Barry Sonnenfeld Movies
Known for both his multifaceted career and his habit of channeling drama into comedy, Barry Sonnenfeld has been working steadily since the mid-'80s as a director, cinematographer, producer, and, from time to time, as an actor. At his best he has given audiences such sharp, witty, and deftly directed films as Get Shorty (1995) and The Addams Family (1991); at his worst, he has been responsible for unequivocal stinkbombs like For Love or Money (1993) and Wild Wild West (1999).A native of New York, where he was born April 1, 1953, Sonnenfeld spent many of his high school days going to the movies instead of class. His principle interest was in photography, which he learned the basics of as a darkroom lab technician at New York University. While at N.Y.U., he made the acquaintance of two fellow students, Joel and Ethan Coen. Sonnenfeld, who had been earning extra cash as a cameraman on low-budget films, including pornographic ones, began collaborating with the Coen brothers on their first film, Blood Simple (1984), as a cinematographer. He continued to work with them in this capacity on two of their subsequent films, Raising Arizona (1987) and Miller's Crossing (1990).
Sonnenfeld also lent his cinematographic talents to such films as Throw Momma From the Train (1987), Big (1988), When Harry Met Sally (1989), and Misery (1990), before making his directorial debut with The Addams Family in 1990. An amiably twisted family comedy starring Anjelica Huston and Raul Julia, the film was a big hit, and Sonnenfeld duly turned out a sequel, Addams Family Values, three years later. It was for Get Shorty (1995), however, that he received his greatest praise to date; a cool, neatly packaged adaptation of Elmore Leonard's novel, it was hailed as one of the best films of the year, and played no small part in resurrecting the once-flagging career of John Travolta, who starred as Chili Palmer, a loan collector for the mob mixed up in bad business in Hollywood. Men in Black (1997), Sonnenfeld's next directorial outing, proved to be a critical mixed bag, although the box-office receipts for the comedy about two government agents (Will Smith and Tommy Lee Jones) doing battle with aliens were lucrative enough to mitigate the slings and arrows of disgruntled critics. The following year, Sonnenfeld once again earned a share of critical approval as the executive producer of Steven Soderbergh's Out of Sight, another stylishly satisfying Elmore Leonard adaptation starring George Clooney and Jennifer Lopez. Unfortunately, Sonnenfeld's next stint as a director was Wild Wild West, a Western starring Will Smith and Kevin Kline that headed into the deep, deep South at the box office and the realm of critical opinion. After taking a breather for a couple of years, Sonnenfeld returned to theaters in 2002 with two more comedies, Big Trouble and Men in Black 2. The former, a Get Shorty-like ensemble comedy involving a botched terrorist plot, was delayed for six months after the September 11th tragedies and failed to make an impression at the box office upon release. ~ Rebecca Flint Marx, All Movie Guide
Adapted from a Stephen King novel, Rob Reiner's Misery cast James Caan as a writer at a career crossroads. The film opens with Paul Sheldon (Caan) completing work on his latest novel, a break from his popular series of novels featuring the character Misery Chastain. He gets into a severe car accident and is saved by Annie Wilkes (Kathy Bates), a reclusive woman who nurses him back to health. Annie is a huge fan of the Misery novels, and she finishes reading the new one while Paul is convalescing. She becomes enraged when she discovers that Paul has killed off Misery. Annie injures Paul's foot severely so that he is unable to leave her house, and forces him to write a new Misery novel. A local sheriff (Richard Farnsworth) and Paul's agent (Lauren Bacall) both attempt to track down what happened to the missing author. Misery shot the relatively unknown Kathy Bates to stardom, winning her one of the few Best Actress Oscars ever bestowed for portraying an evil character. ~ Perry Seibert, All Movie Guide
- Starring:
- James Caan, Kathy Bates, (more)
Rob Reiner's romantic comedy When Harry Met Sally stars Billy Crystal and Meg Ryan as the title pair. The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives, eventually deciding it is impossible for men and women to be "just friends." They arrive in New York and go their separate ways. They meet a few years later on an airplane and Harry reveals he is married. They meet again at a bookstore a few years after that where Harry reveals he is now divorced. From that point on, the two form a friendship. Eventually their closeness results in their respective best friends (played by Carrie Fisher and Bruno Kirby) meeting and falling in love with each other. At a New Year's Eve party Harry and Sally confront the complex tangle of emotions they feel for each other. The soundtrack consists primarily of Harry Connick Jr. crooning standards like "It Had to Be You." ~ Perry Seibert, All Movie Guide
- Starring:
- Billy Crystal, Meg Ryan, (more)
More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Hanks, Elizabeth Perkins, (more)
The "exchange murders" plot gambit, played with utter solemnity in Hitchcock's Strangers on a Train, is used as the launching pad for raucous laughter in Throw Momma From the Train. Director/star Danny DeVito plays Owen Lift, a middle-aged bachelor, totally dominated by his gorgon mother, played with hilarious ferocity by Anne Ramsey. Billy Crystal co-stars as Larry Donner, a creative-writing professor, saddled with a vituperative, thoroughly despicable ex-wife, Margaret (Kate Mulgrew). Signing up for Larry's writing course, Owen has trouble at first with character development and construction in his stories. Larry recommends that Owen watch a screening of Strangers on a Train, which he considered a model of tight, concise storytelling. Owen is so entranced by the film that he decides to emulate Strangers star Robert Walker. That is, Owen wants Larry to bump off his mother, in exchange for Owen's murder of Margaret. Without being asked, Owen does away with Margaret (or so it seems), then hounds Larry to the point of killing "Momma." This being a comedy, the actual consequences of the swap-murder plot aren't nearly as calamitous as in the Hitchcock film. Cinematographer Barry Sonnenfeld would apply the "black humor" lessons learned in Throw Momma From the Train for his own directorial debut, The Addams Family (1991). ~ Hal Erickson, All Movie Guide
- Starring:
- Danny DeVito, Billy Crystal, (more)
The first feature film from director Phil Joanou (State of Grace), Three O' Clock High chronicles a high school nerd's much hyped after-school bout with the infamous class bully. When the impish Jerry Mitchell (Casey Siemaszko) is assigned to interview the new transfer student with a supposedly violent past, Buddy Revell (Richard Tyson), he makes the fatal mistake of touching his subject. Revell, who hates being touched, responds by challenging the unwilling Mitchell to a fight at three o'clock in the parking lot. Spanning the course of the school day, the film follows the disaster-bound Mitchell as he soils his good-boy image through various misguided attempts at averting the fight. Also making noteworthy appearances in the film are Jeffrey Tambor and Philip Baker Hall. ~ Rachel Deahl, All Movie Guide
- Starring:
- Casey Siemaszko, Anne Ryan, (more)
Combining influences from Tex Avery cartoons to Sam Raimi horror movies to 1940s B-movies, Joel Coen and Ethan Coen followed up the stylish film noir of their debut, Blood Simple (1984), with this frantic screwball comedy. H.I. "Hi" McDonnough (Nicholas Cage) is a philosophical but slightly dim career criminal who has been arrested so often that he gets to know "Ed," short for Edwina (Holly Hunter), the officer who takes his mug shots. Hi takes a shine to Ed and promises to go straight if she marries him. She accepts, and they move to the Arizona desert, where Hi holds down a factory job and blissfully watches the sunsets with Ed. Their serenity is shattered when the couple decides that they want a child and discover that, as Hi puts it, "Ed's womb was a rocky place where my seed could find no purchase." (One of the film's many delights is Hi's unexpectedly flowery dime-novel narration.) Ed goes into a severe depression until she sees an item in the news. Nathan Arizona (Trey Wilson), owner of a chain of unpainted furniture stores, has become the father of quintuplets, and he and his wife joke that they now have more children than they know what to do with. In what seems like a perfect "helps you, helps me" situation, Hi and Ed kidnap one of the Arizona infants, figuring that they'll have a baby and the Arizonas will have less of a burden. ~ Mark Deming, All Movie Guide
- Starring:
- Nicolas Cage, Holly Hunter, (more)
- 1986
To spice up their tepid social lives three ad execs from Manhattan place ads in the personals column of a local magazine. ~ Sandra Brennan, All Movie Guide
- 1985
Based on William Bayer's novel Switch, the made-for-TV Doubletake introduced Richard Crenna to his oft-played role of detective Frank Janek. As always, Janek is assigned to a particularly gruesome and profoundly puzzling murder case. A prim lady schoolteacher and a hooker are both killed on the same evening; their bodies are decapitated, and their heads are switched! The first installment of this two-part movie details the early stages of the investigation, as well as the growing relationship between Janek and photographer Caroline Wallace (Beverly D'Angelo), the daughter of a cop who'd died in a mob hit. Part two reveals the "dark side" of the case, exposing corruption in the highest police circles and implicating someone very close to Janek in the double murder. Doubletake was originally telecast on November 24 and 26, 1985, and has since been reissued as a single three-hour film. ~ Hal Erickson, All Movie Guide
- 1985
- R
Director Frank Perry brings Susan Issacs' comedic whodunit novel to the screen with Susan Sarandon as a Long Island housewife who tries to escape her deadening suburban life by trying to solve the murder of a philandering local dentist. The dentist, Bruce Fleckstein (Joe Mantegna), is the kind of swinging ladies' man who wears gold chains and jazzy clothing. He also arranges to meet his lonely housewife patients in hotel rooms for afternoon quickies. When he is found murdered in his office, the suspects are as numerous as the names in the Nyack telephone directory, especially since Fleckstein had the habit of taking incriminating Polaroid snapshots during his one-on-one sessions. Judith Singer (Sarandon) is an ex-Newsday reporter and bored wife of Bob Singer (Edward Herrmann), a stuffy business executive, and she was one of the last people to see Fleckstein alive. Considered a suspect by police detective David Suarez (Raul Julia), she determines to solve the case herself, interviewing suspects and searching for evidence. If she solves the crime, Judith hopes to write an article about it and get her old job back at the newspaper. ~ Paul Brenner, All Movie Guide
- Starring:
- Susan Sarandon, Raul Julia, (more)
In the first film of brothers Joel Coen and Ethan Coen, M. Emmett Walsh plays Visser, an unscrupulous private eye hired by Texas bar owner Marty (Dan Hedaya) to murder Marty's faithless wife Abby (Frances McDormand) and her paramour, Ray (John Getz), one of Marty's employees. But Visser is no more up-front with Marty than with anyone else; he makes some slight modifications of the original plan so that it better serves his own best interests. After a surprise double-cross and the murder of one of the important players, matters spiral out of control, and the plot gyrates through a complicated string of darkly humorous events. False assumptions, guilt, and fear all lead to a frantic attempt to conceal evidence and the heart-pounding, irony-filled denouement. Blood Simple was re-released in the summer of 2000 with a digitally-remastered soundtrack and -- at the Coens' behest -- a few minutes of dialogue trimmed. ~ Hal Erickson, All Movie Guide
- Starring:
- John Getz, Frances McDormand, (more)
