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Adam Simon Movies

2004  
 
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Play an entertaining game of spot the celebrity while laughing along at the campiest superhero adventure since Adam West punched out The Joker. A completely original comic-book-style crime fighter who's not afraid to give his enemies a shocking surprise, Surge of Power is hot on the trail of a maniacal super-villain who will stop at nothing to achieve absolute power. Of course, with a little help from veterans like Lou Ferrigno and Nichelle Nichols, fledgling superhero Surge may have his work cut out for him. ~ Jason Buchanan, Rovi

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2001  
 
As one of the most acclaimed photographers in his native Brazil, Sebastião Salgado won many awards, Yet he also achieved distinction for his role as a social activist, in the sense that his photographs have brought such issues as poverty and famine to the world's attention. In the documentary The Spectre of Hope, Salgado teams up with author and art critic John Berger for an extended discussion; seated at the kitchen table of Berger's home in the Swiss Alps, the men review Salgado's photography, critique globalization, and reflect on the power of visual images per se. ~ Nathan Southern, Rovi

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2000  
 
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In the late '60s, the tone of American horror films began to shift in the wake of the startling success of George A. Romero's Night of the Living Dead -- horror films became gorier, bleaker, and began to subtly reflect the political and social upheaval gripping the country. Through the '70s and '80s, films like Last House on the Left, The Texas Chainsaw Massacre, and Halloween held a distorted mirror up to American culture, reflecting its fear and chaos in the wake of Vietnam and Watergate. The American Nightmare is a documentary that looks at the transgressive horror films of the '60s and '70s and the people who made them. Directors Wes Craven, Tobe Hooper, and David Cronenberg, special effects man Tom Savini, and film critics Tom Gunning and Adam Lowenstein are among those interviewed by director Adam Simon. The American Nightmare was produced for the premium cable outlet The Independent Film Channel. ~ Mark Deming, Rovi

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Starring:
George A. RomeroJohn Carpenter, (more)
 
2001  
R  
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Cinematographer turned director Ernest Dickerson returns to the horror genre with this African-American, urban twist on haunted house stories. Rap star Snoop Doggy Dogg makes his debut as a leading man in the title role of Jimmy Bones, stylish protector of a thriving inner-city neighborhood in 1979. When he refuses to knuckle under to powerful interests bent on introducing crack cocaine into his turf, Bones is betrayed by some of his own people, murdered, and buried in the basement of his gothic home. More than two decades later, the neighborhood is a drug and crime-infested nightmare, and Bones' decrepit, allegedly haunted domicile is about to become a hip-hop dance club. Although Bones' one-time girlfriend, Pearl (Pam Grier), and his right-hand man, Shotgun (Ronald Selmour), have remained loyal to his memory, the children of his traitor, Jeremiah (Clifton Powell), are the principal owners of the new club. They become the primary targets when Bones' vengeful spirit rises up to exact bloody retribution for past misdeeds. Bones (2001) co-stars Michael T. Weiss, Bianca Lawson, and Khalil Kain. ~ Karl Williams, Rovi

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Starring:
Snoop DoggPam Grier, (more)
 
1993  
R  
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One of the more popular features from Roger Corman's "B"-factory Concorde/New Horizons, Carnosaur perpetuates the grand Corman tradition of zeroing in on a big-budget Hollywood studio moneymaker, then dashing off a quick-and-dirty poor man's version before moss gets a chance to grow on the larger film's concept. This bargain-basement spin on Jurassic Park was actually based on a novel by John Brosnan (under the pseudonym Harry Adam Knight). It features Diane Ladd (whose daughter Laura Dern took the high road on Spielberg's film) as a kooky mad scientist whose experiments on human and dinosaur DNA result in dual disasters -- first, a rubbery midget Tyrannosaurus bred from dinosaur and chicken DNA (imagine the barbecue potential!) which escapes the lab and goes on the requisite bloody rampage; and second, a specially-engineered virus with the ability to replace human beings with dino-babies. Although this exploitation quickie doesn't waste too much time delivering the standard Corman cargo (blood and breasts), the mayhem is too often derailed by endless genetic techno-babble from Ladd, whose freaked-out performance is the film's sole plus. The downbeat ending is pure '80s, and paves the way for the inevitable sequels. ~ Cavett Binion, Rovi

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Starring:
Diane LaddRaphael Sbarge, (more)
 
1992  
R  
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Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, Rovi

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Starring:
Tim RobbinsGreta Scacchi, (more)
 
1992  
R  
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In the tradition of This Is Spinal Tap, producer/ director/ star Tim Robbins' Bob Roberts is a satire disguised as a documentary. Robbins plays the titular Roberts, a wealthy, well-connected young man running for a senatorial seat in Pennsylvania. On the surface, Roberts is an ingratiating glad-hander, a sincere believer in the restoration of such intangibles as national pride, family values, etc. But the longer Roberts is followed about by documentary filmmaker Brian Murray, the more we become aware that the candidate is a textbook case of cynicism and contempt. Only Giancarlo Esposito, a reporter for an underground newspaper, is willing to dig beneath Roberts' veneer--a habit that leads to the film's ironic conclusion. Several well-known actors make cameo appearances as TV commentators, notably Tim Robbins' longtime partner Susan Sarandon. Bob Roberts started out as a Tim Robbins-directed short subject for the TV series Saturday Night Live, then was expanded into a $4 million feature. ~ Hal Erickson, Rovi

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Starring:
Tim RobbinsGiancarlo Esposito, (more)
 
1991  
R  
The second entry in the Body Chemistry film series, Voice of a Stranger stars Lisa Pescia as a talk-radio sex counselor (a recurring character in the films). Ex-cop Gregory Harrison costars as a troubled victim of child abuse who is currently into "rough sex." Harrison places a call to Pescia, who gives him erotically-tinged advice. He takes her all too much to heart-and it could mean murder. Real-life radio personality Morton Downey Jr. costars as Big Chuck. ~ Hal Erickson, Rovi

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1989  
R  
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Brain Dead was based on a script by Charles Beaumont, leading some obtuse fans to hail the "return" of that frequent Twilight Zone contributor. Actually Beaumont has been dead since 1967, so this cookie spent a long time in the oven. Stalwart supporting actor Bill Pullman is given star billing as a brilliant brain surgeon who agrees to perform an operation on a psychotic mathematician. This surgery, ostensibly, is to "adjust" the patient's attitude--and, incidentally, to unlock the corporate secrets secreted within the patient's brain. But as Pullman probes about, he begins experiencing first-hand the psycho's fevered, paranoic dreams. Pullman drifts farther and farther from reality, and the audience is implicitly invited to do the same. Bill Paxton also stars in this Roger Corman-style thriller, produced by Corman's daughter Julie. ~ Hal Erickson, Rovi

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Starring:
Bill PullmanBill Paxton, (more)
 
2009  
PG13  
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Inspired by the frightening true-life tale of a family that moved into a converted funeral home and subsequently fell under supernatural attack, director Peter Cornwell's The Haunting in Connecticut follows the quest of a desperate mother to free her family from the grip of an evil beyond human comprehension. Sara (Virginia Madsen) and Peter Campbell (Martin Donovan) have just moved to Connecticut with their young son, Matt, when the young boy experiences a series of disturbing events that lead him to believe a malevolent force is attempting to take control of his family. Back when the home was still a funeral parlor, the original owner's clairvoyant assistant, Jonah, served as a gateway for restless spirits seeking to cross over into the physical realm. When Jonah returns to unleash a new kind of horror on the innocent family, Sara enlists the aid of enigmatic priest Popescu (Elias Koteas) in driving the evil out before it consumes her son's body and soul. At first it appears that Popescu has been successful in driving the spirits away, but then the terror becomes more intense than ever before. ~ Jason Buchanan, Rovi

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Starring:
Virginia MadsenMartin Donovan, (more)
 
1996  
NR  
The Typewriter, the Rifle, and the Movie Camera recounts the three stages of filmmaker Samuel Fuller's remarkable career -- from his beginnings as Arthur Brisbane's copy boy, to his experience as a rifleman in World War II, to his success as a "B" movie writer/director. Tim Robbins narrates the documentary and interviews the lively, articulate Fuller, while fans Martin Scorsese, Quentin Tarantino, and Jim Jarmusch provide commentary. The film is highlighted with clips from hard-to-find Fuller films and glimpses of the director's memorabilia, including Gene Evans' helmet from The Steel Helmet, a sword from The Crimson Kimono, and the famed portable camera that Fuller's mother sent to him while he was overseas. It also features Fuller's cartoons, his drawings, readings from his journal, and photographs from his personal collection. Yet, nothing is more prominent in the film than the eccentric, excited Fuller as he tells his own story. Produced only two years before the filmmaker's death in 1997, the documentary is one of his last onscreen appearances. Film critic Andrew Sarris declared that a Sam Fuller film cannot be explained, it must be seen. The same is true for Fuller himself, and this documentary is the closest today's fans will get to that experience. ~ Aubry Anne D'Arminio, Rovi

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