Melanie Smith Movies

Assigned to take charge of a band of unruly Klingon volunteers, Worf is saddened to discover that one of them is his own son Alexander (now played by Marc Worden). Despite the well-meaning intervention of General Martok (J.G. Hertzler), Worf and Alexander are unable to mend the rift between them. In desperation, Worf once again endeavors to turn his bitterly resentful son into a proper Klingon warrior and himself into a worthy father. First broadcast October 13, 1997, "Sons and Daughters" was written by Bradley Thompson and David Weddle. ~ Hal Erickson, Rovi

As the Federation continues suffering heavy losses, Sisko embarks upon a bold plan to recapture Deep Space Nine from the Dominion. Meanwhile, back on the imprisoned space station, Rom is sentenced to death for sabotaging a Dominion mission. Through it all, the tenuous relationship between Dominion leaders Weyoun and Dukat continues to disintegrate, as virtually all of the other characters in this continuing "space opera" weave significantly in and out of the proceedings. Originally broadcast October 27, 1997, "Favor the Bold" was written by Ira Steven Behr and Hans Beimler. ~ Hal Erickson, Rovi

Though Garak (Andrew J. Robinson) insists that a mysterious Cardassian-sounding message is insignificant, his subsequent behavior indicates otherwise. Sisko soon learns the truth: the Dominion is mounting yet another attack on the Federation. As Sisko makes preparations to close the wormhole, Garak and Worf are captured by the Jem'Hadar. The episode ends with a cliffhanger, not to be resolved until the following week's installment "By Inferno's Light." Written by Robert Hewitt Wolfe and Ira Steven Behr, "In Purgatory's Shadow" first aired February 10, 1997. ~ Hal Erickson, Rovi

Jessica (Angela Lansbury) and Seth (William Windom) are invited to the South Carolina plantation owned by Seth's cousin, a wealthy botanist. The visit becomes somewhat less than pleasant when the cousin turns up murdered. Evidently there are several people who would have benefited from this death, but the clues aren't quite so plentiful--but as always, Jessica needs only one or two clues to tighten the noose around the guilty party's neck. ~ Hal Erickson, Rovi

Once again, Jessica (Angela Lansbury) joins forces with Chicago P.I. Charlie Garrett (Wayne Rogers), this time at a New York cultural museum. At first, Jessica and Charlie are on opposite sides as they bid against each other during an auction for a rare manuscript allegedly written by "Sherlock Holmes" creator Arthur Conan-Doyle. Before long, however, the two sleuths are following the clues surrounding the murder of a notorious art forger suspected of copying a stolen Degas painting. ~ Hal Erickson, Rovi

This third entry in the sci-fi Trancers series involves a futuristic L.A. cop/detective who time-travels to battle more Trancers from a 23rd-century totalitarian government that maintains control by injecting victims with trance-inducing drugs, causing them to become virtual puppets. ~ Kristie Hassen, Rovi

The "Bloody" in Bloody Kids is meant in both its scatological in literal sense. Two restless teens (Derrick O'Connor and Gary Holton) from the South End of London go on a Saturday-night spree. When girls and booze lose their appeal, the boys add murder to their itinerary. A surreal, high-energy film about life and death on the streets, the film has some intelligent social criticism, but its ultra-violent subject matter and unusual visual style caused controversy. The most noteworthy aspect of Bloody Kids may well be its treatment upon release. Considered too bloody for British theatrical exposure, the film went directly to television -- an intriguing reversal of the American procedure. Bloody Kids was director Stephen Frears' second feature, foreshadowing his later highly acclaimed The Grifters which also featured grim subject matter but with classic film-noir grace and sensibility, a sensibility lacking in Bloody Kids. ~ Hal Erickson, Rovi