Giorgio Stegani Movies
- 1968
Unlike Clint Eastwood, who in the 1960s was cast as the Man With No Name, Beyond the Law star Lee Van Cleef has a name, and a very functional one. Van Cleef is known to one and all as Bandit Turned Sheriff. Actually, a more appropriate cognomen would be Bandit Turned Sheriff But Still a Bandit, since Van Cleef only pretends to reform so that he can steal a cavalry payroll. Since it's hard to watch Beyond the Law with a straight face to begin with, the producers wisely decided to turn this spaghetti western into a semi-comedy. Released in Italy in 1967 as Al Di La Della Legge, Beyond the Law was distributed in the US in 1971. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee Van Cleef, Antonio Sabato, (more)
- 1965
After being falsely accused of cattle rustling and murder, rancher Brent Landers (played here by Giuliano Gemma) follows the trail of the man who set him up. Landers happens upon the young Lucy (Evelyn Stewart), stripped naked, tied spread eagle to the ground, and left to bake in the hot desert sun after being sexually assaulted by three men who robbed her stagecoach. Tex Slaughter, the local sheriff, is more interested in handing Brent over for the reward on his head, so Landers has his hands full protecting the recuperating Lucy and bringing the men who raped her to justice, while also trying to stay alive long enough to clear his own name. ~ Cub Koda, All Movie Guide
- Starring:
- Giuliano Gemma, Evelyn Stewart, (more)
- 1962
Steve Reeves gives the most dramatically demanding performance of his career (and a surprisingly good one) in The Trojan Horse. Essentially a retelling of the final year of the siege of Troy from the point of view of Aeneas (Reeves), the movie is filled with fascinating portrayals. Aeneas, taking the interpretation from the poet Virgil, is the wisest of the Trojans and, after ten years of war, has become the leading advocate for finding an end to the fighting. His wisdom and nobility have earned him a place at the table with King Priam and the other rulers, which puts him at odds with the vain, jealous Paris and his Helen. Opening with the slaying of Hector by Achilles, the film is steeped in complex personal relationships and mythological conceits. John Drew Barrymore is the other "name" actor here, playing Ulysses as a clever, cynical, and bold warrior among the Greeks. Reeves brings real nobility to Aeneas and relies on his acting skills as much as his physique to bring off this movie, often mixing the two in a script filled with ironies, as when Aeneas must kill a Greek warrior for whom he earlier expressed respect. Along with Reeves' two Hercules films from the end of the 1950s, and Vittorio Cottafavi's Hercules and the Captive Women, this is one of the best examples of Italy's sword-and-sandal genre. ~ Bruce Eder, All Movie Guide
In this offbeat costume horror film set in 1912, Hans (Pierre Brice), a young art student, is sent to a remote Dutch village to collect information about the local windmill. The windmill is decorated with moving sculptures of women in various gruesome scenes of torture and death. Professor Wahl (Herbert Boehme), the curator of the windmill, also teaches art and sculpture. Among the professor's students, Hans meets Liselotte (Dany Carrel), his childhood friend who still loves him. He also gets acquainted with Wahl's beautiful daughter, Elfi (Scilla Gabel), who suffers from a rare blood disease and is not allowed to leave her house. Then Hans discovers the shocking secret behind the professor's attempts to keep his daughter alive. ~ Yuri German, All Movie Guide
- Starring:
- Pierre Brice, Dany Carrel, (more)
- 1956
Vertigine Bianca (White Vertigo) is an Italian documentary on the 1956 Winter Olympic Games. The American entries in the games are given surprisingly short shrift, while the Italian entries are not surprisingly overemphasized. The film's highlight is a near-disaster that takes place during the bobsled competition. Director Giorgio Ferroni emulates Leni Reifenstahl's 1936 masterpiece Olympiad by utilizing multiple cameras and a wealth of clever and innovative camera angles. As the official filmed record of the Winter Olympics, Vertigine Bianca attained worldwide theatrical exposure. ~ Hal Erickson, All Movie Guide
