Charles Stewart Movies

For about a year after the Woodstock Music and Art Fair in 1969, it seemed as though everyone wanted to stage a rock festival. However, The Rolling Stones' disastrous Altamont free concert (documented in the film Gimme Shelter) forever tarnished the image of the rock festival in the U.S., while in Europe, the 1970 Isle of Wight Festival was fortunately less deadly than Altamont, but nearly as controversial. Staged by two men with greater ambitions than practical experience (not unlike Woodstock), the festival was held on a small island off the British coast, where some of the finest rock talent of the day -- Jimi Hendrix, The Doors, The Who, Miles Davis, Joni Mitchell, Donovan, Jethro Tull, Joan Baez, Leonard Cohen, and Kris Kristofferson, among many others -- were scheduled to play over the course of five days. But while at Woodstock no one had given much thought about keeping gatecrashers out, at the Isle of Wight those without tickets were greeted with corrugated steel fences that sealed off the festival grounds. Huge numbers of visitors simply camped on hills surrounding the grounds, while others broke down the fences by force after refusing to pay the three pounds admission. This led to heated conflicts between the promoters (who railed bitterly against the audience from the stage), the festival's security staff (who had to deal with the many gatecrashers), the concert-goers (who were upset with both the admission price and the site's facilities, one spectator calling it "a psychedelic concentration camp"), and the performers (who had to deal with unruly audiences and the prospect of not being paid). It was estimated that 600,000 people attended the festival, but less than 50,000 actually paid to get in, spelling financial ruin for the promoters. American documentary filmmaker Murray Lerner brought a crew to record the festival on film, but thanks to the festival's bad publicity and uneven reviews, he was not able to obtain completion funds for the project until 1995, hence the presence of many musicians who had since passed away, such as Jimi Hendrix, Jim Morrison and Miles Davis. Message to Love: The Isle of Wight Festival examines the concert both on-stage and behind-the-scenes, capturing performances from many of the artists who appeared. We see Joni Mitchell and Kris Kristofferson angrily confronting the rowdy crowd, and The Who at the peak of their form (their full set was released as a separate film), alongside the numerous catastrophes and conflicts that dominated the festival's five days. ~ Mark Deming, All Movie Guide

Filmed in Portland, Oregon, The Last Innocent Man stars Ed Harris as an adroit criminal lawyer. Having gotten several obviously guilty clients off the hook, Harris suffers a conscience attack and takes a few months off to get his act together. He is pulled out of his sabbatical by his girl friend Roxanna Hart, who persuades Harris to take on one last case. The client is Hart's estranged husband (Darrell Larson), accused of killing an undercover policewoman. This time the client is blatantly innocent--but Harris utilizes his same old sneaky tactics to win an acquittal and even throws a few new underhanded techniques into the stew. Made for television, The Last Innocent Man premiered over the HBO cable service on April 19, 1987. ~ Hal Erickson, All Movie Guide

Rock stars who performed in London between 1964 and 1973 (as the title of this documentary indicates) are featured in 104 minutes of stage performances, interspersed with an interview or two. Artists include the Rolling Stones, Otis Redding, Cat Stevens, Jimi Hendrix, and Ike and Tina Turner. One of the interesting aspects of this documentary is how quickly it became dated, even at its time of release 8 years after completion. Tina had found the courage to split from battering Ike, and several of the artists had died - but not their music. ~ Eleanor Mannikka, All Movie Guide

Fran Drescher, Michelle Pfeiffer, and Tony Danza are the most notable aspects of this forgettable teen drama that features a gang of youths in a car club who decide to battle it out with the establishment in Beverly Hills. It seems their favorite haunt, the last drive-in restaurant in the neighborhood, has been forced to close. Their rebellion is marked by tactics that might be embarrassing to any serious rebels: they turn a high school banner into an X-rated statement, sabotage a police car, ruin a manicured garden, and urinate in a punch bowl. These shenanigans take place on Halloween in 1965, a time when practical jokes are usually in the hands of elementary school kids -- and that level of maturity is maintained here. ~ Eleanor Mannikka, All Movie Guide

England is no longer a homogenous society. Examine the role of blacks in British society today and through a historical perspective. Also explore their increasing influence on the political system. ~ All Movie Guide

E. A. Whitehead adapted the script of Alpha Beta from his own play. Albert Finney is cast as "The Man," while Rachel Roberts plays "The Woman." The rest of the film remains in this pretentious vein, as we watch Finney and Roberts' marriage crumble before our eyes. One suspects that they might have patched things up had they ignored Whitehead's florid prose. Alpha Beta is salvaged dramatically by the dynamic performances of its stars, who far outshine the material. ~ Hal Erickson, All Movie Guide

Anthony Hopkins stars in this convoluted adventure yarn, scripted by Alistair MacLean. Hopkins is Philip Calvert, a water-logged James Bond. Calvert plays a naval secret-service agent who is assigned to find out why millions of pounds of gold bullion are being stolen under the noses of the British government. Calvert begins his investigations in the bleak Scottish Highlands. Posing as marine biologists, Calvert and his partner Hunslett (Corin Redgrave) find something fishy and hostile among the Scottish inhabitants. They also suspect that the rich and smooth Greek tycoon Sir Arthur Skouras (Jack Hawkins), who lays anchor off the coast in his luxury yacht, may be the culprit behind the pirating of the gold bullion. Calvert and Hunslett look to be wrapping up the case, but then Charlotte (Nathalie Delon) appears. Supposedly Sir Arthur's wife, she ends up dropping her guard and agrees to help Calvert in the retrieval of the gold. ~ Paul Brenner, All Movie Guide

Dom (John Thaw) is the 30-year-old pseudo revolutionary whose main goals are to sleep with women and spout Marxist and Leninist slogans. He is kidnapped by party members and, in a warehouse, is subjected to a trial by his peers. They believe he is only paying lip service to the movement and is not a true revolutionary. The trial is interrupted when word of an impending police raid reaches the gathering. Stock footage of the 1968 Paris riots is used judiciously to enhance the spirit of revolutionary fervor ~ Dan Pavlides, All Movie Guide

A steamship docks in San Francisco, and as one of the passengers, Philip Dressler (Raymond Bailey), is waiting for a cab after clearing customs, a baggage handler suddenly grabs one of his cases and throws it into a taxi, which takes off. In the ensuing getaway, a police officer is killed, but not before he gets off a shot that takes the fleeing cab driver's life. What Lieutenant Ben Guthrie (Warner Anderson) and Inspector Al Quine (Emile G. Meyer) can't figure out is why two men are suddenly dead within a matter of seconds, all for a seemingly inexplicable baggage snatch. The truth begins to come out when an examination reveals that a small ornamental statue in Dressler's case is loaded with half a million dollars in pure heroin. Then the bodies start turning up -- beginning with a baggage handler at the docks. Guthrie and Quine uncover a plan by a drug syndicate to use innocent, unsuspecting tourists visiting the Far East as unknowing drug couriers -- and now that the original method of retrieval at the docks has unraveled, thanks to the wheelman being an addict who got himself killed, another method is improvised.

Enter a pair of hitmen from out of town, Dancer (Eli Wallach), a soft-spoken psychopath with a perfect memory and not a trace of conscience, and his philosophical mentor and "handler," Julian (Robert Keith). Taken around San Francisco by their mob-employed driver, Sandy McLain (Richard Jaeckel), a juicehead who's not quite as good a wheelman as he thinks he is, the hitmen start collecting the latest shipment of heroin from three new arrivals: a ship's crew member who knows too much for his own good, a wealthy husband and wife, and a woman and her young daughter. They calmly go about their business, Dancer and his silenced pistol taking care of any "problems" while Julian runs interference and discusses issues of grammar and speech with him, and adds to his collection of "last words" from Dancer's victims -- until the last shipment turns up missing. It seems the little girl (Cheryl Callaway) found the bag of white powder hidden on the doll her mother bought her, and used it to powder the doll's face....Now Dancer and Julian have to disrupt the planned drop to "The Man" (Vaughan Taylor) to explain the short count, and to do that they have to keep the little girl and her mother (Mary Laroche) alive, at least long enough to tell their story. Meanwhile, Guthrie and Quine keep getting closer, following the trail of bodies and putting together a description of the two killers. But can they find them before the kidnapped mother and daughter join the other victims? ~ Bruce Eder, All Movie Guide