Steve Starkey Movies

His mother (voice of Joan Cusack) abducted by Martians intent on harvesting her maternal instincts to nurture their young, nine-year-old Milo (voice of Seth Green) stows away in an alien spacecraft bound for Mars in a bid to bring her safely back to Earth. Later, on the Red Planet, Milo befriends a subterranean-dwelling earthling named Gribble (Dan Fogler) and a spirited Martian lass named Ki (Elisabeth Harnois), who agree to help him locate his missing mother and confront the head alien in charge (voice of Mindy Sterling). ~ Jason Buchanan, Rovi

Monster House's producer Robert Zemeckis and director Gil Kenan collaborate once again on this adaptation of Eoin Colfer's children's novel centering on a young man's escape from a prison island through the power of a flight machine. The picture will utilize the motion-capture process, wherein actor's movements are recorded in a computer and mimicked via computer animation. ~ Jeremy Wheeler, All Movie Guide

Inspired by the epic Old English poem of the same name, director Robert Zemeckis's digitally rendered film follows the Scandinavian hero Beowulf (Ray Winstone) as he fights to protect the Danes from a ferocious beast named Grendel (Crispin Glover). Though at first Grendel seems invincible, Beowulf eventually manages to defeat him in a desperate battle to the death. Devastated by her son's violent demise at the hands of Beowulf, Grendel's mother (Angelina Jolie) sets out in search of revenge. Later, Beowulf faces the biggest challenge of his life when he attempts to slay a powerful dragon. Anthony Hopkins, Robin Wright Penn, Alison Lohman, John Malkovich, and Brendan Gleeson co-star in an epic fantasy adventure penned by Roger Avary and Neil Gaiman. ~ Jason Buchanan, Rovi

A suburban home has become physically animated by a vengeful human soul looking to stir up trouble from beyond the grave, and it's up to three adventurous kids from the neighborhood to do battle with the structural golem in this comically frightful tale, directed by Gil Kenan and featuring the voices of Steve Buscemi, Nick Cannon, Maggie Gyllenhaal, and Kevin James. DJ Harvard (voice of Mitchel Musso) lives directly across the street from a most unusual house. A malevolent entity that longs to feed on the energy of the living, the once peaceful house that looms ominously outside of DJ's bedroom window would like nothing more than the chance to feast on the children of the neighborhood. As Halloween begins to draw near and the children of the neighborhood prepare for another long night of trick-or-treating, it appears as if it may be the house that is in for the biggest treat of all. Now, with the adults turning a deaf ear to DJ's strange findings, it's up to the brave young boy and his faithful friends Chowder (voice of Sam Lerner) and Jenny (Spencer Locke) to break through the barrier of the supernatural and defeat the powers of darkness before the house grows too powerful to fight. ~ Jason Buchanan, Rovi

Directed by Robert Zemeckis and based on children's author Chris Van Allsburg's modern holiday classic of the same name, The Polar Express revolves around Billy (Hayden McFarland), who longs to believe in Santa Claus but finds it quite difficult to do so, what with his family's dogged insistence that all of it, from the North Pole, to the elves, to the man himself, is all just a myth. This all changes, however, on Christmas Eve, when a mysterious train visits Billy in the middle of the night, promising to take him and a group of other lucky children to the North Pole for a visit with Santa. The train's conductor (Tom Hanks) along with the other passengers help turn Billy's crisis in faith into a journey of self-discovery. A long-time fan of Van Allsburg's book, Hanks also helped produce the film. ~ Tracie Cooper, Rovi

An exploration of human survival and the ability of fate to alter even the tidiest of lives with one major event, Cast Away tells the story of Chuck Noland (Tom Hanks), a Federal Express engineer who devotes most of his life to his troubleshooting job. His girlfriend Kelly (Helen Hunt) is often neglected by his dedication to work, and his compulsive personality suggests a conflicted man. But on Christmas Eve, Chuck proposes marriage to Kelly right before embarking on a large assignment. On the assignment, a plane crash strands Chuck on a remote island, and his fast-paced life is slowed to a crawl, as he is miles removed from any human contact. Finding solace only in a volleyball that he befriends, Chuck must now learn to endure the emotional and physical stress of his new life, unsure of when he may return to the civilization he knew before. Cast Away reunites star Hanks with director Robert Zemeckis, their first film together since 1994's Oscar-winning Forrest Gump. ~ Jason Clark, Rovi

The search for life outside our solar system becomes a personal and spiritual quest for a young researcher. Ellie Arroway (Jodie Foster) is a scientist who lost her faith in God after her parents died when she was a child. However, Ellie has learned to develop a different sort of faith in the seemingly unknowable: working with a group that monitors radio waves from space, Ellie hopes that some day she will receive a coherent message from another world that will prove that there is a world beyond our own. Ellie's hard work is rewarded when her team picks up a signal that does not appear to be of earthly origin. Ellie decodes the message, which turns out to be plans for a space craft, which she takes as an invitation for a meeting with the aliens. Ellie and her fellow researchers soon run into interference from a White House scientific advisor, David Drumlin (Tom Skerritt), who cuts off their funding and tries to take credit for their achievements. However, Ellie receives moral support from Palmer Joss (Matthew McConaughey), a spiritual teacher who advises President Clinton and tries to persuade her to accept the existence of a higher power, and financial backing from S.R. Hadden (John Hurt), a multi-millionaire willing to fund her attempts to contact the source of the message. Contact was based on a novel by Carl Sagan, who advised director Robert Zemeckis during the film's production until his death in 1996. ~ Mark Deming, Rovi

High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, Rovi

The final installment in the Back to the Future trilogy picks up where the second film left off, but it casts off the dizzying time travel of the first two films for mostly routine comedy set in the Old West. Marty McFly (Michael J. Fox) receives a 70-year-old letter from his inventor friend, Doc Brown (Christopher Lloyd), who tells Marty that he has retreated a century in time to live out a relatively quiet life in the Old West. Doc Brown reveals that he hid his DeLorean car/time machine in an abandoned mine outside town, and when Marty does some research and discovers that the Doc died shortly after writing the letter, he decides to find the car, travel back in time, and warn the Doc about his demise. Meanwhile, the Doc, who has fallen in love with a local woman (Mary Steenburgen), realizes he can't hide in the past from the problems he has caused to the time flow in the previous two adventures. He reluctantly decides to return to the present with Marty, but first, they have to find a way to get the DeLorean up to time-travel velocity with a broken fuel line and no gasoline. ~ Don Kaye, Rovi

In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. ~ Hal Erickson, Rovi