Dante Spinotti Movies

In this caper movie from director Brett Ratner, two brilliant criminals are lured out of retirement...or are they? Max Burdett (Pierce Brosnan) is a master jewel thief who, with the help of his accomplice and lover Lola Cirillo (Salma Hayek), has stolen two of the three Napoleon diamonds, among the most valuable gems on Earth. Stanley Lloyd (Woody Harrelson) is an FBI agent who has been on Burdett's trail for years and is especially eager to bring him to justice after a humiliating incident in which Max swiped one of the Napoleons out from under Stanley's nose. But word has it that Max and Lola have abandoned their lives of crime, and they've taken up residence on an idyllic island in the Bahamas, where they're living the good life on their ill-gotten fortune. Lloyd is not convinced they're out of the game for good, and when he learns that the third Napoleon diamond will be on display aboard a cruise ship headed in Max's direction, Lloyd joins forces with Sophie (Naomie Harris), a Paradise Island police detective, to catch Max and Lola red handed. Henry Moore (Don Cheadle), an expatriate American gangster who also lives on the island, doesn't believe Max has gone straight either and tries to rope him into stealing the jewel for him. ~ Mark Deming, All Movie Guide

Director Barry Levinson follows up the low-budget An Everlasting Piece (2000) with another comedy, this one of the homegrown variety from former Twin Peaks (1990) TV series writer Harley Peyton. Bruce Willis stars as suave bank robber Joe, who has escaped from prison with his hypochondriac buddy Terry (Billy Bob Thornton). Together, the two men have devised a clever scheme to take a bank officer hostage the night before a heist, then simply escort the executive to work early the next morning when they clean out the vault. Their ingenious methods have led to the men becoming media darlings dubbed "the Sleepover Bandits," but all Joe and Terry want is to make a nice pile of money before crossing the Mexican border to a life of freedom and legitimacy. Their quest gets more complicated when Terry is struck by a car driven by Kate Wheeler (Cate Blanchett), a bored housewife who's then forced to join their crime spree. Soon both Joe and Terry are in love with Kate and she with them, realizing that the two friends put together pretty much equal the perfect man. Bandits co-stars Troy Garity, son of actress Jane Fonda. ~ Karl Williams, All Movie Guide

In Blink, a woman regaining her eyesight after a double cornea transplant operation glimpses the killer of her upstairs neighbor and then must fight for her life as the killer stalks her. Emma Brody (Madeline Stowe), a musician in an Irish folk-rock band was blinded as a result of childhood abuse by her mother. Her doctor, Ryan Pierce (Peter Friedman) performs an operation to restore her vision, but soon Emma is suffering from retroactive hallucinations in which she sees things that have happened hours, or even days, before. As she was the only witness to the murder, her credibility soon comes into question, but she is believed by Detective Hallstrom (Aidan Quinn) who has been tracking what he believes to be a serial killer. Hallstrom also believes that Emma may hold the key to the murderer's motives. ~ Linda Rasmussen, All Movie Guide

Director and former stunt coordinator Chuck Bail takes the help for this fast-paced action thriller about a Harvard-graduate physicist whose efforts to create a safe source of energy are thwarted by nuclear waste-dumping baddies. David Lowell (Stephen Collins) has discovered the secret to clean energy, and he's ready to share his gift with the world. In just a few days, Hayley's Comet will pass over the Grand Canyon, and David will capture the energy from the high-frequency sound waves emitted from the enormous space rock. Unfortunately, there are those who would rather continue to profit from conventional forms of energy, and they're not afraid to use force to get their way. ~ Jason Buchanan, All Movie Guide

This freewheeling look at Naples and its foibles through the tenants who live in an apartment building offers a fictionalized but lively account of what it means to be Neapolitan. Gennaro Bellavista (director and co-scripter Luciano De Crescenzo) holds classroom court every day in the building, where his neighbors and the concierges gather to listen to his instructive and opinionated views of the city. For Bellavista, the northern Italians are inspired by concepts like "freedom," while the more hot-blooded southerners are swayed the most by love. A case in point is the stuffy Milanese businessman Cazzaniga (Renato Scarpa) who starts to rearrange the mailboxes the moment he moves into his apartment -- now it remains to be seen if he will give in to the southern love of fun. Shadows are cast on the insular lives of these tenants as references to the "Camorra" -- a local Neapolitan Mafia -- and the threat of rising unemployment indicate that not everything is fun, even for the southerners. ~ Eleanor Mannikka, All Movie Guide

A disconnected accountant finds his mundane life injected with a new sense of urgency after striking up a friendship with a charismatic attorney in director Marcel Langenegger's sexually charged action thriller. Jonathan (Ewan McGregor) is an accountant who has lost his passion in life. When his powerful new lawyer friend, Wyatt (Hugh Jackman), introduces Jonathan to a salacious underground sex club called The List, the dejected accountant soon believes he has found the woman of his dreams (Michelle Williams). His newfound happiness takes a turn for the worse, however, when Jonathan is named the prime suspect in the woman's disappearance as well as the theft of 20 million dollars. ~ Jason Buchanan, All Movie Guide

Greg Kinnear stars in director Marc Abraham's man-against-the-system docudrama Flash of Genius as inventor Robert Kearns, the visionary who developed the modern intermittent windshield wiper. Kearns submitted the invention to each of the big three auto companies, each of which promptly rejected it; the companies then turned around and put the device to use. The enraged inventor spent several decades attempting to collect on his patent, and mounting lawsuits that traveled all the way to the Supreme Court; he eventually collected over 30 million dollars for his obsession. Abraham co-authored the script with Scott Frank and Phillip Railsback, adapting an article by John Seabrook that originally appeared in The New Yorker. Dermot Mulroney plays Kinnear's best friend, with Lauren Graham rounding out the supporting cast. ~ Nathan Southern, All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

A darkly comic whodunit about greed, deceit, and romantic deception, Goodbye Lover stars Patricia Arquette as Sandra, a seemingly moral and obsessively cheerful woman who sells real estate and is fascinated by the movie The Sound Of Music. But Sandra has a secret; while she's married to Jake (Dermot Mulroney), an ad executive who is having problems with both his career and his drinking, she's having an affair with his brother, Ben (Don Johnson), a successful public relations man. Ben, on the other hand, is already dallying with Peggy (Mary-Louise Parker), a woman on his staff who is beautiful but insecure, though she has a darker side few people know about. When Ben decides to break it off with Sandra so he can pursue his relationship with Peggy, Sandra is furious, and, knowing Jake would be just as angry, tells him about their affair. A vengeful Jake confronts Ben, which leads to a knock-down, drag-out fight -- and Ben's death, as he falls from a window. Ben leaves behind a hefty insurance settlement, and soon the surviving characters are scrambling over the money. Enter Police Detective Rita Pompano (Ellen DeGeneres), who has seen too much in her time on the force to not develop a deep cynicism about the people she protects -- or to not be tempted to get in on the payday herself. Goodbye Lover was directed by Roland Joffé, in something of a departure from his best-known work in high-minded dramas such as The Killing Fields and The Mission. ~ Mark Deming, All Movie Guide

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won't allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention -- a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world's greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires -- Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) -- won't let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci's gold-making machine, and destroy the world's monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks's pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk. ~ Paul Brenner, All Movie Guide

An off-beat comedy that takes a close look at the homeless and the hungry, Minestrone pulls off its wry and acerbic vision thanks to Sergio Citti, director and co-author of the script (with Vincenzo Cerami). Roberto Begnigni as Maestro contributes his own comedic talents to the film. The story centers around three characters who are brought together through the common human need to survive. Francesco (Franco Citti) and Giovanni (Ninetto Davoli) first meet at a garbage can, fending off a hungry dog for the scraps of food inside. The two men become friends, and soon get thrown in jail for causing a traffic snarl as they look up at the sky. Once in jail, however, they get to know the "upper crust" Maestro who cops his meals by walking into good restaurants dressed to the hilt and leaving without paying the bill. The three hook up as pals, and the story continues as their adventures take them out into the world again, giving the audience a chance to see society's role in the larger issue of hunger. ~ Eleanor Mannikka, All Movie Guide

In this somewhat overlong children's fantasy, Colonel Procolo (Paolo Villagio) has inherited the duty of taking care of a large tract of woodland in northern Italy. He is charged with ensuring that no harm comes to the oldest trees in it. Furthermore, he is only an executor for the property, which is to go to his young nephew (Riccardo Zannantonio) when he reaches his majority. The colonel is a typical product of our age, and immediately concocts a plan to sell precisely the old trees that he has been charged to preserve in order to make a goodly amount of money. One day a forest ranger comes to see him and informs him that each tree is inhabited by a spirit which could help him if he leaves everything as it is. Thinking that this is pure poppycock, he cuts down an old tree, and finds the forest filled with mourners who have come to pay homage to their friend, the being that inhabited the tree. It turns out that the ranger himself is such a spirit, and the trees, animals and even the wind are sentient and are outspoken about what happens in their wood. ~ Clarke Fountain, All Movie Guide

Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress. ~ Mark Deming, All Movie Guide