Lucki Stipetic Movies

Planet Earth has been decimated, and as mankind searches space for a new planet to inhabit, a race of aliens attempt to make a new home on the now-inhospitable planet abandoned by the human race in director Werner Herzog's strange sci-fi saga. Filmed in collaboration with NASA musician/photographer Henry Kaiser, The Wild Blue Yonder travels light years into the stars, and fathoms deep into the Antarctic Ocean, and speaks with noted scientists to offer a unique view of the universe and a cautionary tale which stresses the importance of preserving our natural resources for future generations. Oscar-nominated actor Brad Dourif plays the role of the alien who arrives on Earth only to discover that the planet hasn't fared much better than the dying world that he once called home. ~ Jason Buchanan, Rovi

Seven internationally respected filmmakers offer different perspectives on time and fate -- some witty, some somber -- in this omnibus film, with the stories linked by performances from jazz great Hugh Masekela. Dogs Have No Hell by Aki Kaurismaki follows one man's unusual journey as he celebrates getting out of jail by travelling to Siberia in search of a wife. Victor Erice directed the impressionistic Lifeline, in which a family of Spanish farmers try to help an infant who has fallen ill. Werner Herzog visits the Uru Eus tribe of South America -- believed to have been the last unknown indigenous people on earth prior to their discover in 1981 -- and explores the often sad toll their discovery has taken upon them in Ten Thousand Years Older. Chloe Sevigny plays an film actress waiting out a ten-minute break in her trailer in Int. Trailer. Night, directed by Jim Jarmusch. Wim Wedners contributes Twelve Miles to Trona, in which a young man, dazed and ill, tries to drive himself to a doctor through a barren desert. Spike Lee looks into the Florida vote-counting scandal, and how Al Gore's assistants and supporters reacted to it, in the short documentary We Wuz Robbed. And in 100 Flowers Hidden Deep, directed by Chen Kaige, a delusional elderly man is convinced his furniture still stands in the vacant lot where his home used to be, and he persuades workers to help him move it away to safety. ~ Mark Deming, Rovi

While growing up in desolated post-WW II Germany, all Dieter Dengler, the son of a Nazi slain during the war, dreamed about was becoming a pilot. At age 18, he left his country with only a few cents to his name and emigrated to the U.S. Landing in San Francisco, he worked odd jobs until he was accepted into the Navy and began pilot training. He was sent to Vietnam around 1966 and on his first mission was shot down and taken prisoner. There, the Vietcong tortured and starved him until Dengler engineered a hair-raising escape and eventually returned to the U.S. where his heroic life story has been forgotten until now. Sometimes blurring the lines between fact and fiction with his trademark recurrent themes, this documentary from Werner Herzog remembers the times of the heroic Dengler. The film is divided into four chapters, each representing a period from Dengler's life; the story is recounted via interviews with the Navy pilot, archival footage and new footage seamlessly spliced together. ~ Sandra Brennan, Rovi

Director Werner Herzog, as usual, has spared no one -- especially himself -- in bringing this story of 19th-century African slave trading to the screen. Klaus Kinski plays an enterprising young Brazilian who after impregnating the three daughters of his plantation-owning employer, is sent to West Africa to round up slaves. Kinski goes to great lengths to befriend the very people he hopes to enslave and he eventually manages to overthrow a mad monarch and set himself up as king. As the years pass, Kinski grows wealthy -- and careless. However, despite enslaving the tribe, he does show some signs of humanitarian benevolence. This fifth and final collaboration between director Herzog and Kinski is considered the weakest of the five features. Though the title translates literally as Green Cobra, Cobra Verde was released in the U.S. as Slave Coast. ~ Hal Erickson, Rovi

German filmmaker Werner Herzog has never done anything by halves. When Herzog tackled Fitzcarraldo, the story of an obsessed impresario (Klaus Kinski) whose foremost desire in life is to bring both Enrico Caruso and an opera house to the deepest jungles of South America, the director boldly embarked on the same journey, disdaining studios, process shots, and special effects throughout. The highlight of the story is Fizcarraldo's Herculean effort to haul a 300-plus ton steamship over the mountains. No trickery was used in filming this grueling sequence, and stories still persist of disgruntled South American film technicians awaiting the opportunity to strangle Herzog if he ever sets foot on their land again. In the end, Herzog proved to be as driven and single-purposed as his protagonist, and it is the audience's knowledge of this that adds to the excitement of Fitzcarraldo. ~ Hal Erickson, Rovi