the entire film, set in 1930s Germany, is in English. It received mixed reviews, if only because it is so unlike the director's other works. In the story, a Russian owner of a German chocolate-factory, whose business and marriage are both on the rocks, fantasizes about leaving his current life, and living another one. Indeed, he has delusions that he is somehow outside himself, watching himself live his life. So strong is his desire to alter his life that when he encounters a tramp while on a brief business trip, he imagines that the man looks exactly like him, decides to exchange identities with the tramp, and murders him. ~ Clarke Fountain, Rovi
- Starring:
- Dirk Bogarde, Andréa Ferréol, (more)
- 1975
Made for British television, the 1975 Three Men in a Boat is the latest filmization of the timeworn Jerome K. Jerome comic novel. The plot remains the same: a trio of Englishmen take a boat excursion along the Thames during a two-week holiday. The trio experiences several amusing misadventures especially when they meet three lovely female landlubbers. Starring in this 64-minute adaptation are Tim Curry (as Jerome K. Jerome), Michael Palin and Steven Moore. Additional (and often very esoteric) dialogue has been added by adaptor Tom Stoppard, of Rosencranz and Guildenstern are Dead fame. Previous versions of Three Men in a Boat were produced in 1933 and (most memorably) 1958. ~ Hal Erickson, Rovi
- 1975
- R
Tom Stoppard and Thomas Wiseman's intricate script for The Romantic Englishwoman credibly explores the notion that a writer can manipulate the people in his life as deftly as he can manipulate the characters in his imagination. The title character Elizabeth, played by Glenda Jackson, is the wife of Lewis (Michael Caine), a novelist. At this point in his life, Lewis thinks in nothing but literary terms: Elizabeth is vacationing in Europe alone, ergo she must be having an affair. Half out of frustration, she confirms her husband's suspicions by romancing German drug dealer Thomas (Helmut Berger). Things get even dicier when Lewis invites Thomas into his home, requesting his technical advice on a screenplay he is working on. ~ Hal Erickson, Rovi
- Starring:
- Glenda Jackson, Michael Caine, (more)
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