Iain Smith Movies

A soldier returns home from war to deal with his own private battles in this independent drama. Sgt. Cole Lewis (Michael Cuomo) served tours of duty in Afghanistan and Iraq before injuries left him paralyzed from the waist down and with extensive facial scars. Lewis is sent to a VA hospital, but since the other wards are full, he ends up bunking with the patients in the psychiatric unit. Lewis soon finds himself verbally sparring with Dr. Martinez (Jose Yenque), and his willingness to stand up to authority earns him many friends on the ward, while he also becomes infatuated with Lisa (Monique Gabriela Curnen), a pretty nurse who works at the hospital. But while Lewis is eager to deal with his physical injuries, he avoids confronting the emotional trauma that has thrown him into cycles of depression and anxiety, and in time he's forced to come to term with what happened on the day he was injured. Writer and director K. Lorrel Manning adapted Happy New Year from his own one-act play, which he earlier turned into a short film; the feature had its world premiere at the 2011 South by Southwest Film Festival. ~ Mark Deming, Rovi

Night Watch director Timur Bekmambetov helms his first English-language feature film with this big-screen adaptation of Mark Millar's action-packed graphic novel. Wesley Gibson (James McAvoy) is a cube-dwelling hypochondriac whose uneventful life has become a mundane blur of terminal boredom. Repeatedly humiliated by his boss and constantly cuckolded by his cheating girlfriend, weakling Wes seems to be living right down to everyone's expectations that he would never amount to anything in life. However, upon discovering that the father he never knew has been brutally murdered, the spineless, clock-punching pushover is recruited into a secret society of assassins known as the Fraternity. During the course of his training, the man who was once an office-bound wimp develops lightning-fast reflexes and superhuman dexterity courtesy of his skilled mentor Fox (Angelina Jolie). Upon completing his training, Wes is assigned the task of dealing out death to the mythological Fates, who possess the ability to alter the lifelines of mortal men. It isn't long before the nebbish nerd-turned-agile assassin is erasing the bad guys with surprising efficiency, yet as Wes begins to carry the mantle passed down to him by his father, he gradually begins to suspect that his wise tutors are not the crime-fighting enforcers they present themselves to be. Now, with everything he ever wanted in life finally within his grasp, Wes is about to find out that the only thing more difficult than ending the lives of others is summoning the courage to take control of his own. ~ Jason Buchanan, Rovi

Requiem for a Dream director Darren Aronofsky switches gears from drug-induced urban malaise to abstract science fiction with this time-tripping symbolic tale of a man's thousand-year quest to save the woman he loves. Moving between representational stories and images, this meditation on life and death focuses on the concept of the mythical Tree of Life that is said to bestow immortality to all who drink of its sap. In one of the film's allegorical timelines, a 16th century Spanish conquistador played by Hugh Jackman sets out to find the tree in order to save his queen (Rachel Weisz) from the Inquisition. Another conceptual story finds Jackman centuries later, struggling with mortality as a modern-day scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. The third and most abstract concept finds Jackman as a different incarnation of the same character-idea, this time questing for eternal life within the confines of a floating sphere transporting the aged Tree of Life through the depths of space. Even more avant-garde than his breakthrough film Pi, The Fountain finds Aronofsky almost completely abandoning conventional story structure in favor of something more cinematically abstract. Though the film was originally slapped with an R by the MPAA, Aronofsky and co. re-edited it to conform to a PG-13 rating. ~ Jason Buchanan, Rovi

Based on the novel by Charles Frazier, Anthony Minghella's star-studded Cold Mountain is a sweeping tale set in the final days of the American Civil War. Jude Law stars as Inman, a young soldier who, despite an injury, is struggling to make his way home to Cold Mountain, NC, where his beloved Ada (Nicole Kidman) awaits. In Inman's absence, Ada befriends Ruby (Renée Zellweger), who helps her keep up her late father's farm. Meanwhile, in his travels, Inman encounters a menagerie of interesting folks. Also starring Natalie Portman, Giovanni Ribisi, Donald Sutherland, and Philip Seymore Hoffman, Cold Mountain features original music by Jack White of the White Stripes. ~ Matthew Tobey, All Movie Guide

After a long career playing good guys, Sean Connery gets to have some fun playing a crook for a change in the romantic crime thriller Entrapment -- and he even gets to break the law with the lovely Catherine Zeta-Jones. When a priceless Rembrandt painting is stolen from a New York skyscraper in a daring and technically sophisticated robbery, ace insurance investigator Virginia "Gin" Baker (Catherine Zeta-Jones) begins looking into the matter and is soon convinced it's the work of master art thief Robert "Mac" MacDougal (Sean Connery). Gin thinks the best way to get the goods on Mac (and perhaps recover the painting) is to work her way inside his operation, so she locates him in London and, posing as a fellow art thief, offers to work as his partner. While Mac is smart enough to not accept an offer like that from just anyone, most thieves don't look as good as Gin does in a leotard, and she soon proves an able assistant in a shakedown robbery where they pinch a rare Chinese mask from a British museum. After this success, Mac agrees to join forces with Gin for what is literally the heist of the millenium -- as Midnight rolls around in Kuala Lumpur on December 31, 1999, the security computers in a major multinational banking facility will be breached for a split second as the computers roll over to a new program for Y2K. Is that long enough for Gin and Mac to nab $8 billion in bank transfers? Is 14 days long enough to prepare for a robbery of this scale? And will Mac and Gin's professional relationship pave the way for some capers in the bedroom? In addition to playing the male lead, Sean Connery also co-produced this film; the supporting cast includes Ving Rhames and Maury Chaykin. ~ Mark Deming, Rovi

Good and evil battle for the future of 23rd century Earth in this visually striking big-budget science fiction epic. In the movie's prologue, which is set in 1914, scientists gather in Egypt at the site of an event that transpired centuries earlier. Aliens, it seemed, arrived to collect four stones representing the four basic elements (earth, air, fire and water) - warning their human contacts that the objects were no longer safe on Earth. A few hundred years later (in the 23rd century), a huge ball of molten lava and flame is hurtling toward Earth, and scientist-holy man Victor Cornelius (Ian Holm) declares that in order to prevent it from destroying the planet, the same four elemental stones must be combined with the fifth element, as embodied by a visitor from another world named Leeloo (Milla Jovovich). However, if the force of evil presents itself to the stones instead, the Earth will be destroyed, and an evil being named Zorg (Gary Oldman) will trigger the disaster. Despite her remarkable powers, Leeloo needs help with her mission, and she chooses her accomplice, military leader-turned-cab driver Korben Dallas (Bruce Willis), when she literally falls through the roof of his taxi. Writer and director Luc Besson began writing the script for The Fifth Element when he was only 16 years old, though he was 38 before he was able to bring it to the screen.
~ Mark Deming, Rovi

This, the second of 1992's 500th anniversary Christopher Columbus films (the first being Warner Bros. Christopher Columbus: The Discovery), adheres to the historical facts of Columbus's (Gerard Depardieu) possessed quest to discover the New World, and his solicitation of Queen Isabella (Sigourney Weaver) to gain the necessary funding. Despite travelogue-quality footage replete with beautiful scenery of Caribbean islands and a massive cast, this film tends to plod along with too predictable a plot and a mis-cast Columbus. Depardieu -- a very capable French actor speaking English and playing an Italian -- becomes perhaps the movie's bright spot (even if at his own expense) as he laughably struggles with line after line. Michael Wincott puts forth a worthy performance as a nasty Spanish nobleman whose mistreatment of the natives results in an open rebellion. ~ Rovi

When a father attempts to return to his abandoned family after 23 years his grown son tries to murder his drunk, unemployed father. ~ Rovi

Featuring a majestic score by Ennio Morricone and lush Oscar-winning cinematography by Chris Menges, Roland Joffé's The Mission examines the events surrounding the Treaty of Madrid in 1750, when Spain ceded part of South America to Portugal, and turns this episode into an allegory for the mid-'80s struggles of Latin America. Two European forces are on hand to win the South American natives over to imperialist ways. The plunderers want to extract riches and slaves from the New World. The missionaries, on the other hand, want to convert the Indians to Christianity and win over their souls. Mendoza (Robert De Niro) is an exploiter dabbling in the slave trade. But after he kills his brother Felipe (Aidan Quinn) in a fit of rage, he seeks redemption and calls upon the missionaries to assist him. After repeatedly climbing a cliff with a heavy weight as penance, Mendoza finds redemption and becomes a devout missionary at a settlement run by Gabriel (Jeremy Irons). The missionaries want to promote a new society in which the natives will live together in peace with the Spanish and the Portuguese. But this concept frightens the royal governors, who would rather enslave the natives than encourage peaceful coexistence between the Europeans and the Indians. They order the mission to be burned to the ground. But this event causes a rift between Gabriel, who wants to pray and pursue peaceful resistance, and Mendoza, who wants to take up arms and fight the Europeans. ~ Paul Brenner, Rovi

The Killing Fields is a romanticized adaptation of an eyewitness magazine story by New York Times correspondent Sidney Schanberg. Covering the U.S. pullout from Vietnam in 1975, Schanberg (Sam Waterston) relies on his Cambodian friend and translator Dith Pran (Haing S. Ngor) for inside information. Schanberg has an opportunity to rescue Dith Pran when the U.S. army evacuates all Cambodian citizens; instead, the reporter coerces his friend to remain behind to continue sending him news flashes. Although his family is helicoptered out of Saigon (a recreation of the famous TV news clip), Dith Pran stays with Schanberg on the ground. Racked with guilt, Schanberg does his best to arrange for Dith Pran's escape, but the Cambodian is captured by the dreaded Khmer Rouge. Accepting his Pulitzer Prize on behalf of Dith Pran, Schanberg vows to do right by his friend and extricate him from Cambodia. The rest of the film details Dith Pran's harrowing experiences at the hands of the Khmer Rouge, and his attempt to escape on his own. The Killing Fields won Academy Awards for Hang S. Ngor (a Cambodian doctor who lived through many of the horrific events depicted herein), cinematographer Chris Menges, and editor Jim Clark; an Oscar nomination went to Roland Joffe, who made his directorial debut with this film. Spalding Gray, who played a small role in the film, later elaborated on this experiences in his one-man stage presentation Swimming to Cambodia. ~ Hal Erickson, Rovi