Michael Stipe Movies
Singer/songwriter Michael Stipe has often said that he would have gone into filmmaking had he not joined the rock group R.E.M., and in the late 1990s Stipe fulfilled his wish, asserting himself as a successful independent film producer.Stipe first demonstrated an affinity for the moving image through R.E.M.'s music videos, employing photographers and painters such as James Herbert, Matt Mahurin, and Robert Longo to bring his ideas to fruition. In 1988, Longo recruited Stipe for Arena Brains, an extended performance piece in which the singer portrayed a sage "observer" character wandering through New York City in search of a cheese sandwich. His acting bug continued into the 1990s, as he made a memorable appearance on the Nickelodeon program The Adventures of Pete and Pete and took time out between tours to shoot a supporting role in the ethereal period film Color of a Brisk and Leaping Day (1996), director Christopher Munch's follow-up to The Hours and Times.
Also around the turn of the decade, Stipe and longtime friend and filmmaker Jim McKay created C-Hundred, a film collective devoted to producing videos, public-service announcements, and micro-budgeted shorts and features. Though satisfied with the work that C-Hundred was producing, Stipe longed to break into wider-release Hollywood productions, and in 1993 he founded Single Cell Productions. The company began to attach itself to several high-profile productions, and in 1997 Stipe inked a two-picture development deal with USA Films. Somewhat fittingly, the singer's first executive producer credit was for 1998's Velvet Goldmine, director Todd Haynes' florid, nostalgic examination of a fictional glam rock icon. Single Cell then delivered two of the following year's most acclaimed releases: American Movie, a documentary profile of a would-be horror filmmaker from Milwaukee; and the darkly comic fantasy Being John Malkovich. For the latter film, Stipe championed a colleague from his rock career, music video auteur Spike Jonze, to direct. Malkovich met with near-universal critical praise and garnered an Academy Award nomination for the neophyte feature director -- as well as supporting actress Catherine Keener and writer Charlie Kaufman -- though Stipe and the film itself were passed over for a Best Picture nod.
Despite Single Cell's increasing prominence in the industry, Stipe continued to support C-Hundred for smaller-budgeted niche features such as writer-director Tom Gilroy's Spring Forward and McKay's coming-of-age drama Our Song, both of which were featured at the 2000 Sundance Film Festival. Single Cell, meanwhile, had a hand in bringing Mary Harron's satirical interpretation of American Psycho to the screen -- and backed director Jill Sprecher's follow-up to 1997's Clockwatchers, titled 13 Conversations About One Thing. ~ Michael Hastings, Rovi
- 2011
This look at the rise of Internet celebrities profiles prolific video blogger Chris Crocker, who was admired, but mostly despised, for his 2007 defense of Britney Spears. ~ Joe Friedrich, Rovi
- 2008
Filmmaker Josh Fox offers a troubling look into the hearts and minds of American fighting men in this independent drama. Memorial Day opens with a bunch of college students and off-duty soldiers drinking and whooping it up at a beach party in Ocean City, MD, and as the liquor flows, the hijinks become less good-natured and more threatening until several women are raped by the men. We next catch up with the culprits when they're on patrol in Iraq, ferreting out insurgents and passing their spare time playing practical jokes and watching porn movies. The men are then assigned new duties as guards at a military prison, and much as they showed a troubling enthusiasm for assaulting women at home, they clearly enjoy heaping abuse on the prisoners they're supposed to watch until their actions become a clear parallel to the crimes committed at Abu Ghraib. Adapted from a theater piece by Fox and featuring actors from his International Wow Company, Memorial Day was created without the approval or participation of the United States military, though Iraq War veteran Jason Christopher Hartley was a technical advisor on the production. ~ Mark Deming, Rovi
- Starring:
- Josh Fox, Harold Kennedy German, (more)
A middle-aged Texas mother slowly buckling under the constant demands of modern life sets out on a strange quest after experiencing vivid visions of a sprawling urban loft in director Kyle Henry's haunting tale of modern malaise. Julia (Cyndi Williams) is a suburban wife and mother who is overworked, underpaid, and unappreciated at home. With Christmas rapidly approaching and her personal happiness at an all-time low, Julia begins to experience an increasingly painful series of migraines that are curiously accompanied by elusive visions of a large loft in a noticeable state of disrepair. When Julia experiences a particularly powerful vision that causes her to careen off of the road in daytime traffic, she is compelled to steal money from work, board a plane for New York City, and follow her visions toward an uncertain future that seems strangely tied to the constant reports of violence which saturate the nightly news. ~ Jason Buchanan, Rovi
- Starring:
- Cyndi Williams, Kenneth Wayne Bradley, (more)
Independent filmmaker Jim McKay (Girls Town) writes and directs the ensemble film Everyday People, produced in part by HBO Films. The story revolves around a neighborhood eatery in Brooklyn called Raskins, a Jewish-owned-and-operated restaurant with an almost exclusively black clientele. After years of faithful service, owner Ira (Jordan Gelber) contemplates selling out to a corporation as part of the city's urban renewal. Everyday People premiered at the Sundance Film Festival in 2004 as part of the American Spectrum competition. ~ Andrea LeVasseur, Rovi
- Starring:
- Jordan Gelber, Bridget Barkan, (more)
Mary (Jena Malone) is entering her senior year at American Eagle Christian High School. She seems to be in an ideal social position as one of the "Christian Jewels," the most devout and popular clique of girls in the school, led by the aggressively cheerful Hilary Faye (Mandy Moore). But things take an unexpected turn when Mary's boyfriend, Dean (Chad Faust), tells her he may be gay. Mary hits her head and has a vision, in which Jesus tells her how to help "cure" Dean of his unnatural urges. Mary does everything in her power to sway Dean, but when his parents find out about his "problem," they send him away just before the school year starts, leaving Mary alone, confused, and, she soon finds out, pregnant. Mary's new situation causes her to question everything, including her friendship with the judgmental Hilary Faye and her faith. Her mother (Mary-Louise Parker) is too preoccupied with her flirtatious relationship with the school's married principal, Pastor Skip (Martin Donovan), to notice Mary's problem. Pastor Skip's dreamboat skateboarder son, Patrick (Patrick Fugit), has returned from missionary work and is attracted to Mary, but she already has too much to deal with. Just when she thinks her situation is hopeless, she finds a pair of unlikely allies in Hilary Faye's cynical wheelchair-bound brother, Roland (Macaulay Culkin), and wild, muscle car-driving provocateur Cassandra Edelstein (Eva Amurri), the school's only Jewish student. Saved! marks the feature debut of director Brian Dannelly, who co-wrote the script with Michael Urban. ~ Josh Ralske, Rovi
- Starring:
- Jena Malone, Mandy Moore, (more)
Two women connected by family are drawn closer by fate in this low-key drama. Frances (Jacqueline Bisset) is a woman in her early fifties who had already begun to sense time was running out for her when she learned that she has cancer. While Frances is fighting the disease through medical treatment, she decides it's a good idea to do some travelling before it's too late, and she pays a visit to Bob (Seymour Cassel), a former boyfriend who now owns a farm in rural Pennsylvania. To Bob's surprise, Frances strikes up a fast friendship with his wife Betty (Peggy Gormley), and Frances shares a confession with her -- while Frances maintains a close relationship with her son Morgan (Nick Stahl), she also had a daughter by Bob that she put up for adoption, and she's not certain if she should track down the child while there's still time. Coincidentally, Frances' daughter is Rebecca (Martha Plimpton), a successful lawyer who has begun to express a curiosity about her birth parents. Rebecca has been hired by a large communications firm to deal with the paperwork regarding the purchase of a radio station in Florida, and while in the Sunshine State, Rebecca gets to know the station's manager, Jimmy (Frankie R. Faison). As Jimmy and Rebecca ease into a short-term romance, he shares stories about the "Sleepy Time Gal," a mysterious female disc jockey who worked at the station back in the '50s; what neither Jimmy nor Rebecca know is that the Sleepy Time Gal was actually Frances. ~ Mark Deming, Rovi
- Starring:
- Jacqueline Bisset, Martha Plimpton, (more)
In this gritty drama, a woman discovers that her long-lost mother is now her partner in a cutthroat prison gang. Treasure (Yolonda Ross) is a young African-American woman who grew up without a mother and has been in trouble with the law most of her life after falling in with a rough-and-tumble street gang. Treasure has long been told that her mother, a hard-as-nails female criminal nicknamed "Brownie," died years ago, but one of Treasure's best friends and gang-sisters tells her about meeting a hard-core "lifer" named Brownie in an adult lockup, and Treasure wonders if she might be her mother. About to turn 21, Treasure goes out of her way to break enough rules to be sent to the State Facility for Women, where Brownie (Davenia McFadden) is also held. Treasure soon meets Brownie and discovers she is indeed her mother, but finds that the longtime prisoner would prefer to regard her as a gang ally than as a daughter. Treasure also learns that not everyone welcomes her presence in Brownie's gang, especially Kit (Rain Phoenix), a drug dealer who runs with Brownie and feels that her daughter is forcing her to divide her loyalties. Stranger Inside was directed and co-written by Cheryl Dunye, who previously made the controversial independent feminist satire The Watermelon Woman; the film was premiered at the 2001 Sundance Film Festival prior to its telecast on the premium cable network HBO, which financed the project. ~ Mark Deming, Rovi
- Starring:
- Yolonda Ross, Davenia McFadden, (more)
Jim McKay follows up on the critical success of his Girls Town (1996) with this sensitively-wrought, finely-etched character study of three teenaged girls living in the Crown Heights section of New York City. Though it is summer, the trio find themselves locked in a demanding rehearsal schedule for their prize-winning marching band. Yet this is one of a sundry responsibilities these girls must shoulder. With their parents over-worked, absent, or in jail, they must take care of all household chores and hold down dreary soul-deadening jobs. To make matters worse, their school is closing down for asbestos removal. Yet the most pressing concern for Maria (Melissa Martinez) is her discovery that she is pregnant, for a second time, after a latex-free tryst with a classmate. She is reluctant to consider an abortion, though the prospect of telling her harried mother seems no less daunting. Her best friend Lanisha (Kerry Washington) is supportive, but Joy (Anna Simpson), the third in the trio, cools to Maria, preferring to retreat into a world of fantasy. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, Rovi
- Starring:
- Kerry Washington
Playwright and character actor Tom Gilroy made his feature directorial debut with this dialogue-driven character study set against the backdrop of the changing seasons. Liev Schreiber plays Paul, a short-fused ex-con who finds unlikely comfort, stability, and camaraderie when he takes an odd job in park maintenance. On his first day, he's teamed with Murph (Ned Beatty), a groundskeeping veteran who manages to defuse an outburst between Paul and their snide supervisor (Campbell Scott). Paul sticks with the job, and, as the months pass, he and Murph work their way through events both mundane and monumental, all the while sharing their hopes, regrets, and ambitions. Shot in sequence over a one-year period, Spring Forward received a third-place mention for best first feature at the 1999 Toronto Film Festival. ~ Michael Hastings, Rovi
- Starring:
- Ned Beatty, Liev Schreiber, (more)
Matt Groening helped produce this animated adaptation of the popular children's book written by J. Otto Seibold and Vivian Walsh. Olive (voice of Drew Barrymore) is a little dog who is very excited about the upcoming Christmas holidays, and wishes she could somehow help Santa Claus (voice of Edward Asner) with his work. Word begins to circulate that one of Santa's reindeer has hurt his leg and won't be able to make the trip, and when someone mentions "all of the other reindeer," Olive mistaken thinks they've said "Olive, the other reindeer," and is convinced Santa wants her to come to the North Pole to help pull the sleigh. Dan Castellaneta, Peter MacNichol, Diedrich Bader, and Tim Meadows also contribute to the voice cast; Michael Stipe from the band R.E.M. voices one of the characters and contributes a song to the soundtrack. ~ Mark Deming, Rovi
Director Chris Smith made this documentary about independent filmmaking which had its world premiere at the 1999 Sundance Film Festival, where it won the Grand Jury Prize. American Movie centers on a low-budget horror-film buff named Mark Borchardt, who grew up on such horror classics as The Texas Chainsaw Massacre and Night of the Living Dead. Now in his late twenties, he has decided to make the ultimate horror opus in the form of an indie feature entitled Northwestern, the scariest film ever made in his Wisconsin town. Filled with determination and passion (and very little else), this documentary follows Mark for a year and a half in the making of Northwestern. The audience sees Mark fending off creditors, including the IRS, and avoiding child support payments so he can make this direct-to-video flick. His efforts to round up cast and crew are disastrous, as there is nobody in his town who shares his knowledge and passion for moviemaking. Eventually he decides to star in his film and wears a dozen crew members' hats as writer, producer, director, cameraman, editor, and soundman. American Movie follows this man with a dream to his dying uncle's trailer park, where he raises three thousand dollars. Unable to make an entire feature for that price, he scraps the idea in exchange for completing one of his many abandoned short films, Coven, which also premiered at the 1999 Sundance Film Festival. The end is a world premiere as satisfying as getting accepted into Sundance. ~ Arthur Borman, Rovi
- Starring:
- Mark Borchardt, Mike Schank, (more)
Would you pay money to journey into the mind of the star of Con Air, The Killing Fields, and In The Line of Fire? Puppeteer Craig Schwartz (John Cusack) is having money problems, so he takes a temporary job as a file clerk on the seventh-and-a-half floor of a large office building. One day, while rummaging behind a cabinet, he finds a small door that leads to the center of the mind of actor John Malkovich (played by, you guessed it, John Malkovich). Craig discovers that entering the portal allows him to become John Malkovich for a brief spell, and in time he and his beautiful but aloof co-worker Maxine (Catherine Keener) get the bright idea to charge admission for the privilege of spending 15 minutes inside the head of a well-known actor. Malkovich realizes that something strange is happening to him, but can do little to stop it, as strangers take over his mind for a quarter-hour at a time. Craig's wife, Lotte (Cameron Diaz), eventually takes a trip into Malkovich's psyche, and she soon finds herself in love with Maxine, with whom Malkovich has an affair; meanwhile, Maxine in time becomes infatuated with both Craig and Lotte, but only when they're inside Malkovich. Being John Malkovich marked the feature-length debut of director Spike Jonze, who previously made acclaimed music videos for Weezer, the Beastie Boys, and the Breeders, among others. ~ Mark Deming, Rovi
- Starring:
- John Cusack, Cameron Diaz, (more)
At the 1998 Cannes Film Festival, American independent director Todd Haynes (Safe) received the "Artistic Achievement" award for this re-creation of the UK glam rock scene of the early '70s. Glam rock star Brian Slade (Jonathan Rhys Meyers), who does a character named Maxwell Demon, predicts his own death onstage. As per his prediction, this happens, but when the killing is exposed as a hoax, it marks the end of Slade's stardom. A decade later, in 1984, Brit reporter and former Slade fan Arthur Stuart (Christian Bale), who witnesses the hoax murder, gets the assignment to do a "Whatever Happened To..?" article, and the film's plot suddenly goes into a prismatic Citizen Kane mode, reflecting various angles on Slade's life and career. Arthur visits the wheelchair-bound Cecil (Michael Feast), who discovered Slade, and then tracks Slade through his early life and his initial encounter with outrageous, maniacal American singer Curt Wild (Ewan McGregor). Slade's rise begins as manager Jerry Divine (Brit comedian Eddie Izzard) moves in to take over the performer's career. Ex-wife Mandy Slade (Toni Collette), interviewed by Arthur in a dimly lit nightclub, has memories going back to their initial 1969 Sombrero Club encounter. Their marriage paralleled his Bowie-like ascent to fame as an innovative, bisexual rock star pushing the limits. Idolized by teens, Slade teamed up for a while with the drug-addicted Wild. Eventually, the marriage of Mandy and Slade comes to an end, and she hasn't seen him in seven years when she's interviewed by Arthur. The soundtrack features vintage music by Bryan Ferry, Lou Reed and Brian Eno, plus new tunes. Some background on the making of Velvet Goldmine is documented in producer Christine Vachon's book Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (Avon, 1998) by Vachon with Slate film critic David Edelstein. ~ Bhob Stewart, Rovi
- Starring:
- Ewan McGregor, Jonathan Rhys-Meyers, (more)
- 1997
Two young women travel across the country in an old Saab armed with Hi-8 cameras, experience as Hollywood production assistants and a strong desire to capture the true character and spirit of the American people. Their journey leads Kristin Hahn and Shainee Gabel to interview a wide variety of people ranging from cultural and generational icons such as journalist Hunter S. Thompson to author Studs Terkel to actor/filmmaker Robert Redford to politicians Christine Ferrari and George McGovern to ordinary citizens, including a young gas station attendant, an aging waitress to local historians. As they progress, the woman discover that despite many modern problems, the optimistic American spirit is still alive. Other celebrities interviewed include U.S. Poet Laureate Rita Dove, independent filmmaker John Waters, country singer Willie Nelson, rap artist Chuck D.., rock singer Michael Stipe, and Native American activist and spokesperson Winona LaDuke. ~ Sandra Brennan, Rovi
- Starring:
- Robert Redford, Michael Stipe, (more)
- 1996
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Superb black-and-white photography highlights this independent drama. John Lee (Peter Alexander) is the son of a Chinese-American father and a French mother, living in California shortly after World War II. John's grandfather was a Chinese laborer brought to America to help lay tracks for the Continental railroad, and John has inherited an obsessive love of trains. When John discovers that the short-line railroad that runs from Merced, California, to the Yosemite Valley is soon to be shut down, he persuades his father to back him as he takes over the line and attempts to restore it. John hires two experienced railroad men to help him run his new railway: conductor Robinson (Henry Gibson and traffic manager Skeeter (Michael Stipe). As he tries to put the Yosemite Valley Railroad back on its feet, he becomes romantically involved with a beautiful park ranger (Jeri Arredondo) and exchanges subtle flirtations with both Skeeter and his sister Wendy (Diana Larkin). However, his all-consuming interest in the railroad prevents these relationships from going anywhere, and his family begins to lose patience with him as he digs himself deeper into a business that seems doomed. ~ Mark Deming, Rovi
- Starring:
- Peter Alexander
- 1988
An extended short from painter-turned-filmmaker Robert Longo, who would later helm Johnny Mnemonic, Arena Brains consists of a series of interlocking vignettes set in New York City in the late 1980s. The stories -- created by five different screenwriters, including Eric Bogosian, Richard Price, and Longo himself -- are mostly loosely structured attempts at satirizing the neuroses and eccentricities of members of Lower Manhattan's art community. This superficial, affluent subculture is presented in contrast with the reality of life on the New York City streets, as the film moves from galleries to alleyways and back again. Actors like Sean Young and Ray Liotta play small roles, while appearances by Bogosian, Ron Vawter, and other Manhattan theater and performance-art figures reinforce the film's hip, insider feel. (R.E.M. lead singer Michael Stipe even makes an appearance, as a mostly silent, nameless character who wanders through the various segments, observing the film's action). The result is a rather dated, uneven film that is best viewed now as a prime example of the indulgent artistic culture it intended to satirize. The marketing of the video release misleadingly emphasizes a not-so-prominent soundtrack, featuring songs by Husker Du, The Cure, P.I.L., and others. ~ Judd Blaise, Rovi
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