Edward Simons Movies

Unlike the more familiar animated Pinocchio by Disney, there are no song interludes here, and characters added to the story by Disney (such as Jiminy Cricket) are not included. Producer Francis Ford Coppola and director Steve Barron, (known for the first Teenage Mutant Ninja Turtles film) closely adhere to Carlo Collodi's 1883 novel and use the visually timeless setting of a Czechoslovakian village. Jim Henson's puppet studio skillfully brings this Pinocchio to life. Long ago, in his youth, Gepetto (Martin Landau) loved but did not court Leona (Genvieve Bujold), who married Gepetto's brother instead. In that earlier time, he carved her initials with his onto a tree. Now his brother is dead, and though he still feels for Leona, he is still too shy to woo her. Instead, the old puppet-maker goes into the forest and cuts down a tree in order to make a puppet just for himself. The tree is the same one he carved his initials into when he was younger, and it has the magic of his love in it. Soon after the puppet Pinocchio is made, he comes to life. Aside from being made of wood, he begins to live the life of a perfectly normal little boy. He even goes to school. Lorenzini, an evil magician who runs a children's puppet show, hears of Pinocchio and wants to use him in his show. Lorenzini lures children to his show, only to later turn them into donkeys. Donkeys are useful creatures, and Lorenzini makes a lot of money selling them. Through many trials and tribulations, the puppet-boy earns the right to become the human boy Pinocchio (Jonathan Taylor Thomas). ~ Clarke Fountain, Rovi

This period drama explores the life and times of the 16th century doctor and scientist who some believed could see into the future. Michel de Nostradamus (Tcheky Karyo) was the son in a Jewish family who posed as Catholics to be spared the wrath of the Inquisition. As a student of the renowned physician Dr. Scalinger (F. Murray Abraham), Nostradamus created herbal cures and did pioneering research in the importance of proper nutrition and hygiene. However, he was unable to protect his wife Marie (Julia Ormand) from the Black Plague sweeping the country, and he lost both her and their two children. Nostradamus remarried, to widow Anne (Assumpta Sterna), but at the urging of Scalinger, he began to more carefully explore the strange trances that befell him, and Nostradamus began writing prophetic essays predicting any number of future catastrophes. Nostradamus also features Amanda Plummer as Queen Catherine de Medici and Anthony Higgins as the King. ~ Mark Deming, Rovi

Part of a pointless string of sequels ostensibly based on the werewolf novels by Gary Brandner, this entry deserves credit for taking the creatively dead series in an interesting new direction. Set in the barren rural town of Canton Bluff, the story centers on the enigmatic figure of Ian (Brendan Hughes), a likable but severely solitary drifter who takes a job making repairs to the local church. Eschewing human contact, Ian seems unnaturally leery of the impending full moon, a fear shared by a man named Harker (Bruce Payne), the owner of a sleazy traveling carnival. Aware that Ian is a genuine werewolf, Harker is able to blackmail the young man into working for his carnival, where he is put on display with other human oddities. To further complicate matters, Harker is revealed to have a monstrous secret of his own -- he's a vampire, who sees Ian's condition as a cover for preying on the blood of local folk. In a nod to Tod Browning's Freaks, Ian joins forces with the other carnival freaks to destroy their evil master. Director Hope Perello's taut, suspenseful debut makes clever references to classic horror films without lapsing into parody or imitation, and the production has a classy look and feel, helping to shrug off the unpleasant stigma normally associated with the otherwise mediocre Howling franchise. ~ Cavett Binion, Rovi

Adapted by Whitley Strieber from his book about his alleged contacts with aliens, Communion dramatizes a story all the more compelling for the author's insistence that it is true, complemented by Christopher Walken's enigmatic performance as Strieber. The film begins in October 1985, as Strieber is living in New York City with his wife Anne (Lindsay Crouse) and son Andrew (Joel Carlson). He is hunting for new book ideas without making much headway. He spends his days pacing around his apartment, thinking out loud or videotaping himself as he improvises bits of dialogue. It is soon decided that a vacation is in order, so, with their friends Alex (Andreas Katsulas) and Sara (Terri Hanauer), the Striebers head for their cabin in Upstate New York. In the middle of the night, an illumination descends on the cabin and surrounding forest, causing Strieber to wake up abruptly. In the semi-darkness of the cabin, he is able to make out a long face with narrow, tear-shaped eyes quietly observing him from a corner of the room. The next morning, he has forgotten -- or been made to forget -- the whole experience. He even shrugs off Alex's and Sarah's concern about "seeing lights" outside their bedroom window, claiming to have slept through the event. Back in New York, it becomes evident to Strieber and his family that something unusual did happen. He begins to have powerful hallucinations, and, after an inconclusive medical examination, he is encouraged by his wife to seek professional help from psychiatrist Janet Duffy (Frances Sternhagen). During hypnotic regression therapy, Strieber's lifelong contact with the "visitors" is brought to light, as well as the details of his more recent encounters. Still unable to accept these revelations, he returns to the cabin alone and finally communicates with the visitors, discovering that, although they are unable to reveal their true identity, their purpose may be to act as agents of personal transformation for himself and for others. An interesting and uneven film, Communion is bolstered considerably by Christopher Walken, whose role in the film, though appropriate for the subject matter, quickly transforms into a thesis on his own eccentricities as an actor. ~ Anthony Reed, Rovi

Professor Harry Beckmeyer (Barry Otto) goes searching for a rare breed of werewolf/marsupial in this satirical horror comedy. With his sidekick, Professor Sharpe (Ralph Cotterill), they find Jerboa (Imogen Annesley), and take her to Sydney to appear in a small role in a horror film. Soon members of her tribe disguised as nuns try and rescue the she-werewolf. Olga Gorki (Dasha Blahova) changes into a lupine monster as she pirouettes on the stage of the Sydney Opera House. The feature works as a parody of its two predecessors. ~ Dan Pavlides, Rovi

Jackie Collins wrote the best-selling novel The Stud. Her sister Joan Collins starred in the 1978 film version of The Stud. The producer on the film was Joan Collins' then-husband Ron Kass. Need we say more? Well, there is a plot, involving the insatiable Joan's sexual hold over a handsome nightclub manager Oliver Tobias. And there was a sequel, also written by Jackie and starring Joan, titled The Bitch. Need we say more now? ~ Hal Erickson, Rovi