Joseph Stefano Movies

1964  
 
The seventh volume in a collection culled from the 1963-1965 science fiction anthology series focuses on a surveillance system, popular throughout the globe, which is actually the product of alien technology. ~ Jason Ankeny, All Movie Guide

Read More

1964  
 
In Volume 32 of a collection culled from the 1963-1965 science fiction anthology television series, a pair of murderous women enlist the aid of a blind man and his eccentric young charge to help them manipulate the space-time continuum in order to raise the dead. ~ Jason Ankeny, All Movie Guide

Read More

1964  
 
In Volume 31 of a collection culled from the 1963-1965 science fiction anthology television series, a human disguises himself as an evil alien to gather intelligence data. ~ Jason Ankeny, All Movie Guide

Read More

1964  
 
In Volume 25 of a collection culled from the 1963-1965 science fiction anthology television series, a scientist on a remote world mutates into a vicious killer following a strange rainstorm. ~ Jason Ankeny, All Movie Guide

Read More

1964  
 
In Volume 24 of a collection culled from the 1963-1965 science fiction anthology television series, the researchers on a military base on the Moon find a living organism. ~ Jason Ankeny, All Movie Guide

Read More

1964  
 
In Volume 28 of a collection culled from the 1963-1965 science fiction anthology television series, the tutor of a group of gifted children is revealed to be an alien spy. ~ Jason Ankeny, All Movie Guide

Read More

1964  
 
In Volume 27 of a collection culled from the 1963-1965 science fiction anthology television series, two Earthlings square off against a pair of aliens, with the continued survival of their individual planets promised to the winner. ~ Jason Ankeny, All Movie Guide

Read More

1964  
 
In this episode of the well-wrought horror/sci-fi anthology, a hapless miner inadvertently gets involved in a scientific experiment and ends up evolving far beyond the rest of humankind. ~ Sandra Brennan, All Movie Guide

Read More

1963  
 
A pair of seemingly inert black crystalline rocks are actually intelligent extraterrestrial viruses planning the invasion and destruction of the Earth. Dr. Paul Cameron (Robert Culp) can hear their thoughts as they discuss their plans, a result of a metal plate in his head from a war injury that conducts their telepathic waves into his brain. He and his wife, Laurie (Salome Jens), believe that he is hallucinating. The aliens, however, target him for death, and will stop at nothing to kill him. Cameron, caught between feelings of paranoia and the fear that he is going insane, goes away for a rest with his wife, never realizing that they are now being stalked by their friend, Dr. Temple (Barry Atwater), his body and mind taken over by the aliens. ~ Bruce Eder, All Movie Guide

Read More

1963  
 
In the tenth volume in a collection culled from the 1963-1965 science fiction anthology television series, a group of international strike-force soldiers is captured by an alien culture. ~ Jason Ankeny, All Movie Guide

Read More

1963  
 
The inhabitants of the planet Zanti establish contact with Earth, and prevail upon its inhabitants to accept custody of their criminals, whom they are incapable of executing. The Zantis demand total seclusion for the prison ship, which the humans grant out of fear that they will use their superior weaponry to destroy them. General Hart (Robert F. Simon) is put in charge of securing the Zanti ship a peaceful, unmolested landing in a desolate section of the California desert; he has also granted permission for one civilian observer, a historian (Michael Tolan), to witness this first contact with an alien race. The security of the Zanti ship is violated, however, when a wanted criminal (Bruce Dern) and his girlfriend (Olive Deering) break into the sealed area. This leads to the death of the man and an attack on the woman, and a breakout by the alien criminals. The insect-shaped occupants of the hive-like spaceship attack the military outpost monitoring their landing, leading to an all-out bloodbath between the aliens and the human defenders. ~ Bruce Eder, All Movie Guide

Read More

1963  
 
Dr. Stuart Peters (Michael Forest) arrives in Los Angeles from upstate New York, with his ne'er-do-well younger brother Jory (Scott Marlowe) in tow, to take a job at NORCO, an energy research laboratory. After an odd encounter with a guard -- who tries to warn him away from NORCO -- he reports for work and immediately goes incommunicado for a week. When he reappears, Peters looks worn, haggard, and preoccupied -- and dies when something seems to explode in his chest. The medical examiner determines that the cause of death was a faulty heart pacemaker. The problem, for the police detective (Edward Asner) investigating the death, and for the victim's grief-sticken brother, is that the physicist was in perfect health and had never worn a pacemaker. They want to know what happened to him during the week he was unaccounted for at NORCO -- and why the staff, from the director (Kent Smith) on down, won't cooperate with the investigation. ~ Bruce Eder, All Movie Guide

Read More

1961  
 
There is nothing like suspecting your husband of murder to add suspense to a marriage, at least that is the case in this standard whodunit with a compelling plot. George Radcliffe (Gary Cooper) testifies in court against a man suspected of murdering George's business partner, absconding with a lot of cash in the process. Several years later, when his wife, Martha (Deborah Kerr), is confronted by a blackmailer (Eric Portman) who says her husband murdered his partner, she gets suspicious. George did come into a lot of money just at that time. And to make matters worse, life starts to turn very menacing for the confused and frightened Martha. This was Gary Cooper's last feature film. He succumbed to cancer a few months before The Naked Edge was released. ~ Eleanor Mannikka, All Movie Guide

Read More

Starring:
Gary CooperDeborah Kerr, (more)
1960  
 
In this occasionally amusing frolic, Gina Lollobrigida plays a sexy widow who returns to Italy from New York following the death of her husband. Her wealth and good looks entice all the men in her small village except for the one she really wants, the town blacksmith (Dale Robertson). Giuseppe Rotunno's warm cinematography and the irresistible Lollobrigida make this one worth seeing, while the screenplay (by Ettore Margadonna, Luciana Corda, and Joseph Stefano) manages to be clever without being smirky. Look for a funny bit by Vittorio DeSica, who supervised some scenes, as a loquacious priest. This film is also known as both Anna of Brooklyn and Fast and Sexy. ~ Robert Firsching, All Movie Guide

Read More

Starring:
Gina LollobrigidaDale Robertson, (more)
1960  
R  
Add Psycho to QueueAdd Psycho to top of Queue
In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998. ~ Mark Deming, All Movie Guide

Read More

Starring:
Anthony PerkinsJanet Leigh, (more)
1958  
 
Add The Black Orchid to QueueAdd The Black Orchid to top of Queue
The title is Black Orchid, but the leading lady is a rose--florist Rose Bianco, played by Sophia Loren. Newly widowed, Rose holds herself responsible for the death of her husband, a well-known gangster. Anthony Quinn plays a widower who falls in love with Rose, much to the dismay of his daughter (Ina Balin), who fears that Quinn will be destroyed as thoroughly as Rose's first husband. All ends happily after Rose and her new beau align to find her unhappy runaway son (Jimmy Baird). Black Orchid tries too hard to be a "slice of life;" perhaps it might have fared better with a cast of unknowns, but then who'd go to see it? ~ Hal Erickson, All Movie Guide

Read More

Starring:
Sophia LorenAnthony Quinn, (more)

BLOCKBUSTER name, design and related marks are trademarks of Blockbuster Inc. © 2009 Blockbuster Inc. All rights reserved.

Portions of Content Provided by All Movie Guide ®, a trademark of All Media Guide, LLC.© 2009 All Media Guide, LLC.