Michael Snyder
- 1992
Captain Picard tries to settle a centuries-old war between the Kriosians and the Voltans. As part of the treaty arrangements, the beautiful Kamala (Famke Janssen) is chosen by her people as a peace offering. Picard's diplomatic mission is sorely compromised when he falls in love with Kamala. Further complicating matters, the duplicitous Ferengi insinuate themselves into the negotiations. Written by Rene Echevarria, Gary Perconte, and Michael Piller, "The Perfect Mate" was first telecast May 2, 1992. ~ Hal Erickson, All Movie Guide
- 1992
The phrase "second childhood" takes a bizarre turn in this episode, which first aired November 7, 1992. As a result of a freak transformer mishap, Picard, Ro, Guinan, and Keiko are transformed into 12-year-old children. The youngsters' dilemma may prove beneficial in the long run when the Enterprise is captured by Ferengi raiders. The child actors chosen to portray the younger Picard and his associates so closely resemble their older counterparts that the effect is downright uncanny. Scripted by Alison Hock from a story by Ward Dru Botsford, Diana Dru Botsford, and Michael Piller, "Rascals" was directed by Adam Nimoy, son of Leonard Nimoy. ~ Hal Erickson, All Movie Guide
- 1991
- PG
- AddStar Trek VI: The Undiscovered Countryto QueueAddStar Trek VI: The Undiscovered Countryto top of Queue
The plot involves a peace conference between the Federation of Planets and the troublesome Klingons. The Klingons are hoping to perform a little damage control after triggering a mining disaster on one of their moons; their spokesman is the seemingly contrite General Chang (Christopher Plummer). All negotiations abruptly cease when a Klingon vessel is attacked, and Capt. Kirk (William Shatner) and Dr. McCoy (DeForest Kelley) are accused of the crime. As they stand trial for murder, Mr. Spock (Leonard Nimoy) and Vulcanian trainee Lt. Valeris (Kim Cattrall) try to locate the real culprits. It turns out that Kirk and McCoy are victims of a conspiracy to foment further hostilities between the Good Guys and the Klingons. ~ Hal Erickson, All Movie Guide
- Starring:
- William Shatner, Leonard Nimoy, (more)
The once-in-a-lifetime collaboration between star Gene Wilder and director Leonard Nimoy resulted in the charmingly haphazard and anachronistic Funny About Love. Wilder plays political cartoonist Duffy Bergman, who falls in love with much-younger Meg (Christine Lahti) during a book-signing session. Once married, the old "clash of careers" bugaboo arises: Meg wants to continue working as a chef in a fancy New York restaurant, while Duffy would prefer that she think about starting a family. When it seems as though Meg may be incapable of bearing children, the self-involved Duffy impregnates earthy college coed Daphne (Mary Stuart Masterson). How a happy ending can grow from this complication is a puzzlement. Funny About Love was based--extremely loosely--on a speech once delivered by Chicago Tribune columnist Bob Greene. The laughs tend to be sporadic, though Stephen Toblowsky scores high marks as a jocular fertility doctor. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Wilder, Christine Lahti, (more)
Star Trek IV: The Voyage Home (1986) concludes the story arc begun with Star Trek II: The Wrath of Khan (1982) and continued in Star Trek III: The Search for Spock (1984), but on a wholly new, different, and upbeat note. As the movie opens, months have elapsed since the events in Star Trek III; Admiral Kirk (William Shatner), McCoy (DeForest Kelley), Scott (James Doohan), Sulu (George Takei), Uhura (Nichelle Nichols), and Chekhov (Walter Koenig) are marooned in self-imposed exile on Vulcan, along with the resurrected and regenerated Spock (Leonard Nimoy, who also directed). While Spock tries to sort out the Vulcan and human halves of his resurrected psyche, the others prepare to return to Earth to face a brace of charges by the Klingon Empire and Star Fleet over events on Genesis. Taking off in their commandeered, jerry-rigged Klingon ship, they head to Earth, not knowing that a new crisis could destroy their home world -- a huge, immensely powerful alien probe has entered the galaxy and established a position near Earth, disabling every vehicle and installation in its path with its energy and communication output, and has ionized the entire atmosphere and started vaporizing the oceans, leaving the planet only hours to survive.
Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide
Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide
- Starring:
- William Shatner, Leonard Nimoy, (more)
