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Steven Spielberg Movies

The most commercially successful filmmaker in Hollywood history, Steven Spielberg was born December 18, 1946, in Cincinnati, OH. A lifelong cinema buff, he began directing his first short movies while still a child, later studying film at California State University and winning notice for his 1969 short feature Amblin'. He first made his mark in television, directing Joan Crawford in the pilot for Rod Serling's Night Gallery and working on episodes of Columbo and Marcus Welby, M.D. Spielberg's first feature-length effort, 1971's Duel, a taut thriller starring Dennis Weaver, was widely acclaimed as one of the best movies ever made for television.

Spielberg permanently graduated to feature films with 1974's The Sugarland Express, but it was his next effort, Jaws, which truly cemented his reputation as a rising star. The most successful film of 1975, this tale of a man-eating Great White shark was widely recognized as the picture which established the summer months as the film industry's most lucrative period of the year, heralding a move toward big-budget blockbusters which culminated two years later with his friend George Lucas' Star Wars. Spielberg's follow-up, 1977's Close Encounters of the Third Kind, was another staggering success, employing state-of-the-art special effects to document its story of contact with alien life.

With the 1979 slapstick-war comedy 1941, Spielberg made his first major misstep, as the star-studded picture performed miserably at the box office. However, he swiftly regained his footing with 1981's Raiders of the Lost Ark. Produced by Lucas, the film was one of the biggest hits of the decade, later launching a pair of sequels as well as a short-lived television series. However, it was Spielberg's next effort which truly asserted his position as the era's most popular filmmaker: 1982's E.T. the Extra Terrestrial, the touching tale of a boy who befriends an alien, was hailed upon release as an instant classic, and became one of the most commercially successful movies of all time.
After 1984's Raiders of the Lost Ark sequel, Indiana Jones and the Temple of Doom, Spielberg went against type to direct The Color Purple, an adaptation of Alice Walker's much-honored novel exploring the lives and struggles of a group of African-American women during the Depression years. The film went on to gross over $100 million at the box office, later securing 11 Academy Award nominations. A 1987 dramatization of J.G. Ballard's novel Empire of the Sun was his next picture, and was one of his few box-office disappointments. A similar fate met the sentimental Always (1989), a remake of the wartime weeper A Guy Named Joe, but Spielberg returned to form with the same year's Indiana Jones and the Last Crusade.

With 1991's 60-million-dollar production of Hook, Spielberg again fell victim to negative reviews and lackluster box-office returns, but in 1993 he returned with a vengeance with Jurassic Park. That same year, he released Schindler's List, an epic docudrama set during the Holocaust. The picture won seven Academy Awards, including Best Picture and Best Director honors.
As befitting his role as a major Hollywood player, Spielberg and his company, Amblin Entertainment, also produced a number of highly successful features, including 1982's Poltergeist, 1985's Back to the Future, and 1988's groundbreaking Who Framed Roger Rabbit? He also diversified into television, beginning in 1985 with the anthology series Amazing Stories and later supervising the animated series Tiny Toon Adventures and the underwater adventure Seaquest DSV. However, in the wake of Schindler's List, Spielberg's status as a power broker grew exponentially with the formation of Dreamworks SKG, a production company he headed along with former Disney chief Jeffrey Katzenberg and music mogul David Geffen; consequently, Spielberg spent much of the mid-'90s behind the scenes, serving as executive producer on films such as Twister (1996), Men in Black (1997), and two 1998 films, Deep Impact and The Mask of Zorro.

Spielberg returned to the director's chair with the 1997 smash The Lost World, the sequel to Jurassic Park. The same year, he was rewarded with several Oscar and Golden Globe nominations for Amistad, a slavery epic for which he served as both director and producer. Whatever disappointment Spielberg may have felt over not actually winning any of the above awards was most likely mollified the following year with Saving Private Ryan. The World War II epic, which Spielberg directed and produced, won a staggering 11 Academy Award nominations. Eventually winning five, the film lost out to Shakespeare in Love for Best Picture. Ryan did win a Golden Globe for Best Picture (in the Drama category), as well a Best Director nod for Spielberg.
After taking the helm for a short documentary chronicling American history for the millennial New Years Eve celebration broadcast, Spielberg took another shot at summer blockbuster success with the sci-fi drama A.I.. Featuring Oscar nominated child actor Haley Joel Osment in the role of a robot boy who longs to be human, and adapted from an original idea from Stanley Kubrick, the high-concept film received a decidedly mixed reception at the box office. The following year, however, would find Spielberg once again coming out on top with two remarkably upbeat chase films. Adapted from a short story by revered science fiction author Phillip K. Dick and starring Tom Cruise as a the head of an elite "pre-crime division" of police officers who use a trio of psychics to predicts criminals' crimes so that they can be arrested before they have a chance to commit them, Minority Report proved an exhilarating sci-fi action epic. A mere six-months later, Spielberg's fast-paced crime adventure Catch Me If You Can adapted the real life exploits of legendary con artist Frank Abagnale, Jr. to the big screen to the delight of audiences hungering for an entertaining and lightweight holiday release.

2004 saw Spielberg team with Hanks yet again, this time for the lighthearted comedy The Terminal. Also starring Catherine Zeta Jones, the film centered on a man without a country who takes up residence in an American airport. The following year found the director diving back into the big-budget sci-fi genre with War of the Worlds. Starring Tom Cruise, the ambitious film was adapted from H.G. Wells classic alien-invasion novel of the same name. After this Hollywood juggernaut, Spielberg cinematically visited his Jewish heritage for the first time since Schindler's List with 2005's critically acclaimed Munich. Beginning with the 1972 Munich Olympics at which 11 Israeli athletes were kidnapped and later murdered by the Palestinian terrorist group Black September, the film follows the small group of Mossad agents recruited to track down and assassinate those responsible. Praised for its sensitive and painful portrayal of ordinary men grappling with their new lives as killers, Munich earned Spielberg a Golden Globe and an Oscar nomination, reminding audiences and critics alike of the filmmaker's ability to go far beyond the realm of simple adventure and fantasy.

In 2006, Spielberg produced Clint Eastwood's two films about WWII, Flags of Our Fathers, about the American soldiers at Iwo Jima, and Red Sun, Black Sand, which takes a look at what life was like for men in the Japanese military; both films received broad critical acclaim. In 2008, Spielberg re-ignited the Indiana Jones franchise with the fourth installment in the saga, Indiana Jones and the Kingdom of the Crystal Skull. While critical response to this outing was mixed, it scored at the box office and satisfied many moviegoers.

During the years that followed, the number of efforts that bore Spielberg's producing imprimatur grew exponentially. These included The Lovely Bones (2009), the Coen Brothers' remake True Grit (2010), the J.J. Abrams-directed sci-fi fantasy Super 8 (20011) and the eagerly-awaited sequel Men in Black III (2012). Meanwhile, Spielberg reassumed the director's chair for a varied series of pictures, including The Adventures of Tintin (2011). His long gestating Abraham Lincoln biopic Lincoln hit screens in 2012 starring Daniel Day-Lewis as the iconic president and Sally Field as his first lady, and the movie went on to be nominated for a number of Oscars including Best Director and Best Picture. ~ Jason Ankeny, Rovi
2005  
R  
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Much as Steven Spielberg followed 1993's special-effects blockbuster Jurassic Park with a far more downbeat and personal project later the same year, Schindler's List, in 2005 after tearing up the box office with War of the Worlds the director closed out the year with a powerful and thoughtful drama about the human costs of international terrorism. The 1972 Olympics in Munich, Germany, were supposed to be a peaceful gathering of outstanding athletes from around the world, but on September 5, the games took a sinister turn when eight masked Palestinian terrorists invaded the Olympic village, killing two Israeli athletes and abducting nine others. The kidnappers demanded safe passage out of Germany in addition to the release of Arab prisoners in Israeli and German prisons, but when they arrived at the Munich airport they were met by German police and military forces, and in the melee that followed, all nine hostages were killed. In the wake of the killings, the Israeli government gave Mossad, the nation's intelligence agency, a special assignment -- to track down and eliminate the Palestinians responsible for the death of the Israeli athletes. A young and idealistic Mossad agent (Eric Bana) is assigned to the four-man unit created to wipe out the Olympic terrorists, but while he believes in serving his country, as their bloody work goes on he begins to buckle under the weight of his work and wonders if he can morally justify his nation's acts of revenge. Munich also stars Geoffrey Rush, Daniel Craig, Mathieu Kassovitz, and Ciarán Hinds. ~ Mark Deming, Rovi

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Starring:
Eric BanaDaniel Craig, (more)
 
2005  
PG  
Add The Legend of Zorro to Queue Add The Legend of Zorro to top of Queue  
The legendary Mexican hero returns to the screen in this swashbuckling sequel to the 1998 box-office hit The Mask of Zorro. It's 1850, and the people of California, eager to improve their difficult lot in life, have launched a campaign to become part of the United States. Don Alejandro de la Vega (Antonio Banderas) has become aware of a plot by moneyed Europeans to block the campaign for statehood through nefarious means, and it looks as if Alejandro's heroic alter ego, Zorro, may have to return to duty. However, Alejandro's wife, Elena (Catherine Zeta-Jones), has grown weary of his secret life, and she demands that he choose between his family and his clandestine career as a champion of the people. This leads to a rift between Alejandro and Elena, and the couple separates, with Alejandro moving out while Elena continues to care for their son, Joaquin (Adrian Alonso). A few months later, Alejandro finds that Elena is already being wooed by Armand (Rufus Sewell), a suave French nobleman who wants her hand in marriage. However, Alejandro also learns that Armand is actually part of a plot to prevent California from attaining statehood by tampering with an upcoming election; meanwhile, there may be more to Elena's involvement with Armand than romantic courtship. Zorro must come to the rescue of the people of California and perhaps his beloved Elena as well before they both fall into dangerous hands. The Legend of Zorro was directed by Martin Campbell, who performed the same duties on The Mask of Zorro. ~ Mark Deming, Rovi

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Starring:
Antonio BanderasCatherine Zeta-Jones, (more)
 
2004  
PG13  
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Shot almost entirely on a two-and-a-half-story recreation of a full-size operating airport terminal, this romantic comedy from director Steven Spielberg revolves around an Eastern European man by the name of Viktor Navorski (Tom Hanks), whose plans of immigrating to New York were hastened by a violent coup in his home country. Unfortunately, Viktor finds himself on the wrong end of a nasty technicality while en route to America: His passport was issued from a country, which, during its upheaval, ceased to exist in an official capacity. Unauthorized to leave Kennedy Airport upon his arrival and unable to return home, Viktor finds himself exiled inside the terminal's international transit lounge. Though airport official Frank Dixon (Stanley Tucci) views Viktor as an annoying bureaucratic glitch, other airport employees -- including a beautiful flight attendant by the name of Amelia (Catherine Zeta-Jones) -- come to see him as a welcome, if unofficial, addition to their numbers. As the days stretch on into months, the terminal transforms from an intimidating atmosphere of forced assimilation into a country within itself, complete with culture, ambition, status, complex diversity, and the need for love. The supporting cast includes Diego Luna, Chi McBride, Kumar Pallana, Zoe Saldana, Eddie Jones, and Jude Ciccolella. ~ Tracie Cooper, Rovi

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Starring:
Tom HanksCatherine Zeta-Jones, (more)
 
2004  
 
Add The Cutting Edge: The Magic of Movie Editing to Queue Add The Cutting Edge: The Magic of Movie Editing to top of Queue  
The Cutting Edge: The Magic of Editing teaches the viewer how editors compile strips of film in order to create memorable moviegoing experiences. In addition to interviews with a variety of respected and award-winning editors, the movie offers clips form some of the most memorable films in the history of the artform. ~ Perry Seibert, Rovi

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Starring:
Kathy Bates
 
2004  
 
Legendary film preservationist Kevin Brownlow (infamous for his 1982 restoration of Abel Gance's Napoléon) and Patrick Stanbury co-helm the affectionate cinematic homage Cecil B. DeMille: American Epic. As narrated by Kenneth Branagh, this documentary explores the life, legacy, and cultural contributions of director extraordinaire DeMille, widely regarded as the 20th-century equivalent of P.T. Barnum -- and hence, one of the greatest showmen in modern history. The film documents how DeMille became the first individual to define the perfect cinematic admixture to satisfy the taste of the average lay viewer: a combination of unearthly sets, magnificent costumes, and earth-shaking spectacles, cloaked in an oxymoronic blend of two-dimensional moralizing and envelope-pushing sexuality -- in other words, the very same formula still employed by Hollywood, decades after DeMille's death. A number of top American filmmakers turn up to offer insights into DeMille's craft, including Steven Spielberg and Martin Scorsese, as well as actors including Charlton Heston and Angela Lansbury; several of DeMille's family members also shed light on the director's private life and personal relationships. The film discusses DeMille's childhood and early theatrical career, his co-establishment of Paramount Pictures, and his production of some of Hollywood's most magnificent spectacles, including Cleopatra (1934), Samson and Delilah (1949), and The Ten Commandments (1956, for which, Brownlow and Stanbury interpolate stunning behind-the-scenes footage of the parting of the Red Sea). Brownlow received the coveted Mel Novikoff Award in the year of this film's release. ~ Nathan Southern, Rovi

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2004  
 
Add Imaginary Witness: Hollywood and the Holocaust to Queue Add Imaginary Witness: Hollywood and the Holocaust to top of Queue  
The American film industry took it upon itself to act as a cheerleader for United States and Allied military interests during World War II, but Hollywood was initially reluctant to directly condemn Nazi anti-Semitism, and it wasn't until years after the war ended that American filmmakers began offering a realistic, dramatic look at the horrible toll of Hitler's "final solution." Imaginary Witness: Hollywood and the Holocaust is a documentary which examines how filmmakers reacted to German scapegoating of Jews before, during, and after the war, ranging from the boldness of Confessions of a Nazi Spy and The Mortal Storm (both of which were produced before America entered the war) to more oblique statements during the war itself, and then finally leading to an honest portrayal of the full consequences of the Holocaust beginning in the '50s. Produced for the cable television network American Movie Classics, Imaginary Witness: Hollywood and the Holocaust was premiered at the 2004 Tribeca Film Festival. ~ Mark Deming, Rovi

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Starring:
Gene HackmanSidney Lumet, (more)
 
2003  
 
Add ER: Season 10 to Queue Add ER: Season 10 to top of Queue  
Season ten of ER finds Dr. John Carter (Noah Wyle) returning to Chicago County after a brief sojourn with a Doctors Without Borders project in a war-torn Congolese field hospital. Reportedly, Carter's co-worker in this project, Dr. Luka Kovac (Goran Visnjic), was killed in the fighting -- but this report proves to be slightly exaggerated when Kovac himself reappears at the ER. In a related development, the romance between Carter and nurse Abby Lockhart (Maura Tierney) is stifled by the news that Carter has had a fling with his Doctors Without Borders co-worker Kem Likasu (Thandie Newton), who is carrying his baby. Elsewhere, Parminder Nagra joins the cast as nervous new med student Neela Rasgotra, who is mentored by Michael Gallant (Sharif Atkins), who in turn is now a doctor. Neela catches the eye of Gallant's longtime rival Dr. Pratt (Mekhi Phifer), arousing the jealousy of Dr. Deb Chen (Ming-Na). Later on, Neela passes her medical boards, but the more experienced Abby does not. Another newcomer to the cast is Glenn Howerton as Dr. Nick Cooper, a second-year resident. This season marks the departure of Paul McCrane as irascible Dr. Robert Romano, who has become all the nastier since being fitted out with a prosthesis after losing his hand and forearm in a helicopter accident; ironically, it is another helicopter, this one crashing off the hospital roof, which ultimately seals Romano's doom. Even more ironically, Romano's death saves the job of Dr. Archie Morris (Scott Grimes), whom Romano had just caught smoking pot on the job. In other developments, Dr. Elizabeth Corday (Alex Kingston) recovers sufficiently from the death two seasons ago of her husband, Mark Greene, to enter into a hot-and-heavy romance with Dr. Eddie Dorset (Bruno Campos), who happens to be married; later on, she is made head of surgery and juggles dating two other men at the same time. Susan Lewis (Sherry Stringfield) strikes up an unusual friendship with a suicidal architect (brilliantly portrayed by Bob Newhart). And Kerry Weaver's (Laura Innes) parter, paramedic Sandy Lopez (Lisa Vidal), gives birth to a baby boy, Henry; however, Kerry's euphoria is tragically cut short when Sandy later dies in a fire and Kerry ends up in a bitter custody battle with Sandy's family over the child. The season ends on another cliffhanger, as doctors Pratt and Chen are seriously wounded in a particularly nasty case of "road rage." ~ Hal Erickson, Rovi

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Starring:
Noah Wyle
 
2003  
 
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Jeannie Epper and Zoe Bell are two women who get hurt for a living -- they're Hollywood stuntwomen, who take the falls and dodge the punches while taking the place of glamorous stars. Epper's big break came when she was hired to stand in for Lynda Carter on the Wonder Woman television series in the 1970s, while Bell made a name for herself doing Lucy Lawless' stunt work for Xena: Warrior Princess. Double Dare is a documentary which looks at the lives and careers of these two women, as well as their friendship. Epper, in her early sixties, finds herself dealing with ageism in the entertainment industry, just as she's dealt with sexism much of her life, as she struggles to stay in the game, while Bell learns from her older friend not only the nuts and bolts of stunt work but the trails Epper and her compatriots had to blaze to be respected in their profession. Double Dare also features appearances by Quentin Tarantino and Steven Spielberg. ~ Mark Deming, Rovi

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Starring:
Jeannie EpperZoe Bell, (more)
 
2002  
PG13  
Add Minority Report to Queue Add Minority Report to top of Queue  
Based on a short story by the late Philip K. Dick, this science fiction-thriller reflects the writer's familiar preoccupation with themes of concealed identity and mind control. Tom Cruise stars as John Anderton, a Washington, D.C. detective in the year 2054. Anderton works for "Precrime," a special unit of the police department that arrests murderers before they have committed the actual crime. Precrime bases its work on the visions of three psychics or "precogs" whose prophecies of future events are never in error. When Anderton discovers that he has been identified as the future killer of a man he's never met, he is forced to become a fugitive from his own colleagues as he tries to uncover the mystery of the victim-to-be's identity. When he kidnaps Agatha (Samantha Morton), one of the precogs, he begins to formulate a theory about a possible frame-up from within his own department. Directed by Steven Spielberg, who hired a team of futurists to devise the film's numerous technologically advanced gadgets, Minority Report co-stars Colin Farrell, Max von Sydow, and Neal McDonough. ~ Karl Williams, Rovi

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Starring:
Tom CruiseColin Farrell, (more)
 
2002  
 
Add ER: Season 09 to Queue Add ER: Season 09 to top of Queue  
As season nine of ER opens, a grieving Dr. Elizabeth Corday (Alex Kingston) elects to return to the ER after the death of her husband, Mark Greene. Meanwhile, Dr. John Carter (Noah Wyle) and Abby Lockhart (Maura Tierney) have survived the smallpox scare that caused the lockdown and riot at Chicago County at the end of season eight -- and as a bonus, they have fallen in love. Elsewhere, lesbian Dr. Kerry Weaver (Laura Innes) comes to grips with her pregnancy and subsequent miscarriage, and puts her job on the line by giving secret medical treatment to an alderman who still hasn't "come out." Dr. Romano (Paul McCrane) becomes even more irascible after losing his right hand and forearm in a helicopter mishap; no longer able to operate, he is placed in charge of the ER, where his erratic behavior soon proves to be not only annoying but dangerous. Troubled East European émigré Dr. Luka Kovac (Goran Visnjic) is accused of hitting on a nurse, becomes involved in a fatal traffic accident, and puts his job in jeopardy with a disastrous misdiagnosis. The tensions escalating between African-American ER staffers Gallant (Sharif Atkins) and Pratt (Mekhi Phifer) explode when both are temporarily held as suspects in a murder at the doctors' favorite watering hole, Magoo's -- and later, Pratt is on the verge of exiting the ER, but he redeems himself by saving the life of a mother whose baby was cut from her womb. Mercurial Dr. Chen (Ming-Na) reveals that she once gave up a child for adoption. Plagued by the psychological problems of her mother and brother, recovering alcoholic Abby begins drinking again. Lewis (Sherry Stringfield) returns from a brief holiday with a new husband (Donal Logue) in tow. And several episodes are built around Paul Nathan, an overaged medical student (Don Cheadle) suffering from Parkinson's disease. The year's most noteworthy newcomer is Leslie Bibb as brash, outspoken med student Erin Harkins. Season nine ends with the culmination of a story arc begun when Carter finds himself re-examining his priorities after a brush with a dedicated storefront-clinic doctor (Ed Asner). Ultimately, Carter joins Kovac in a Doctor Without Borders project, tending to the sick and wounded in a dismal Congolese field hospital while a political revolution rages around them. ~ Hal Erickson, Rovi

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Starring:
Noah Wyle
 
2002  
PG13  
Add Catch Me If You Can to Queue Add Catch Me If You Can to top of Queue  
A gifted forger and confidence man attempts to stay one step ahead of the lawman determined to bring him to justice in this comedy-drama from Steven Spielberg, based on a true story. Frank W. Abagnale Jr. (Leonardo DiCaprio) is a 16-year-old high school student who finds himself emotionally cut adrift when his mother, Paula (Nathalie Baye), leaves his father, Frank Abagnale Sr. (Christopher Walken), after Frank Sr. falls into arrears with the Internal Revenue Service. One day at school, Frank Jr. attempts to pass himself off as a substitute teacher, and easily makes the subterfuge work. His small-scale success gives Frank some ideas, and he soon discovers bigger and more profitable ways of hoaxing others, passing himself off as an airline pilot, a doctor, and an attorney. Along the way, Frank learns how to become a master forger, and uses his talent and charm to pass over 2.5 million dollars in phony checks. Frank's increasingly audacious work soon attracts the attention of Carl Hanratty (Tom Hanks), an FBI agent who is determined to put Frank behind bars. Frank seems to enjoy being pursued by Carl, and even goes so far as to call Carl on the phone to chat every once in a while. While posing as a doctor, Frank falls in love with Brenda Strong (Amy Adams), a sweet girl working as a candy striper. When Frank asks Brenda to marry him, he decides to assume a new identity to impress her father, Roger (Martin Sheen) -- who happens to be the District Attorney of New Orleans, LA. Catch Me If You Can was based on the autobiography of the real Frank W. Abagnale Jr., who has a cameo in the film and today works on the side of the law as a top consultant on preventing forgery and designing secure checking systems. ~ Mark Deming, Rovi

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Starring:
Leonardo DiCaprioTom Hanks, (more)
 
2002  
 
Add Taken to Queue Add Taken to top of Queue  
Executive-produced by Steven Spielberg, the ten-episode, 20-hour miniseries Taken was one of the most ambitious projects undertaken by cable TV's Sci-Fi Network, ultimately costing 40 million dollars -- a price that proved well worth it, inasmuch as the series posted the network's highest-ever ratings. Covering a period from 1947 to the present, the story focused on three different families, each of whom was profoundly affected by extraterrestrial visitation. The Keys family was headed by WWII bomber pilot Russell Keys (Steve Burton), who spent virtually his entire adult life haunted by his "close encounter" with aliens. The Clarkes were originally represented by lonely Texas waitress Sally Clarke (Catherine Dent), who was impregnated by a charming stranger (Eric Close) who turned out to be an alien survivor of the Roswell crash. And the lives of the Crawfords were dictated by ruthless Army officer Owen Crawford (Joel Gretsch), who was determined to prove that the government had covered up the truth about Roswell by dedicating his life to tracking down all space aliens and their half-human descendants. The story was narrated by Allie Keys (Dakota Fanning), a "hybrid" child of the present day, whose story determined the outcome of the final episodes. Boasting impressive computer-generated special effects and eye-popping facial makeup, Taken was seen over a two-week period, beginning December 2, 2002, and ending on December 13. ~ Hal Erickson, Rovi

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Starring:
Dakota FanningAlonso Oyarzun, (more)
 
2002  
PG13  
Add Men in Black II to Queue Add Men in Black II to top of Queue  
Otherworldly villains are on the loose again, and it's up to Earth's interstellar police force to bring them to justice in this sequel to the sci-fi comedy blockbuster Men in Black. Agent Jay (Will Smith) has become a high-ranking member of the Men in Black, the secret government task force designed to deal with unruly visitors from other worlds, while his former cohort, Agent Kay (Tommy Lee Jones), had his memory wiped clean and now lives a simple but contented life as a mailman. However, an especially nasty alien threat has reared its not-so-ugly head; Serleena (Lara Flynn Boyle) is a shape-shifting Kylothian alien who is in pursuit of another escaped visitor who holds the key to powers that would allow her to destroy the world. Making Serleena all the more dangerous is the fact she's taken on the appearance of a lingerie model, making her irresistible to most men. When the rampaging Serleena takes control of the MIB offices, Jay is forced to turn to the only man who can help him save the world -- the former Agent Kay. After restoring Kay's memory, the two remaining Men in Black set out to conquer Serleena with a motley band of friendly aliens, including a handful of worm creatures and a talking dog named Frank (voice of Tim Blaney). Jay, meanwhile, has his head turned by Laura (Rosario Dawson), an attractive waitress who was an unwitting witness to an alien attack. Men in Black 2 also features Rip Torn, Tony Shalhoub, David Cross, Patrick Warburton, and Johnny Knoxville. ~ Mark Deming, Rovi

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Starring:
Tommy Lee JonesWill Smith, (more)
 
2001  
 
Add Band of Brothers [TV Series] to Queue Add Band of Brothers [TV Series] to top of Queue  
Executive produced by Steven Spielberg and Tom Hanks for HBO, Band of Brothers is a ten-part miniseries based on the book Band of Brothers: E Company, 506th Regiment, 101st Airborne From Normandy to Hitler's Eagle's Nest by Stephen E. Ambrose. The series dramatically re-creates the path of Easy Company, an elite paratrooper unit, from their basic training at Camp Toccoa in Georgia in 1942, to D-Day, to their critical involvement in the Battle of the Bulge, through their triumph at the close of the war. The unit was one of the best trained and most productive in American military history, but it also suffered immense casualties. The series is an ensemble piece, involving dozens of characters, and cast with relative unknowns. To the extent that there is a central character, it is Dick Winters (Damian Lewis), who went to Toccoa as a lieutenant and was promoted, over the course of the war, to battalion commander. Each episode includes brief excerpts from present-day interviews with some of the surviving members of the company. While the series is not a hagiography, Winters is depicted as a brave, resourceful, and humane leader. It's clear that the men revered him, and that he genuinely respected and cared about them. There are a few other members of the unit that make a strong impression. Sobel (David Schwimmer of Friends), their C.O. at Toccoa, is depicted as a petty tyrant whose men bond together in their hatred of him. Nixon (Ron Livingston of Office Space) is Winters' fellow officer and best friend, and an alcoholic. Carwood Lipton (Donnie Wahlberg) is a decent, hard-working man, and a tremendous soldier who earns a battlefield commission for his exemplary leadership. Bill Guarnere (Frank John Hughes) fears nothing, and is known for his wise-guy attitude and hot temper. The series dramatizes the courage and fortitude of many others, but it's clear that Winters sets the tone for his men, and plays a pivotal role in the unit's success. The project involved several screenwriters, including Graham Yost (Speed) and E. Max Frye (Something Wild). Eight different directors were called upon for the ten installments, including Hanks, David Frankel (Miami Rhapsody), Mikael Salomon (Hard Rain), and Phil Alden Robinson (Field of Dreams). Still, the tone and style of the series remains fairly consistent. While the story of Easy Company has been condensed and altered in some minor ways for dramatic purposes, and much of the dialogue was, by necessity, invented, the producers placed a strong emphasis on accurately depicting the conditions under which these men lived, fought, and died. Several survivors from the company consulted on the project, and an enormous amount of money was spent on sets, costumes, and special effects in order to re-create their experience. ~ Josh Ralske, Rovi

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Starring:
Damian LewisDonnie Wahlberg, (more)
 
2001  
 
Add ER: Season 08 to Queue Add ER: Season 08 to top of Queue  
Resolving the cliffhanger ending of season seven, season eight of the award-winning hospital drama ER surveys the damage done when the emergency room of Chicago County was besieged by a gun-wielding lunatic whose son Dr. Greene (Anthony Edwards) had put in foster care. In subsequent episodes, two new characters are introduced: medical student Michael Gallant (Sharif Atkins) and intern Dr. Gregory Pratt (Mekhi Phifer), two polar-opposite personalities whose only common bond is the fact that they are both African-Americans. Under normal circumstances, the season's most dramatic development might have been the return after a five-year absence of Dr. Susan Lewis (Sherry Stringfield), who finds herself re-upping with the ER even though that hadn't been her original intention (the fate of Susan's troublesome sister Chloe and Chloe's daughter, Suzy, would be explained in a "crossover" episode with another NBC series, Third Watch). However, too much happens this season for any one plot strand to predominate. For starters, Dr. Benton (Eriq La Salle) enters into a bitter custody battle over his son, Reese, with Roger (Vondie Curtis-Hall), the widow of Reese's late mother, who had previously been helping to raise the boy, during which Benton's paternity is called into question; this and other crises ultimately inspire Benton to leave the ER and go to work in a small clinic with his current girlfriend, Dr. Cleo Finch (Michael Michele) -- who, ironically, has become exposed to the HIV virus, just like Benton's former sweetheart Jeanie Boulet. Elsewhere, nurse Abby Lockhart (Maura Tierney) tries to mediate an argument between her neighbors, only to get beaten up for her trouble; though East European émigré Dr. Luka Kovac (Goran Visnjic) seizes upon this incident to appoint himself Abby's "protector," she is still sweet on Dr. John Carter (Noah Wyle). As for Carter, he is burdened with family problems brought about by his estranged parents -- especially his guilt-tripping mom. On a lighter note, a case of on-the-job political incorrectness gets several of the ER doctors "sentenced" to a weekend sensitivity-training session, which evolves into the series' own version of The Breakfast Club. In addition to the departing Eriq La Salle, season eight of ER marks the exit of Anthony Edwards as Dr. Mark Greene. After learning that his tumor has returned and is now truly inoperable, Greene slowly loses his faculties and wastes away, as his new wife, Elizabeth Corday (Alex Kingston), and daughter Rachel (Hallee Hirsh) stand by helplessly. Greene's final episode, largely told in flashback, is one of the series' most poignant moments. Curiously, however, the demise of Dr. Greene does not take place in the season finale; that particular episode is reserved for a cliffhanger situation involving a smallpox scare, a lockdown at the ER, and a riot -- not to mention a passionate kiss between two of the principal characters. ~ Hal Erickson, Rovi

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Starring:
Noah WyleAnthony Edwards, (more)
 
2001  
 
Add Price for Peace: From Pearl Harbor to Nagasaki to Queue Add Price for Peace: From Pearl Harbor to Nagasaki to top of Queue  
This riveting TV documentary was a joint effort between Hollywood superproducer Steven Spielberg, WWII historian Stephen E. Ambrose and director James Moll, the man responsible for the Oscar-winning Holocaust account Last Days. Concentrating on the final days of the War in the Pacific, from Iwo Jima to Hiroshima, Price for Peace offers reams of rare combat and mop-up footage (much of it in color), coupled with eyewitness interviews from both sides of the conflict. For every story provided by an American veteran of the war, there is an equally compelling story from a former member of the Japanese armed forces. Few of the battle and interview sequences have quite the emotional impact of those moments near the end of the film in which the former enemies tearfully embrace, offering mutual apologies, condolences and words of encouragement. Hosted by Tom Brokaw, Price for Peace made its first NBC network appearance on May 27, 2002. ~ Hal Erickson, Rovi

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Starring:
Tom Brokaw
 
2001  
PG13  
Add A.I.: Artificial Intelligence to Queue Add A.I.: Artificial Intelligence to top of Queue  
Based on the 1969 short story Super-Toys Last All Summer Long, by Brian Aldiss, this science fiction fantasy bears similarities to Pinocchio (1940) and originated as a long-gestating project of director Stanley Kubrick that passed to his friend Steven Spielberg after Kubrick's death. Haley Joel Osment stars as David, a "mecha" or robot of the future, when the polar ice caps have melted and submerged many coastal cities, causing worldwide starvation and human dependence upon robotic assistance. The first mecha designed to experience love, David is the "son" of Henry (Sam Robards), an employee of the company that built the boy, and the grief-stricken Monica (Frances O'Connor). David is meant to replace the couple's hopelessly comatose son, but when their natural child recovers, David is abandoned and sets out to become "a real boy" worthy of his mother's affection. Along the way, David is mentored by a pleasure-providing mecha named Gigolo Joe (Jude Law) and a talking "super toy" bear named Teddy. His adventures take him to the Roman Circus-style "Flesh Fair," where mechas are destroyed for the amusement of humans; Rouge City, where Gigolo Joe narrowly avoids capture by police; and finally a submerged New York City, where David's creator, Professor Hobby (William Hurt) reveals the secrets of the boy's creation. Brendan Gleeson and narrator Ben Kingsley co-star in A.I., which was adapted from Kubrick's treatment by Spielberg, in his first crack at screenwriting since Close Encounters of the Third Kind (1977). ~ Karl Williams, Rovi

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Starring:
Haley Joel OsmentJude Law, (more)
 
2001  
PG13  
Add Jurassic Park III to Queue Add Jurassic Park III to top of Queue  
Director Joe Johnston takes over the creative reins from Steven Spielberg for this third installment in the thriller franchise. Sam Neill returns as Dr. Alan Grant, a scientist who's tricked by wealthy couple Paul and Amanda Kirby (William H. Macy and Tea Leoni) into a fly-over of Isla Sorna. The object of their sightseeing tour is one of the Costa Rican islands populated by ferocious, genetically bred dinosaurs and the "site B" setting of Jurassic Park 2: The Lost World (1997). After their plane crash-lands, it's revealed that the Kirbys are actually seeking their teenage son, lost on the island after a paragliding accident. Trapped on Isla Sorna, Grant and his companions discover some painful truths the hard way. Among their discoveries: some of the scaly monsters possess more advanced communicative abilities than previously believed, the dreaded Tyrannosaurus Rex has a larger and more lethal competitor, and flying Pteranodons pose an even graver threat than some of their land-locked brethren. Jurassic Park III is the first in the series not to be based upon a novel by original author Michael Crichton. ~ Karl Williams, Rovi

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Starring:
Sam NeillWilliam H. Macy, (more)
 
2001  
 
Add Stanley Kubrick: A Life in Pictures to Queue Add Stanley Kubrick: A Life in Pictures to top of Queue  
Stanley Kubrick was one of the most acclaimed and controversial filmmakers of his generation, but he was also an intensely private man who rarely gave interviews and produced most of his films under a shroud of secrecy, which tended to foster a great deal of rumor and speculation about his working methods. Jan Harlan, who worked as Kubrick's assistant and executive producer on several projects (and was also his brother-in-law), directed this documentary, which offers a rare in-depth look into Kubrick's career as a filmmaker, structured around interviews with a number of actors, writers, technicians, composers, friends, and family who speak on the record about his relentless perfectionism, his creative vision, his life both on and off the set, his relationships with actors, his unrealized projects, and his importance and influence as an artist. Among those who share their thoughts in Stanley Kubrick -- A Life In Pictures are actors Jack Nicholson, Tom Cruise, Nicole Kidman, Malcolm McDowell, Peter Ustinov, and Keir Dullea; writers Arthur C. Clarke and Michael Herr; special effects artist Douglas Trumbull; composers Wendy Carlos and Gyorgy Ligeti; filmmakers Woody Allen, Martin Scorsese, Steven Spielberg, Paul Mazursky, and Sydney Pollack; and Kubrick's spouse Christiane Kubrick. Stanley Kubrick -- A Life In Pictures was originally produced as a television project, to be aired in three parts, though the project was shown in its entirety at the 2001 Berlin Film Festival. ~ Mark Deming, Rovi

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Starring:
Woody AllenMartin Scorsese, (more)
 
2000  
 
Add Chuck Jones: Extremes and Inbetweens - A Life in Animation to Queue Add Chuck Jones: Extremes and Inbetweens - A Life in Animation to top of Queue  
Chuck Jones: Extremes and Inbetweens - A Life in Animation was originally telecast as a PBS "Great Performances" episode on November 22, 2000. Warner Bros. animator Charles Martin "Chuck" Jones created many cartoon characters, including Pepe Le Pew, Wile E. Coyote, and the Road Runner. A key member of the team that developed Daffy Duck and Porky Pig, Jones also directed more than 50 Bugs Bunny cartoons. In her paean to Jones, writer-producer-director Margaret Selby features a running interview with the 88-year-old Jones, as well as interviews with famous fans, including Hollywood luminaries Whoopi Goldberg, The Simpsons creator Matt Groening, Ron Howard, Toy Story director John Lasseter, Steven Spielberg, and Robin Williams. Highlights include clips from such classic Jones cartoons including Rabbit of Seville, What's Opera, Doc?, One Froggy Evening, Duck Amuck, the original television version of How the Grinch Stole Christmas, and Academy Award-winner The Dot and the Line. ~ Steve Blackburn, Rovi

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Starring:
Chuck JonesLeonard Maltin, (more)
 
2000  
 
Add ER: Season 07 to Queue Add ER: Season 07 to top of Queue  
Curiously, there were no major cast defections during the seventh season of the award-winning hospital drama ER. However, two new characters make their first appearances this season: psychiatrist Dr. Kim Legaspi (Elizabeth Mitchell), who coerces ER chief Kerry Weaver (Laura Innes) to admit that she is a lesbian; and 19-year-old pediatrics intern Rena Trujillo (Lourdes Benedicto), who latches onto Dr. John Carter (Noah Wyle) -- who in turn is trying to wean himself from a dangerous dependency on drugs and booze, brought about by a double tragedy in the previous season. The season's predominant plotline involves Dr. Mark Greene (Anthony Edwards), whose romance with Dr. Elizabeth Corday (Alex Kingston) results in a baby and a marriage -- and who, in a more disturbing development, is diagnosed with a brain tumor. Another subplot concerns the ongoing feud between doctors Romano (Paul McCrane) and Peter Benton (Eriq La Salle), culminating in Benton being fired from the ER and blacklisted throughout the Chicago medical world; though he is eventually reinstated, Benton is saddled with additional problems vis-à-vis his gangbanger nephew Jesse (Andrew McFarlane) and Jesse's girlfriend, Kynesha (Toy Connor). Also, OB nurse Abby Lockhart (Maura Tierney) finds herself strapped for cash in her efforts to enter medical school, and is drawn to Carter -- though their budding relationship is sorely strained when she becomes his AA sponsor. Meanwhile, East European émigré Dr. Luka Kovac (Goran Visnjic) continues to suffers flashbacks to past tragedies in his war-torn homeland. Among the season's notable guest stars as Sally Field, in an Emmy-winning turn as Abby's bipolar mother, and John Cromwell as a dying Catholic bishop who tries to reawaken the embittered Kovac's faith in God. The unforgettable season seven finale finds the ER under siege by the homicidally vengeful father of a child whom Greene had removed to foster care. ~ Hal Erickson, Rovi

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Starring:
Noah WyleAnthony Edwards, (more)
 
2000  
 
Add Shooting War to Queue Add Shooting War to top of Queue  
Actor Tom Hanks and producer-director Steven Spielberg, previously teamed for the epic WWII film Saving Private Ryan, again join forces for this two-hour ABC TV documentary celebrating the bravery and accomplishments of wartime combat photographers. Among those interviewed are Hollywood directors Richard Brooks and Russ Meyer, both of whom put in hard time filming the activities of American fighting men in Europe and the Pacific. Much of the footage shown herein -- the storming of Normandy beach on D-Day, the stomach-turning charnel of the Nazi death camps, the aerial shots of the first atomic bomb explosion over Hiroshima -- is familiar, but compelling nonetheless. Hanks serves as narrator for most of the program, while historian Stephen Ambrose takes over for the final sequences. Written by film critic Richard Schickel, Shooting War originally (and significantly) aired on December 7, 2000. ~ Hal Erickson, Rovi

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1999  
 
Add ER: Season 06 to Queue Add ER: Season 06 to top of Queue  
The impossibly obstreperous Dr. Robert Romano (Paul McCrane) matriculates from recurring to regular character as the Chicago-based hospital drama ER enters its sixth season. Other incoming cast members include Maura Tierney as OB nurse Abby Lockhart, who is introduced when she delivers the twin babies of Nurse Carol Hathaway (Julianna Margulies); Goran Visnjic as troubled Eastern European émigré and war veteran Dr. Luka Kovac, Erik Palladino as zany Dr. Dave Malucci; and, back after a lengthy absence, Ming-Na as former intern and now full doctor Jing-Mei "Deb" Chen, who in her med-student days had been a formidable competitor to Dr. John Carter (Noah Wyle). Conversely, a number of familiar characters make their exits this season, most notably George Clooney as maverick Dr. Douglas Ross and Julianna Margulies as long-suffering Nurse Carol Hathaway; the season's penultimate episode, detailing with the ultimate fates of Ross and Carol, is among the series' most famous sequences -- and one which was surprisingly kept secret until the very night of the telecast. Additional "defectors" include Gloria Reuben as HIV-positive Jeanie Boulet, who has gotten over her earlier romance with prickly Dr. Peter Benton (Eriq La Salle) and has wed police officer Reggie Moore (Cress Williams); and Kellie Martin as med student Lucy Knight, who is stabbed to death by a deranged patient, an attack that also seriously imperils the life of Lucy's erstwhile lover Carter -- who even upon recovery endangers himself by turning to drugs. Season five plot developments include Romano's ascension to chief of staff, a promotion given as part of a deal whereby Dr. Kerry Weaver (Laura Innes) would be appointed ER chief; Romano's subsequent and surprising appointment of his verbal sparring partner Dr. Elizabeth Corday (Alex Kingston) as his assistant; Corday's blossoming romance with her colleague Dr. Mark Greene (Anthony Edwards), and the reciprocal love affair between Corday's mom and Greene's dad (who dies later in the season); Benton's affair with Dr. Cleo Finch (Michael Michele), counterpointed by his incessant squabbling with his sister Jackie (Khandi Alexander); and guest star Alan Alda, who in a poignant story arc plays a celebrated surgeon in the first stage of Alzheimer's. The traditional season-ending cliffhanger finds Carter facing a crucial decision: seek out treatment for his ever-growing drug dependency or destroy whatever career he has left. ~ Hal Erickson, Rovi

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Starring:
Noah WyleAnthony Edwards, (more)