Joseph J. Stone Movies

One night after finishing his rounds as security chief at Jordan College, Quartz Willinger (Cameron Mitchell) stops by an after-hours club for a drink and walks in on the middle of a robbery, during which he is savagely beaten by three hillbilly thugs. While recovering from his injuries, he needs a replacement and arranges to hire an old friend, Jim Slade (Burt Lancaster), an ex-cop who has just been paroled on a murder conviction, for killing the man he caught with his wife. He finds the job an awkward fit but a welcome relief from prison, especially once he meets his parole officer, Linda Thorpe (Susan Clark). On his first night on the job, there's a break-in at the office of the college's resident psychiatrist (Robert Quarry), and the theft of some tapes made by students, only one of whom -- Natalie Clayborne (Catherine Bach), a pretty yet troubled coed, and daughter of a very powerful politician (Morgan Woodward) -- isn't upset by the incident. The next night, Slade finds her getting drunk in town and gets her back to the campus. When Natalie turns up dead, the county sheriff, Casey (Harris Yulin), glances at him briefly as a suspect before arresting the custodian Ewing (Charles Tyner), who was a religious nut with a collection of pornography and a fixation on Natalie. But Slade isn't convinced of Ewing's guilt and starts to investigate the crime himself with help from Linda. Despite Casey's pressuring him to stay out of it, the ex-cop soon discovers Jordan College, the town, and the surrounding county are a nasty border-state version of Peyton Place, populated by lots of people with skeletons in their closets, including blackmail, incest, and murder, with hardly an institution not corrupted by some part of it. What's more, in a series of twists worthy of The Big Sleep (book or movie), he uncovers a connection between the thugs who beat up Quartz and the stolen tape and the murder, which results in the brutal killing of his witnesses and Slade fighting for his life. And he still has to face the truth about the two people in the midst of this corruption that he trusted. ~ Bruce Eder, All Movie Guide

Based on Peter DeVries' novel Witch's Milk, Pete 'n' Tillie stars Walter Matthau and Carol Burnett in the title roles. Middle-aged when they first meet, eternally joking Pete and repressed "old maid" Tillie don't immediately hit it off. Gradually, their friendship deepens into love and culminates (reluctantly, on Pete's part) in marriage, eleven years of which is explored in this film. Throughout the funny and tragic moments, and despite the many breakups, their love endures. Oscar nominations went to screenwriter Julius J. Epstein and supporting actress Geraldine Page. ~ Hal Erickson, All Movie Guide

The must-be-seen-to-be-believed Fastest Guitar Alive offers singer Roy Orbison in his one and only movie starring role. Orbison plays Johnny Banner, a Confederate Spy who keeps a rifle hidden in his guitar. While on an espionage mission with partner Steve (Sammy Jackson), Johnny discovers that the war is over, and that now he and Steve are considered outlaws. Their many subsequent adventures include their involvement with dance-hall gals Flo (Maggie Pierce, co-star of the infamous TVer My Mother the Car) and Sue (Joan Freeman). Indicative of the general tone of seriousness in this film is the presence of veteran comedian Ben Lessy as a most urban-looking Indian. Though silly in the extreme, Fastest Guitar Alive is at least superficially better than most of the youth-oriented Sam Katzman productions of the period. And besides, you wouldn't want to pass up an opportunity to see Roy Orbison in his performing prime. ~ Hal Erickson, All Movie Guide

Rear Admiral Matt Sherman (Cary Grant) visits the submarine Sea Tiger on the morning of its decommissioning and reminisces about his time as the first commander of the boat, in 1941. Three days after Pearl Harbor, the sub is damaged during an enemy air raid in the Philippines; rather than abandoning her, Sherman and his chiefs refloat the boat. He's forced to accept the services of Lt. (jg) Nick Holden (Tony Curtis), who has no sea experience. Sherman appoints Holden -- a born conniver, deal-maker, and scrounger (his motto: "In confusion, there is profit") -- as supply officer, and through a series of burglaries and petty thefts he gets the Sea Tiger seaworthy again. Up to this point, the movie is an increasingly amusing service comedy, akin to the lighter moments of Mr. Roberts, running on Grant's wry exasperation and Curtis's cool arrogance, coupled with Arthur O'Connell's periodic sardonic yet optimistic jabs at their situation and Gavin MacLeod's fidgety nervousness. The Sea Tiger puts to sea ahead of the Japanese with a quintet of stranded army nurses aboard. The film shifts to a new level of humor as the officers and crew try to cope with living in close quarters with five attractive women in their midst. Grant gives a very witty performance as a man who is both exasperated by the situation he is in, having to adjust his masculinity to keep it from clashing with the feminine sensibilities of his guests, and also trying to control the mating urges of his men, starting with Holden, who can't stay away from Lt. Duran (Dina Merrill). Complicating matters more is Grant's awareness that the Sea Tiger is a "virgin" -- she has never engaged the enemy, but when they finally do, the accident-prone Lt. Crandall (Joan O'Brien) causes their torpedo to miss a tanker and sink a truck (probably the funniest sight gag in the movie). The boat also gets an accidental coat of pink paint when their supply of red and white runs low, and ends up carrying several Filipino families -- including two pregnant women. Since neither the Japanese nor the Americans officially has a pink submarine, the Sea Tiger ends uphunted by both sides and come under attack by an American destroyer. That's where the women's presence becomes a godsend. The movie ends 18 years later, with Holden a serious career navy man and responsible father, married to Duran, and Grant married to Crandall, who is as accident prone as ever. ~ Bruce Eder, All Movie Guide

In this boxing drama, a young pugilist hopes his talent will be his ticket out of the ghetto. Sure enough, the welterweight slowly rises in the ranks until he finally gets a shot at challenging the champ. Unfortunately, the champ has offered to pay the young fighter a lot of money if he throws the fight. The fighter could use that money to marry his girl and get her away from her father. Thinking of her, he decides to take the dive, but his conscience intervenes at the last moment and he goes on to win. Fortunately, everything ends happily. ~ Sandra Brennan, All Movie Guide