Anthea Sylbert Movies

The events of 1977 and 1978 permanently marred director Roman Polanski's life. Accused of unlawful sexual assault on minor Samantha Geimer during his stay at actor Jack Nicholson's house in March of 1977, Polanski wound up in the midst of controversial judicial proceedings that many read as supremely unfair. After being temporarily sprung on 2,500 dollars bail, Polanski then fled the United States for Europe in 1978, with the threat of incarceration hanging over him should he ever return. With her documentary Roman Polanski: Wanted and Desired, filmmaker Marina Zenovich revisits this difficult case via extensive interviews with Geimer, defense attorney Douglas Dalton, Assistant DA Roger Gunson, and others. In the process, she raises pivotal questions about the U.S. legal system and the fairness of the judge, Laurence J. Rittenband (who was reportedly extremely vocal about his desire to topple Polanski) and encounters many recollections of judicial malfeasance from those who were involved. ~ Nathan Southern, All Movie Guide

The feminist outrage of Thelma & Louise (1991) screenwriter Callie Khouri blended superbly with director Lasse Hallstrom's predilection for stories about idiosyncratic families in this effective comedy-drama. Julia Roberts stars as Grace King Bichon, a prim small-town wife who is incensed when she learns that her husband Eddie Bichon (Dennis Quaid) is having an affair, and that it's not his first dalliance. Grace embarrasses her husband publicly -- then moves in with her wise-mouthed little sister Emma Rae (the scene-stealing Kyra Sedgwick). Grace becomes even angrier when her mother Georgia (Gena Rowlands) and wealthy father, horse breeder Wyly King (Robert Duvall), side with Eddie in the conflict, fearing the small-town gossip that's sure to swirl around their daughter's marital woes. However, when Georgia finds that Wyly has been a long-term philanderer as well, she kicks him out of his palatial home, embroiling the entire King family in a war between the sexes. Something to Talk About went through several title changes, variously being named "Game of Love" and "Grace Under Pressure" before producers settled on the title of the popular Bonnie Raitt song. ~ Karl Williams, All Movie Guide

Goldie Hawn delivers a surprisingly understated performance (allowing the audience to shift their laughter from the usually comic Hawn to the unbelievable storyline) in the unsuccessful thriller Deceived. Hawn plays Adrienne Saunders, a successful art restorer who is married to Jack (John Heard), a devoted husband who is also an expert in the antiques business. Married for six years and parents of a charming 5-year-old daughter Mary (Ashley Peldon), the Saunders appear to have everything going for them. But after a series of odd occurrences that even an idiot would notice, Adrienne finally comes the conclusion that her husband is not the man she thought he was when she married him. After Jack tells Mary that he was in Boston but Adrienne's friend tells her she saw him in New York, the mysterious clues begin piling up and are too numerous to ignore: there's a call from a department store concerning some sexy lingerie that Jack purchased; a friend is found murdered after checking on the authenticity of an Egyptian necklace; and there are indications that Jack was involved with a scheme to steal artifacts from a museum. Adrienne is finally convinced that something is fishy about her husband when he mysteriously dies is an auto wreck, and she discovers that Jack has been using the name of a man who had died 16 years earlier. Adrienne proceeds to polish her magnifying glass and conducts some detective work on her own to find out who her husband really was. This is when the danger really begins. ~ Paul Brenner, All Movie Guide

Richard Roundtree stars as tennis-coach Chip Williams in this uneven adolescent comedy. Coach Williams must whip his players into shape for the big tournament in Las Vegas. The Kid (Scott Strader) and his cohorts run wild in Vegas on and off the court as the coach tries to keep the star players out of trouble before the match. Christopher Lee and R. G. Armstrong appear in character roles and Jane Mansfield's daughter Mariska Hargitay is the heroine Nicole. ~ Dan Pavlides, All Movie Guide

Blonde-haired, blue-eyed women's libber Molly McGrath (Goldie Hawn) quits her teaching job at a comfortable middle-class school to take a new position as varsity football coach at a predominantly black inner-city school. Culture and gender clashes abound; she must win over the hard-boiled youths, convince them to practice hard and show up for class, and convince them they can win football games. Her job begins to take a toll on her family, however, when her ex-husband (James Keach) attempts to take away her daughter, claiming she is neglecting her responsibilities as a mother. Wildcats marked the fourth sports film directed by Michael Ritchie. ~ Jeremy Beday, All Movie Guide

F.I.S.T. is author Norman Jewison's chronicle of an innocent and idealistic young man corrupted by power and success as seen through the rise of the United States labor movement. Sylvester Stallone plays a Jimmy Hoffa-inspired figure who rises through the union ranks during turbulent labor times. The film begins in 1937 during the burgeoning of the labor movement. Johnny Kovak (Sylvester Stallone) works on the dock unloading trucks for Win Talbot's (Henry Wilcoxon) trucking company. He turns to organizing the truckers for union representative Mike Monahan (Richard Herd). When Monahan is killed in a fight by strong-arm men hired by the company, Johnny becomes involved with Vince Doyle (Kevin Conway), the local gangster. After an angry response by the union, culminating in a massive riot, Johnny firmly aligns himself with Doyle, and the mob gets its meathooks further into the union. Thanks to the infusion of mob support, the union grows rich and powerful, along with Johnny. By the end of the 1950s, Johnny has so much power that he even manages to blackmail international union leader Max Graham (Peter Boyle) out of his job. Johnny is sitting on top of the world -- that is, until crusading United States senator Andrew Madison (Rod Steiger) targets Johnny's union for a federal investigation. ~ Paul Brenner, All Movie Guide

Elia Kazan directed this curiously constipated film adaptation of F. Scott Fitzgerald's unfinished final novel, about Monroe Starr, a brilliant and efficient studio executive (based upon Fitzgerald's experiences with MGM wunderkind Irving Thalberg). Robert De Niro plays Monroe Starr in a cool and detached manner, and as Kazan pans around the Hollywood Dream Factory of the 1930s, Starr juggles several productions, deals with nervous actors and recalcitrant directors, stays afloat in the Hollywood corporate battlefields, and secretly carries on a love affair with an even cooler and more detached English girl, Kathleen Moore (Ingrid Boulting). ~ Paul Brenner, All Movie Guide

A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie Hawn) and mistress Felicia (Lee Grant), not to mention Felicia's daughter (Carrie Fisher), he meets Felicia's husband Lester (Jack Warden) to get money for the salon and discovers that his beloved ex-girlfriend Jackie (Julie Christie) is now Lester's mistress. Lester asks George to escort Jackie to a banquet for Nixon supporters, leading to a series of climactic confrontations at the dinner and a Hollywood orgy that expose the conflicting demands of sex, love, and security among these terminally narcissistic L.A. denizens. As Nixon's victory speech drones in the background the following day and Paul Simon's mournful '60s music plays on the soundtrack, George's free-wheeling world collapses around him for reasons that he can barely begin to comprehend. Produced and co-written (with Chinatown scribe Robert Towne) by its star Warren Beatty, Shampoo became Beatty's second critical and popular success as a producer after Bonnie and Clyde, and it bolstered Hal Ashby's track record as director. Shampoo earned Grant an Oscar for Best Supporting Actress, as well as a Supporting Actor nomination for Warden and Beatty's first nomination as writer. With Nixon's 1974 Watergate disgrace adding an extra edge to the humor for 1975 audiences, this tragic bedroom farce became one of the highest-grossing films in Columbia Pictures' history at the time. ~ Lucia Bozzola, All Movie Guide

"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, All Movie Guide

In one of John Wayne's more interesting late Westerns, "The Duke" plays Will Anderson, a crusty veteran cattleman preparing a 400-mile drive to get a herd of steers to market. Shortly before the trip is scheduled to begin, Will's crew quits when they get word of a nearby gold strike. With little time and few alternatives, Will recruits eleven boys, ages nine through 13, and teaches them the basics of herding cattle and riding the range. Bruce Dern plays a memorably foul villain and cattle rustler named Long Hair, while Roscoe Lee Browne portrays Jebediah, the cattle drive cook, and Colleen Dewhurst is Kate, a madam. ~ Mark Deming, All Movie Guide

Set during the Civil War, Bad Company stars Barry Brown as a Northern boy, Drew Dixon, who heads West to avoid getting drafted. He falls under the spell of Jake Rumsey (Jeff Bridges), an easygoing young con artist. Drew joins Jake's gang of boy bandits, who live by their wits and try to avoid confrontation with adult criminals like Big Joe (David Huddleston). It is Drew who must eventually save Jake from hanging, even though he realizes that his intervention could lead to his own execution. ~ Hal Erickson, All Movie Guide

In this comedy, Harold Weiss (Richard Benjamin) is a professor at the time of the Cuban Missile Crisis in 1962, when a nuclear holocaust seemed imminent. Rather than sit around waiting to die, he decides to drive from Long Island to Los Angeles, taking in such sights as Las Vegas along the way. As he travels, he assumes different momentary identities which he uses--to humorous effect--in his interactions with the people he meets. This story is captured in a number of short sketch-like episodes, as the professor acts out his fantasies with increasing abandon. ~ Clarke Fountain, All Movie Guide

In this satirical comedy, Fred Amidon (Dick Van Dyke) is a Fifth Avenue bank teller waiting for his divorce to be finalized to end his marriage to Rachel (Angie Dickinson). He and fellow employee Pamela (Rosemary Forsyth) plan to marry once the ink dries on the decree. A Central Park picnic with Pamela finds Fred suffering a bee string on his chin, which he covers with a bandage, but Fred's bandaged chin causes concern for the bank vice president, who expresses his dissatisfaction. Fred then goes on a three-week vacation, and during that time he grows a beard because the bee sting makes it difficult to shave. He returns to work, and when he refuses to shave, he is branded a rebel and a symbolic hero in the worker struggle against management. The unhappy Pamela recruits her two brothers to capture Fred and shave his beard, leading to a slapstick chase with Fred clad only in his underwear. He is arrested and locked up in the local psychiatric unit. When Rachel hears of his plight, she is moved to resolve their marital differences, and the two reconcile with only minutes to spare before their divorce becomes final. ~ Dan Pavlides, All Movie Guide