Kent Smith Movies

Troy Donahue stars in this drive-in quality "B"-Western from the Warner Brothers backlot, directed by veteran director Raoul Walsh. Donahue is U.S. Cavalry Lieutenant Matt Hazard, who arrives at Fort Delivery on the Mexican border of Arizona for a new assignment. Kitty Mainwaring (Suzanne Pleshette), the wife of the commanding officer, greets Hazard upon his arrival. The next day, when he takes some of his men outside of the fort to gather wood, Hazard and his men find themselves attacked by Indians. Hazard survives and later saves Kitty from another Indian attack. A terrible storm forces the two to spend a night in a cave as they make their way back to the fort. Meanwhile, the new commander, General Quait (James Gregory), arrives at the fort and takes command -- his first order of business to launch an all-out war on the Indians. He tries to capture the belligerent Indian Chief War Eagle but fails. When Hazard arrives back at the fort, Quait orders Hazard into Mexico to convince War Eagle to surrender. Hazard has War Eagle agree to return with him on the promise that the Indians can have a safe haven at an Arizona reservation. But, on their way back to the fort, they are met by Major Miller (Lane Bradford), who, instead, orders the Indians to be sent to Florida. Hazard and Quaint end up traveling to Washington to try to convince the United States government to reverse their decision against the Indians. ~ Paul Brenner, All Movie Guide

Insurance investigator Richard Cutting (Patrick O'Neal) is summoned to look into the sinking of some ships owned by wealthy shipping-magnate Curt Valayan (John Gielgud). Traveling to Switzerland, he interviews the owner and finds that his henchmen Matt (Herbert Lom) and the Big Man (Leon Greene) may be on Curt's payroll but are definitely looking out for their own interests. One agent has already been killed, and the local police inspector Ruff (Oscar Homolka) briefs Richard on the situation. Dominique (Joan Hackett) is on her way to provide some valuable information before being violently murdered. Richard tries to keep himself alive in a foreign country as he tries to solve the crimes in this dramatic mystery. ~ Dan Pavlides, All Movie Guide

Handed the exploitive title Cat People, RKO producer Val Lewton opted for a thinking man's thriller--a psychological mood piece, more reliant on suspense and suggestion than overt "scare stuff". Simone Simon plays an enigmatic young fashion artist who is curiously affected by the panther cage at the central park zoo. She falls in love with handsome Kent Smith, but loses him to Jane Randolph. After a chance confrontation with a bizarre stranger at a restaurant, Simon becomes obsessed with the notion that she's a Cat Woman--a member of an ancient Serbian tribe that metamorphoses into panthers whenever aroused by jealousy. She begins stalking her rival Randolph, terrifying the latter in the film's most memorable scene, set in an indoor swimming pool at midnight. Psychiatrist Tom Conway scoffs at the Cat Woman legend--until he recoils in horror after kissing Simon. If the film's main set looks familiar, it is because it was built for Orson Welles' The Magnificent Ambersons (Lewton later used the same set for his The Seventh Victim). Cat People was remade by director Paul Schrader in 1982. ~ Hal Erickson, All Movie Guide

Famed anonymous director Alan Smithee (in this case a hybrid of Richard Totten and Don Siegel), directed this turgid western drama concerning Marshal Frank Patch (Richard Widmark), who, even though he has kept the peace in Cottonwood Springs for over twenty years, is now considered a local joke by the town liberals who want some new blood in the Marshall's Office. They get it when Patch shoots the drunken Luke Mills (James Lydon) in self-defense. Now the forces of progress really want Patch out. So much so that the local newspaper editor, Andrew Oxley (Kent Smith) demands his resignation. Patch not only refuses to quit but disgraces Oxley so badly in front of his son Will (Mercer Harris) that Oxley kills himself. Will is now out for blood, but Patch remains stoic, even when his old friend Lou (John Saxon) comes to town to advise him to quit. Patch refuses Lou's suggestion but decides to marry Claire (Lena Horne), the owner of the local saloon and whore house. But an uninvited guest attends the wedding ceremony --Will. And both Will and his gun are loaded. ~ Paul Brenner, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide

The word "dysfunctional" hardly begins to describe the condition of the murderous Coombs family. Conducting his own "survival encounter", sadistic patriarch Avery Coombs (Kent Smith) has ordered his son Jayce (Richard Rust) to attempt to track down and kill his other son Tully (Buzz Martin). Managing to escape his family's clutches, Tully asks Paladin (Richard Boone) to help him stay alive. But Avery warns Paladin to mind his own business--or risk being hunted and killed himself. ~ Hal Erickson, All Movie Guide

Paladin (Richard Boone) and two strangers named Fisher (James Best) and Broderick (William Schallert) find themselves the prisoners of embittered cattle baron Louis Strome (Kent Smith). Strutting around his captives, Strome explains that his wife was recently murdered--and that the suspected murderer was seen skulking around the ranch in the dead of night, dressed entirely in black. Now all three prisoners are slated to hang at sunrise, unless one of the three confesses to the murder! As the minutes agonizingly tick away, Paladin must figure out how to extricate himself from this death-trap. . .and to learn all the facts surrounding the death of Mrs. Strome. ~ Hal Erickson, All Movie Guide

Director Curtis Harrington (The Killing Kind) teams with screenwriter Henry Farrell (Hush...Hush, Sweet Charlotte) for this quietly disturbing tale of a man driven to psychosomatic blindness by a horrific family tragedy. Unable to cope with the fact that he has been blamed for the fire that killed his father and disfigured his sister (Julie Harris), psychologically unsound Allan (Anthony Perkins) is committed to a mental institution. Some time later, Allan is deemed fit for release and sent to live at his sister's house. But Allan's sister is far from happy to have her brother back home, and begins to sadistically toy with his fragile psyche to the point that he starts hearing disembodied voices and sensing an ominous presence. Could it be that Allan's father is actually reaching out for revenge from beyond the grave, or have Allan's sister's continued attempts to wear at her ailing brother's fragile psyche finally had the intended results. ~ Jason Buchanan, All Movie Guide

Sam Moran (Richard Boone) is a Honolulu charter-boat captain who leads fishing expeditions in the tropical paradise. When his daughter is found murdered at the party of a wealthy young playboy, he seeks the truth about the murder. Convinced the playboy is guilty, he enlists the help of his friend Kittibelle (Joan Blondell), who runs an alcohol abuse treatment center. Sam runs into a wall of silence obviously built by hush money and islanders fearful of reprisals from the rich and powerful family. The determined dad fights to uncover the information that will land the murderer in jail as he avenges the death of his daughter. ~ Dan Pavlides, All Movie Guide

With Robert Riskin as screenwriter, director William Wellman proved in Magic Town that it was possible to make a Frank Capra-esque picture without Capra himself at the helm. James Stewart plays Rip Smith, a cynical pollster who comes across a small American town named Grandview, which represents a "perfect" balance of ethnic types, professions, political beliefs, and personal opinions (a parody of the then-current "Middletown" study). Smith publicizes this discovery, leading to a barrage of media attention and an onslaught of get-rich-quick entrepreneurs. Not surprisingly, all of this has an adverse effect on the heretofore "average" citizens of Grandview; it also seriously threatens Smith's blossoming romance with local girl Mary Peterman (Jane Wyman), who feels that her friends and neighbors are being used, exploited, and in some cases, corrupted. The satirical thrust of the film bogs down into sentimentality toward the end, but it's fun while it lasts. One of the colorful supporting characters is played by screwball-comedy favorite Donald Meek, who died during production, necessitating a number of hasty and not altogether successful rewrites. Though it pleases audiences today, Magic Town was a financial disappointment in 1947, prompting James Stewart to seek out "tougher" and more challenging roles to restore his box-office appeal. ~ Hal Erickson, All Movie Guide

Moon Pilot is an engaging Disney sci-fi comedy that manages to shoot off a few neat and surprisingly satirical barbs at the hypertense US/Russia "space race" of the era. Tom Tryon plays an astronaut who is ordered to keep his upcoming moon flight a secret, even from his family. While on a plane, Tryon is approached by lovely Dany Saval, who seems to know all about the astronaut's hush-hush mission, and who warns him about possible defects in his spacecraft. Despite the diligence of his FBI guards, Tryon is confronted time and again by Saval, who eventually reveals herself to be a visitor from the planet Beta Lyrae. A friendly alien, Saval merely wants to offer Tryon a special coating formula that will safeguard his rocket. Enchanted by the girl, Tryon plays hookey on his guards to spend more time with her, leaving the FBI, NASA, the CIA and the local constabulary to chase their own tails. When his rocket is launched, Tryon discovers that Saval has stowed away. The two sing a romantic song about Beta Lyrae while mission control (personified by Brian Keith at his most bombastic) expresses confusion over the bizarre transmissions emanating from Tryon's capsule. The release of Moon Pilot was heralded by a "preview" on Disney's Wonderful World of Color TV series, titled "Spy in the Sky." ~ Hal Erickson, All Movie Guide

Producer Samuel Goldwyn dishes up sentiment by the bowlful with My Foolish Heart. Susan Hayward is (somewhat unconvincingly) cast as a wide-eyed girl from Idaho who meets bon vivant Dana Andrews at a Manhattan party. Their brief affair results in a pregnancy, but since Andrews has been killed in the war, Hayward marries a man she doesn't love to give her child a name. The experience turns the girl into an embittered alcoholic, but she sees the light before she can cause grief for her baby. Based on a story by J. D. Salinger (the only one of this reclusive author's stories ever translated to film), My Foolish Heart strains credulity to the breaking point, but was popular enough to yield a hit title song, which is still a standard on "easy listening" FM radio stations. ~ Hal Erickson, All Movie Guide