Gary Sinise

Twelve men who belong to one of the world's most exclusive fraternities -- people who've walked on the surface of the moon -- are paid homage in this documentary. Using newsreel footage, rare NASA photographs, and digitally animated re-creations, Magnificent Desolation: Walking on the Moon examines the Apollo missions between 1969 and 1972 which put astronauts on the moon. In addition to explaining the technological know-how necessary to take our fliers to the moon, the film shares the thoughts of astronauts about what they saw and experienced in space, taken from their speeches and writings and read by a cast of distinguished actors, including Paul Newman, Morgan Freeman, Scott Glenn, Bill Paxton, and many more. Narrated by Tom Hanks (who also co-produced), Magnificent Desolation was shot and originally exhibited using the IMAX high-definition film format. ~ Mark Deming, All Movie Guide

On a baseball team not often cited for its great players, Ron Santo was a hero and a legend. As a third baseman for the Chicago Cubs, Santo played 14 seasons (1960 through 1974), made the All-Star team nine times, earned five Gold Gloves, and in 1965 became the team's youngest ever captain. While Santo was establishing himself as one of the Cub's greatest players, he was also hiding a secret -- in 1958, the same year Ron signed with the Cubs organization, he was diagnosed with diabetes, but refused to tell his fellow players or the team's physicians for fear of being bumped from the team. In 1971, as the Cubs celebrated Ron Santo Day at Wrigley Field, the baseball great finally went public with his condition, becoming a leading Midwest spokesman and fundraiser for the Juvenile Diabetes Research Foundation. In 1990, Santo renewed his association with the Chicago Cubs as a commentator for the team's home games on radio station WGN, and in 2003, he became one of only three Cubs players to have their number officially retired. This Old Cub is a documentary about Ron Santo's remarkable life and career, not only examining his years as a player and broadcaster, but his longtime struggle with the disease that has cost him a leg but has failed to break his spirit, and the crusade by fans and admirers to see Santo inducted into the Baseball Hall of Fame. Noted Cubs enthusiasts Bill Murray, Dennis Franz, and Gary Sinese, and baseball legends Ernie Banks, Johnny Bench, Willie Mays, and Tommy Lasorda are interviewed onscreen; actor Joe Mantegna narrates. ~ Mark Deming, All Movie Guide

Introduced in May 2004 as an episode of CSI: Miami, the CBS "procedural" cop drama CSI: NY launches its first full season with 22 hour-long episodes. The opener, "Blink," finds NYC Crime Lab head Mac Taylor (Gary Sinise) and his team of brilliant, iconoclastic forensic specialists hunting for a serial killer using clues provided by the perp's only surviving victim -- who has lost virtually all powers of communication. Later investigations involve a hungry rat who has swallowed vital evidence, a skeleton found by a tourist which may or may not be a hoax planted to throw the police off the trail of a real crime, and a grisly robbery-murder in Brooklyn in which the victims were systematically shot and smothered to death. Also, a police terrorist-response drill compromises the CSI's efforts to rescue a kidnap victim; a police horse may have to be put to sleep to retrieve an important clue as to the murder of the horse's rider; Mac's protégé Danny Messer (Carmine Giovinazzo) gets a bit too up-close and personal while hunting down a gang of young punks who kill for sport rather than profit; the team tries to determine if a somnambulist committed murder while asleep; three murders occurring simultaneously in three different boroughs might be connected; and the CSIers are forced to turn a mirror on their "own" when the chief investigator in a police-corruption case is murdered before making his findings public. The season ends with the episode "What You See Is What You See," in which Mac must choose to save the life of a shooting victim or immediately chase after the shooter -- a decision that triggers tortuous memories of the death of Mac's own wife during the 9/11 terrorist attack. ~ Hal Erickson, All Movie Guide

Successful LA attorney Terry McQuinn (Gary Sinise) returns to his Maine home town, intent upon settling the estate of his late, long-estranged father Mac (Michael Rhoades), then returning home as soon as possible. But once he has arrived, Terry finds that he is inexorably bound to his old house by vague and fragmentary memories of a horrendous tragedy in his childhood. Figuring into Terry's plight is Katherine Wentworth (Joely Richardson), a girl from his past who, unbeknownst to either one of them, is also a key player in that tragedy. The story then takes a number of surprising turns, especially with the arrival of a "dead" man who isn't, and a wintertime pilgrimage to a most unusual parking garage (where, incidentally, the viewer finally learns the significance of the film's title. Adapted by Don Snyder from his own novel, Fallen Angel was produced for the CBS "Hallmark Hall of Fame" TV series, and was originally telecast on November 23, 2003. ~ Hal Erickson, All Movie Guide

George Armitage directs this big-screen adaptation of Elmore Leonard's The Big Bounce. Jack Ryan (Owen Wilson) is an occasional thief who tends to a judge (Morgan Freeman). A woman involved with Ray Ritchie (Gary Sinese), a real estate developer of questionable ethics, seduces Jack. Ritchie and the judge are old enemies, complicating Jack's moral dilemma when the girls asks Jack to help her double-cross Ritchie. The book was adapted once before with Ryan O'Neal in the Owen Wilson role. ~ Perry Seibert, All Movie Guide

Award-winning actor Tony Shalhoub adds the "director" hyphenate to his calling card with this labor of love, starring his wife, Brooke Adams, and written by his sister-in-law, Lynne Adams. Made-Up lightly parodies the reality-TV "makeover" craze as it tells the tale of Elizabeth (Brooke Adams), a middle-aged divorcée who agrees to be made over by her daughter Sara (Eva Amurri), a process which will be documented for eternity by her aspiring-filmmaker sister, Kate (Lynne Adams). A former actress still smarting over her long-since faded stardom, Elizabeth is none too pleased at having her transformation videotaped, but she goes along with it, and soon finds that her "new you" is winning over the affections of a new beau, restaurateur Max (Shalhoub). But self-doubt continues to nag at Elizabeth, to the point where she almost undermines her own chances at romance. Lynne Adams based her screenplay on her own one-woman play; Gary Sinise makes an appearance as Elizabeth's ex-husband. ~ Michael Hastings, All Movie Guide

This long-delayed science fiction thriller from director Gary Fleder was actually filmed prior to his box-office hit Don't Say a Word (2001), which preceded it in theaters by several months. Based on a 1953 short story by Philip K. Dick, the film shares that schizophrenic author's long-running obsessions with concealed identity and humanity's potential inferiority to alternative life forms. Gary Sinise stars as Spencer John Olham, a respected government scientist in the year 2079 trying to devise a secret weapon that will help his fellow humans win a decade-long war with invading aliens that are cloning human subjects and using the replicas as walking time bombs. Suddenly, Olham is accused of being an alien spy and a nationwide manhunt to capture him ensues. With even his doctor wife (Madeleine Stowe) unsure that she can trust him, Olham must uncover the truth on his own, even as he's relentlessly pursued by Hathaway (Vincent D'Onofrio), a federal agent charged with destroying the clones. Imposter has a complicated history, originally produced in early 2000 as a 30-minute short to be included in an anthology entitled "The Light Years Trilogy," a project that never got off the ground. So impressed was Dimension Films with the completed piece, however, that the footage was incorporated into a new feature version. That film was then shuffled around the release schedule for more than a year as effects were completed, reshoots were ordered, and the film was recut for a PG-13 rating instead of its original R. The R-rated "director's cut" was later released on DVD. ~ Karl Williams, All Movie Guide

Shirley MacLaine makes her feature directorial debut with this offbeat comedy. Bruno (Alex D. Linz) is an eight-year-old boy attending a Catholic school; he is bright, is a good student, and wants to become an etymologist. He also likes to wear dresses, which causes him plenty of problems -- bullies beat him up on a regular basis, and the school's Mother Superior (Kathy Bates) thinks that something must be wrong with him. Bruno's mother Angela (Stacey Halprin), who tips the scales at 450 pounds, has just lost her husband Dino (Gary Sinise) to trampy Donna Marie (Joey Lauren Adams). With her pal Dolores (Jennifer Tilly) giving Angela regular reports on Dino's activities, she's too occupied to worry much about her son. When Bruno is hurt one day while wearing a skirt, he's taken to the hospital; with Angela suffering from a heart attack and Dino refusing to look after him, it falls to his grandmother Helen (MacLaine) to take care of the boy. But Bruno has finally found a playmate at school who doesn't find him strange -- Shaniqua (Kaimi Davael), a young black girl who wants to be a cowgirl. While Bruno was Shirley MacLaine's first attempt at directing a fictional film, it was not her first experience behind the camera; she previously made the Oscar-nominated documentary The Other Half of the Sky: A China Memoir. ~ Mark Deming, All Movie Guide

Director James D. Stern debuts with this darkly comedic, archly ironic look at America's obsession with guns. The film opens with Helen and Warren Harding (Joan Allen and Jeff Daniels) awaking one night to the sounds of their suburban trophy getting broken into. Warren grabs his trusty handgun and blows away the intruder, only to complain about the blood spots on his newly purchased bathrobe from Sundance. The unlucky guy turns out to be Warren's business partner, and it does not take long for him to wonder out loud if his wife and the dead man were having an affair. Meanwhile, Warren's lawyer Tim (Andre Braugher), whose civil-rights leading father was gunned down when he was a boy, receives a handsome gun from his film fanatic boyfriend Chris (David Schwimmer). Others involved include the young nymphet Annabel Lee (Anna Paquin) and her thuggishly violent brother Sidney (Giovanni Ribisi); Mr. Morgan (Gary Sinise), an eccentric and extremely paranoid Internet tycoon; and Tennel (Josh Brolin), a video store manager turned poet. All of these characters have their own personal axes to grind and all have easy access to guns. The result is as violent as it is senseless. All the Rage was screened at the 1999 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Director Frank Darabont, who made an acclaimed feature film debut with The Shawshank Redemption (1994), based on a Stephen King novel set in a prison, returns for a second feature, based on King's 1996 serialized novel set in a prison. In 1935, inmates at the Cold Mountain Correctional Facility call Death Row "The Green Mile" because of the dark green linoleum that tiles the floor. Paul Edgecomb (Tom Hanks) is the head guard on the Green Mile when a new inmate is brought into his custody: John Coffey (Michael Clarke Duncan), convicted of the sadistic murder of two young girls. Despite his size and the fearsome crimes for which he's serving time, Coffey seems to be a kind and well-mannered person who behaves more like an innocent child than a hardened criminal. Soon Edgecomb and two of his fellow guards, Howell (David Morse) and Stanton Barry Pepper), notice something odd about Coffey: he's able to perform what seem to be miracles of healing among his fellow inmates, leading them to wonder just what sort of person he could be, and if he could have committed the crimes with which he was charged. The Green Mile also stars James Cromwell as the warden; Michael Jeter, Sam Rockwell, and Graham Greene as inmates awaiting dates with the electric chair; and Harry Dean Stanton as a clever trustee. ~ Mark Deming, All Movie Guide

Brian DePalma directed this taut thriller, set in Atlantic City, where a corrupt cop investigates a political assassination. Outside an Atlantic City arena-hotel-casino, a TV news reporter stands in a pre-hurricane storm to report on the heavyweight boxing match about to begin inside. A transition to the stadium interior focuses on Atlantic City homicide Detective Rick Santoro (Nicolas Cage), a father with a wife and son, yet also a dishonest cop who maintains a mistress and cheerfully accepts bribes. DePalma's Steadicam follows Santoro on a fast-paced tour of the stadium as the laughing, yelling detective travels stairs and hallways, talks to a gal with a between-rounds placard, visits the dressing room of champ Lincoln Tyler (Stan Shaw), rides down an escalator to squeeze money from a small-time hood, enters the arena of 14,000 fight fans, talks on his phone with his girlfriend and wife, and sits ringside next to his lifelong buddy, Navy Cmdr. Kevin Dunne (Gary Sinise). Behind Dunne, the U.S. Secretary of Defense Charles Kirkland (Joel Fabiani) is seated alongside billionaire casino owner Gilbert Powell (John Heard). As the fight gets underway, Dunne abandons his position protecting the defense chief to pursue a suspicious redhead. From his ringside vantage point, Santoro has a close view of the champ, curiously conscious despite taking a kayo punch. At that moment, an assassin fires at Kirkland. Santoro immediately concocts a good cover story for his pal (to explain why Dunne left his post protecting Kirkland). Just after the shooting, Dunne kills a Palestinian extremist, the apparent killer, and Santoro orders the stadium doors locked, hoping he can locate other suspects among the fleeing crowd. One such is Julia Costello (Carla Gugino), an injured woman in a blond wig who spoke with Kirkland seconds before the gunfire. After a video replay reveals the champ took a fall, going down to the floor from a punch that never touched him, Santoro becomes more curious and suspicious, comparing witness accounts, and he attempts to locate Julia, convinced she's the key to truth behind the assassination. As it all comes to a head, Santoro peels through successive layers of corruption, ultimately confronting himself in a self-examination of his own values. Filmed at Montreal's old Forum. ~ Bhob Stewart, All Movie Guide