Josef Sommer Movies

In this run-of-the-mill romantic drama, the title Independence Day refers to the usual Fourth of July fireworks festival in the U.S. but also to the dilemma of Mary Ann Taylor (Kathleen Quinlan) who lives in a small town but has a big ambition to go to the city and study photography for a profession -- should she go, or should she stay in her hometown with the man she loves? Focus on Mary Ann's dilemma slips to other characters -- her boyfriend's suicidal sister (Dianne Wiest) who is abused by her husband, the abusive husband's equally nasty father, and Mary Ann's boyfriend himself who is preparing his Camaro for the annual Fourth of July race. With the story moving from here to there, hampered by some extraordinary leaps of imagination, the narrative is thinned considerably by the time the Fourth is at hand. ~ Eleanor Mannikka, All Movie Guide

Based on a true story, Silkwood begins and ends with Karen Silkwood (Meryl Streep) driving along a lonely road in 1974, heading to a meeting with a New York Times reporter to deliver evidence of negligence at the Kerr-McGee Plant in Cimarron, Oklahoma. The balance of the film flashes back to Karen's ribald private life with her lover (Kurt Russell) and her loose-living friends (Cher and Diana Scarwid). This is in contrast to her humdrum job at Kerr-McGee--or it least it was humdrum until Karen and several other employees become contaminated by radiation. The higher-ups want to sweep this incident under the rug, but Karen thinks that something's fishy, and informs the union of that fact. X-rays of the faulty fuel rods and written proof of the inadequate safety measures that caused Karen's illness are tampered with, forcing Karen to conduct her own private investigation. As she gathers evidence, Karen becomes a pariah to her boyfriend because of her obsession. She finally organizes the evidence into a briefcase, and heads off to her meeting with the Times reporter. She never makes it; the "official" report on her fatal auto accident is that Ms. Silkwood had been drinking and was under the influence of tranquilizers. Kerr-McGee was eventually forced to pay the Silkwood family an enormous settlement because of her contamination, but the full facts behind her convenient accident have never been revealed (though the filmmakers clearly indictate whom they hold responsible). Director Mike Nichols and screenwriters Nora Ephron and Alice Arlen surround this true story with a lively, improvisational atmosphere that gets the best out of Streep, Russell, and Cher, while providing perhaps the fullest on-screen realization of Nichols' theater-based techniques of realistic, character-centered, dialogue-driven filmmaking, as well as one of the first movie screenplays from future director Ephron. ~ Hal Erickson, All Movie Guide

Gene Wilder stars as Michael Jordon, an architect on the run from false murder charges, who hooks up with Kate Hellman (Gilda Radner), the sister of a recent suicide victim. ~ Jason Ankeny, All Movie Guide

Alan J. Pakula directs the political thriller Rollover, produced by leading lady Jane Fonda's production company, IPC Films. Featuring a racist plot and negative stereotypes about the Arab world, this film reflected the American fear of the Middle East prevalent in the early '80s. Fonda stars as former film star Lee Winters, who inherits a multimillion-dollar company when her corporate bigwig husband is murdered. She teams up with banker Hubbell Smith (Kris Kristofferson) in order to find her husband's killer and survive in the world of high-stakes international finance. They become lovers and travel together to Saudi Arabia to secure a loan and to guarantee Lee's spot as the company's board chairman. However, they end up discovering an Arab company's plan to withdraw money from the world's banks in order to destabilize the Western economy. Rollover also stars Hume Cronyn and Josef Sommer. This story also foreshadowed Jane Fonda's marriage to corporate bigwig Ted Turner in 1991. ~ Andrea LeVasseur, All Movie Guide

In this legal drama from director Sydney Pollack, Sally Field stars as Megan, an ambitious newpaper reporter who, based on information from FBI investigator Rosen, played by Bob Balaban, writes a scathing article that implicates Gallagher, a reclusive business-owner played by Paul Newman, in the recent disappearance of a labor leader. When Gallagher confronts Megan and sets her straight, the two team together to prove his innocence and have a few romantic interludes along the way. Wilford Brimley and Melinda Dillon also star. ~ Matthew Tobey, All Movie Guide

This TV movie might just as well have been titled Frankenstein Takes Manhattan. Robert Vaughn stars as Doctor Franken, a dedicated Manhattan medico who becomes obsessed with the theory of artificial life. This is understandable, since the doctor is a descendant of a certain foreign gentleman named Frankenstein. He takes an arm here and an organ there from his hospital's storage bank and tries to repair the cadaver of an unclaimed accident victim. The result is a complex creature named John Doe (Robert Perrault), a reasonably friendly chap who has inherited the character traits and emotions of all those people whose body parts he has "borrowed". To their credit, everyone involved in Doctor Franken takes the script seriously--perhaps too seriously for any network or sponsor to care enough to purchase this pilot film for a weekly series berth. ~ Hal Erickson, All Movie Guide

A series of 17 short stories by American writer John Updike form the basis for this examination of the rocky marriage of a New England couple. The movie was made for television in 1979 and directed by Fielder Cook. Updike's stories focus on the issues of fidelity and responsibility hiding beneath the calm veneer of American suburban affluence. Michael Moriarty plays Richard Maple, a non-conformist middle-class man married to Joan Barlow Maple (Blythe Danner). Glenn Close plays the home-wrecker Rebecca. The couple's problems are both traced to childhood incidents in which their propensity for taking the easy way out is established. ~ Michael Betzold, All Movie Guide

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, All Movie Guide

In the William Goldman-scripted, Bryan Forbes-directed adaptation of Ira Levin's savagely satiric sci-fi novel The Stepford Wives, housewife Joanna (Katharine Ross) moves with husband Walter (Peter Masterson) and their children to the "ideal" suburban community of Stepford, CT. Slowly, Joanna deduces that something is amiss; most of the other housewives are vapid creatures who speak in trivialities and live only to please their husbands. Together with new friend Bobby (Paula Prentiss), she investigates this curious status quo. When Bobby also succumbs to cloying sweetness, Joanna discovers that Stepford's husbands have conspired with male chauvinist scientists to replace all the wives with computerized android duplicates. The Stepford Wives became a massive, runaway hit, earning four million dollars domestically. Mega-producer Scott Rudin and director Frank Oz teamed up for a remake in 2004. ~ Hal Erickson, All Movie Guide

Man on a Swing, purportedly based on a true case, is a puzzling crime thriller concerning a clairvoyant who helps find a murderer. After a murder is committed, supposed clairvoyant Franklin Wills goes to police Chief Lee Tucker (Cliff Robertson) and gives him details of the crime that he has seen in visions. The details are startlingly correct and could only have been known to the killer. Tucker, not convinced that Wills is indeed clairvoyant, begins to suspect him of the murder. Man on a Swing, directed by Frank Perry, over-complicates its central theme, distracting the viewer from the film's strong central theme, the ambiguity of Wills. Joel Grey gives an outstanding, scene-stealing performance in that role, giving Wills both menace and a surprising vulnerability. Cliff Robertson is far-less successful in his portrayal of the no-nonsense police chief. The film's ambiguous ending should increase the suspense of the film but instead further confuses the viewer. However, because of the superb performance of Grey, Man on a Swing is worth a view. ~ Linda Rasmussen, All Movie Guide