John Sloss Movies

Zooey Deschanel, Aaron Stanford, Izabella Miko, and Christopher Lloyd star in director Michael Lehmann's comedy concerning a New Orleans cereal bar manager whose slacker lifestyle is turned upside down when a rival cereal shop threatens both his livelihood and his love life. ~ Jason Buchanan, All Movie Guide

An embittered television executive working for a hip-hop-oriented music channel finds her fate intricately tied with a New York City taxi driver after hailing his cab for questionable purposes in director Jeff Stanzler's intimate look at the tenuous relationship between Caucasians and Muslims in post-9/11 America. Phoebe (Robin Wright Penn) hates her job at Q Dog TV, and focuses the brunt of her disgruntled rage squarely on co-worker Phyllis MacIntyre (Sandra Oh). During the course of their extended journey to Phoebe's suburban destination, troubled Muslim cab driver Ashade (Abdel Kechiche) confides to his passenger that the arrest of his brother on charges of suspected terrorism has thrown his family into chaos. Though the increasingly unstable Phoebe listens diligently to Ashade's tragic confession -- even offering to help the distraught Syrian chemist-turned-cab driver's struggling family -- it's only after arriving at his fare's destination that Ashade truly begins to grasp Phoebe's true nature and realize that he has made a grave mistake in placing his trust in her. ~ Jason Buchanan, All Movie Guide

Wim Wenders drama Land of Plenty stars John Diehl and Michelle Williams as two very different people who are brought together for an unconventional road trip. The film takes place after September 11, 2001, and the main characters are dealing with their grief in very different ways. Paul (Diehl) keeps his paranoid eye on the lookout for terrorists wherever he goes. His niece Lana, Williams) does charity work for the indigent. After a young Muslim is shot dead, the uncle and niece travel together - her to bring the body back to the family, he to wipe out the terrorists he is convinced the young man worked with. ~ Perry Seibert, All Movie Guide

In 2000, director Michael Almereyda brought his film crew to San Francisco to document the rehearsal process for the Magic Theater's production of Sam Shepard's play The Late Henry Moss, as directed by the playwright himself. The resulting film, This So-Called Disaster, is partly a study of the magic of theater, as well as a study of the fascinating Shepard, who is nearly universally considered one of the most influential American dramatists of the past century. Shepard and Almereyda's first collaboration came via the former's adaptation of Hamlet, in which Shepard played the part of the Ghost of Hamlet's father. Shepard, in turn, invited Almereyda to film the rehearsal process for his latest play, The Late Henry Moss, a 16-year labor of love for Shepard that relates a fictional recounting of the playwright's own relationship with his late father. Following the cast -- which includes such luminaries as Sean Penn, Nick Nolte, Cheech Marin, and Woody Harrelson -- and the crew until the production's opening night, Almereyda observes the minutiae involved in leading up to the first curtain, as well as some private moments with Shepard as he recounts some of his personal history as related to The Late Henry Moss. This So-Called Disaster was included in the programs for the 2003 Rotterdam International Film Festival and the Tribeca Film Festival. ~ Ryan Shriver, All Movie Guide

Two young people from different cultures fall in love and have to face the emotional fallout of their actions in this urban drama set in Brooklyn's rough-and-tumble Crown Heights neighborhood. Sol (Tariq Trotter) is a young man of West Indian descent who is the leader of a group of Afrocentric hip-hop musicians struggling to succeed in the recording industry. Sol and his friend Scratch (Bonz Malone) get into an auto accident one afternoon with Judah (David Vadim), a young Jewish man out for a drive with his girlfriend Sara (Karen Goberman). While Judah and Scratch get into an argument, Sol and Sara attempt to deal with the problem more reasonably, and the two find they have an unexpected rapport. Sol and Sara become fast friends, and their friendship soon grows into a romance, but Sara finds that Judah is both angry and heartbroken about her new relationship, while her conservative family does not trust Sol. Sol's friends, meanwhile, are no more supportive of him, believing he's betraying his culture by becoming involved with Sara. Leading man Tariq Trotter (also known as Black Thought) is the frontman of the acclaimed hip-hop group the Roots, who appear in the film as Sol's band and perform several original compositions for the soundtrack. Brooklyn Babylon received its world premiere as an opening night attraction at the 2001 Slamdance Film Festival, where it was screened over the objections of the film's distributor, Artisan Pictures. ~ Mark Deming, All Movie Guide

The Ballad of Little Jo is based on a true story -- several true stories, in fact. Suzy Amis plays demure young Josephine Monagan, who in 1866 is run out of her home town after bearing an illegitimate child. Fleeing westward, Josephine is terrified by stories of how treacherous the frontier can be for a woman alone. As a result, upon arriving in the muddy burg of Ruby City, she disguises herself as a man, going so far as to scar her face to suggest that she's been in a few scrapes. In this guise, "Little Jo" does just fine by herself for nearly 30 years! Almost as good as Suzy Amis is Bo Hopkins as gunslinger Frank Badger, Little Jo's best buddy (if only he knew....) Written and directed by Maggie Greenwald, The Ballad of Little Jo does a marvelous job conveying the people and places of its period; and, unlike Bad Girls (which was released around the same time), we aren't bludgeoned to death by feminist revisionism. Unfortunately ignored when it went out to theatres in the fall of 1993, The Ballad of Little Jo has fared rather better on video. ~ Hal Erickson, All Movie Guide

The war on drugs has been lost, and when a reluctant undercover cop is ordered to spy on those he is closest to, the toll that the mission takes on his sanity is too great to comprehend in director Richard Linklater's rotoscoped take on Philip K. Dick's classic novel. With stratospheric concern over national security prompting paranoid government officials to begin spying on citizens, trust is a luxury and everyone is a suspected criminal until proven otherwise. Bob Arctor (Keanu Reeves) is a narcotics officer who is issued an order to spy on his friends and report back to headquarters. In addition to being a cop, though, Arctor is also an addict. His drug of choice is a ubiquitous street drug called Substance D, a drug known well for producing split personalities in its users. ~ Jason Buchanan, All Movie Guide

Richard Linklater directs the romantic drama Before Sunset, a sequel to Before Sunrise (1995). Jesse (Ethan Hawke) and Celine (Julie Delpy) were strangers who spent a loquacious night together in Vienna. Nine years later, Jesse has written a book about the encounter. During his accelerated European book tour, he reunites with Celine in Paris. Before Jesse's flight home, he joins Celine for a picturesque walk around Paris peppered with intimate conversation: at first, about the minutiae of their day-to-day lives and their relationships, and then about their lingering feelings for one another. Before Sunset was nominated for the Golden Bear at the Berlin International Film Festival. ~ Andrea LeVasseur, All Movie Guide

From a script by first-time screenwriter Benjamin Brand, filmmaker Greg Harrison helmed this fantastical, psychological drama, the follow-up to his 2000 Independent Spirit-award nominated debut, Groove. Courteney Cox Arquette (TV's Friends) stars as Sophie Jacobs, a photographer who is stricken with feelings of guilt and sadness when her boyfriend is murdered during a robbery. Haunted by a belief that she could have somehow prevented the death, Sophie soon begins to see things that ought not be there and is forced to question the reality around her. Also starring James LeGros and Anne Archer, November had its premiere at the 2004 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

Drawn into a menacing underground world of the New Orleans elite while searching for her missing sister, Muriel (Shalom Harlow), Amelia (Liane Balaban) is aided in her investigation by ex-CIA agent Bill (Clarence Williams III) in this effort from Nadja director Michael Almereyda. Soon discovering mysterious webcam footage on Muriel's laptop computer that will seemingly aid them in finding Amelia's sister, the duo is confronted with shifting identities in a scene where no one is quite who they appear to be on the surface. An obscure and disturbing study in the nature of avatars in the age of technological isolation, Almereyda's haunting drama soon leads Amelia and Bill into a complex web buried deep in the underground of a mysterious and sometimes menacing city. ~ Jason Buchanan, All Movie Guide

Actor Ethan Hawke takes the director's chair for a test drive with this independent feature, based on a play by Nicole Burdette, in which a number of creative types living in New York's famed bohemian enclave the Chelsea Hotel struggle with their muses as well as their personal concerns. Middle-aged novelist Bud (Kris Kristofferson) is having problems with his latest project, as well as his appetite for alcohol, while he juggles two relationships -- with his wife Greta (Tuesday Weld) and his lover Mary (Natasha Richardson). Audrey (Rosario Dawson) is a poet who is attracted to Val (Mark Webber), but Val has a hard time staying away from drugs, and his pal Crutches (Kevin Corrigan) is doing nothing to help. Grace (Uma Thurman) is trying to make a name for herself as a poet, but in the meantime she supports herself waiting tables; she's developed a crush on her neighbor Frank (Vincent D'Onofrio), but she can't figure out how to get him to pay attention to her. And Ross (Steve Zahn) and Terry (Robert Sean Leonard) are a pair of would-be rock stars who have just arrived in New York from the Midwest, wondering how to get noticed as they try to pick up women. Jeff Tweedy from the acclaimed rock band Wilco composed the film's musical score, while legendary jazz vocalist Jimmy Scott appears in a nightclub scene. ~ Mark Deming, All Movie Guide

Three women whose lives have followed very different paths ponder their pasts and their futures in this omnibus film from second-time director Rebecca Miller, adapted from her acclaimed short story collection of the same name. Delia (Kyra Sedgwick) grew up in a fractured household; her mother abandoned the family when Delia was a child, and her father (Brian Tarantina) was a drug-addled loser who could barely be prodded off the couch. When she entered adolescence, Delia realized that she could use her body to get men to do as she pleased. While this gained her a feeling of power and self-sufficiency, it also earned her a reputation as the "class slut," and the end product was her marriage to Kurt (David Warshofsky). Greta (Parker Posey) is the daughter of a successful lawyer (Ron Leibman) who left her mother when she was young and offered Greta criticism rather than affection. Plagued with self-doubt, Greta is squandering her literary talents editing cookbooks and is married to Lee (Tim Guinee. When Thavi (Joel de la Fuente), a respected and successful young novelist, asks Greta to edit his next novel, it forces her to reassess herself on a number of levels. Finally, Paula (Fairuza Balk), yet another product of a fractured family, ran away from her mother and was homeless until she met Vincent (Seth Gilliam), who took her in and became her boyfriend. A year later, Paula is uncertain in her feelings about Vincent, unsettled to learn that she's pregnant, and startled after witnessing a murder while out clubbing with a friend; she hits the road again, and soon picks up a fellow alienated teen, Kevin (Lou Taylor Pucci), who bears the scars of a recent -- and very brutal -- beating. Personal Velocity: Three Portraits was honored with the Grand Jury Prize at the 2002 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Is Ruby Weaver's Mr. Right really an emissary from the year 2,470, or is he just a complete loon ball? This question is at the heart of Brad Anderson's whimsical romantic comedy. The story opens with Ruby (Marisa Tomei) lamenting over her boyfriend Sam (Vincent D'Onofrio) to her shrink (Holland Taylor). In a series of flashbacks, the film quickly sketches Ruby as a neurotic with an unhappy track record concerning men and Sam as an oddball who is afraid of small dogs and has a barcode tattooed to his arm. But he's nuts over Ruby, and at least initially, that is enough for her. Slowly, Sam begins to reveal his "past." He tells her that he is from the Dubuque of the future and that he hails from a rare "anachronistic" family who believe that reproduction should occur the old-fashioned, fun way as opposed to the more popular cloning method. At first, Ruby is amused, until she realizes that he's not kidding. After a series of arguments, he agrees to visit Ruby's analyst, which yields unexpected results. This film premiered at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide