Joseph Stefano Movies

The title is Black Orchid, but the leading lady is a rose--florist Rose Bianco, played by Sophia Loren. Newly widowed, Rose holds herself responsible for the death of her husband, a well-known gangster. Anthony Quinn plays a widower who falls in love with Rose, much to the dismay of his daughter (Ina Balin), who fears that Quinn will be destroyed as thoroughly as Rose's first husband. All ends happily after Rose and her new beau align to find her unhappy runaway son (Jimmy Baird). Black Orchid tries too hard to be a "slice of life;" perhaps it might have fared better with a cast of unknowns, but then who'd go to see it? ~ Hal Erickson, All Movie Guide

In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998. ~ Mark Deming, All Movie Guide

A pair of seemingly inert black crystalline rocks are actually intelligent extraterrestrial viruses planning the invasion and destruction of the Earth. Dr. Paul Cameron (Robert Culp) can hear their thoughts as they discuss their plans, a result of a metal plate in his head from a war injury that conducts their telepathic waves into his brain. He and his wife, Laurie (Salome Jens), believe that he is hallucinating. The aliens, however, target him for death, and will stop at nothing to kill him. Cameron, caught between feelings of paranoia and the fear that he is going insane, goes away for a rest with his wife, never realizing that they are now being stalked by their friend, Dr. Temple (Barry Atwater), his body and mind taken over by the aliens. ~ Bruce Eder, All Movie Guide

The inhabitants of the planet Zanti establish contact with Earth, and prevail upon its inhabitants to accept custody of their criminals, whom they are incapable of executing. The Zantis demand total seclusion for the prison ship, which the humans grant out of fear that they will use their superior weaponry to destroy them. General Hart (Robert F. Simon) is put in charge of securing the Zanti ship a peaceful, unmolested landing in a desolate section of the California desert; he has also granted permission for one civilian observer, a historian (Michael Tolan), to witness this first contact with an alien race. The security of the Zanti ship is violated, however, when a wanted criminal (Bruce Dern) and his girlfriend (Olive Deering) break into the sealed area. This leads to the death of the man and an attack on the woman, and a breakout by the alien criminals. The insect-shaped occupants of the hive-like spaceship attack the military outpost monitoring their landing, leading to an all-out bloodbath between the aliens and the human defenders. ~ Bruce Eder, All Movie Guide

On the night of his wedding in 1929, Harvey Kry (David Frankham) is surprised by an anonymous gift, a box with a single hole containing a lens, through which a strange light emanates. He looks into it and sees a monstrous creature inside, that holds him in the gaze of its single eye -- and then transports the screaming man inside. Thirty-five years later, the Kry house is in decay, occupied solely by Harvey's bride Mary (Miriam Hopkins), now aging and grotesque in her 1920's sequined dress and thick make-up, still awaiting the consumation of her marriage to Harvey. She finds herself entertaining her first guests in years, Gard (Buck Taylor) and Vivia (Melinda Plowman), a young, under-age couple who are eloping, and offers them her bridal chamber. But the box remains in there, amid the unused, still-wrapped gifts; and inside, the creature watches and waits in its own long vigil, to draw others inside. Vivia and, later, her pursuing father (John Hoyt), are both drawn into the box and the void inside, and confront this monster, an extraterrestrial from another space-time continuum, lost in our four-dimensional space and unable to fulfill its mission -- the destruction of the Earth and then our universe. To accomplish this, it needs a human being to help it find its way. Harvey Kry wouldn't do it and, so, has spent 35 years trapped inside the timeless void, looking exactly as he did in 1929, while his increasingly desperate (and insane) bride has waited, and aged, and conspired with the creature. And Vivia is just frightened enough; and her father is just self-centered enough, that one of them might do what it asks. ~ Bruce Eder, All Movie Guide

When contact is established between Earth and the planet Chroma, located ten light years away, an exchange is proposed between inhabitants of the two worlds. This is to be done by matter-transmitter, using technology provided by the Chromoites -- as it is a dangerous experiment, the first Earth subject, Chino Rivera (Henry Silva), is chosen from the ranks of convicts serving life sentences. As it turns out, both Rivera, who is twice as smart and three times more clever than the project director, Dr. Kellander (Michael Higgins), and the Chromoite visitor, a walking, human-sized crustacean, immensely strong, with nasty claw-like appendages and various openings that gulp, suck, and grind, are up to something other than what they're supposed to be doing, possibly involving murder. Rivera is injured in an escape attempt before he can be transmitted and, while recovering, attempts another breakout, only to find himself accused of killing one of the scientists on the project. Only one of his captors, Dr. Julia Harrison (Diana Sands), believes that he is innocent, and suspects that something far more sinister than even murder is taking place. ~ Bruce Eder, All Movie Guide

Richard Bellero (Martin Landau) is a brilliant but frustrated scientist, forever failing to find approval from his wealthy, pacifist-oriented father Richard Sr. (Neil Hamilton), even when he develops a practical high-energy laser. Much to the displeasure of his ambitious wife Judith (Sally Kellerman), he has been told by his father that he is being passed over for chairmanship of the family-founded corporation. By accident, however, Richard's laser device draws in an alien being (John Hoyt) who, among other attributes, possesses an invisible force-shield. Judith sees this shield as something that would earn her husband the respect of his father and the world, and the chairmanship of his father's corporation, if he could claim it as his discovery. With help from her servant Mrs. Dame (Chita Rivera), she shoots the alien and takes the control device, a button attached by a vein to the being's body, and activates the shield for her father-in-law; the shield is, indeed, impenetrable, but Judith finds she is unable to deactivate it. With her air running out, it becomes apparent that nothing, including her husband's laser, can get her free. Her father-in-law finds the alien's body, but is killed by Mrs. Dame, an act that stirs the alien -- who is barely alive -- just long enough to rescue Judith. Now freed, she starts to move across the room but is blocked by a barrier that only she sees -- she has gone insane. ~ Bruce Eder, All Movie Guide

In Volume 32 of a collection culled from the 1963-1965 science fiction anthology television series, a pair of murderous women enlist the aid of a blind man and his eccentric young charge to help them manipulate the space-time continuum in order to raise the dead. ~ Jason Ankeny, All Movie Guide

In Volume 25 of a collection culled from the 1963-1965 science fiction anthology television series, a scientist on a remote world mutates into a vicious killer following a strange rainstorm. ~ Jason Ankeny, All Movie Guide

In Volume 28 of a collection culled from the 1963-1965 science fiction anthology television series, the tutor of a group of gifted children is revealed to be an alien spy. ~ Jason Ankeny, All Movie Guide

In this episode of the well-wrought horror/sci-fi anthology, a hapless miner inadvertently gets involved in a scientific experiment and ends up evolving far beyond the rest of humankind. ~ Sandra Brennan, All Movie Guide

Futz is the tender story of a man and his pig. Seth Allen plays a young farmer whose luck with women ranges from lousy to hopeless. Unable to relate to human females, the poor farmer concentrates all his love and affection upon his prize sow Amanda. The ensuing public uproar is but one of many ingredients to this pure-sixties stew. Director Tom O'Horgan (Hair, Lenny), who managed to turn Futz into a success as a Broadway play, was carried over to the film version - as were many members of the LaMaMa stage troupe responsible for the original play. ~ Hal Erickson, All Movie Guide

Shelley Winters convincingly plays a vengeful mom who imprisons the man she believes is responsible for abducting and murdering her daughter. She tortures him mercilessly in her hostile revenge. ~ All Movie Guide