Joseph Stefano Movies

For decades fright fans have cowered in horror as vicious killers stalked their helpless prey in the cold flicker of the projector bulb and in darkened living rooms with the curtains firmly drawn. Now, for anyone who has ever wondered just what motivated the filmmakers behind these brutal classics, this look at the history of the modern slasher film offers demented insight into some of the most terrifying motion pictures ever released. From Psycho to the giallo genre to Freddy Vs. Jason, Going to Pieces offers a comprehensive overview of the entire slasher genre as discussed by such horror luminaries as Wes Craven, John Carpenter, Sean S. Cunningham, and Rob Zombie. ~ Jason Buchanan, All Movie Guide

Another in a handful of remade episodes from the original Outer Limits series of the 1960s, Nightmare was based on a program which originally aired on December 2, 1963. The elite multicultural crew of the military space cruiser Tango Bravo is captured by Ebonite aliens. One by one, the crew members are forced to endure a hellish interrogation, conducted by an unseen voice. Curiously, the Ebonites seem to know the unique psychological weaknesses of each crewperson -- but no one knows where the interrogation will lead, nor what will ultimately happen to the captives. Dedicated to the late Outer Limits creator Leslie Stevens, the "new" version of "Nightmare" was first shown on August 14, 1998. ~ Hal Erickson, All Movie Guide

This third sequel to Alfred Hitchcock's classic thriller was originally made for cable television and looks into murderous Norman Bates' traumatic past in hopes of explaining his need to kill. ~ Sandra Brennan, All Movie Guide

Joseph Stefano, the screenwriter of the original Psycho, wrote and co-produced this somewhat similar suspense-thriller. Gail O'Grady (Eight Is Enough) returns to her childhood home and is plagued by nightmares and disturbed by her cold-hearted mother (Carol Lynley). There is a screwdriver-stabbing and a few predictable revelations about the family's dark past and why O'Grady's father is missing, but the film is generally forgettable. Joanna Miles co-stars. ~ Robert Firsching, All Movie Guide

The science of "cryogenics" forms the basis of the made-for-TV Live Again, Die Again. Donna Mills plays a young woman who dies of rheumatic fever. At her deathbed request, Mills' body is frozen, in hopes of reviving her in the future. Thirty years later, Mills awakens, returning to the not-so-open arms of her doddering husband (Walter Pidgeon), her spiteful daughter (Vera Miles) and her mixed-up son (Mike Farrell). No, this was not produced by Walt Disney Studios. Adapted by Joseph Stefano from a novel by David Sale, Live Again, Die Again first aired February 16, 1974. ~ Hal Erickson, All Movie Guide

This TV movie stars Bill Bixby as a professional magician who is wrongly accused of a crime and sent to prison. Upon his release, Bixby swears to fight criminals and wrongdoers and to champion the underdog, using his prestidigitory skills to accomplish this. The film proudly states in its prologue that all the illusions seen during the story are actual magic tricks, minus special camera effects--though it strains credibility to assume that Bixby carries a prop for every occasion to confound the crooks at a moment's notice. The Magician was transformed into a weekly 60-minute series in the fall of 1973. The series lasted only one season, the victim of executive indecision over whether to play the series straight or with tongue in cheek. ~ Hal Erickson, All Movie Guide

Shelley Winters convincingly plays a vengeful mom who imprisons the man she believes is responsible for abducting and murdering her daughter. She tortures him mercilessly in her hostile revenge. ~ All Movie Guide

Futz is the tender story of a man and his pig. Seth Allen plays a young farmer whose luck with women ranges from lousy to hopeless. Unable to relate to human females, the poor farmer concentrates all his love and affection upon his prize sow Amanda. The ensuing public uproar is but one of many ingredients to this pure-sixties stew. Director Tom O'Horgan (Hair, Lenny), who managed to turn Futz into a success as a Broadway play, was carried over to the film version - as were many members of the LaMaMa stage troupe responsible for the original play. ~ Hal Erickson, All Movie Guide

On the night of his wedding in 1929, Harvey Kry (David Frankham) is surprised by an anonymous gift, a box with a single hole containing a lens, through which a strange light emanates. He looks into it and sees a monstrous creature inside, that holds him in the gaze of its single eye -- and then transports the screaming man inside. Thirty-five years later, the Kry house is in decay, occupied solely by Harvey's bride Mary (Miriam Hopkins), now aging and grotesque in her 1920's sequined dress and thick make-up, still awaiting the consumation of her marriage to Harvey. She finds herself entertaining her first guests in years, Gard (Buck Taylor) and Vivia (Melinda Plowman), a young, under-age couple who are eloping, and offers them her bridal chamber. But the box remains in there, amid the unused, still-wrapped gifts; and inside, the creature watches and waits in its own long vigil, to draw others inside. Vivia and, later, her pursuing father (John Hoyt), are both drawn into the box and the void inside, and confront this monster, an extraterrestrial from another space-time continuum, lost in our four-dimensional space and unable to fulfill its mission -- the destruction of the Earth and then our universe. To accomplish this, it needs a human being to help it find its way. Harvey Kry wouldn't do it and, so, has spent 35 years trapped inside the timeless void, looking exactly as he did in 1929, while his increasingly desperate (and insane) bride has waited, and aged, and conspired with the creature. And Vivia is just frightened enough; and her father is just self-centered enough, that one of them might do what it asks. ~ Bruce Eder, All Movie Guide

When contact is established between Earth and the planet Chroma, located ten light years away, an exchange is proposed between inhabitants of the two worlds. This is to be done by matter-transmitter, using technology provided by the Chromoites -- as it is a dangerous experiment, the first Earth subject, Chino Rivera (Henry Silva), is chosen from the ranks of convicts serving life sentences. As it turns out, both Rivera, who is twice as smart and three times more clever than the project director, Dr. Kellander (Michael Higgins), and the Chromoite visitor, a walking, human-sized crustacean, immensely strong, with nasty claw-like appendages and various openings that gulp, suck, and grind, are up to something other than what they're supposed to be doing, possibly involving murder. Rivera is injured in an escape attempt before he can be transmitted and, while recovering, attempts another breakout, only to find himself accused of killing one of the scientists on the project. Only one of his captors, Dr. Julia Harrison (Diana Sands), believes that he is innocent, and suspects that something far more sinister than even murder is taking place. ~ Bruce Eder, All Movie Guide

Richard Bellero (Martin Landau) is a brilliant but frustrated scientist, forever failing to find approval from his wealthy, pacifist-oriented father Richard Sr. (Neil Hamilton), even when he develops a practical high-energy laser. Much to the displeasure of his ambitious wife Judith (Sally Kellerman), he has been told by his father that he is being passed over for chairmanship of the family-founded corporation. By accident, however, Richard's laser device draws in an alien being (John Hoyt) who, among other attributes, possesses an invisible force-shield. Judith sees this shield as something that would earn her husband the respect of his father and the world, and the chairmanship of his father's corporation, if he could claim it as his discovery. With help from her servant Mrs. Dame (Chita Rivera), she shoots the alien and takes the control device, a button attached by a vein to the being's body, and activates the shield for her father-in-law; the shield is, indeed, impenetrable, but Judith finds she is unable to deactivate it. With her air running out, it becomes apparent that nothing, including her husband's laser, can get her free. Her father-in-law finds the alien's body, but is killed by Mrs. Dame, an act that stirs the alien -- who is barely alive -- just long enough to rescue Judith. Now freed, she starts to move across the room but is blocked by a barrier that only she sees -- she has gone insane. ~ Bruce Eder, All Movie Guide

In Volume 32 of a collection culled from the 1963-1965 science fiction anthology television series, a pair of murderous women enlist the aid of a blind man and his eccentric young charge to help them manipulate the space-time continuum in order to raise the dead. ~ Jason Ankeny, All Movie Guide

In Volume 25 of a collection culled from the 1963-1965 science fiction anthology television series, a scientist on a remote world mutates into a vicious killer following a strange rainstorm. ~ Jason Ankeny, All Movie Guide