Raymond St. Jacques Movies

Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz. ~ Kristie Hassen, All Movie Guide

A scam artist is forced to pose as a miracle worker in this adventure tale with comic touches. Joe Moses (Robert Mitchum) is a confidence man and jewel smuggler from America who somehow finds himself in Africa, attempting to pull a fast one on some natives who quickly prove to be sharper than he expected. Tossed into the river for his troubles, Joe floats downstream, where he's eventually rescued by Julie Anderson (Carroll Baker), the daughter of Rev. Anderson (Alexander Knox), a missionary doing the Lord's work in a small village. The village is to be flooded when a new dam becomes operational in a few days, but while government functionary Robert (Ian Bannen) attempts to relocate the villagers, most of them refuse to budge. Robert has told them that they cannot bring their animals with them, and since they consider their animals members of the family, they would prefer to stay and face the inevitable. Hoping to amuse the people who helped save his life, Joe performs a few sleight-of-hand tricks for the natives and sets a bush on fire. Soon they believe that Joe is the Moses that they've heard about from the Holy Bible, and that he's come to lead the people of the village to safety. Joe's not so sure that he's the right man for the job, but when Julie hears of Joe's criminal past, she gives him the option of helping to save the villages, or being turned in to the police. However, Ubi (Raymond St. Jacques), a native who was educated in the U.S., has the feeling that Joe is up to no good, and doesn't appreciate the way he's been preying on the naiveté of his people, even if it is supposedly for their own good. This was Carroll Baker's last film before her massively-hyped title role in the biopic Harlow, whose box office failure proved disastrous to her career. ~ Mark Deming, All Movie Guide

The humorous title of this story taken from the novel by Graham Greene gives the viewer the wrong impression. The story concerns the residents of a once-posh hotel in Haiti and the fate of the country's people under the despotic dictator Papa Doc Duvalier. Martha (Elizabeth Taylor) is the philandering wife of a South American ambassador Peter Ustinov. She seeks solace in the arms of hotel-owner Brown (Richard Burton), whose main focus is to keep making improvements on his crumbling building. Alec Guinness plays Jones, the suave charlatan who claims to be a retired military officer to hide his vocation as a shadowy weapons dealer. Brown later gets a sudden twinge of morality and decides to go off to the mountains to help the rebels in their heroic cause. Watch for silent film great Lillian Gish as Mrs. Smith in this plodding drama. ~ Dan Pavlides, All Movie Guide

Uptight is an updated remake of John Ford's The Informer (35). The Irish Republican rebels of the original are replaced by black activists, Dublin becomes the Cleveland ghetto, and "the troubles" of 1921 are transformed into the days just following the assassination of Martin Luther King. Julian Mayfield plays an itinerant street sweeper who betrays his militant friends to the fuzz, resulting in an underground all-points bulletin to exact vengeance on the squealer. Ruby Dee portrays a prostitute who befriends the snitch as he eludes his revolutionary ex-buddies. Jules Dassin's unrelenting directorial pace is complemented by the driving jazz score of Booker T. Jones. ~ Hal Erickson, All Movie Guide

It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, All Movie Guide

Ossie Davis makes his directorial debut a smashing success in the trend-setting action crime comedy Cotton Comes To Harlem. Coffin Ed (Raymond St. Jacques) and Grave Digger Jones (Godfrey Cambridge), two plainclothesmen on the Harlem detail, are assigned to investigate the goings-on of suspicious local preacher Deke O'Malley (Calvin Lockhart), whose "Back to Africa" political movement turns out to be a scam to bilk the community of their hard-earned cash, with the scam-money hidden in a bale of cotton. ~ Paul Brenner, All Movie Guide

This is a remake of The Asphalt Jungle with an all black cast. In it a paroled convict plans to steal $3 million work of jewels, sell them, and use the bread to start a bank to back black businesses. He is assisted by two pals, his half-brother, and a preacher who also works as a thief. The operation is ultimately backed by a man who cheats on his wheelchair-bound wife with a sexy woman. ~ Sandra Brennan, All Movie Guide

Raymond St. Jacques both directs and stars in The Book of Numbers. St. Jacques and Philip Thomas play depression-era African Americans, barely making out an existence as waiters in a deep-south community. Both men decide that there's more money to be had on the shadier side of the law, so they set up a successful rural numbers racket. All goes well until the operation attracts the attention of white crime boss Gilbert Greene. Though no one is particularly admirable in The Book of Numbers, the audience remains firmly on the side of the black characters, if only by default. The film was based on a novel by Robert Dean Phaar. ~ Hal Erickson, All Movie Guide

Three intrepid archeologists head into Pueblo country in New Mexico in search of Mankind's origins. The group hopes to locate an ancient medallion, which may or may not prove that the Earth was once a stopping-off point for extraterrestrial beings. But just finding the medallion turns out to be the easy part; complicating matters is a fierce struggle over possession of the artifact, with several would-be possessors indicating that they're willing to kill to get what they want. Filmed on location in Taos, New Mexico as the pilot for a proposed (but unsold) weekly series, Search for the Gods made its ABC network bow on March 9, 1975--where it was handily trounced in the ratings by a competing Barbra Streisand special. ~ Hal Erickson, All Movie Guide

Larry Cohen's pseudo-biography of J. Edgar Hoover (Broderick Crawford) was virtually howled off the screens upon its release in 1977. Today, with the cross-dressing Hoover so much a matter of historical record that even Oliver Stone didn't bother to make too much of a point of it in Nixon, the Cohen film plays more like a dramatic re-enactment rather than the puerile paranoid fantasy it appeared to be at the time. Unfortunately, Cohen's method is part exploitation and part historical tableau. On the one hand, Cohen dramatizes historical moments in Hoover's momentous life story -- the shooting of John Dillinger in front of Chicago's Biograph Theater, his first arrest -- with a deadening solemnity (even abandoning the backlot facsimiles to shoot on the actual historical locations). On the other hand, Cohen relishes his scenes of Hoover's homosexuality and his propensity for sitting in the dark with a bottle of whiskey, replaying tapes of the amorous liaisons of high government officials -- the decadently homosexual Hoover built his political power base by getting all the dirt he could on the government's movers and shakers -- particularly their sexual liaisons -- and blackmailing them for their support when he could not get it in any other way. A true schizophrenic masterwork in its time, the film is now muted by a reality more incredible than Cohen ever imagined in his wildest dreams. ~ Paul Brenner, All Movie Guide

In this special 90-minute episode, Charles Ingalls (Michael Landon) replaces the injured Jonathan Garvey (Merlin Olsen) in a high-stakes boxing match. Charles wins with astonishing ease -- only to discover that his opponent, a black man named Joe Kagan (Moses Gunn), is in no condition to be in the ring. Doc Baker (Kevin Hagen) tells Kagan that he must give up boxing or face an early death -- but what else can Joe do, and where can he go without facing racial prejudice? ~ Hal Erickson, All Movie Guide

After football player Joe Ramsey (Lee Paul) dies of a brain aneuryism, Quincy (Jack Klugman) performs an autopsy and finds that the man was suffering from a drug-resistent strain of gonnorhea. In his efforts to trace the source of the disease, Quincy orders a round-up of the city's prostitutes--and when one of the hookers turns up murdered, it seems that the feisty medical examiner has stumbled onto a widespread conspiracy and coverup. This episode can be regarded as a seminal example of the "AIDS dramas" which proliferated on television during the next two decades (though of course AIDS had not yet been identified as an international epidemic). ~ Hal Erickson, All Movie Guide

The three-part TV miniseries The Sophisticated Gents covers 25 years in the lives of a group of close friends. Nine African-American members of a sports club gather for a quarter-century reunion. As they reminisce over the high and low points of their lives, some of the members await the arrival of the group's troublemaker with less than enthusiasm. The story comes to an out-of-left-field conclusion involving an escaped killer (Melvin van Peebles) and a pursuing cop. The nine "gents" of the title are played by Ron O'Neal, Thalmus Rasulala, Bernie Casey, Dick Anthony Williams, Raymond St. Jacques, Robert Hooks, Rosey Grier, Paul Winfield...and the aforementioned Melvin van Peebles. Based on John A. Williams' novel The Junior Bachelor Society, the 4-hour The Sophisticated Gents was originally telecast September 29, October 1 and October 2, 1981; for reasons unknown, its debut had been postponed for nearly two years. ~ Hal Erickson, All Movie Guide