Frank Sinatra

Judy Garland: Duets collects several television appearances by the singer in which she performs with fellow celebrities. The release includes collaborations with Dean Martin, Frank Sinatra, Barbra Streisand, Bobby Darin, and Lena Horne. ~ Perry Seibert, All Movie Guide

From humble beginnings in Hoboken, NJ, Frank Sinatra grew up to be one of the most beloved American entertainers of the 20th century. This documentary from White Star focuses on the trials and tribulations of The Chairman of the Board, giving fans a glimpse into the mega-star's life, first becoming a renowned vocalist and later taking on Hollywood flanked by the other members of the infamous Rat Pack. ~ Matthew Tobey, All Movie Guide

Made famous by singer Billie Holiday in an unforgettable 1939 recording, the haunting anti-lynching anthem "Strange Fruit" was not, as many believe, written by an African-American. Rather, it grew out of poem penned by a Jewish schoolteacher from the Bronx, Abel Meeropol. Outraged by the shabby and often brutal treatment of black citizens in the Land of the Free and Home of the Brave, Meeropol gravitated to the burgeoning civil rights movement of the 1930s, where he also found a nurturing home for his left-of-center sentiments (the same sentiments which, years later, moved him to adopt the children of executed atomic spies Julius and Ethel Rosenberg). To avoid persecution from the radical right and from the anti-Semites of the era, Meeropol published the song under the pseudonym Lewis Allen, the same name he later used for his less impassioned but equally powerful anti-bigotry ballad "The House I Live In." Naturally, this 60-minute documentary includes film clips of Billie Holiday performing the title song (in her only TV appearance, in 1958), as well as renditions by such activist-artists as Pete Seeger, Josh White, and Cassandra Wilson. Strange Fruit was first telecast as a presentation of the PBS anthology Independent Lens. ~ Hal Erickson, All Movie Guide

Celine Dion: All the Way. . .A Decade of Song & Video collect sixteen music videos and live performances from the French-Canadian chanteuse. Included are promotional clips and performances of such fan favorites and hits as "The Power of Love," "It's All Coming Back to Me Now," "Because You Loved Me," "My Heart Will Go On," and "It's All Coming Back to Me Now." ~ Perry Seibert, All Movie Guide

Songwriter Harold Arlen is the subject of this documentary. Arlen wrote several songs for famous artists, but remained in the shadows as singers such as Frank Sinatra and Tony Bennett received the acclaim. Arlen's most popular song "Somewhere Over the Rainbow", the noted song from the Wizard of Oz, is added to the title. Filmed performances by Frank Sinatra, Tony Bennett, Lena Horne, Mel Torme, and many others are included as they sing songs penned by Arlen and take part in several interviews that make up the bulk of this film, but his life is also well documented. ~ Ed Atkinson, All Movie Guide

The extraordinary life of Quincy Jones -- one of the 20th century's most influential and talented composers, musicians and music producers -- provides the basis of this offbeat, free-form documentary tribute. With little regard for formal timelines and traditional documentary biography methods, the film is an amazing patchwork of personal insights featuring a constellation of music stars including his long-time friend Ray Charles, Miles Davis, Frank Sinatra, Herbie Hancock, Ella Fitzgerald, Michael Jackson, Aretha Franklin, Dizzy Gillespie and rappers Big Daddy Kane and Flavor Flav, as well as politicians, filmmakers and other important people. Some of the most moving scenes involve Jones returning to his childhood home in Chicago and recounting honest and painful memories from his childhood. Jones does not shy from discussing everything -- from his mother's mental illness, to his marital problems, to his serious health conditions. He also looks frankly at his career. ~ Sandra Brennan, All Movie Guide

Nat King Cole is best remembered as the world-renowned crooner who captivated audiences with his airy songs. Unforgettable traces Cole's life through the words of those that knew him personally. The star-studded lineup includes Frank Sinatra, Ella Fitzgerald, and Mel Torme. Together with Cole's family, they paint a picture of a gentle genius whose smooth vocals made him famous. The documentary also features stage footage and home movies of Cole. Viewers are treated to tunes such as "Route 66," "These Foolish Things," "Tonight You Belong to Me," and "Hush Hush." Perhaps the most moving tribute is a final rendition of "Stardust" played during Cole's funeral. For lovers of traditional pop and Nat King Cole, Unforgettable leaves a lasting impression. ~ Sarah Ing, All Movie Guide

In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. ~ Hal Erickson, All Movie Guide

(Burt Reynolds) as J.J. McClure takes off across the country again in this rickety sequel to Cannonball Run. A sheik has offered $1,000,000 to the first driver to reach a destination in Connecticut from Redondo Beach, California, inspiring J.J. and others to go for the gold. With cameos from more name performers than any dozen films together, (Frank Sinatra and the rat pack, Telly Savalas, Susan Anton, Shirley MacLaine, Jackie Chan, Sid Caesar, Marilu Henner, Catherine Bach, etc., etc., etc.), the movie becomes a pastiche and is executed as though no rehearsals were required, or ever happened. A disparate group of people racing to get a lot of money was first successfully exploited in It's a Mad, Mad, Mad, Mad World, a much better film, and with just as many cameos, in fact. ~ Eleanor Mannikka, All Movie Guide

This pseudo-documentary on the life of President John F. Kennedy stars Robert Hogan as the President, James F. Kelly as Robert Kennedy, and Kenneth Mars as Lyndon Johnson, and includes some actual documentary footage intercut with the major dramatic events in Kennedy's Presidential career. Because the depictions of the Kennedys are not as strong as the real-life brothers, the actual footage and the factual accounting of well-known events are more convincing than the fictionalized time inventing private conversations in the Oval Office or elsewhere. Robert Guillaume as Martin Luther King, Jr. in the segment on the Cuban missile crisis presents a dignified and noble portrayal of the slain religious leader, and his performance stands out against the more mediocre portrayal of the private personae of the assassinated Kennedys. ~ Eleanor Mannikka, All Movie Guide