Zach Staenberg

The Matrix masterminds Andy and Larry Wachowski usher anime icon Tatsuo Yoshida's classic 1960s-era hit into the new millennium with this family-friendly story of a young racecar driver who takes on the mysterious Racer X in a custom-made, gadget-loaded speed machine named the Mach 5. Speed Racer (Emile Hirsch) is the kind of driver that every wheelman wishes he could be: a born winner whose unbeatable combination of aggression, instinct, and fearlessness always finds him crossing the checkered flag with a comfortable lead. In Speed Racer's mind, the only driver who could present him with any real challenge is his late brother -- the legendary Rex Racer. Rex died in a heated cross-country rally known as The Crucible many years ago, and now his younger sibling is driven to fulfill the legacy that Rex left behind. To this day, Speed Racer is fiercely loyal to family. It was Speed Racer's father, Pops Racer (John Goodman), who designed the unbeatable Mach 5, and even a lucrative offer from racing giants Royalton Industries isn't enough to get the young ace to break his family ties.

Upon turning down Royalton's (Roger Allam) astronomical offer, Speed Racer makes the shocking discovery that the outcomes of the biggest races are being predetermined by a handful of powerful moguls who pad their profits by manipulating the drivers. Realizing that his career would be ruined if word of the fix gets out, Royalton vows that the Mach 5 will never make it to another finish line. Now, the only way for Speed Racer to save the family business and beat Royalton at his own game will be to win the very same race that claimed his brother's life so many years ago. In order to accomplish that formidable feat, however, Speed Racer will not only have to rely on his family and the aid of his longtime girlfriend, Trixie (Christina Ricci), but form a tenuous alliance with his longtime rival -- the mysterious Racer X (Matthew Fox) -- as well. ~ Jason Buchanan, All Movie Guide

One man demonstrates how to get rich selling warring nations the tools of their deadly trade in this dark comedy drama. Yuri Orlov (Nicolas Cage) is an opportunistic businessman who stumbled into a gold mine after the end of the Cold War and the collapse of the Soviet Union. Huge caches of Soviet weapons became available at bargain prices (and even for free if one wasn't above stealing), and as literally billions of dollars' worth of Soviet military technology disappeared, it began finding its way into the hands of weapons dealers eager to sell it to the highest bidder. Orlov was one such dealer who found plenty of buyers for guns and military gear in unstable Third World nations, who paid cash and didn't appreciate too many questions. Orlov's exploits in the arms business quickly made him a very rich man, but they've also led to some unwanted attention from Jack Valentine (Ethan Hawke), an Interpol agent who is convinced Orlov isn't playing by the rules. Inspired by a true story, Lord of War also features Jared Leto, Ian Holm, Bridget Moynahan, and Donald Sutherland. ~ Mark Deming, All Movie Guide

While most casual filmgoers take little note of the editing in a movie, committed fans and filmmakers know that it's the editor who determines the pace and rhythm of a motion picture and that skillful cutting can change the flow of the story, even out inconsistencies in the mood and feel of a picture, and adjust the narrative focus. Editing is more than just assembling shots in a certain order, it's an art form, and this documentary celebrates the craft and how it has grown and evolved through the history of the cinema. Edge Codes.com: The Art of Motion Picture Editing traces this story from the world of pioneering silent auteurs such as Georges Méliès and D.W. Griffith through the bold stylings of the masters of the French New Wave to the technical and creative innovations of films like The Matrix, Memento, and The Sixth Sense. Edge Codes.com includes interviews with noted directors George Lucas and Norman Jewison, as well as top editors Thelma Schoonmaker, Zach Staenberg, Dody Dorn, Andrew Mondshein, and many more. ~ Mark Deming, All Movie Guide

Shot back-to-back with The Matrix Reloaded, the third and final installment of Andy Wachowski and Larry Wachowski's sci-fi action saga picks up where the second film left off. Neo (Keanu Reeves) remains unconscious in the real world, caught in a mysterious subway station that lies between the machine world and the Matrix, and Bane (Ian Bliss) is still a conduit for Agent Smith (Hugo Weaving), who continues to grow out of control, threatening to destroy both worlds. Meanwhile, as the sentinels get closer and closer to Zion, the citizens of the earth's last inhabited city prepare for the inevitable onslaught. By bargaining with The Merovingian (Lambert Wilson), Trinity (Carrie-Anne Moss) and Morpheus (Laurence Fishburne) are able to free Neo who, after meeting with The Oracle (Mary Alice stepping in for the late Gloria Foster), decides that he must leave Zion and head for the machine mainframe. As Neo and Trinity venture into the dangerous machine world, with hopes of stopping both the machines and Agent Smith, their comrades in Zion attempt to fight off the attacking sentinels with the odds stacked greatly against them. Other cast members returning include Monica Bellucci, Ngai Sing, and Harold Perrineau Jr. ~ Matthew Tobey, All Movie Guide

What if virtual reality wasn't just for fun, but was being used to imprison you? That's the dilemma that faces mild-mannered computer jockey Thomas Anderson (Keanu Reeves) in The Matrix. It's the year 1999, and Anderson (hacker alias: Neo) works in a cubicle, manning a computer and doing a little hacking on the side. It's through this latter activity that Thomas makes the acquaintance of Morpheus (Laurence Fishburne), who has some interesting news for Mr. Anderson -- none of what's going on around him is real. The year is actually closer to 2199, and it seems Thomas, like most people, is a victim of The Matrix, a massive artificial intelligence system that has tapped into people's minds and created the illusion of a real world, while using their brains and bodies for energy, tossing them away like spent batteries when they're through. Morpheus, however, is convinced Neo is "The One" who can crack open The Matrix and bring his people to both physical and psychological freedom. The Matrix is the second feature film from the sibling writer/director team of Andy Wachowski and Larry Wachowski, who made an impressive debut with the stylish erotic crime thriller Bound. ~ Mark Deming, All Movie Guide

Gina Gershon and Jennifer Tilly nearly set the screen on fire in this clever, female-powered twist on the standard Mob caper film. Gershon is Corky, an ex-con renovating the apartment next door to where Tilly's Violet lives. Violet is the moll of psychotic gangster Caesar (Joe Pantoliano), who uses the apartment as an occasional location for meetings and beatings, and also uses Violet as an occasional plaything for his Mob cronies. Violet is attracted to the super-sexy Corky, and the two begin an intense affair. Corky hatches a plot to escape with $2 million that Caesar is planning to give to a Mob boss, and the mayhem escalates from there. ~ Don Kaye, All Movie Guide

An escaped convict fights for his rights while hiding out from the law in this action drama. Sam Gillen (Jean-Claude Van Damme) is a thief who, despite his criminal past, is an essentially decent man; he ended up behind bars after taking a murder rap for his partner. Sam escapes from prison in a daring jailbreak, and he hides out on a remote farm while on the run from police. A young boy named Mookie (Kieran Culkin) finds the fugitive and takes him in; it seems that the farm belongs to his mother Clydie (Roseanna Arquette), and soon Mookie and his sister Bree (Tiffany Taubman) have become friends with Sam, and Clydie and Sam fall in love. However, Franklin Hale (Joss Ackland), an unscrupulous land developer, wants to buy Clydie's farm and isn't taking no for an answer. When Hale's thug Dunston (Ted Levine) tries to use force to drive Clydie off her property, Sam is ready to fight fire with fire. Nowhere to Run was co-authored by noted screenwriter Joe Eszterhas; Richard Marquand received his story credit posthumously. ~ Mark Deming, All Movie Guide

This well-wrought made-for-cable television western is faithfully adapted from a Louis L'Amour novel and centers on the budding relationship between brave but lonely widow (Katharine Ross) who runs a remote stagecoach way station and the handsome cowpoke (Sam Elliot) who comes to help her out. ~ Sandra Brennan, All Movie Guide

Joseph Stefano, the screenwriter of the original Psycho, wrote and co-produced this somewhat similar suspense-thriller. Gail O'Grady (Eight Is Enough) returns to her childhood home and is plagued by nightmares and disturbed by her cold-hearted mother (Carol Lynley). There is a screwdriver-stabbing and a few predictable revelations about the family's dark past and why O'Grady's father is missing, but the film is generally forgettable. Joanna Miles co-stars. ~ Robert Firsching, All Movie Guide

An amusing spoof of the good 'ole westerns back in the halcyon days when all the cliches were held up as icons, this parody by Hugh Wilson works best for savvy audiences. Rex O'Herlihan (Tom Berenger) is a singing cowboy with a wardrobe straight out of the Hollywood westerns of the '40s -- he worships his horse, and has a trusty sidekick too. Every town he wanders into has a sheriff on the dole, a shady cattle rancher, a prostitute with a heart of gold, an innocent young damsel, a town drunk, and the standard bad guys in black hats and long coats (Spaghetti-western style) who brutalize the poor sheep ranchers. After setting things straight in each identical town as he goes, Rex is beginning to feel like a re-run junky when he saunters into a town that is slightly different -- and the parodies continue. ~ Eleanor Mannikka, All Movie Guide

Satan's son comes of age in this horror sequel. Shortly after the events of The Omen, a pair of anthropologists uncovers an ancient crypt that depicts the face of the Antichrist -- that of Damien Thorn (Jonathan Scott-Taylor), recently orphaned scion of a wealthy industrialist. Before they can warn the world of the child's evil lineage, both men are buried under tons of rubble. Seven years later, 13-year-old Damien attends military school alongside his cousin, Mark (Lucas Donat), and spends lots of time with his adoptive parents, Uncle Richard (William Holden) and Aunt Ann (Lee Grant). After the boy's Great Aunt Marion (Sylvia Sidney) tries to convince the Thorns that Damien is a malevolent influence on Mark, she dies suddenly, and, unbeknownst to the family, horrifically. Ravens, it seems, are the harbingers of Damien's power, and in addition to Aunt Marion, they visit a long procession of characters who get too close to Damien's true identity. The most horrible death is suffered by Joan Hart (Elizabeth Shepherd), an investigative reporter who's digging into the boy's life; she gets flattened by a truck after having her eyes devoured by those menacing birds. Meanwhile, executive Paul Buher (Robert Foxworth) climbs the corporate ladder at Thorn Industries and takes young Damien under his devil-worshiping wings. Sgt. Neff (Lance Henriksen), one of the boy's instructors, also helps initiate Damien. As the pile of bodies gets bigger -- and closer -- Uncle Richard begins to suspect the truth, and, like his brother before him, plot the death of Damien. The existence of another sequel, 1981's The Final Conflict, gives a good indication of the outcome. Although Damien: Omen II is his only Hollywood feature credit, Scott-Taylor appeared frequently in the theater and on television; he once even portrayed Damien's arch-nemesis, Jesus, on-stage. ~ Brian J. Dillard, All Movie Guide