Malcolm St. Clair Movies

In this crime drama, a convict is freed after he agrees to join the military during WW II. After he is discharged he gets a job at a factory. The criminal is almost completely reformed when he is visited by an old partner in crime. The shady pal's dog steals the factory owner's bracelet and the ex-con is blamed. Later the mix-up is revealed and the ex-con remains reformed. ~ Sandra Brennan, All Movie Guide

Laurel & Hardy's last American film is a marked improvement over their previous 20th Century-Fox features, though still not in the same league as their 1930s classics. Stan and Ollie play a couple of detectives from Peoria, Illinois, who fly to Mexico City to arrest the notorious Larceny Nell (Carol Andrews). Their South-of-the-Border visit coincides with the much-anticipated arrival of famed Spanish bullfighter Don Sebastian-who happens to be the exact double of Stan Laurel! When Don Sebastian's Mexican debut is delayed by passport problems, press agent Hotshot Coleman (Richard Lane) persuades Stan to take the toreador's place in the bullring. Stan is understandably reluctant until Hotshot threatens to turn the boys over to his business partner, sports promoter Richard K. Muldoon (Ralph Sanford). It seems that several years earlier, Stan and Ollie wrongly sent Muldoon to prison; upon his release, he vowed to someday catch up with the boys and literally skin them alive ("First the little one, then the big one!") With this threat hanging over their heads, Laurel & Hardy are forced to acquiesce to Hotshot's scheme-leading to a chaotic nightclub incident, a hectic misadventure at a bull farm, and a climactic riot at the bull arena when the real Don Sebastian finally shows up. Though it falls apart in the final reel thanks to an overabundance of mismatched stock footage gleaned from Blood and Sand (1941), The Bullfighters is for the most part a fond throwback to Laurel & Hardy's glory days: the highlight is an egg-breaking routine revived from 1934's Hollywood Party. Curiously, none of the reviewers in 1945 mentioned the film's grotesquely hilarious closing gag, which must be seen to be believed. Rory Calhoun (billed as Frank McCown) shows up in a bit as a rival bullfighter. ~ Hal Erickson, All Movie Guide

If Jitterbugs is, as has often been claimed, the best of Laurel & Hardy's 20th Century-Fox films (an otherwise fair-to-mediocre lot), it is because the studio was using the picture as a showcase for their newest singing discovery Vivian Blaine. Stan Laurel and Oliver Hardy play a couple of travelling "zoot suit" musicians who innocently team up with likable con man Chester Wright (Bob Bailey). In the course of their travels, Chester and the boys meet small-town girl Susan Cowan (Blaine), whose mother has been victimized by real-estate swindlers Corcoran (Robert Emmett Keane) and Bennett (Douglas Fowley). Reasoning that it takes a crook to catch a crook, Chester masterminds a complicated "sting" to recover Mrs. Cowan's money. Chester's scheme requires Hardy to disguise himself as amorous Southern colonel Wattison Bixby, and obliges Laurel to don women's clothing as Susan's Aunt Emily. Alas, the boys aren't quite up to the rigors of the confidence racket, and as result they end up the prisoners of Bennett's partner, gangster Tony Queen (Noel Madison). In escaping their captors, Laurel and Hardy utilize Chester's phony "gas pills", which when swallowed cause the bad guys to float to the ceiling! The film concludes with a wild runaway-showboat sequence, consisting largely of stock footage from the 1938 Fox musical Sally, Irene and Mary. A reworking of Arizona to Broadway (1933), Jitterbugs is hardly a classic, but Laurel & Hardy-and Vivian Blaine-are in fine form. Worth the admission price in itself is the romantic rendezvous between Oliver Hardy and phony Southern belle Lee Patrick. ~ Hal Erickson, All Movie Guide

This lesser Laurel and Hardy vehicle casts Stan and Ollie as the proprietors of the "Arthur Hurry" dance studio. Despite a rather sizeable student body (consisting mainly of 20th Century-Fox contract starlets), the boys would starve to death were it not for their only paying customer, socialite Trudy Harlan (Trudy Marshall). Trudy is in love with Grant Lawrence (Robert Bailey), an aspiring inventor who needs financial backing for his revolutionary new flame thrower. Laurel and Hardy undertake several moneymaking schemes to help Grant, most of these coming a-cropper. Finally, Ollie remembers an accident-insurance policy taken out on Stan. He tries to arrange an accident so that the boys can collect a huge fee, but this scheme culminates in a wild bus ride, resulting in Ollie breaking his own leg. The plot of Dancing Masters is a hodgepodge of underdeveloped situations and old gags lifted from such earlier Laurel & Hardy comedies as The Battle of the Century and Thicker Than Water; only occasionally does the comic genius of Stan and Ollie shine through. If the film is memorable at all, it is because of the presence of Robert Mitchum, in an unbilled but sizeable role as an insurance racketeer. ~ Hal Erickson, All Movie Guide

The Bashful Bachelor was the second of six 1940s B films inspired by the popular radio series Lum 'N' Abner. The two principal characters are the proprietors of the Jot 'Em Down Store in Pine Bluff, Arkansas. Lum (Chester Lauck) endeavors to impress a marriageable middle-aged lady (ZaSu Pitts) by becoming a hero. Lum's partner Abner (Norris Goff) reluctantly agrees to pretend to be the victim of several staged accidents, so that Lum can come to the rescue and prove his courage. Somehow this ends with a slapstick horse race. Director Mal St. Clair reaps better results from Lum 'N' Abner than he would in his subsequent Laurel & Hardy comedies at 20th Century-Fox. The Bashful Bachelor was put together by independent Voco Productions, and released by RKO Radio. ~ Hal Erickson, All Movie Guide

If MGM's Red Skelton could make the mystery/comedy Whistling in the Dark, 20th Century-Fox's Milton Berle could show up in the mystery/comedy Over My Dead Body (Berle's reputation for lifting gags from other comics now extended to lifting plot material). Berle plays a mystery writer who forever writes himself into corners and is never able to finish a story. While visiting his wife (Mary Beth Hughes) at the office where she works, Berle overhears several men discussing the suicide of a coworker. Struck with a brilliant notion, Berle decides to confess to the murder of the dead man, certain that he'll be able to wriggle out of the situation and thereby have plenty of material for a story. Alas, it turns out that the deceased gentleman was murdered, and Berle is nearly sent to the chair. In emulation of the Bob Hope/Willie Best combination in The Ghost Breakers Milton Berle is teamed with a "scared" black elevator operator, played by a superb African-American radio and vaudeville comedian named Wonderful Smith. ~ Hal Erickson, All Movie Guide

The Higgins family gets in another comical bind when Ernest loses the fortune in bonds he was hired to deliver. In order to recoup the lost $5,000, Papa Higgins decides to try and marry Grandpa to the wealthiest old widow in town by sending her a steamy love letter and signing his own father's name to it. Meanwhile, Papa also goes to the bank and much to his surprise, is granted a loan. Unfortunately for Grandpa Higgins, the widow has received the letter and joyfully accepted his proposal. When he tries to back out, she promptly sues him leaving the family in a real pickle. ~ Sandra Brennan, All Movie Guide

The Jones family goes to Tinseltown in this entry in the series. They go so Father can attend an American Legion meeting. While there, the daughter has a terrible screen test. Later the family visits a movie studio and chaos ensues. ~ Sandra Brennan, All Movie Guide

The Jones Family is at it again in Everybody's Baby, their first 1939 release (previewed in 1938). This time, the Joneses' lives are turned inside-out by the arrival in town of Dr. Pilicoff (Reginald Denny), a famous child-rearing expert. In attempting to put Pilicoff's theories into practice, the townsfolk begin to quarrel over the proper way to raise their children. The limit comes when Herbert Thompson (Russell Gleason), husband of the eldest Jones daughter Bonnie (Shirley Deane), tries to rescue his own baby from the well-intentioned but idiotic ministrations of Pilicoff's disciples-whereupon poor Herbert is arrested for kidnapping. Everything is straightened out when Pa Jones (Jed Prouty) and his pals discover that Pilicoff is a phony, leading to a most satisfying retribution. ~ Hal Erickson, All Movie Guide

Down on the Farm was yet another entry in the seemingly endless saga of the Jones Family. The plot is set in motion when the Joneses' Aunt Ida (Louise Fazenda) invites the family to spend the summer on her farm while their house is undergoing repairs (thanks to an unfortunate encouter with a fire hose). Patriarch John Jones wins a cornhusking contest, whereupon he is invited to run for a local political office. The usual complications ensue, culminating in a ribtickling "drunk" scene and the ultimate exposure of the community's crooked politicians. Many of the biggest laughs are provided by Eddie Collins as Aunt Ida's moon-faced husband. Elements of several earlier Will Rogers vehicles managed to work their way into the screenplay of Down on the Farm. ~ Hal Erickson, All Movie Guide

In this romance, a detective goes undercover as a jewel thief and boards a trans-atlantic cruise ship. There he joins a ring of jewel thieves looking to steal a famed baseball sized diamond. The gumshoe has been hired by the insurance company to protect the gem. The cruise begins, and he soon finds himself in love with a female gang member. Later he captures the gang, but tries to get the woman a lighter sentence. Because she has decided to straighten up and fly right, the judge suspends her sentence, remands her to parole and her new parole officer- the detective. ~ Sandra Brennan, All Movie Guide

A naive gas station attendant's life takes a turn for the better when he is adopted by an eccentric, boozy travelling millionaire who crosses the country in his own train. Accompanied by his beloved pet bunny, the former gas station jockey boards the train. Soon afterward, he is kidnapped by greedy gangsters and that is when the fun begins. ~ Sandra Brennan, All Movie Guide