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Carol Sobieski Movies

Screenwriter Carol Sobieski first made a name for herself as a writer of television scripts for shows of the '60s and '70s. During the '70s, she also penned television movies. In 1975, she wrote her first feature-film screenplay, Sunshine Part 11, in 1975. Subsequent notable screenplays from Sobieski include Honeysuckle Rose (1980), Annie (1982), and Fried Green Tomatoes (1991), her last screenplay which earned her a posthumous shared Oscar nomination. ~ Sandra Brennan, Rovi
1993  
R  
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Adapted from a true story, dockworker Joey Coyle (John Cusack) finds over $1 million, which fell from an armored car. Instead of returning the money, he embarks on a spending spree unchecked by the wishes of his friend (Michael Rapaport) and hires a crime ring to launder the money. The detective assigned to the case (Michael Madsen) follows his increasingly distinct tracks. ~ John Bush, Rovi

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Starring:
John CusackDebi Mazar, (more)
 
1991  
PG13  
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A woman learns the value of friendship as she hears the story of two women and how their friendship shaped their lives in this warm comedy-drama. Evelyn Couch (Kathy Bates) is an emotionally repressed housewife with a habit of drowning her sorrows in candy bars. Her husband Ed (Gailard Sartain) barely acknowledges her existence, and while he visits his aunt at a nursing home every week, Evelyn is not permitted to come into the room because the old women doesn't like her. One week, while waiting out Ed's visit, Evelyn meets Ninny Threadgoode (Jessica Tandy), a frail but feisty old woman who lives at the same nursing home and loves to tell stories. Over the span of several weeks, she spins a whopper about one of her relatives, Idgie (Mary Stuart Masterson). Back in the 1920s, Idgie was a sweet but fiercely independent woman with her own way of doing things who ran the town diner in Whistle Stop, Alabama. Idgie was very close to her brother Buddy (Chris O'Donnell), and when he died, she wouldn't talk to anyone except Buddy's girl, Ruth Jamison (Mary-Louise Parker). Idgie gave Ruth a job at the cafe after she left her abusive husband, Frank Bennett (Nick Searcy). Between her habit of standing up for herself, standing up to Frank, and serving food to Black people out the back of the diner, Idgie raised the ire of the less tolerant citizens of Whistle Stop, and when Frank mysteriously disappeared, many locals suspected that Idgie, Ruth, and their friends may have been responsible. Evelyn finds herself looking forward to her weekly visits with Ninny, and is inspired by her story to take a new pride in herself and assert her independence from Ed. Fried Green Tomatoes was based on the novel Fried Green Tomatoes at the Whistle Stop Cafe by actress-turned-author Fannie Flagg, who makes a cameo appearance as the leader of a self-help group. ~ Mark Deming, Rovi

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Starring:
Kathy BatesJessica Tandy, (more)
 
1991  
 
The made-for-television film Sarah, Plain & Tall is a Hallmark Hall of Fame production about a single New England schoolteacher (Glenn Close) who responds to an advertisement by a Midwestern widower, who is asking for a bride to help him raise his two children. ~ Stephen Thomas Erlewine, Rovi

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Starring:
Christopher Walken
 
1989  
PG13  
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Set in the Appalachians during the Depression, this drama follows the events that take place when Wayland Jackson (Kurt Russell) falls in love with Collie Wright (Kelly McGillis) and becomes involved in the family feud that is sparked by the existence of Collie's illegitimate son. ~ Iotis Erlewine, Rovi

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Starring:
Kurt RussellKelly McGillis, (more)
 
1985  
PG  
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Melissa Gilbert acquits herself well in this old-fashioned family drama about a gritty Texas orphan named Charlie (Gilbert), a substitute parent for her brothers, determined to succeed in life by converting an unmanageable rodeo horse into an equestrian champion. The transformation from equine dross to championship dressage is not an easy road, and helping Charlie is the often tipsy but tough Foster (Richard Farnsworth), as well as Matt, the man who captures her heart (Michael Schoeffling). After they succeed in training the actually talented horse, they head for the blue grass and bluer blood of Kentucky, where the equestrian and racing elite hold court over all, including newcomers from Texas. Now they have to coax the horse to make it through the formal dressage, cross-country, and jumping competitions -- and to do that in top form. ~ Eleanor Mannikka, Rovi

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Starring:
Richard FarnsworthMelissa Gilbert, (more)
 
1982  
PG  
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In The Toy, director Richard Donner and screenwriter Carol Sobieski update the 1976 Pierre Richard farce Le Jouet as a vehicle for comedian Richard Pryor. Pryor stars as out-of-work journalist Jack Brown, who's hit with the sudden realization that his idle book writing won't pay a 10,000-dollar sum necessary to keep his house from going to auction. Desperate, he is improbably hired as a cleaning lady in the offices of rich businessman and newspaper magnate U.S. Bates (Jackie Gleason). Running afoul of Bates' quick temper, Jack gets the axe, but is later spotted goofing around in a Bates-owned toy store by Bates' bratty son, Eric (Scott Schwartz), who's spending his annual week together with his estranged father. Taking his father's offer that he may have "anything in the store" quite literally, the spoiled kid asks for Jack as his personal toy for the week. Initially unwilling to be treated as a possession, Jack soon agrees after Bates offers to pay him enough to climb out of debt. When Eric's idea of fun includes dumping buckets of booby-trapped oatmeal on Jack's head and riding down the stairs of his father's mansion with Jack riding shotgun in a miniature car, it tests both Jack's patience and his resolve. But Jack discovers that Bates is ignoring Eric, which strengthens the bond between them and prompts them to seek revenge on the big jerk. ~ Derek Armstrong, Rovi

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Starring:
Richard PryorJackie Gleason, (more)
 
1981  
PG  
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This family classic is adapted from the Broadway musical, which was based on the comic strip Little Orphan Annie. During the Great Depression in New York City, a plucky red-haired scrapper named Annie (Aileen Quinn) is the voice of hope for her fellow orphans who live under the supervision of drunken floozy Miss Hannigan (Carol Burnett). Annie's spirit is fueled by the belief that her real parents dropped her off at the orphanage with a half of a locket, promising to return for her with the other half. One day, the dingy orphanage is visited by the sophisticated Grace Farrell (Ann Reinking), personal secretary to conservative politician Oliver Warbucks (Albert Finney). In order to improve his image, Grace brings Annie to the Warbucks estate for a weeklong visit. Annie quickly wins the hearts of servants and politicians alike, eventually even bringing her song of hope, "Tomorrow," to President Roosevelt in Washington. Warbucks and Grace even go so far as to perform a public search for Annie's parents, creating an opportunity for Miss Hannigan, Rooster (Tim Curry), and Lily (Bernadette Peters) to scam their way to the reward money. ~ Andrea LeVasseur, Rovi

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Starring:
Albert FinneyCarol Burnett, (more)
 
1980  
PG  
After displaying his easygoing charm in a number of television appearances and a showy supporting role in The Electric Horseman, Willie Nelson scored his first leading role in this romantic comedy-drama in which he (appropriately enough) plays a musician. Buck Bonham (Nelson) is a country singer/songwriter with a loyal following in his native Texas and the neighboring Western states. However, Buck hasn't yet had the hit record that would make him a star nationwide; in the meantime, Buck and his band keep up a busy tour schedule, much to the annoyance of his wife, Viv (Dyan Cannon), and son, Jamie (Joey Floyd), who would like to see Buck at home every once in a while. As Buck wonders if he should press on with his musical career or call it quits, his close friend and longtime guitarist Garland Ramsey (Slim Pickens) announces he's retiring, and suggests a good replacement -- his daughter, Lily (Amy Irving). Lily had a crush on Buck as a child, and now as a full-grown and very beautiful woman, her infatuation has only increased with time. Consequently, Buck must choose between Viv and Lily as well as his home and his career. Honeysuckle Rose was written specifically for Nelson, and his character bears more than a passing similarity to Willie and his life before the album Red Headed Stranger made him a star; the film also earned Nelson an Academy Award nomination for the film's theme song, "On the Road Again." ~ Mark Deming, Rovi

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Starring:
Willie NelsonDyan Cannon, (more)
 
1978  
PG  
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Cajun quarter-horse trainer Lloyd Bourdelle (Walter Matthau) struggles to eke out a decent living for himself and his three sons Buddy, Randy and Casey (Andrew A. Rubin, Stephen Burns and Michael Hershewe). Their prize horse is thoroughbred foal Casey's Shadow, named after the youngest son (Hershewe). The question is whether or not Lloyd, a life-long loser, can take advantage of the opportunity for bettering his lot afforded by Casey's Shadow. Alexis Smith co-stars as Sarah Blue, a wealthy woman who becomes Matthau's strongest ally when she offers to buy the horse rather than allow the vindictive Mike Marsh (Robert Webber) to destroy it. ~ Hal Erickson, Rovi

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Starring:
Walter MatthauAlexis Smith, (more)
 
1977  
 
In this drama, a widower takes his adopted daughter for an old-fashioned Texas-style Christmas at his parent's house. While back home, the father meets his childhood love and romance ensues. ~ Sandra Brennan, Rovi

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1976  
 
Susan Clark, the queen of the made-for-TV biopic (in 1976, at least), stars as legendary aviator Amelia Earhart. The story begins in 1921, with Amelia's first biplane flight. In 1928, she becomes the first woman ever to fly the Atlantic, albeit not at the controls. She gains international fame with a daring cross-country flight. The film refuses to speculate on the cause of Ms. Earhart's disappearance during a round-the-world trip in 1937, though the clues that do exist are presented in full. Co-starring with Susan Clark are John Forsythe as Amelia's publisher husband (and "exploiter") George Putnam, and Stephen Macht as her purported lover, stunt pilot Paul Mantz. Nearly two decades after Amelia Earhart was first telecast on October 25, 1976, Diane Keaton portrayed Earhart in a made-for-cable biography. ~ Hal Erickson, Rovi

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1974  
 
Reflections of Murder is an admitted remake of the 1955 French spinetingler Diabolique (we say "admitted" because most Diabolique rip-offs fail to credit the source). Joan Hackett is unhappily married to Sam Waterston. Tuesday Weld is Waterston's equally disenchanted mistress. Hackett and Weld conspire to murder the hateful Waterston, but he proves hard to kill. Even after he's breathed his last, Waterston steadfastly refuses to stay dead-and thus the stage is set for the twist- countertwist climax. Filmed at Puget Sound, Reflections of Murder was one of the last made-for-TV projects of director John Badham; it was first aired November 24, 1974. ~ Hal Erickson, Rovi

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1973  
 
After a young mother is diagnosed with terminal bone cancer, she begins writing a journal containing her most heartfelt thoughts. It is to be her legacy to her beloved husband and daughter. ~ Sandra Brennan, Rovi

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1971  
 
13-year-old Robert Mueller (Mark Gruner) is obsessed with guns and has a morbid fascination with death. He is also deeply resentful over the fact that his widowed mother Elaine (Diane Baker) has married Paul Hamilton (Ed Nelson). Despite all this, Elaine could never believe that her darling boy was in any way responsible for a recent campaign of terror waged against Paul, even when an unsolved homicide enters the picture. But Paul knows full well that he is next on little Robert's hit list--a fact that Robert does not even bother to keep a secret. Adapted from a novel by Fielden Farrington, the made-for-TV A Little Game made its ABC bow on October 30, 1971. ~ Hal Erickson, Rovi

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1970  
 
The made-for-TV Neon Ceiling top-bills Gig Young as a disenfranchised gentlemen who operates a remote desert gas station/diner. Enter Lee Grant, who has driven into the desert with daughter Denise Nickerson in hopes of escaping a bad marriage. Young resents their presence and is as rude as possible--leading Lee to conclude that Young is the first honest man she's ever met. Ultimately (and inevitably), the two lost souls begin a new life together. Critically praised upon its first telecast, Neon Ceiling plays like the rough draft of a forgotten William Inge play when seen today. ~ Hal Erickson, Rovi

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1969  
 
Vincent Edwards, four years removed from Ben Casey, enters another branch of the healing profession in the made-for-TV Dial Hot Line. Edwards plays Matt Lincoln, a community psychiatrist who is patched into a "hot line" telephone for those troubled souls unable to afford therapy. This TV movie involves three of Lincoln's call-in patients, including one potential suicide. Also featured was future Laugh-In regular Chelsea Brown as Tag, a member of Lincoln's staff. Dial Hot Line later matriculated into the brief Matt Lincoln TV series, with both Vincent Edwards and Chelsea Brown retained from the pilot. ~ Hal Erickson, Rovi

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