Norman Steinberg Movies

The Lord works in mysterious ways, and when astronaut Bobby Paradise (David Strathairn) has a divine vision during a moon mission gone wrong, he returns to terra firma a changed man. Subsequently devoting his entire existence to God and the ministry in order to do better spread the gospel, Bobby soon builds a vast religious empire as one of the most successful televangelists to ever grace the airwaves. When a corporate merger sparks a government investigation that reveals both a searing sex scandal and a son about to be paroled from prison, Bobby will need every ounce of faith he has to make it out of the coming storm with the grace of God still on his side. ~ Jason Buchanan, Rovi

The discovery of marital troubles in her family causes a young woman to question her own upcoming nuptials in this clever romantic comedy. Sarah Jessica Parker stars as Gwyn, a bright, slightly neurotic advertising copywriter who is initially thrilled when her boyfriend Matt (Gil Bellows) finally proposes. Soon afterwards, however, she learns that her mother Nina (Mia Farrow) is indulging in an extra-marital affair with a handsome Latin stud (Antonio Banderas). This is only the first of several shocking revelations, as Gwyn soon learns of infidelity by her father (Paul Mazursky), brother (Kevin Pollack), and even newlywed sister (Carla Gugino). These indiscretions make Gwyn question the validity of the entire institution of marriage and doubt her own future. Director David Frankel, who also penned the screenplay, follows in the footsteps of Woody Allen in using introspective dialogue to detail the romantic troubles of a wealthy, neurotic Jewish family; practiced performances and a colorful use of Miami locations give the film its own personality. ~ Judd Blaise, Rovi

The once-in-a-lifetime collaboration between star Gene Wilder and director Leonard Nimoy resulted in the charmingly haphazard and anachronistic Funny About Love. Wilder plays political cartoonist Duffy Bergman, who falls in love with much-younger Meg (Christine Lahti) during a book-signing session. Once married, the old "clash of careers" bugaboo arises: Meg wants to continue working as a chef in a fancy New York restaurant, while Duffy would prefer that she think about starting a family. When it seems as though Meg may be incapable of bearing children, the self-involved Duffy impregnates earthy college coed Daphne (Mary Stuart Masterson). How a happy ending can grow from this complication is a puzzlement. Funny About Love was based--extremely loosely--on a speech once delivered by Chicago Tribune columnist Bob Greene. The laughs tend to be sporadic, though Stephen Toblowsky scores high marks as a jocular fertility doctor. ~ Hal Erickson, Rovi

The "wise guys" referred to in the title, Harry Valentini (Danny DeVito) and Moe Dickstein (Joe Piscopo), turn out to be not so wise after all in this crime-oriented comedy. Harry and Moe run the risk of certain death when they steal money from a Mafia don (Dan Hedaya) and then try to multiply their ill-gotten gains at the horse races. Naturally, they lose the bundle and the next thing they know they're running from hitmen and trying to come up with enough cash to pay back their debt. Wise Guys' blend of comedy and action represented something of a change of pace for director Brian DePalma, best known for his offbeat thrillers and Hitchcock homages. ~ Eleanor Mannikka, Rovi

This spoof of the 1930s and '40s crime stories ranges from the ridiculous to the sublime as it tells the story of Johnny Dangerously (Byron Thames as the young Johnny, Michael Keaton as the older), a devoted son to his ailing mother (Maureen Stapleton), so ill that she needs money for several operations. Johnny has nowhere to turn, and because gangsters tend to flourish in his neighborhood he goes to work for Dundee, a benevolent godfather-gangster type, in order to cover his mother's medical bills. Johnny hides his association with Dundee from his younger brother Tommy (Griffin Dunne) and goes so far as to pay for Tommy's law school fees -- supporting him until Tommy joins the staff of the local (and corrupt) district attorney's office for Burr (Danny DeVito). When Johnny starts working for Dundee, he clashes with the evil Vermin (Joe Piscopo) right from the beginning, but things only get worse. After Dundee decides to retire, Johnny ascends to the helm, and it does not look like Vermin is going to take that sitting down. ~ Eleanor Mannikka, Rovi

In Richard Benjamin's directorial debut, Mark Linn-Baker stars as Benjy Stone, junior writer on the popular 1950s TV comedy/variety series The King Kaiser Show. Kaiser (Joseph Bologna)'s guest star this week is Hollywood matinee idol Alan Swann (Peter O'Toole), a swashbuckling Errol Flynn type, right down to his indiscriminate womanizing and fondness for mass quantities of booze. Stone is assigned to keep the actor out of trouble during rehearsals and deliver him sober to the performance. Becoming fast friends, Stone and Swann alternate baby-sitting responsibilities: Swann takes the young writer to the Stork Club and on an early-morning jaunt through Central Park with a "borrowed" police horse, while Stone takes Swann to his home, where the star is fawned over by Benji's mom (Lainie Kazan) and asked embarrassing questions about his love life by Uncle Morty (Lou Jacobi). Despite a few anxious moments, all goes well until Swann, panicking at the discovery that King Kaiser's show will be telecast live and not on film, walks out just before airtime. Shamed by Benjy into honoring his committment, Swann makes a spectacular, timber-smashing entrance, saving the show and rescuing Kaiser from being rubbed out by a gangster (Cameron Mitchell) whom the comedian has offended. The film co-stars Jessica Harper, Gloria Stuart and Selma Diamond, a real-life comedy writer for Sid Caesar. My Favorite Year was converted into an unsuccessful Broadway musical in the early 1990s. ~ Hal Erickson, Rovi

Vulgar, crude, and occasionally scandalous in its racial humor, this hilarious bad-taste spoof of Westerns, co-written by Richard Pryor, features Cleavon Little as the first black sheriff of a stunned town scheduled for demolition by an encroaching railroad. Little and co-star Gene Wilder have great chemistry, and the delightful supporting cast includes Harvey Korman, Slim Pickens, and Madeline Kahn as a chanteuse modelled on Marlene Dietrich. As in Young Frankenstein (1974), Silent Movie (1976), and High Anxiety (1977), director/writer Mel Brooks gives a burlesque spin to a classic Hollywood movie genre; in his own manic, Borscht Belt way, Brooks was a central player in revising classic genres in light of Seventies values and attitudes, an effort most often associated with such directors as Robert Altman and Peter Bogdanovich . Some of this film's sequences, notably a gaseous bean dinner around a campfire, have become comedy classics. ~ Robert Firsching, Rovi