Michele Soavi Movies
A protégé of Dario Argento who matured to develop a unique style of his own while at once carrying the tradition of such Italian horror icons as Mario Bava and Riccardo Freda, Michele Soavi almost single-handedly kept the slumping Italian horror/fantasy tradition afloat in the 1990s with his strikingly original philosophical zombie film Dellamorte, Dellamore (1994). Born in Milan, Italy in 1957, Soavi began to develop his artistic flair after forming a close bond with his stepfather following his parents' divorce. Though Soavi wouldn't follow his stepfather's career path to become a painter, it did encourage the aspiring young artist to tap into his creativity and enroll in creative arts classes and, as a teenager, develop into a talented actor. Signing up for acting lessons at Milan's Fersen Studios following high school graduation, the photogenic youngster would soon find that though he was a skilled actor, his true talent was behind the camera. Offered a job as assistant director by Marco Modugno after appearing as an extra in Modugno's Bambule (1979), Soavi continued to act in such films as Alien 2 and City of the Living Dead (1980) while serving in multiple capacities including assistant director to filmmaker Aristide Massaccesi in the early '80s. Making the acquaintance of director Dario Argento during production of Inferno (1980), similar aesthetic tastes found the two forming an immediate bond and a longtime working relationship commenced with Soavi's work as second assistant director on Argento's Tenebre (1982). Subsequently working with Lamberto Bava in such efforts as 1985's Demons, the aspiring director would serve as director of the documentary Dario Argento's World of Horror as well as a promotional Bill Wyman rock video (both 1985) before embarking on his maiden voyage as a director with Stage Fright (1987). A highly stylized slasher film embellished with numerous creative touches and shot on a miniscule budget, Stage Fright served as an effective calling card and won much acclaim despite only moderate success in his home country. After working as an assistant director to Terry Gilliam for The Adventures of Baron Munchausen (1988), Soavi would harness all of his mentor's lessons in filmmaking for preparation of his most ambitious effort to date, The Church (1988). Originally envisioned as the third installment of the Demons franchise, The Church instead earned acclaim as an atmospheric exercise in meditative religious apocalyptic paranoia despite being criticized by some as another case of style over substance (a criticism frequently made of his mentors). After a lukewarm reception to his next film, The Sect (1990), Soavi rebounded with the high-concept Dellamorte, Dellamore. A curious mixture of political commentary, inspired fantasy, and traditional zombie splatter, Dellamorte was hailed by filmmaker Martin Scorsese as one of the best Italian films of the 1990s and found Soavi coming into his own as a filmmaker of remarkable caliber and style.As fast as he found success however, Soavi would disappear from sight to care for his terminally ill son. Though he returned to the director's chair with a pair of made-for-television productions in 2001 (Uno Bianca and Il Testimone), Soavi fans continue to eagerly await the day he makes his return to features. ~ Jason Buchanan, All Movie Guide
- 2007
Italy during the latter days of Benito Mussolini's rule provides the background for this historical drama of divided loyalties during a time of war. Francesco (Michele Placido) is a police detective working in Rome as fascist Black Shirts hold sway over the nation. Francesco has been assigned to investigate the death of Costantina (Barbora Bobulova), a streetwalker who is believed to have been murdered while allied forces were bombing the city. As Francesco interviews those who knew Costantina, including her twin sister, he gains a new perspective on the bitter rivalry between Salo fascists and partisans loyal to Italy's pre-fascist heritage; Francesco also sees a bit of this conflict in his own home as his brother Ettore (Alessandro Preziosi) defends the partisans against the fascist leanings of his sister Lucia (Alina Nedelea). The Blood of the Victims (aka Il sangue dei vinti) proved controversial in Italy for its defense of fascism under Mussolini, portraying the majority of his supporters as patriots acting in support of their nation. ~ Mark Deming, All Movie Guide
- Starring:
- Michele Placido, Barbora Bobulova, (more)
- 2006
A fugitive from justice discovers he has to leave his principles behind to come out of the underground in this drama from Italy. Giorgio (Alessio Boni) was a member of a radical left-wing group who was forced to flee the country when a bomb he planted unexpectedly killed an innocent party. After living in Central America for several years, Giorgio has decided to return to Italy and turn himself in. Giorgio is enrolled in a program where he is "rehabilitated" by cooperating with the police, staring by getting the goods on Anedda (Michele Placido), a corrupt cop. However, before long Giorgio's actions start to seem more like blackmail than justice, as a demands payments from the owner of a topless bar and persuading a married woman, Flora (Isabella Ferrari), to sleep with him until her husband makes good on a long-standing debt. However, temptation becomes too much for Giorgio when Anedda offers to bring him in on a robbery he's been planning; Giorgio's share of the loot looks to be enough to keep him afloat for years, but his new criminal lifestyle is more than he knows how to handle. Arrivederci Amore (aka The Goodbye Kiss) was adapted from a novel by Massimo Carlotto. ~ Mark Deming, All Movie Guide
- Starring:
- Alessio Boni, Michele Placido, (more)
Two men who have made a career out of spinning remarkable stories find themselves bringing them to life in this inventive fantasy inspired by the creators of some of the world's best-loved fairy tales. Will Grimm (Matt Damon) and his brother Jake Grimm (Heath Ledger) earn their living by traveling from village to village and vanquishing strange supernatural beasts that have been menacing the populace. Or at least that's what their clients think has been happening; as it happens, Will and Jake are confidence men who cleverly stage the ghostly attacks and then take payment for making the creatures they fabricated go away. One day, the brothers arrive in a town and offer to help its people drive away evil spirits, unaware that the community is bordered by a genuine enchanted forest, and that young girls in the village have been disappearing at a frightful rate. The Grimm Brothers must now learn how to deal with real magic, with the help of the lovely but fearless Angelika (Lena Headey). Directed by Terry Gilliam, The Brothers Grimm also stars Monica Bellucci, Peter Stormare, and Jonathan Pryce. ~ Mark Deming, All Movie Guide
- Starring:
- Matt Damon, Heath Ledger, (more)
Arrivederci amore, ciao director Michele Soavi steps back behind the camera to tell the tale of Francesco Bernardone in a film shot at the actual locations where the patron saint of animals walked and starring Raoul Bova and Erica Blanc. Born the son of a cloth merchant in 12th Century Italy, the pious young man spent his youth as a soldier for Pope Innocent III before the voice of God commanded him to forsake the material world and devote himself to a higher calling. ~ Jason Buchanan, All Movie Guide
Achingly romantic and creepy-funny, this funereal fantasy from the director of La Chiesa (1989) is unlike any Italian film in memory. Rupert Everett plays Francesco Dellamorte, a lonely cemetery caretaker who just wants to get out of his small town of Buffalora. His assistant and sole companion, Gnaghi (played by famed French musician Francois Hadji-Lazaro) is an overweight cretin who speaks only in grunts, and the dead people outside are rising from their graves as zombies and trying to have him for breakfast. This situation, coupled with all his other problems, gives Francesco a real complex. His troubles are compounded when he meets a series of mysterious women (all played by the beautiful Anna Falchi) whom he loves before they die tragically. Soavi's film is based on a graphic-novel, Dylan Dog by Tiziano Sclavi, but Soavi's more obvious influences range from Jean Rollin's La Rose de Fer (1973) to Tim Burton's Edward Scissorhands (1990). Barbara Cupisti (of Soavi's Deliria) has a small role, and the film also benefits from Manuel de Sica's memorable score and excellent pacing by editor Franco Fraticelli. This is a film to savor and it will go down as one of the most striking Italian genre efforts of the decade, despite some weak effects work by the normally reliable Sergio Stivaletti. ~ Robert Firsching, All Movie Guide
- Starring:
- Rupert Everett, Francois Hadji-Lazaro, (more)
- 1991
- R
This stylishly photographed horror movie centers upon a beautiful, good-hearted schoolteacher whose life becomes a living hell after she is chosen to bear the son of Satan. Her horrible ordeal begins when an ancient enigmatic traveller places an ancient, supposedly extinct, insect up her nose. It crawls into her brain. She soon begins having terrifying dreams and more. When she learns the awful truth about her relationship with the Dark Master things get even worse. Still the baby is born and the poor woman faces a terrible and, genre-wise, surprising choice. ~ Sandra Brennan, All Movie Guide
Originally intended as the third chapter in producer Dario Argento's Demons trilogy, La Chiesa stands alone as an effective horror film centering on a haunted cathedral with a violent past. The church's history begins in Medieval Italy, when the Knights Templar massacred an entire village of suspected Satanists and built the structure upon the site of the slain peasants' mass grave. Designed by an architect/alchemist (who was buried alive within his creation), the church is filled with elaborate machinery designed to seal off all entrances if ever the spirits of the entombed villagers were to rise again... which, of course, takes place in the present when the crypt's seal is removed. As demonic forces have their way with the church's occupants, it becomes the task of the parish priest (Hugh Quarshie) and a young girl (Asia Argento, daughter of Dario) to discover the builder's last line of defense before the evil is unleashed upon the outside world. Directed by Michele Soavi (who later gained critical acclaim with the inventive Dellamorte Dellamore), this is an imaginative Gothic horror film with startling imagery straight out of a Hieronymous Bosch painting and its own well-conceived mythology. Shots of the church's elaborate Medieval machines grinding to life are particularly memorable. ~ Cavett Binion, All Movie Guide
- 1989
As produced by carnagemeister Joe d'Amato, this gory and ultraviolent slasher outing - regarded as one of the bloodiest of its decade - concerns the dire fate of a bunch of stage actors. They end up trapped in the same theater with a psychotic stalker intent on offing them in the most gruesome of ways. ~ Nathan Southern, All Movie Guide
- 1989
- PG
- Add The Adventures of Baron Munchausen to QueueAdd The Adventures of Baron Munchausen to top of Queue
Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the "career" of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale....In short, all of Munchausen's fabulous lies are here presented as "truth," played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli's Venus and an extended unbilled cameo by Robin Williams -- that is, by the head of Robin Williams -- as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette. ~ Hal Erickson, All Movie Guide
- Starring:
- John Neville, Eric Idle, (more)
Horror film actor Michele Soavi's directorial debut was this stylish giallo thriller about an escaped lunatic terrorizing the cast of a stage musical who get locked in a theater after dark. David Brandon, Barbara Cupisti, and perennial victim Giovanni Lombardo Radice (aka "John Morghen") lead the cast, most of whom spend their time sniping at each other with amusingly typical backstage cruelty. The murder scenes are the film's primary attraction, artfully handled by Soavi in setpieces such as a blue-lighted stage strewn with feather-covered bodies. The killer wears an owl mask, which is offputting at first but seems progressively more sinister as the film goes along. Soavi's stylistic mentor, Dario Argento, directed the similar Opera the same year, while this one was produced by Aristide Massaccesi ("Joe D'Amato") from a script by actor Luigi Montefiori ("George Eastman"). ~ Robert Firsching, All Movie Guide
- 1985
This documentary showcases the career of Italian horror-film director Dario Argento. Included are clips from his films and behind-the-scenes footage from all of his films from the 1970s The Bird with the Crystal Plumage to the 1980s Creepers. Argento himself is interviewed several times during the course of the film. ~ Brian Gusse, All Movie Guide
Italian horror auteur Dario Argento produced and co-wrote (with director Lamberto Bava) this gory, nightmarish horror film set almost entirely within the "Metropol," a huge, cathedral-like Berlin cinema showing an invitation-only screening of a rather lame slasher film. The difference, of course, is that the cheap scares on the Metropol's screen are child's play compared to the horrors which soon emerge to lay hold of the unsuspecting filmgoers: when a young woman is scratched by part of a display in the theatre lobby, she begins to mutate into a fanged, slavering creature who then attacks other audience members, spreading the demonic infection until only a handful of survivors are forced to combat rampaging armies of inhuman beasts, making the latter portion of the film resemble Night of the Living Dead. A handful of sequels followed; there's a little "reward" for those who stick around for the end credits. ~ Cavett Binion, All Movie Guide
- Starring:
- Natasha Hovey, Urbano Barberini, (more)
Declared "my most personal film" by Italy's premier horror director Dario Argento, this production marked the director's return to the eerie thematic territory he pioneered in 1977 with the horror classic Suspiria. Much like that film, Phenomena conforms to the logic of nightmares. Jennifer Connelly stars as Jennifer Corvino, the daughter of an American film star, who enrolls in a prestigious Swiss boarding school under the tutelage of the prudish Mrs. Bruckner (played by frequent Argento collaborator and former beau Daria Nicolodi). Possessing a unique telepathic gift, Jennifer is capable of communicating with insects on an instinctive level, often while sleepwalking. This trait soon brands her a "freak" among her snooty classmates but makes her a valuable asset to entomologist Dr. MacGregor (Donald Pleasence), who is currently employing the innate forensic skills of insects to aid police in tracking a serial killer targeting the boarders at Jennifer's school. As Jennifer's tiny friends (including the corpse-hunting Sarcophagus Fly) guide her closer to the murderer's lair, everything from MacGregor's revenge-driven pet chimpanzee to Bruckner's monstrously disfigured son figure into the mix, providing not one but three shocking endings. Shot in English and re-dubbed for various European markets, this graphic thriller was released in drastically edited form as Creepers in the U.S. and England; Argento's original cut runs 110 minutes. ~ Cavett Binion, All Movie Guide
- Starring:
- Jennifer Connelly, Donald Pleasence, (more)
- 1983
This horror-thriller from director Lamberto Bava stars Andrea Occhipinti as Bruno, a composer who becomes involved in a frightening series of murders while staying at an isolated villa. The story turns on a scene in the horror film Bruno is scoring: a young child, taunted by cruel bullies, descends into a dark cellar after a bouncing tennis ball. The kids hear a scream and the ball bounces up to them, leaving bloody tracks on the wall. Pretty Sandra, Bruno's director, explains that her inspiration was the childhood of Linda, the villa's previous tenant, but there is something far more sinister going on. Anyone who has seen Psycho probably has a good idea what that "something" is, but the plot is really incidental. ~ Robert Firsching, All Movie Guide
- Starring:
- Andrea Occhipinti, Anna Papa, (more)
Dario Argento leaves a distinct and bloody impression with this Italian horror film that took the slasher genre to graphic new limits at the time of its release. Novelist Peter Neal (Anthony Franciosa) jets into Rome to promote his new book. Simultaneously, a killer obsessed with Neal begins a brutal series of murders that are followed by cryptic notes to the author. Inspector Germani (Giuliano Gemma) questions Neal, who then begins his own investigation into the bizarre case with the help of his assistant, Anne (Daria Nicolodi), and local youth Gianni (Christian Borromeo). Neal and Gianni follow leads to the home of a TV talk-show host (John Steiner), who is axed to death in front of Gianni while Neal is knocked unconscious. As they close in on the killer, flashbacks show the killer's murderous beginnings and an obsession with red shoes. Meanwhile, Neal's publicist, Bullmer (John Saxon), is revealed to be having an affair with the author's ex-lover, Jane (Veronica Lario), making them both potential suspects. Inspector Germani insists that Neal leave town, but even when he does, the killer strikes again, knifing Bullmer in broad daylight. At the same time, Gianni returns to the home of the dead talk-show host and recalls an important detail about the murder. However, he is strangled before he can tell anyone. At her apartment, Jane is brutally slain just as Inspector Germani arrives to discover the murderer's identity, along with the shocking, twist-filled truth behind the entire case. ~ Patrick Legare, All Movie Guide
- Starring:
- Anthony Franciosa, John Saxon, (more)
This gruesome horror film from cult director Lucio Fulci posits a priest's suicide opening the gateway to Hell, freeing bloodthirsty zombies to roam the town of Dunwich. The main attractions are startlingly explicit special effects by Franco Rufino, including two of the horror genre's most memorable deaths. One involves perennial victim Giovanni Lombardo Radice (also known as John Morghen) having his head run through with a power-drill, and the second is the notorious scene of a woman vomiting up all of her internal organs in a nauseating torrent of blood and guts. Fulci does manage one nice moment of splatter-free horror, as hero Christopher George struggles to free a woman who has been buried alive. As his pick-axe enters the coffin repeatedly, it comes ever closer to her face, causing the audience to wince with each strike. Aside from these scenes, though, Fulci's direction is somewhat plodding, as he substitutes slow pacing and clouds of fog for real suspense. Horror fans will still want to seek this film out, however, if only for the effects work and a familiar cast including Catriona MacColl, Janet Agren, Carlo de Mejo, Antonella Interlenghi, and Daniela Doria. ~ Robert Firsching, All Movie Guide
- Starring:
- Christopher George
