Morris Carnovsky Movies

James Toback made his screenwriting debut with this taut drama, loosely adapted from the story by Dostoevsky. Axel Freed (James Caan) is an intelligent and well-respected professor of literature at a noted New York university, who uses great writing as a springboard for examining moral and philosophical issues in his class. But when he's not in front of the chalkboard, Axel has a serious problem -- he's hopelessly addicted to gambling. Axel will bet on almost anything, and while he lives for the heady rush of winning, it doesn't happen all that often, and Axel's latest losing streak has put him in debt to his bookies to the tune of $44,000, more than a college professor could hope to pay in 1974. Even after tapping his mother (Jacqueline Brookes), his grandfather (Morris Carnovsky), and his girlfriend (Lauren Hutton) for cash, Axel still owes thousands to his bookie Hips (Paul Sorvino), who is quickly losing his patience with Axel, especially when he learns after he finally scored a major winning streak, rather than paying off his bills he used the money to keep gambling ... and lost it all, leading to visits from an increasingly threatening series of underworld "collectors." The Gambler also features supporting performances from Burt Young, James Woods, and M. Emmett Walsh. ~ Mark Deming, All Movie Guide

In the vein of Spellbound and Rebecca comes this 1951 film noir from director James V. Kern. Robert Young stars as Jeff Cohalan, a successful architect who is tormented by the fact that his fiancée was killed in a mysterious car accident on the night before their wedding. Blaming himself for her death, Colahan spends his time alone, lamenting in the cliff-top home he'd designed for his bride-to-be. To make matters worse, ever since the accident, Colahan seems to be followed by bad luck. His horse and dog turn up dead without explanation, leading him to wonder if he has been cursed. Enter Ellen Foster (Betsy Drake), an independent and intelligent insurance investigator who just might be able to help Colahan figure out who or what's behind all of his misfortune. ~ Matthew Tobey, All Movie Guide

Despite its title, Western Pacific Agent is a contemporary crime melodrama. Kent Taylor stars as a railroad detective, assigned to track down an elusive robber-murderer. The audience knows from the outset who the culprit is (hotheaded Mickey Knox, who delivers an astonishingly vicious performance), but the plot requires the detective to methodically piece together the evidence before making his final move. Helping him solve the crime is the sister (Sheila Ryan) of a slain paymaster (Robert Lowery). The whole story is narrated in flashback by an uncredited Jason Robards Sr. One of the most brutal films of its era, Western Pacific Agent spares the audience nothing: at one point, the villain beats up his own father! ~ Hal Erickson, All Movie Guide

The definitive Joseph H. Lewis-directed melodrama, Gun Crazy is the "Bonnie and Clyde" story retooled for the disillusioned postwar generation. John Dall plays a timorous, emotionally disturbed World War II veteran who has had a lifelong fixation with guns. He meets a kindred spirit in carnival sharpshooter Peggy Cummins, who is equally disturbed -- but a lot smarter, and hence a lot more dangerous. Beyond their physical attraction to one another, both Dall and Cummins are obsessed with firearms. They embark on a crime spree, with Cummins as the brains and Dall as the trigger man. As sociopathic a duo as are likely to be found in a 1940s film, Dall and Cummins are also perversely fascinating. As they dance their last dance before dying in a hail of police bullets, the audience is half hoping that somehow they'll escape the Inevitable. Some critics have complained that Dall is far too effeminate and Cummins too butch, but Joseph H. Lewis was never known to draw anything in less than broad strokes: recall the climax of Terror in a Texas Town, wherein Sterling Hayden participates in a western showdown armed with a whaler's harpoon. The best and most talked-about scene in Gun Crazy is the bank robbery sequence, shot in "real time" from the back seat of Dall and Cummins' getaway car. Originally slated for Monogram release, Gun Crazy enjoyed a wider exposure when its producers, the enterprising King Brothers, chose United Artists as the distributor. The film was based on a magazine article by MacKinlay Kantor; one of the scenarists was uncredited blacklistee Dalton Trumbo. ~ Hal Erickson, All Movie Guide

One of the great onscreen romantic pairings, Alan Ladd and Veronica Lake, ended with this romantic adventure film, their fourth cinematic collaboration. In Shanghai after WWII, veteran pilots Larry Briggs (Ladd) and Pete Rocco (Wally Cassell) are dismayed when informed that friend Mike Perry (Douglas Dick) will soon die of a terminal illness. Larry and Pete decide to keep the tragic news from Mike and spend the next weeks showing him a high time. To finance the festivities, they accept an offer of $10,000 from unscrupulous war profiteer Zlex Maris (Morris Carnovsky) in exchange for a flight to Vietnam. When departure time arrives, Maris shows up with the police in hot pursuit, so the buddies take off with his secretary, Susan Neaves (Lake), whose briefcase contains Maris' earnings -- $500,000. En route to Saigon, however, the crew crash-lands in an Asian jungle. As they make their way back to civilization with a detective (Luther Adler) tailing them, Mike develops feelings for Susan, who plays along at Larry's urging. Susan, however, is actually falling for Larry and vice versa. ~ Karl Williams, All Movie Guide

In Dead Reckoning, Rip Murdock (Humphrey Bogart) recites the film's plotline to a priest in the confessional. Murdock and Johnny Drake (William Prince) are Congressional Medal of Honor recipients, en route to Washington by train. Drake hops off and disappears, leading Murdock on a hectic manhunt. Upon meeting Drake's former girlfriend Coral Chandler (Lizabeth Scott), Murdock is thrown into a maelstrom of intrigue involving a crooked gambler (Morris Carnovsky) and a complex blackmailing scheme. The upshot of this is that Murdock finds himself the prime suspect in a murder. ~ Hal Erickson, All Movie Guide

Canadian WW II pilot Gerard (Dick Powell) intends to track down and kill collaborationist Marcel Jarne, the man responsible for the wartime death of Gerard's French wife. The trouble is, Jarne has never been effectively identified by the authorities -- and in fact could be just about anyone whom Gerard meets. Following the trail of evidence to Buenos Aires, Gerard's strongarm methods run afoul not only of the Argentine authorities, but also of a pro-French underground movement which also wants to bring the villain to justice. Weaselly Incza (Walter Slezak) plays all sides down the middle until he too is ruthlessly rubbed out by the bad guy. From start to finish, Cornered is a superb thriller, directed with graphic ingenuity and economy -- and with a dash of endearingly naïve left-leaning politicizing. (With Edward Dmytryk as director, how could it be otherwise?) Avoid at all costs the computer-colored version of this beautifully photographed black-and-white film. ~ Hal Erickson, All Movie Guide

An earnest rural melodrama set among Norwegian immigrants in Wisconsin, Our Vines Have Tender Grapes is a slightly updated version of George Victor Martin's 1940 novel. Edward G. Robinson stars as Martinius Jacobson, a farmer devoted to his wife Bruna (Agnes Moorehead) and precocious seven-year-old daughter Selma (Margaret O'Brien), whom he lovingly calls "Jente Mi." Along with her freckle-faced five-year-old cousin, Arnold (Jackie "Butch" Jenkins), Selma lives a carefree, joyous life, which is only temporarily clouded by the sudden death of Ingeborg Jensen (Dorothy Morris), an emotionally disturbed young women whose stern father (Charles Middleton) had refused to let her attend school despite the pleas of newly arrived schoolmarm Viola Johnson (Frances Gifford). The latter is quietly falling in love with Nels Halvorson (James Craig), the town newspaper editor, but cannot envision herself as a rural wife. She changes her mind when, inspired by young Selma, the entire town of Fuller Junction come to the aid of Bjorn Bjornson (Morris Carnovsky), who has lost his livestock when lightning struck a newly erected barn. When Selma generously donates her pet calf to the impoverished farmer, the townspeople in general, and Martinius in particular, follow suit, prompting Viola to reconsider her harsh views of country life and retract her letter of resignation to the school board. ~ Hans J. Wollstein, All Movie Guide

A plot revealed through the correspondence between German-American businessman and his Jewish partner, Lukas, the German-American, returns to Germany during the early Nazi years and gets caught up in the racist philosophies. He goes to the point of denying even his partner's daughter, who is engaged to Lukas's son. Disastrous results follow this man's newly acquired bigoted decisions. ~ All Movie Guide

The Norwegian resistance to the Nazi occupation of their country inspired several wartime films from Hollywood, including this Warner Bros. production, filmed in and around Monterey, California. In October 1942, a German observation airplane discovers a seaside village named Trollness where the Norwegian flag is flying over the town square. A ground patrol discovers an empty town littered with corpses, including a number of Nazi officials. The story of the massacre is told in flashback. Errol Flynn plays Gunnar Brogge, a fisherman engaged to Karen Stensgard (Ann Sheridan), whose father, Martin (alter Huston), is the village physician. Gunnar and Karen are working to undermine the Nazis. The town is divided, with the minister leading a contingent which believes that violence, even against the sadistic Germans, is morally wrong. Karen is concerned about the imminent arrival of her brother, who is known to be friendly to the German occupiers; she fears he may learn of plans by the British to deliver a supply of guns to the resistance. The Nazi commandant, Captain Konig (Helmut Dantine), keeps up the pressure to learn of any opposition to his administration, eventually deciding to execute a selected number of the villagers to force someone to reveal the extent of the resistance's schemes. ~ Tom Wiener, All Movie Guide

The second of Paul Muni's biographical films for Warner Bros., the Oscar-winning The Life of Emile Zola is by far the best, even allowing for the dramatic license taken with the material. When first we meet French novelist and essayist Zola, he is starving in a Parisian garret with his painter friend, Paul Cezanne. Each time Zola attempts to write "the truth," he is stymied by governmental censors. Still, he is able to achieve both fame and fortune with the publication of "Nana," an unardorned and best-selling tale of a prostitute (whom we can safely assume was not quite as likeable or attractive as Erin O'Brien-Moore, who plays the novel's "role model"). The lion's share of the film is devoted to Zola's attempts to clear the reputation of Army captain Alfred Dreyfus (Joseph Schildkraut), who has been framed on a charge of treason by his superiors and condemned to Devil's Island. Publishing his famous manifesto "J'accuse," Zola leaves himself wide open for public condemnation and criminal prosecution. Though he delivers a brilliant self-defense in court, Zola is found guilty. Forced to flee to England, he continues railing against the unjust, corrupt military establishment, eventually forcing a retrial and exoneration of Dreyfus. Alas, Zola is killed in a freak accident at home before he can meet the liberated Dreyfus. At his funeral, Emile Zola is eulogized by Anatole France (Morris Carnovsky), who refers to the fallen crusader as "a moment of the conscience of man." For various reasons -- some dramatic, some legal -- the actual facts of "L'affaire Dreyfus" are altered by the Norman Reilly Raine/Heinz Herald/Geza Herczeg screenplay.

The fact that Dreyfus was railroaded because he was Jewish is obscured; in fact, except for a very brief visual reference, the word "Jew" is never mentioned. Only those villains whose names were a matter of public record (Major Dort, Major Esterhazy) are specifically identified. Others are referred to as the Chief of Staff, the Minister of War, etc. to avoid lawsuits from their descendants (remember that the events depicted in the film, most of which take place between 1894 and 1902, were still within living memory in 1937). As for Dreyfus himself, he was not freed and restored to rank in 1902, the year of Zola's death, but in 1906-after being found guilty again in an 1899 retrial (Dreyfus died in 1935, outliving everyone else involved in the case). These historical gaffes can be forgiven in the light of the film's overall message: that a single small, clear voice can fight City Hall. If for nothing else, The Life of Emile Zola deserves classic status due to Paul Muni's towering performance, most notably in the unforgettable summation scene: "By all that I have done for France, by my works -- by all that I have written, I swear to you that Dreyfus is innocent. May all that melt away -- may my name be forgotten, if Dreyfus is not innocent. He is innocent." ~ Hal Erickson, All Movie Guide