Stella Stevens Movies
Mississippi-born Stella Stevens was a wife, mother, and divorcée before she was 17. While studying medicine at Memphis State College, Stevens became interested in acting and modeling. The notoriety of her nude spread in Playboy magazine was quickly offset by the public's realization that she had genuine talent, particularly in the comedy field. Stevens' many delightful comic characterizations include Apassionata von Climax in the movie version of Li'l Abner (1959), Glenn Ford's drum-playing girlfriend in Courtship of Eddie's Father (1963), and the klutzy heroine in the Matt Helm opus The Silencers (1966). She also showed up in a brace of 1960s cult favorites: Elvis Presley's Girls! Girls! Girls! (1962) and Jerry Lewis' Nutty Professor (1963), her presence in the latter film was celebrated by Lewis' utilization of the Victor Young musical piece "Stella by Starlight." Despite consistently good work, Stevens never achieved the full stardom that she deserved: When she posed again for Playboy in 1968, she admitted that it was purely to get people to attend her films. Stevens worked steadily on television since the late '50s, appearing regularly on the Flamingo Road series from 1981 to 1982. She switched to the other side of cameras in the 1980s, producing the documentary The American Heroine and directing the inexpensive Canadian feature The Ranch (1989). Stella Stevens is the mother of actor Andrew Stevens, and was very briefly the mother-in-law of actress Kate Jackson. ~ Hal Erickson, All Movie Guide- 1977
In this drama, five beauty aspiring beauty queens are abducted in a hijacked airplane. Also upon the plane is a strain of deadly virus. ~ Sandra Brennan, All Movie Guide
- 1977
Nice Night for a Hanging was the feature-length pilot film for the never-sold TV series Charlie Cobb. Clu Gulager stars as Cobb, a private detective operating in the Old West. Our hero comes to California at the behest of a powerful rancher (Ralph Bellamy), and is hired to locate the rancher's long-lost daughter, who was kidnapped in infancy. Cobb runs into resistance from several unsavory characters who have their eyes on his client's fortune. Produced by Columbo creators Richard Levinson and William Link, Charlie Cobb: Nice Night for a Hanging premiered June 19, 1977. ~ Hal Erickson, All Movie Guide
- 1977
The cast of the popular old TV series Peyton Place reunite when Allison MacKenzie and Rodney Harrington are found dead. Other than that, and a decade's worth of gossip, nothing much has changed there. ~ Sandra Brennan, All Movie Guide
- 1977
The New Love Boat was the third pilot film for the long-running TV series. After several casting missteps in the two earlier films, the series' regular characters are herein solidified: Gavin McLeod as Capt. Stubing, Bernie Kopell as Doc, Fred Grandy as Gopher, Ted Lange as Isaac and Lauren Tewes as Julie. Guest stars include Georgia Engel as a stowaway, Gary Frank and Melanie Mayron as a pair of tremulous honeymooners, Stella Stevens and Pat Harrington as an eternally bickering married couple, and Audra Lindley and Phil Silvers as, respectively, an outspoken middle-aged lady and a woebegone widower. The New Love Boat was originally telecast May 5, 1977, while the Love Boat series ran from 1977 to 1985. ~ Hal Erickson, All Movie Guide
- Starring:
- Gavin MacLeod
Originally titled D.A.'s Investigator, Kiss Me Kill Me stars Stella Stevens as Stella Stafford, "leg woman" for the LA district attorney's office. The case at hand is the murder of a young, highly respected schoolteacher. Stella is certain that she has the killer dead to rights--but this is before she learns the down-and-dirty about the murder victim's secret life. Supporting Ms. Stevens is an impressive guest cast, including Dabney Coleman, Pat O'Brien, Bruce Boxleitner and Robert Vaughn. First telecast May 8, 1976, Kiss Me Kill Me was the pilot for an intended TV series. ~ Hal Erickson, All Movie Guide
- 1976
- R
This film focuses upon an upscale condo where swingers congregate. ~ Sandra Brennan, All Movie Guide
This heist film stars Stella Stevens as a robber who enlists her friends--a trapeze artist and a magician's aide--to help her make off with $500,000 in casino cash. ~ Jason Ankeny, All Movie Guide
- Starring:
- Stella Stevens, Stuart Whitman, (more)
- 1976
Katherine Ross, who played Etta Place in 1969's Butch Cassidy and the Sundance Kid, reprises the role for the made-for-TV Mrs. Sundance Rides Again. History doesn't record what exactly happened to former schoolteacher Etta after Butch and Sundance were shot full of holes in Bolivia, but it isn't likely that she ran guns for Pancho Villa in Mexico. We could be wrong, however, for that is exactly what she does in this grimy little film. Hector Elizondo plays Villa rather nervously, as though he's afraid his agent will find out. Mrs. Sundance Rides Again was originally telecast as Wanted: The Sundance Woman--the same week in 1976 that Butch Cassidy and the Sundance Kid made its network TV debut. ~ Hal Erickson, All Movie Guide
- 1976
- PG
Peter Bogdanovich's early career as a film writer stood him in good stead for this comedy drama about the early days of the motion-picture industry, based in part on his interviews with pioneering directors Raoul Walsh and Allan Dwan. Leo Harrigan (Ryan O'Neal) is a lawyer and Buck Greenway (Burt Reynolds) is a cowboy and gunman. Both are sent to California to shut down a renegade group of silent-movie makers -- financed by blustery H.H. Cobb (Brian Keith) -- who are in violation of the Motion Picture Patents Co. Trust. Harrigan and Greenway somehow find themselves working with the movie crew instead of shutting them down; they join forces with cameraman Franklin Frank (John Ritter), leading lady Kathleen Cooke (Jane Hitchcock), and precocious prop girl Alice Forsyte (Tatum O'Neal). Greenway becomes a star and Harrigan a respected director, but both battle over the affections of Cooke. Incidentally, Cobb's big speech near the end is taken almost verbatim from a quote given to Bogdanovich in an interview with actor James Stewart. ~ Mark Deming, All Movie Guide
- Starring:
- Ryan O'Neal, Burt Reynolds, (more)
- 1975
- R
This sequel to the blaxploitation hit Cleopatra Jones mixes in elements of the kung-fu genre and James Bond-styled spy adventures as it sends its colorful heroine to a high-flying adventure in an exotic locale. When fellow operatives (and childhood friends) Matthew Johnson (Albert Popwell) and Melvin Johnson (Caro Kenyatta) disappear during an undercover mission in Hong Kong, Cleopatra Jones (Tamara Dobson) travels there to find them. With the help of local detective Mi Ling (Tanny), Cleopatra discovers that her friends' disappearance has to do with The Dragon Lady (Stella Stevens), a much-feared woman who runs a Macao casino and controls a major chunk of the local drug trade. The finale finds Cleopatra and Mi Ling squaring off against the Dragon Lady and her minions in an explosive casino battle that involves kung-fu, gunplay, and roaring motorcycles. Cleopatra Jones and the Casino of Gold didn't reach the same heights of success of its predecessor, but its colorful barrage of action has made it an enduring favorite amongst blaxploitation aficionados. Director Chuck Bail would go on to bigger success next year with the car-chase hit The Gumball Rally and star Dobson continued to play tough heroines in films like Chained Heat. ~ Donald Guarisco, All Movie Guide
- Starring:
- Tamara Dobson, Magali Noël, (more)
- 1975
The second made-for-TV movie based on Charles Moulton's classy comic-strip heroine Wonder Woman, The New Original Wonder Woman was the one that "sold", resulting in a popular and durable weekly series. Replacing Cathy Lee Crosby, who'd starred in the disastrous 1974 adaptation of Wonder Woman, is the statuesque Linda Carter. Having dwelled exclusively among females on Paradise Islandsince 200 BC, immortal Amazonian princess Diana comes in contact with the real world for the first time in her life when US Army Major Steve Trevor (Lyle Waggoner) crash-lands on the island during WWII. Falling in love with Steve, the Princess assumes the identity of mousy, bespectacled Diana Prince and returns with him to the mainland. Every so often, and unbeknownst to Steve, Diana occcasionally transforms herself into the scantily clad superheroine Wonder Woman (golden lasso, magic belt and bracelets, the whole bit) in order to save the world from the Nazi menace. On this occasion, Wonder Woman does her thing in order to prevent the Nazis from destroying the prototype of a revolutionary new bombsight. First telecast on November 7, 1975, The New Original Wonder Woman was seen on ABC; by the time the Wonder Woman series proper ran its course on September 11, 1979, the property had switched networks to CBS. ~ Hal Erickson, All Movie Guide
- Starring:
- Lynda Carter
- 1974
Jackie Cooper and Cleavon Little star as aerial photographers who spot a few threatening cracks in the San Andreas fault. Will anyone listen? No. Do they suffer in the subsequent quake? Yes, but not as expensively as the all-star cast in Earthquake. Still, The Day the Earth Moved doesn't aspire to be anything more than a modest made-for-TV disaster flick, and within its own limits it succeeds. ~ Hal Erickson, All Movie Guide
- 1974
Honky Tonk represented an attempt by writer/director Douglas Heyes to create a TV series based on the 1941 Clark Gable-Lana Turner film of the same name. In Heyes' version of Honky Tonk, the role of gambler Candy Johnson, originally essayed by Gable, is filled by Richard Crenna, while Margot Kidder portrays Turner's character Lucy Cotton. A romantic triangle forms between Johnson, Lucy and dance-hall chanteuse Gold Dust (Claire Trevor in 1941, Stella Stevens in 1974). Meanwhile, Johnson and Lucy's old reprobate father (Will Geer) try to take advantage of every boom-town prospector within shouting range. Wisely running some 15 minutes shorter than the original, the TV-movie Honky Tonk was originally telecast April 1, 1974. ~ Hal Erickson, All Movie Guide
- 1973
The Arnold of Arnold, like the Harry of The Trouble With Harry, is stone cold dead from the outset of this film. That doesn't stop Arnold's mistress Stella Stevens from marrying the corpse so as to come into his millions. The trick is to hide the fact that Arnold is indeed stiff as a mackerel. To accomplish this, a series of murders is a necessity. Special guest victims include Stevens' wastrel brother Roddy McDowall, her dotty sister Elsa Lanchester, handyman Jamie Farr, as well as lawyers Farley Granger and Patric Knowles. Also on hand are such dependables as Victor Buono, Shani Wallis, John McGiver and Bernard Fox. The script is by TV-sitcom stalwarts Jameson Brewer and John Fenton Murray. As one-joke films go, Arnold is as good as any. ~ Hal Erickson, All Movie Guide
- 1973
This episode stars David Wayne as a reclusive, ill-tempered tycoon. While he doesn't suffer fools (or anyone else) very well, Wayne is devoted to his collection of valuable books. When one of his rarest volumes disappears from a supposedly impervious glass-enclosed case, troubleshooting detective Banacek (George Peppard) is called onto the case. George Lindsey, best known as Goober on The Andy Griffith Show, co-stars as the local constabulary. The Greatest Collection of Them All was the January 10, 1973, installment of the TV series Banacek. ~ Hal Erickson, All Movie Guide
- 1973
Bound to the ABC Saturday Suspense Movie 72-minute limitation, Linda could have benefitted from ten or twenty extra minutes' running time. The film, based on a novel by John D. McDonald, stars Stella Stevens as the woman scorned whom Hell hath no fury like. Stevens murders the wife (Mary Robin-Redd) of her lover (John Saxon), then plugs the lover. Stevens' husband Ed Nelson suspects that his wife is responsible for the killings. Stevens responds by framing hubby for the woman's death. John McIntyre plays the aptly named Marshall Journeyman, who methodically ferrets out the facts. ~ Hal Erickson, All Movie Guide
- 1972
The made-for-TV Climb an Angry Mountain revives the reliable "country cop vs city cop" concept, with Fess Parker and Barry Nelson on either side of the argument. New York City officer Nelson wants to use state-of-art methods to track down a fugitive Indian criminal (played by former football star Joe Kapp) who is hiding out on California's Mount Shasta. Local rancher/sheriff Parker wants to handle the case on his own, since his son (Clay O'Brien) is the fugitive's hostage. The rival authority figures eventually come to the "united we stand" understanding in trailing their quarry. Climb an Angry Mountain benefits mightily from extensive location shooting. ~ Hal Erickson, All Movie Guide
- 1972
- PG
This gag-filled movie makes a stab at examining the women's liberation movement but never quite gets there. The effects of the movement are shown through a series of comic and romantic episodes between men and women. The story is loosely tied together as the research of Sheila Hammond (Jacqueline Bisset), a fashion magazine editor who is preparing an article on women's liberation. ~ Clarke Fountain, All Movie Guide
- 1972
A killer attempts to assist his friend get out of prison by threatening to kill one person each day until the friend is released. ~ All Movie Guide
A typical gangland killing has an unusual outcome when the victim's son comes looking for justice in this violent blaxploitation action drama. Slaughter (Jim Brown) is a former Green Beret who is a decorated war hero, but while he's devoted his life to fighting for right, his father followed another path as a gangster. However, while Slaughter's dad was a career criminal, his mother played no part in his actions, and when they're both killed in a car explosion, Slaughter is determined to get revenge. Slaughter is convinced a rival crime boss ordered the bombing, and plans a daring raid where he kills the suspect. Slaughter is captured by police, and angry detective A.W. Price (Cameron Mitchell) tells Slaughter he had the right idea but the wrong man. Slaughter is persuaded to team up with undercover detectives Harry (Don Gordon) and Kim (Marlene Clark) as they travel to Puerto Rico in hopes of infiltrating the operations of hot-headed mobster Hoffo (Rip Torn). The cops have learned that Hoffo and his cronies are computerizing their operations and they're looking for hard evidence, but Slaughter is more interested in taking down Hoffo, and he'll do whatever it takes. The rivalry between Slaughter and Hoffo becomes all the more bitter when Slaughter becomes involved with Ann (Stella Stevens), the gangster's beautiful girlfriend. Featuring a dynamic theme song by Billy Preston, Slaughter was a major box-office hit in 1972 and one of the most popular films of Jim Brown's screen career; it spawned a sequel, Slaughter's Big Rip-Off, which appeared in 1973. ~ Mark Deming, All Movie Guide
The Poseidon, an ocean liner larger than the Queens Elizabeth and Mary combined, is charting its course on New Year's Eve. Just after midnight, Captain Harrison (Leslie Nielsen) spots the mother of all tidal waves. It is the last thing that Harrison and practically everyone else onboard sees before drowning -- the Poseidon is turned upside down, with only a handful of survivors. The ten lucky ones -- including Mike Rogo (Ernest Borgnine), Linda Rogo (Stella Stevens), Acres (Roddy McDowall), Belle Rosen (Shelley Winters), and Manny Rosen (Jack Albertson) -- led by no-nonsense minister Frank Scott (Gene Hackman), desperately attempt to climb from the top of the ship (now submerged) to the bottom (now "the top"). The film's theme song, "The Morning After," sung by Maureen McGovern, earned an Oscar. In addition, The Poseidon Adventure received the Special Achievement Award for Special Effects; L.B. Abbott and A.D. Flowers were the recipients. A sequel, Beyond the Poseidon Adventure, came out in 1979. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Hackman, Ernest Borgnine, (more)
A priest--a former revolutionary--finds himself the target of a manhunt in a small Mexican town. ~ Kristie Hassen, All Movie Guide
- Starring:
- Telly Savalas, Martin Landau, (more)
- 1971
In this chilling drama, a unit of American scientists go Down Under to study Aborigines. The trouble begins when they start disappearing or turning up dead. ~ Sandra Brennan, All Movie Guide
- 1971
"Broad" is right. This gloriously overacted TV movie stars Richard Boone as a movie star who suffers an accident, leaving him totally blind. Boone's wife (Suzanne Pleshette) takes advantage of hubby's infirmity to plot an illicit romance with a local stud (Fred Beir). But remember that Boone's an actor, and as such has heightened senses. He can feel that his wife is scheming right under his nose (literally!), and cooks up his own murderous revenge. The plan is contingent upon Boone's ability to convince witnesses that he can actually see. In Broad Daylight may be florid stuff, but it works beautifully with an audience. Scripter Larry Cohen would later apply his ability to hold the crowd's attention despite the most ludicrous of set-ups in such later films as It's Alive and Q. ~ Hal Erickson, All Movie Guide
After the intense bloodshed of The Wild Bunch (1969), this comic western fable took the opposite approach to director Sam Peckinpah's continuing examination of the end of the West. Left for dead by a couple of lizard-slaughtering desperados in the middle of the desert, prospector Cable Hogue (Jason Robards) is saved by his unexpected discovery of water "where there wasn't any." Hogue turns the water hole, felicitously located near a stagecoach route, into a thriving business, creating a rest stop for a never-ending series of parched travelers. On his occasional trips to the closest town, he meets chipper prostitute Hildy (Stella Stevens), who joins him in his oasis, completing Hogue's little paradise. But even though Hogue may be able to succeed and avenge himself against his original attackers, there is one thing that he cannot stop: progress. Completed before The Wild Bunch was released, and replete with comical and even musical interludes, Peckinpah's gently picaresque telling of Hogue's rise and fall stands in distinct contrast to the visual violence of its predecessor. The underlying message about the cost of modernity, however, equals The Wild Bunch in seriousness. The callous randomness of Hogue's fate is as shocking as the Bunch's final blaze of glory; as in Robert Altman's McCabe and Mrs. Miller from the same period, a tool of "civilization" provokes a most uncivilized end for an Old West dreamer. Although the film was as light-hearted in approach as the 1969 smash hit revisionist western Butch Cassidy and the Sundance Kid, Warner Bros. mishandled the release and it did barely any business; Peckinpah returned to his trademark gore in his next film, the controversial Straw Dogs (1971). Still, The Ballad of Cable Hogue is less an anomaly for a master of violence than an ironically charming chapter in Peckinpah's career-long elegy to the western. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jason Robards, Jr., Stella Stevens, (more)
