John Carney Movies

The second of Zucker-Abraham-Zucker's theatrical-feature spoofs (Airplane was the first, discounting the patchwork Kentucky Fried Movie), Top Secret! lampoons practically every film genre. Specifically, however, this is a hybrid of an "Elvis" movie and a World War II "underground resistance" thriller. In his film debut, Val Kilmer plays Nick Rivers, a Presley-like American rock idol sent behind the Iron Curtain on a goodwill tour. Before long, he is involved in a complex espionage scheme thanks to beautiful Lucy Gutteridge, the daughter of a scientist (Michael Gough) held captive by the Communists. Also essential to the action is flamboyant resistance leader Christopher Villiers, who behaves like Victor Mature in Betrayed (1954) and talks like James Mason. Adhering to Z-A-Z's cheerful disregard for people, places and events, the East Germans are depicted as Nazis, while the Underground is comprised of Frenchmen. The plot is mainly an excuse for the Z-A-Z team's fondness for joke-a-minute lampoonery, skewering cinematic targets ranging from The Blue Lagoon (1980) to The Wizard of Oz (1939). As in Z-A-Z's other efforts, Top Secret! scores its biggest yocks when invoking cliches that we never realized were cliches-and falls on its face whenever attempting a too-obvious gag (the biggest clinker: that pigeon statue in the park). Everyone has his or her favorite bits in this film: our faves include the resistance fighter named Deja Vu ("Haven't we met somewhere before?"), Kilmer's horrible nightmare while being tortured (he arrives too late to take final exams), the army-booted cow, the sensitive Pinto, and the East German National Anthem, sung to the tune of the Shorewood (Wisconsin) High School marching song. But let's say no more: comedy of this nature is designed to be seen, not written or read about. ~ Hal Erickson, All Movie Guide

Hawk the Slayer will appeal most to undiscriminating fans of the sword-and-sorcery genre. The title character, played by John Terry, is on a lifelong quest for "The Power", an enchanted flying sword. Alas, Hawk's evil brother Voltan (Jack Palance) likewise covets The Power. A plethora of violence ensues, culminating in a slow-motion duel to the death between hero and villain. Among Hawk's comrades are a dwarf and an elf, who are "R2D2 and C3PO" in everything except name and appearance. Hardly the best of its kind, Hawk the Slayer is redeemed by the unbridled hamminess of Jack Palance, who seems to be the only one who realizes that the whole affair is to silly to be taken seriously. ~ Hal Erickson, All Movie Guide

Bill Fraser and Raymond Huntley star in the raucous British farce That's Your Funeral. Fraser and Huntley play Bullstrode and Holroyd, rival undertakers. The animosity between the two is amplified when drug traffickers attempt to use coffins and hearses to smuggle their wares. David Battley and John Ronane co-star in the sitcomish goings-on. ~ Hal Erickson, All Movie Guide

In the third episode of the four-part story "The Time Warrior," the Doctor (Jon Pertwee) and Sarah (Elisabeth Sladen) arrive in Medieval England, where they locate several UNIT scientists who have been abducted from the 20th century by Sontaran warrior Lynx (Kevin D. Lindsay). Hoping to use the scientists' knowledge to help him repair his spaceship, Lynx has also entered into an sinister alliance with pirate chieftan Irongron (David Daker). Thus, the Doctor has not one but two formidable opponents to contend with -- and, of course, poor Sarah is caught in the middle. Written by Robert Holmes, Doctor Who: The Time Warrior, Episode 3 first aired on December 29, 1973. ~ Hal Erickson, All Movie Guide

In the second episode of the four-part story "The Time Warrior," the Doctor (Jon Pertwee) continues to investigate the disappearances of several UNIT scientists. Having seen the ghost of a Sontaran warrior, the Doctor jumps into his TARDIS and follows the ghost back in time to the Medieval era. During the journey, he discovers that nosy reporter Sarah Jane Smith (Elisabeth Sladen) has stowed away on the TARDIS -- and thus does the Doctor acquire the latest in a long line of attractive female traveling companions. Written by Robert Holmes, Doctor Who: The Time Warrior, Episode 2 first aired on December 22, 1973. ~ Hal Erickson, All Movie Guide

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide