Samuel Spewack Movies
Born in the Ukraine, but raised in the U.S., Samuel Spewack first worked as a journalist for the New York World. In the late '20s, he and his wife, Bella, co-wrote the scripts for a number of slapstick comedies for both stage and screen. During WWII, Spewack created the documentary The World at War (1942) for the Office of War Information. Later he worked as information officer at the Moscow branch of the U.S. embassy. ~ Sandra Brennan, All Movie Guide
One of the biggest hits of the 1948-1949 Broadway season, the classic Cole Porter musical Kiss Me, Kate was triumphantly revived in 2000, running over 881 performances in New York and winning a Tony Award in the process. This faithful-to-its-source TV production of the "new" Kiss Me, Kate was taped during several live performances at London's Victoria Palace. The story concerns the efforts by an egocentric but likable actor, Fred Graham (Brent Barrett), to stage a musical version of William Shakespeare's The Taming of the Shrew. Hoping to boost the show's box-office value, Graham has cast his temperamental ex-wife, film star Lilli Vanessi (Rachel York), in the role of the shrewish Katharine. As the production unfolds during a tryout in Baltimore, Fred and Lilli discover that they can't live with each other and can't live without each other -- just like Petruchio and Kate in Taming of the Shrew. Other ingredients in this heady blend of modern showbiz savvy and classic Elizabethan theater are the play's second leads, chronic gambler Bill Calhoun (Michael Berresse); the incurably flirtatious Lois Lane (Nancy Anderson); Lilli's current fiancé, the pompous Harrison Howell (Nicolas Colicos), a boring Republican millionaire in the original play, here rewritten as a lampoon of General Douglas MacArthur; and a brace of Runyonesque gangsters (Jack Chissick, Teddy Kempner) who refuse to leave the theater until they can collect a 75,000-dollar gambling debt. All of the great Cole Porter songs are performed intact and con brio: "Another Opening, Another Show," "So in Love," "Faithful in My Fashion," "I Hate Men," "Tom, Dick and Harry," "Too Darn Hot," "Brush Up Your Shakespeare" "Why Can't You Behave?" and so on. As a bonus, Porter's "From This Moment On," not written for the 1948 theatrical version of Kiss Me, Kate, but performed in the 1954 movie version, is herein revived to give poor old Harrison Howell something to do besides get laughs. Michael Blakemore, who adapted and staged the 2000 revival, also oversees this irresistible TV version, which first aired in the U.S. courtesy of PBS. ~ Hal Erickson, All Movie Guide
- Starring:
- Brent Barrett, Rachel York, (more)
A man makes the highly unexpected discovery that he has two wives in this romantic comedy. Widower Nick Arden (James Garner) has just set off on his honeymoon with his new wife Bianca (Polly Bergen) when his mother Grace (Thelma Ritter) receives a very unexpected guest -- Nick's late wife Ellen (Doris Day). While Ellen was proclaimed legally dead five years after her plane disappeared in a flight over the Pacific Ocean, in truth her flight crash-landed on a desert island where she was stranded with Stephen Burkett (Chuck Connors) and only now has managed to return to civilization. When Grace informs Ellen that Nick has just left town with his new wife, Ellen heads out to the resort where the newlyweds are staying, and comic confusion ensues. Move Over, Darling began life as a project called Something's Got to Give, which was the film that Marilyn Monroe was working on at the time of her death; besides Monroe, the original cast included Dean Martin, Cyd Charisse, and Phil Silvers. ~ Mark Deming, All Movie Guide
- Starring:
- Doris Day, James Garner, (more)
Cole Porter's Kiss Me Kate is a musical within a musical -- altogether appropriate, since its source material, Shakespeare's The Taming of the Shrew, was a play within a play. Howard Keel and Kathryn Grayson star as famous Broadway singing team who haven't worked together since their acrimonious divorce. Keel, collaborating with Cole Porter (played by Ron Randell), plans to star in a musical version of The Taming of the Shrew titled "Kiss Me Kate." Both he and Porter agree that only one actress should play the tempestuous Katherine, and that's Grayson. But she isn't buying, especially after discovering that Keel's latest paramour, Ann Miller, is going to be playing Bianca. Besides, Grayson is about to retire from showbiz to marry the "Ralph Bellamy character," played not by Bellamy, but by Willard Parker. A couple of gangsters (James Whitmore and Keenan Wynn) arrive on the scene, convinced Keel is heavily in debt to their boss; actually, a young hoofer in the chorus (Tommy Rall) owes the money, but signed Keel's name to an IOU. But since Grayson is having second thoughts about going on-stage, Keel plays along with the hoods, who force Grayson at gunpoint to co-star with her ex-husband so that they'll get paid off. Later the roles are reversed, and the gangsters are themselves finagled into appearing on-stage, Elizabethan costumes and all, though that scene is less of a comic success. This aside, Kiss Me Kate is a well-appointed (if bowdlerized) film adaptation of the Porter musical. Virtually all of the play's songs are retained for the screen version, notably "So in Love," "Wunderbar," "Faithful in My Fashion," "Too Darn Hot," "Why Can't You Behave?," "Brush Up Your Shakespeare" (a delightful duet delivered delightfully by Keenan Wynn and James Whitmore), and the title song. Additionally, Porter lifted a song from another play, Out of This World, and incorporated it in the movie version of Kiss Me Kate; as a result, "From This Moment On" has been included in all subsequent stagings of Kate. This MGM musical has the distinction of being filmed in 3-D, which is why Howard Keel and Kathryn Grayson throw so many chairs, dishes, and pieces of fruit at the camera in their domestic battle scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Kathryn Grayson, Howard Keel, (more)
- 1945
Weekend at the Waldorf is an unabashed remake of MGM's 1932 Oscar-winner Grand Hotel: in fact, at several points in the story, the cast makes pointed references to the earlier film. The posh Waldorf Hotel in the heart of New York is the setting for several plots and subplots. Ginger Rogers plays the Garbo counterpart, a successful but severely depressed movie star who wants to be alone. Walter Pigeon steps into John Barrymore's role, sort of; whereas Barrymore was a thief posing as nobility, Pigeon is a war correspondent posing as a thief. Hotel stenographer Lana Turner (originally Joan Crawford) latches onto tycoon Edward Arnold (originally Wallace Beery) in hopes of a life of luxury. And, in the film's biggest adaptation stretch, Van Johnson is cast as a war hero who, about to undergo life-threatening surgery, wants to thoroughly enjoy what may be his last days on earth. It takes a while to figure this out, but Johnson is supposed to be the character played in Grand Hotel by Lionel Barrymore: the meek clerk who, upon discovering that he's dying, blows his life savings on one last fling. On the whole, Weekend at the Waldorf is a lot more light-hearted than Grand Hotel, as indicated by the expository character played by humorist Robert Benchley, not to mention the presence of Xavier Cugat as the Waldorf's orchestra leader. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Lana Turner, (more)
Screenwriter Sam Spewack was the guiding force behind this 66-minute U.S. Government documentary. Unlike other films of its ilk, The World at War does not explore the causes of WWII; rather, it concentrates on a recitation of places, dates and events, with emphasis on pre-Pearl Harbor American isolationism. There is the suggestion that Japan was largely responsible for the present world conflict, hardly the case but an understandable assumption in the wake of the sneak attack on December 7, 1941. The Nazis and Italian fascists are also raked over the coals via newsreel clips of the invasions of Ethiopia, Austria, Munich, Czechoslovakia and the rest. The World at War was narrated by Paul Stewart, a graduate of Orson Welles' Mercury Theatre. ~ Hal Erickson, All Movie Guide
Leo McCarey was supposed to both produce and direct My Favorite Wife, but an illness forced him to relinquish the director's chair to Garson Kanin, who did a splendid job. This hilarious retread of the old "Enoch Arden" legend stars Irene Dunne as Ellen, who returns home to her husband Nick (Cary Grant) and children Tim (Ann Shoemaker) and Chinch (Mary Lou Harrington) after being marooned on a desert island for seven years. Thing of it is, Ellen has been declared legally dead, and Nick has taken unto himself a second wife, the bitchy Bianca (Gail Patrick). Upon discovering that Ellen is still alive, Nick is on the verge of a tender reunion-until it discovers that she spent those seven lost years in the company of handsome Mr. Barkett (Randolph Scott). The superb supporting cast includes Granville Bates as a flummoxed judge, Chester Clute as a meek shoe salesman whom Ellen tries to pass off as Barkett, and Donald MacBride as a beetle-browed honeymoon-hotel clerk. My Favorite Wife was remade in 1963 as Move Over Darling, in which Irene Dunne and Cary Grant were replaced by Doris Day and James Garner. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Cary Grant, (more)
- 1938
A sleazy lawyer gains clients by showing up at terrible accidents. His boss is determined to stop him so he hires a pretty girl to cozy up and coerce the truth out of the ambulance-chaser. Unfortunately, the boss doesn't count on the romance factor and sure enough, love blossoms between the girl and the shyster. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dennis O'Keefe, Ann Morriss, (more)
- 1938
Once a staple of summer stock and community theatres, Bella and Samuel Spewack's Broadway farce Boy Meets Girl dates rather badly when seen today. The 1938 movie version is also a bit mildewed, though it is saved by the dynamo-like energy of James Cagney and Pat O'Brien. The stars are cast as Robert Law and J.C. Benson, a pair of iconoclastic Hollywood screenwriters based upon Ben Hecht and Charlie McArthur. Cynically declaring that every film can be boiled down to "Boy meets girl, boy loses girl, boy gets girl", Law and Benson drive their studio-executive bosses crazy with their zany irreverence. Their pet target is bigwig C. Elliot Friday (Ralph Bellamy), a delicious take-off of 20th Century-Fox prexy Darryl F. Zanuck. Friday orders the boys to concoct a screenplay for cowboy star Larry Toms (Dick Foran), whose popularity is on the wane. Upon making the acquaintance of pregnant, unmaried waitress Susie (Marie Wilson), Law and Benson hit upon a brilliant scheme: they'll transform Susie's baby into a child star and team the kid with Toms in his latest epic ("based on an original story by William Shakespeare"). Complication piles upon complication, reaching a high point of hilarity when the baby gives Larry Toms the measles. Ronald Reagan appears briefly as a radio announcer covering the Hollywood premiere of Law and Bensen's newest masterpiece. Boy Meets Girl was originally conceived as a Marion Davies vehicle, with the comedy team of Olsen & Johnson playing the screenwriters, but things changed radically (and for the better) when Davies' sponsor William Randolph Hearst huffily pulled his Cosmopolitan Pictures unit off the Warner Bros. lot. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Pat O'Brien, (more)
- 1938
Nancy, a jilted bride-to-be, is played by Janet Gaynor in one of her last starring films. The three loves are novelist Robert Montgomery, publisher Franchot Tone, and gormless nebbish Grady Sutton (Sonny TUFTS??). In New York to find her runaway groom Sutton, Janet runs across Montgomery and Tone. More selective since her unfortunate near-wedding, Gaynor decides to have the two swains demonstrate their worthiness, leading to a brief (and chaste) menage-a-trois in which all three are under the same roof. Three Loves Has Nancy is a sedate screwball comedy, carried completely by the charm of its stars. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Robert Montgomery, (more)
An early Technicolor musical that concentrates on the fashions of the late 1930s, this film was reissued under the title All This and Glamour Too. The top models of the era, including several who are advertising household products, are in the cast. The plot centers around a chic boutique, whose owner, George Curson (Warner Baxter), tries hard to please his customers while keeping peace with his unhappy wife. A wealthy young woman, Wendy Van Klettering (Joan Bennett), decides to take a job as a model at the fashion house, just to amuse herself, but her presence annoys Curson, who must put together the best possible show to compete with rival fashion houses at the Seven Arts Ball. The film includes several hit songs, including the Oscar-nominated "That Old Feeling" by Sammy Fain and Lew Brown. ~ Michael Betzold, All Movie Guide
- Starring:
- Warner Baxter, Joan Bennett, (more)
- 1935
This espionage thriller with romantic comedy touches was loosely based on the book American Black Chamber by the real-life head of the U.S. Secret Service during World War I, Herbert O. Yardley. Bill Gordon (William Powell) is a newspaper puzzle editor who becomes a lieutenant in 1917 when he enlists to fight in the First World War. Before shipping out, Bill meets and becomes attracted to Joel Carter (Rosalind Russell), the niece of John Carter (Samuel Hinds), the Assistant Secretary of War. When Joel learns about Bill's former occupation, she arranges for his transfer to the War Department, where he is put to work code breaking for Major Brennan (Lionel Atwill). When Brennan is murdered as the result of a German-Russian spy ring's machinations, Bill investigates the spies and a comely secret agent (Bonnie Barnes), which jeopardizes his newfound romance with Joel. Russell received the role because MGM's first choice, Myrna Loy, was refusing to work for the studio at the time. ~ Karl Williams, All Movie Guide
- Starring:
- William Powell, Rosalind Russell, (more)
- 1934
Carole Lombard's only MGM film, The Gay Bride has been cited by some as a precursor to 1988's Married to the Mob -- only without the laughs. Adapted by the usually reliable Samuel and Bella Spewack from Charles Francis Coe's magazine story Repeal, the film charts the misadventures of gold-digging chorine Mary (Lombard), who marries powerful bootlegger Shoots Magis (Nat Pendleton) so that she can live in the lap of luxury -- only to suffer a major disappointment when Prohibition is repealed. After a few amusing episodes with the deadly but basically likeable Magis, he's unexpectedly bumped off by gangster Dingle (Sam Hardy). Mary takes this in stride and moves in on Dingle, whereupon he's killed by mob boss Mickey (Leo Carrillo) -- so guess whom Mary snuggles up to next. Handsome "Office Boy" (Chester Morris), Magis' former chauffeur/bodyguard, continues carrying a torch for Mary throughout the picture, undoubtedly hoping that all of his rivals will eventually kill each other off. Wavering uncertainly between screwball comedy and gangster melodrama, The Gay Bride was met with indifference by the public -- and by its studio, which virtually threw the picture away. In later years, Carole Lombard tagged the film as her worst; it's not that by any means, but it's a far distance from her best. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Chester Morris, (more)
- 1934
Based on the stage musical by Jerome Kern and Otto Harbach, The Cat and the Fiddle stars Jeanette MacDonald as a music student and Ramon Novarro as a struggling composer. When the leading lady walks out of Victor's (Novarro) upcoming operetta, the star's husband pulls his financial support. The leading man ankles the production shortly thereafter, compelling Victor to play the role himself. All this scenario needs is fair Shirley (MacDonald) as the last minute-replacement for the missing leading lady -- but Shirley has given up music to marry philandering (but wealthy) Daudet (Frank Morgan). The fact that the film's final scene was lensed in Technicolor should indicate whether or not Shirley comes to Victor's rescue. Only one song from the original stage production of The Cat and the Fiddle was used in the film version; the remaining (and forgettable) tunes were penned by Kern and Harbach exclusively for the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanette MacDonald, Frank Morgan, (more)
- 1933
Based on a story by Bela and Samuel Spewack, Solitaire Man stars Herbert Marshall as Oliver Lane, a "diamond expert" (read: master jewel thief). During a plane flight across the English channel, Lane becomes aware that practically every member of his gang plans to double-cross him -- not that the crooks trust one another any more than they trust their boss. Even detective Wallace (Lionel Atwill), assigned to keep tabs on Lane, turns out to be a double-crossing scoundrel. Under the circumstances, Lane becomes the film's hero by default. Practically the only person worth caring about in the story is heroine Helen (Elizabeth Allen) -- and one has one's doubts about her. ~ Hal Erickson, All Movie Guide
- Starring:
- Herbert Marshall, May Robson, (more)
- 1933
In this comedy, an oily tongued sleazy lawyer, who specializes in injuries, makes sure all of clients, regardless of the size of their injuries, make it big in court. He is assisted by a thoroughly convincing doctor who can make the smallest bruise look like life-threatening internal bleeding. The lawyer is so successful, that one of the companies he constantly sues attempts to get him disbarred. To prove that he's a shyster, the company hires a pretty woman to seduce the truth out him. Unfortunately, they end up falling in love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lee Tracy, Madge Evans, (more)
- 1933
A splashy journalist finds herself embroiled in international intrigue when she hooks up with a sneaky Russian correspondent who curries favor by saving a Secret Police official. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lee Tracy, Benita Hume, (more)
- 1933
In this war comedy, the reluctant hero finds himself drafted and forced to fight the Germans whom he feels he has nothing against. He spends as much time as possible working in the kitchen and loving the commander's wife on the sly. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lee Tracy, Donald Cook, (more)
- 1933
In this romantic comedy, a middle-aged woman married to a much older man begins a harmless flirtation with an artistically inclined gigolo after she mistakes him for her long-lost lover. Unfortunately, the opportunist really loves the woman's daughter. He is also smitten with another woman. Romantic mayhem ensues when the artist's true identity is revealed. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lionel Barrymore, Alice Brady, (more)
- 1931
Rita La Roy has good reasons to hate her philandering husband, Hooper Atchley, in this low-budget but sumptuous-looking art deco mystery directed by comedy specialist Thornton Freeland. The cool and calculated Miss La Roy isn't the only person with a grudge against the nasty Atchley, however; in fact, quite a few people come under suspicion when the philanderer is found dying from a bullet wound in his penthouse apartment. Just before he expires, Atchley manages to gasp, "Casey," referring perhaps to Arthur Jones (William Collier Jr.), whose sister (June Clyde) was one of the evil man's latest victims. In the middle of the investigation, the murder scene is plunged into darkness, a shot is fired, and when the electricity returns, yet another victim is found, with the late Mr. Atchley's pet monkey -- the secret witness -- clutching a still smoking gun. Police Captain McGowan (Purnell Pratt) is at first dumbfounded, but with the help of dizzy neighbor Una Merkel, the identity of the murderer is finally revealed. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Una Merkel, William Collier, Jr., (more)
