Chris Stein Movies

When the power of punk merges with the creative freedom offered by public access television, the programming that follows is sure to turn viewers on to a whole new lifestyle. Now the show that changed the way hip New Yorkers looked at television in the late '70s is back with a vengeance as Glenn O'Brien's TV Party gets ushered into the new millennium along with a little help from old friends Iggy Pop, George Clinton, David Bowie, Mick Jones, and a whole host of the hottest cutting-edge musicians of the era. Co-hosted by O'Brien and Blondie guitarist Chris Stein, TV Party proved that music television doesn't have to cater to the hottest pop sensation of tastiest flavor of the week to make for compelling viewing. ~ Jason Buchanan, All Movie Guide

Filmmaker Michael Gramaglia's years-in-the-making biography of the legendary punk band the Ramones entitled End of the Century traces nearly all the various and sundry peaks and valleys which the seminal rockers experienced over the course of its 20-plus year career before disbanding in 1995. Beginning with the band's first concert performances in the mid-'70s, Gramaglia explores the eccentric and highly volatile band members -- in all the various line-ups that were presented over the years -- as the Ramones slowly gained fame for their high energy and high-tempo style of music that would later influence generations of punk rockers around the world. Mixing archival interviews with new interviews of the various surviving bandmembers, as well as interviews with a number of the Ramones' contemporaries, End of the Century encapsulates the East Coast underground music atmosphere of the 1970s and '80s that the band inadvertently shocked into existence. ~ Ryan Shriver, All Movie Guide

Shakespeare's Macbeth is transplanted to a '90s New York gangland in this 1991 film. A hit man (John Turturro) is convinced to murder his boss (Rod Steiger) after his future as the head of the organization is ensured by three fortune-tellers. With the help of his domineering wife (Kathie Borowitz), the hit man murders his way to the top, but then faces the consequences. ~ John Bush, All Movie Guide

After making a name for himself with such underground gross-out epics as Pink Flamingos and Desperate Living, director John Waters made a bid for somewhat wider acceptance with this black comedy, which is sedate only by the standards of his previous work. Francine Fishpaw (Divine) is a housewife whose life has become a living hell. Her husband Elmer (David Samson) runs a porno theater (currently showing the classic My Burning Bush) and is having an affair with secretary Sandra (Mink Stole), a vision of sleaze in Bo Derek-style cornrow braids who informs Elmer, "Children would only get in the way of our erotic lifestyle!" Francine has two teenage children, Dexter (Ken King), who likes to sniff glue and stomp on women's feet, and Lulu (Mary Garlington), a brazen slut who hangs out with overage juvenile delinquent Bobo (Stiv Bators) and gleefully anticipates her next abortion. Francine's best friend, Cuddles (Edith Massey), is a slightly insane heiress who is somehow convinced she's a debutante. Francine's life has become so miserable that her dog commits suicide rather than witness it, but a light appears on the horizon -- Todd Tomorrow (Tab Hunter), the handsome and dashing owner of a local drive-in specializing in art films (their current bill is a Margurerite Duras triple feature), with whom Dawn enters into a torrid affair. Subversive on all fronts, Polyester was originally shown in "Odorama" (patrons were given a card with ten scratch-and-sniff patches, to be smelled at key points in the action) and featured a romantic theme song sung by that new hitmaking duo, Deborah Harry and Bill Murray. ~ Mark Deming, All Movie Guide

Mark Reichart wrote and directed this disturbing tale of mounting paranoia, based on a story by Cornell Woolrich. Harlan (Dennis Lipscomb) is a New Jersey businessman who becomes obsessed with trying to catch the person who has been stealing sips from the milk bottle delivered to his doorstep every morning. His wife Lillian (Debbie Harry) complacently puts up with her husband's increasingly bizarre behavior. Harlan finally goes off the deep end when he captures the culprit --a homeless Vietnam War veteran (Sam McMurray). He reacts with such fury that he bashes the man's head in. Then, to hide his crime, he conceals the body in a Murphy bed in the abandoned apartment next door. ~ Paul Brenner, All Movie Guide