Vittorio Storaro Movies

The backstage intrigue behind the creation of one of the world's great operas provides the story for this historical drama from director Carlos Saura. Lorenzo Da Ponte (Lorenzo Balducci) is a defrocked priest who, after a failed marriage and a spell running a brothel, has found himself in Vienna, where his gifts as a poet and friendship with Casanova (Tobias Moretti) have led to an introduction to composer Salieri (Ennio Fantastichini). Salieri has been commissioned by the Viennese court to write an opera and is in need of a lyricist. Da Ponte agrees to write the libretto for Salieri's latest project, but when the composer becomes disinterested, he passes the opera on to one of his associates, Mozart (Lino Guanciale). As Da Ponte juggles both serious and casual relationships with several women and Mozart struggles with his muse, their adventures become a reflection of the story Da Ponte and Mozart are setting to music. Io, Don Giovanni (aka I, Don Giovanni) was an official selection at the 2009 Toronto International Film Festival. ~ Mark Deming, Rovi

Omnibus films attained renewed popularity during the 1990s and 2000s; this particular seven-episode film-a-sketch arrived during that period, and involved several top-tiered international filmmakers including John Woo, Spike Lee, Ridley Scott, Emir Kusturica and three others. Each helmer was asked to shoot a segment of between 16-18 minutes in length, for UNICEF, on the subject of exploited and/or underprivileged children around the world. The package opens with "Tanza," helmed by Algerian novelist-cum-filmmaker Mehdi Charef and shot in Burkina Faso. It concerns the 12-year-old female title character - an adolescent freedom fighter - who trollops through the countryside accompanied by young male guerilla fighters who spout off deliberately nonsensical English-language dialogue. Kusturica takes the reins for the second segment, "Blue Gypsy," an overtly comical episode in the vein of Time of the Gypsies about a precocious young boy who makes the split from his alcoholic father and thieving family and goes to live in a juvenile detention center, finding it preferable to home. The third episode, helmed by co-producer Stefano Veneruso and entitled "Ciro," recalls neorealismo with its Naples-set tale of a young boy unloved and systematically neglected by his mother, who resorts to spending time with other neglected children and stealing watches, and then gets caught in the direst of ways. The fourth segment, Spike Lee's delicately-handled "Jesus Children of America," stars Hannah Hodson as Blanca, a young Brooklynite ostracized by her peers because her parents are junkies; when she learns of her HIV-positive status, her world crumbles. For the 5th episode, "Bilu and Joao," Brazilian director Katia Lund casts child actors Francisco Anawake de Freitas and Vera Fernandes as two impoverished tykes whose days involve walking around the outskirts of Sao Paulo and pulling a wooden cart, into which they pile aluminum and paper - but do so joyously, with the courage and grace of two individuals delighting in subhuman work despite the direst of circumstances. For the sixth segment, "Jonathan," Ridley Scott teams up to co-direct with daughter Jordan Scott; the episode stars David Thewlis (Naked) as an emotionally-traumatized war photographer who encounters a band of Eastern European orphans. And the closer, John Woo's "Song Song and Little Cat," studies the contrast between the lives of two young Asian girls from polar opposite ends of the socioeconomic spectrum: Oi Ruyi is Little Cat, an abjectly impoverished child discovered in the garbage, during infancy, by a homeless man; she grows up helping her discoverer forage for victuals until he dies, leaving her aimless and bereft. Woo cuts between her story and that of Song Song, a wealthy and pampered little girl whose story is equally tragic in its own way, as her parents are undergoing a bitter divorce. Though this film, as indicated, enlisted the support of at least two major Hollywood directors (Scott and Lee) it did encounter extreme difficulty securing U.S. theatrical and ancillary distribution, which effectively kept it out of North America in the years that immediately followed its global release. ~ Nathan Southern, Rovi

Planned for years, but plagued by problems such as the death of director John Frankenheimer before production had even begun and the exiting of star Liam Neeson, the fourth installment of the Exorcist saga finally got off the ground with Paul Schrader (Affliction, Auto Focus) behind the camera and Stellan Skarsgård filling the shoes left empty by Neeson. But the pitfalls didn't stop there, as Morgan Creek decided against their initial approach assigned to Schrader after seeing his finished cut, and hired Renny Harlin to reshoot the film with extra gore and head-spinning nastiness. The first prequel in the series, Exorcist: The Beginning is based upon events occurring before the first film. Playing the character made famous by Max von Sydow in the earlier films, this entry finds Skarsgård as a young Father Merrin facing true evil for the first time in Africa in the wake of World War II. When a young local boy begins to behave strangely, it becomes more and more apparent to Merrin that the child is a victim of demonic possession. Boasting a first-time screenplay by best-selling novelist Caleb Carr (The Alienist), Exorcist: The Beginning features a supporting cast headed by Izabella Scorupco (GoldenEye) and James D'Arcy (Master And Commander). ~ Matthew Tobey, Rovi

A crime of passion unwittingly leads to a "miracle" in this satirical comedy. Tex (Woody Allen) is a butcher who is married to Candy (Sharon Stone), a former exotic dancer who has no skill or enthusiasm for fidelity. Unhappy with her extramarital affairs, Tex kills Candy while performing a "sawing the woman in half" trick with her during a magic show. Tex tries to bury the pieces of Candy's body on the outskirts of town before anyone can find out the trick was real, but he makes the mistake of losing one of Candy's hands along the way; a blind woman happens upon it, and when she can suddenly and miraculously see, she's convinced she's found the hand of the Holy Virgin. Father Jerome (David Schwimmer), the priest of the local Catholic church, isn't so sure, but the town's mayor (Cheech Marin) is more than happy to have hundreds of tourists coming into town to see a holy relic, and word of the miraculous hand spreads like wildfire. However, Sheriff Bobo (Kiefer Sutherland) is convinced the severed hand appeared through foul play, and Tex is eager to retrieve it before anyone finds out who was once attached to it. Picking Up the Pieces, which also features Fran Drescher, Eddie Griffin, Andy Dick, and Elliott Gould, had its American premiere on the Cinemax premium cable network after the film's controversial themes prevented it from getting a distribution deal with a U.S. studio. ~ Mark Deming, Rovi

The Sci-Fi Channel's first miniseries production adapts Frank Herbert's esteemed futuristic novel Dune into a six-hour epic. When House Atreides lead by the noble Duke Leto Atreides (Academy award-winner William Hurt) gains control of the universe's most powerful commodity -- Spice -- rival House Harkonnen begins plotting their revenge. As a result, Duke Atreides' mistress (Saskia Reeves), a magical Bene Gesserit witch, and their son Paul (Alec Newman) must flee into the dangerous, worm-infested dunes where they find help from an ancient civilization that engages in guerilla warfare. As the political agenda of the reigning emperor unfolds, Paul is enlightened about his powers in the world and those of the mysterious Navigators of Spacing Guild. The series is written and directed by John Harrison who had considerable help from an award-winning production team including three-time Academy award-winning cinematographer Vittorio Storaro (The Last Emperor, Apocalypse Now). ~ Jessica Frost, Rovi

Warren Beatty directed, co-produced (with Pieter Jan Brugge), co-scripted (with Jeremy Pikser), and stars in this political satire, a comedy drama about a U.S. senator who decides to start speaking the truth. Despondent California senator Jay Bulworth (Beatty), up for re-election, is disillusioned by the usual campaign banalities; his marriage to Constance (Christine Baranski) seems equally hollow. In the midst of a nervous breakdown, Bulworth goes without sleep or food for three days and takes out a ten-million-dollar insurance policy on himself while arranging his own assassination. Drinking during a return to Los Angeles, Bulworth is scheduled to speak at an African-American church in South Central L.A. Once there, he tosses aside his prepared speech, startling both the audience and his campaign manager, Murphy (Oliver Platt), by improvising truthful remarks instead of the familiar rhetoric. These loose-cannon salvos gain the attention of an attractive young woman, Nina (Halle Berry). Bulworth finds an exhilaration with this new freestyle approach, and after shocking a gathering in Beverly Hills with further fulminations, Bulworth invites Nina and her girlfriends into his limo. During a spaced-out sojourn at one of South Central's more frenzied after-hours clubs, Bulworth gains respect for hip-hop culture.

Still reeling from insights gained by this nightlife, he arrives the next day for a fundraising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but the gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the civil rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes in to forgotten memories of the '60s. Outfitted in homeboy clothing, the born-again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. ~ Bhob Stewart, Rovi

In this grim crime melodrama, fascist Spanish taxi drivers unite to become a xenophobic vigilante force dedicated to eradicating all undesirables from the streets of Madrid. Velasco is the leader of the murderous cabbie clan that is comprised of Dani and his father Reme, the skinhead Nino and the nearly insane ex-policeman Calero. Velasco's daughter Paz secretly desires Dani, but her dreams are dashed when she learns about the nefarious activities of Dani and her father. The gang's self-appointed mission is to kill all undesirable foreigners (Arab immigrants are a favorite target), gays and lesbians, blacks and drug addicts. Internal turmoil comes from the burgeoning romance between Paz and Dani coupled with Dani's gradual realization that "the family" may be in the wrong. ~ Sandra Brennan, Rovi

Bernardo Bertolucci attempts to mix Buddhist spirituality with childhood fantasy in Little Buddha. When Dean Conrad (Chris Isaak), a Seattle architect, comes home from work one day, he finds two robed Buddhist monks sitting in his living room talking with his wife Lisa (Bridget Fonda). Guided by a series of disturbing dreams, the monks have traveled from Nepal to Seattle because they believe that the Conrad's ten-year-old son, Jesse (Alex Wiesendanger) may be the reincarnation of a legendary Buddhist mystic. The Conrads are initially skeptical, particularly when the monks want to take their son back to Bhutan with them. But after Dean's partner commits suicide, Dean has a religious awakening ("I've been doin' some thinkin'," he says) and permits Jesse to go away with the monks. Then the Lama Norbu (Ruocheng Ying) gives Jesse a children's book about the Buddha Siddhartha (Keanu Reeves). Siddhartha leads a sheltered life until he comes upon a couple of all-knowing beggars who introduce him to poverty and hunger. After this revelation, Siddhartha decides that it is his destiny to relieve all human beings from pain and suffering. Back in present day, Jesse is now knowledgeable about the basis of Buddhism. Much to Jesse's and his father's surprise, however, they find that there are two other children at Bhutan who show signs of being the reincarnated Buddhist mystic. ~ Paul Brenner, Rovi

From director Bernardo Bertolucci, The Sheltering Sky is a filmed adaptation of the novel of the same name by Paul Bowles. Debra Winger and John Malkovich star as Kit and Port Moresby, a married American couple who globetrot to North Africa in the late '40s with the hopes of re-sparking their love and adding some zest to their lackluster lives. Along for the ride is the pair's friend George Tunner (Campbell Scott), who soon begins having an affair with Kit. As they struggle through the numbing heat of Africa amidst the sudden love triangle, each of the trio sees his and her beliefs and lives challenged. The Sheltering Sky earned a Best Director nomination for Bertolucci at the 1991 Golden Globe Awards. ~ Matthew Tobey, Rovi

The omnibus film New York Stories is the product of three powerhouse filmmakers. The film is divided into three stories, each exploring a different aspect of life in the Big Apple. Life Lessons, directed by Martin Scorcese, is a Dostoevsky-like tale of the rarefied Art World, with Nick Nolte as a self-indulgent abstractionist who loves Rosanna Arquette, but can't bring himself to lie to her about her negligible artistic talents. Life Without Zoe, directed by Francis Ford Coppola, is more than a little reminiscent of Kay Thompson's Eloise stories, with 12-year-old Zoe (Heather McComb) running amok at the Sherry-Netherland hotel while her parents are embarked upon a world-girdling vacation. The last and is Woody Allen's Oedipus Wrecks, wherein a schnooky lawyer (guess who?) inadvertently "creates" the Jewish Mother From Hell: thanks to a misguided magic trick, Allen's mama (the incomparable Mae Questel) becomes a huge spectral vision on the New York skyline, telling everyone within earshot about her son's inadequacies. The cinematographer lineup on New York Stories includes Nestor Almendros, Vittorio Storaro and Sven Nykvist. ~ Hal Erickson, Rovi

Considered one of the great box-office turkeys of its decade, Ishtar was an attempt by writer/director Elaine May and stars Dustin Hoffman and Warren Beatty to do a modern-day road picture in the style of the much-loved Bob Hope and Bing Crosby comedy classics. Beatty is Lyle Rogers, a dimwitted songwriter who befriends and partners with Chuck Clarke (Hoffman), who is only slightly more intelligent but every bit as untalented. Together the duo dreams of becoming a big-time lounge act, but their songs, with titles like "That a Lawnmower Can Do All That," are unintentionally hilarious. Chuck becomes suicidal, but just when it seems they'll never strike it rich, the boys are offered a shady gig at a North African hotel, entertaining U.S. troops stationed in the tiny nation of Ishtar. On their way to accept the job, Lyle, Chuck, and their blind camel are sidetracked by a mysterious woman (Isabelle Adjani) and a scheming CIA agent (Charles Grodin), who are involved in a rebellion against the country's emir. The memorable songs crafted by Chuck and Lyle were written by actor and composer Paul Williams. ~ Karl Williams, Rovi

A TV mini-series, this is a visually pleasant movie about the life of Russia's colorful ruler, from childhood on. Big name cast is wasted on small roles, however. ~ Tana Hobart, Rovi