Joan Micklin Silver Movies
American director Joan Micklin Silver was educated at Sarah Lawrence College, then moved to New York for a job directing schoolroom films for the Learning Corporation of America and the Encyclopedia Brittanica. In 1972, she attained her first important screenplay credit with one of the earliest films to deal with Vietnam veterans, Limbo. While doing research for an educational short about immigrants, Silver read a story about a young Jewish newlywed titled "Yekl;" this would develop into her first feature film, Hester Street (1975), which, though minimally budgeted, became a favorite with audiences weaned on the mega-bucks Jaws. A year later, Silver scored with a half-hour Public Television adaptation of Fitzgerald's Bernice Bobs Her Hair, which, like Hester Street, was a breathtakingly accurate recreation of a bygone chapter of American history -- and again, one created on a shoestring budget. Silver's experiences writing for The Village Voice would be manifested in her first feature film, Between the Lines (1977), the saga of an "alternative" newspaper with a remarkable young cast of stars-to-be, including John Heard, Jeff Goldblum, Jill Eikenberry, Bruno Kirby, Lane Smith, and Marilu Henner. Silvers' most distinctive skill was the ability to weave scriptwriting contrivances into a semi-documentary style; she did this admirably with the larger-budget film Crossing Delancey (1988), an update of the "arranged marriage" conceit of Hester Street. In recent years, Silver has switched to a lighter style with Loverboy (1989), a low-key comedy about a pizza delivery boy's many amours with lonely older women, and Big Girls Don't Cry...They Get Even (1992), which took a "laughing through the tears" approach to the subject of teenagers from broken homes. ~ Hal Erickson, All Movie Guide- 2003
Obsessed with the belief that a slender figure is the most important thing on earth, domineering mother Marsha Hunter (Barbara Hershey) forces her two daughters Frannie (Christina Hendricks) and Shelly (Susan May Pratt) to adhere to rigid diets and exercise regimens. Any extra poundage is subject to cruel ridicule by the manic Marsha, while her passive husband (John Getz), as cowed by his wife as everyone else, offers no comfort or solace for his beleaguered daughters. Marsha's well-meaning but tragically short-sided view of feminine attractiveness drives one daughter into a mental hospital with a psychosomatic eating disorder and the other into a desperate act of self-destruction. Based on a novel by Jillian Medoff, the made-for-cable Hunger Point premiered January 13, 2003, on the Lifetime network. ~ Hal Erickson, All Movie Guide
Charlie Kate Birch (Gena Rowlands) is a peculiarly powerful Southern matriarch, an anachronism in the early 20th century. She's a self-educated woman who makes a good living as a midwife and holistic healer. One day, she saves a black man who's been lynched, and he thanks her by giving her a rabbit's foot, which supposedly "brings an easy life" to the person who carries it. Charlie's husband leaves her soon thereafter, but she had begun to think he was an idiot anyway. Charlie's only character flaw seems to be her attraction to unworthy men, and she passes that trait on to her daughter, Sophia (Mimi Rogers). Sophia's husband is an unfaithful lout, and he dies an early death, leaving Charlie, Sophia, and her daughter, Margaret (Susan May Pratt of 10 Things I Hate About You) to fend for themselves, which they do admirably. Soon, Sophia has another suitor, a divorced lawyer named Richard Baines (Geordie Johnson). Unlike her mother, Sophia has remained a romantic soul, and she loves Richard, and waits patiently for him to propose to her. Charlie, meanwhile, has an ongoing feud with the alcoholic town doctor, and tries to be a more cerebral influence on Margaret. But when, during World War II, Margaret falls in love with Tom Hawkings (Ken Mitchell), a wounded soldier, Charlie realizes that they're a perfect match. Charms for the Easy Life was adapted by screenwriter Angela Shelton (Tumbleweeds) from a novel by Kaye Gibbons. The film was directed by Joan Micklin Silver (Crossing Delancey) and premiered on Showtime on August 18, 2002. ~ Josh Ralske, All Movie Guide
- Starring:
- Gena Rowlands, Mimi Rogers, (more)
Writer Ron Bass and director Joan Micklin Silver combine their melodramatic tendencies for the Lifetime movie Invisible Child. The story involves a woman, Annie Beeman (Rita Wilson), who has somehow developed a mental condition where she believes she has an imaginary daughter named Maggie. Amazingly enough, her husband, Tim (Victor Garber), and daughter, Rebecca (Mae Whitman), play along with her for five years. Their son, Sam (David Dorfman), is too young to understand and he grows up actually believing that Maggie is real. Eventually they hire an English nanny, Gillian (Tushka Bergen), who brings a rational perspective to the situation. They all work together to save the family and rid Annie of her delusions. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Rita Wilson
- 1999
After four decades in show business, the husband and wife comedy team of Jerry Stiller and Anne Meara finally make their big-screen debut together in this story about a marriage on its last legs. Sam (Stiller) and Molly (Meara) have been married for over 40 years. Their children are grown and living on their own, and the romance has drifted out of their relationship; arguing has become their favored method of communication. But the bickering goes too far when Molly asks Sam to get rid of the carp he's keeping in the tub in their guest bathroom. Sam informs Molly that if she doesn't like the fish, she can leave -- and Molly takes him up on the offer, moving in with their son Joel (Mark Ruffalo). This is hardly good news for Joel, who is having problems with his wife and feeling tempted to stray by an attractive blonde at work. Meanwhile, Sam and Molly's daughter Ruth (Jane Adams) tries to convince her father to win back her mother, but Sam receives some surprising competition when Molly starts dating an old friend named Lou (Bob Dishy). ~ Mark Deming, All Movie Guide
- Starring:
- Jerry Stiller, Anne Meara, (more)
- 1997
- PG13
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Rod Serling's sobering drama, originally shown on Playhouse 90, is re-made in this made-for-cable movie. The setting is the Warsaw Ghetto in 1943, where Jews are either carted off to Nazi death camps or left to die in the disease-ridden squalor of the streets. Armin Mueller-Stahl stars as Rabbi Heller, a father who is struggling to retain his commitment to peace in the face of the horrors he sees around him. Heller stands his moral ground while watching his daughter Rachel targeted by a German soldier and his son transformed into a hateful ex-prisoner. Director Joan Micklin Silver effectively re-creates the claustrophobic feel of the Ghetto and music group Dead Can Dance provides the emotive score. ~ Bernadette McCallion, All Movie Guide
- Starring:
- Armin Mueller-Stahl, Elina Löwensohn, (more)
When Sherri Finkbine (Sissy Spacek), the host of the Sixties children's television program Romper Room, learns that her unborn child has been damaged by her use of the drug thalidomide, she and her husband decide to abort the fetus, setting in motion the media controversy that is the subject of Joan Micklin Silver's made-for-cable drama. ~ Jason Ankeny, All Movie Guide
- Starring:
- Sissy Spacek, Aidan Quinn, (more)
- 1992
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Joan Micklin Silver tries her mighty best to wring something substantial out of Frank Mugavero's banal sit-com screenplay concerning the effect of divorce on the divorced parents' off-spring. Hillary Wolf stars as Laura Chartoff, a lonely thirteen-year-old girl who is the victim of multiple parental divorces and remarriages. She lives with her current stepfather Keith Powers (David Strathairn), a cool businessman, and her flighty, self-absorbed mother Melinda (Margaret Whitton). Her biological father David (Griffin Dunne) is a struggling artist separated from his second wife Barb (Patricia Kalember) and is now living with a younger woman Stephanie (Adrienne Shelley), who is pregnant with twins. After a fight with her mother and stepfather, Laura runs away to a rustic cabin in the woods being built by her older stepbrother Josh (Dan Futterman). When she spots Keith and Melinda walking up the road to the cabin, Laura dashes off into the forest. Reported missing, all of the members of Laura's extended family converge at the cabin to try to find her. ~ Paul Brenner, All Movie Guide
- Starring:
- Hillary Wolf, David Strathairn, (more)
- 1991
This made-for-cable women-in-prison film is an anthology collecting three short subjects. In the first, a pregnant inmate (Rae Dawn Chong) must seek protection from a gang; in the middle film, a prisoner tries to keep her family from following her lead into a life of crime; and in the closer, a killer (Lolita Davidovich) facing parole is loathe to leave the security of life behind bars. ~ Jason Ankeny, All Movie Guide
- Starring:
- Rae Dawn Chong, Lolita Davidovich, (more)
Joan Micklin Silver's farce stars Patrick Dempsey as a pizza delivery boy who begins satisfying the romantic needs of a group of bored Beverly Hills housewives. ~ Jason Ankeny, All Movie Guide
- Starring:
- Patrick Dempsey, Kate Jackson, (more)
Can an independent, contemporary woman find happiness with a guy who sells pickles? Isabelle Grossman (Amy Irving) is an attractive, intelligent Jewish woman in her early 30s. She has a good job and a nice apartment on the Upper West Side, and she values her independence; she often visits her grandmother Bubbie (Reiz Bozyk), who lives on the Lower East Side and wants Isabelle to meet a nice Jewish man and settle down. Bubbie goes so far as to obtain the services of Hannah Mandelbaum (Sylvia Miles), a matchmaker who finds the "perfect" man for Isabelle: a pickle salesman named Sam Posner (Peter Riegert). Isabelle thinks Sam is a nice enough guy, but she has a hard time imagining herself spending her life with the pickle man, and she isn't sure if she wants to pursue the relationship. However, Sam is taken with Isabelle and goes out of his way to change her mind. Crossing Delancy was directed by Joan Micklin Silver, whose breakthrough film Hester Street also examined Jewish culture on the Lower East Side, albeit from the vantage point of the 1890s. ~ Mark Deming, All Movie Guide
- Starring:
- Amy Irving, Reizl Bozyk, (more)
- 1984
A bravura performance from Wallace Shawn highlights the made-for-TV children's comedy How to Be a Perfect Person in Just Three Days. Ilan Mitchell-Smith plays a woebegone grade schooler who can't seem to do anything right. Under the tutelage of wigged-out Dr. Silverfish (Shawn), Ilan takes a course in "perfectology." The boy soon learns that he's better off just being himself. How to Be a Perfect Person first aired October 8, 1984, as the second presentation of PBS' Wonderworks series. ~ Hal Erickson, All Movie Guide
- 1984
- PG
Written by Walter Lockwood and directed by Joan Micklin Silver, Finnegan Begin Again is a whimsical comedy drama about a late-blooming romance. Robert Preston plays a Mike Finnegan, 65-year-old newspaperman resigned to wasting his time on a lonely hearts column and caring for his ailing, unappreciative wife (Sylvia Sidney). Mary Tyler Moore portrays Liz DeHaan, a much-younger schoolteacher, recently widowed and mired in a go-nowhere relationship with a mortician (Sam Waterston). Liz comes to Mike for advice...and nature takes its course. Finnegan Begin Again premiered February 24, 1985, over the HBO cable service. ~ Hal Erickson, All Movie Guide
- 1979
- PG
Joan Micklin Silver's writing and direction are at the heart of this wistful recollection of a romance, based on Ann Beattie's novel Chilly Scenes of Winter. The film concerns Charles (John Heard), who recalls his love affair with Laura (Mary Beth Hurt). It has been a year since Laura has left him and returned to her husband Ox (Mark Metcalf) and stepdaughter Rebecca. But Charles thinks about her all the time and even has imaginary conversations with her. Charles met Laura in the filing room at Utah's Department of Development in Salt Lake City, and it was love at first sight. Laura was married but had moved out of her house six weeks before. Charles musters up the courage to ask her out, and soon after they are living together. Living with Charles, Laura has never been happier. But she feels she doesn't deserve her happiness, since she has walked out on a family who had done nothing wrong to her. She can't understand why Charles loves her so much, "You have this exalted view of me, and I hate it. If you think I'm that great then there must be something wrong with you." So Laura decides to move back in with Ox. As Charles muses, Laura is more comfortable with "someone who loves you too little over someone who loves you too much." Charles becomes obsessed with winning her back from her family, watching her pick up her daughter from school, driving past her house, and becoming friendly with her flirtatious fellow worker Betty (Nora Heflin) in order to find out more about Laura. ~ Paul Brenner, All Movie Guide
- Starring:
- John Heard, Mary Beth Hurt, (more)
- 1979
- R
In this melodramatic prison flick a convicted killer makes a bad impression on his fellow inmates after he causes trouble with the leader of the prisoners. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Heard, Thomas G. Waites, (more)
- 1977
- R
Director Joan Micklin Silver's follow-up to her acclaimed debut, Hester Street, is a more ambitious film that manages to be both an entertaining comedy and a pointed look at the corrupting power of money on an idealistic enterprise. Writer Fred Barron's characters are all associated with a weekly alternative newspaper in Boston, modeled after the Phoenix. (Silver did once work on the Village Voice, but this enterprise is several rungs below that esteemed paper.) Harry (John Heard) is an ambitious reporter romantically involved with Abbie (Lindsay Crouse), the paper's star photographer. Michael (Stephen Collins) is a writer trying to work on a novel and stay faithful to his loving wife, Laura (Gwen Welles), while Max (Jeff Goldblum), the paper's rock critic, shamelessly uses his job to try to pick up women. Lynn (Jill Eikenberry), a typist who is the paper's mother-hen figure, is also its most principled employee. When a publishing mogul (Lane Smith) buys the paper and promises changes that will compromise its aggressive political stance in favor of more "lifestyle" articles, Lynn resigns, and it's clear to the group that their carefree days are behind them. ~ Tom Wiener, All Movie Guide
- Starring:
- John Heard, Lindsay Crouse, (more)
Many observers consider the 60-minute Bernice Bobs Her Hair to be the best-ever filmed adaptation of F. Scott Fitzgerald. Bernice (Shelley Duvall), a shy retiring girl of the Roaring 20s, yearns to be popular. On the advice of her flapper cousin Marjorie (Veronica Cartwright), Bernice cuts her unfashionable long hair into a short bob, begins dressing more stylishly, and learns the Most Valuable Rule: "When you're with a man, there are only three topics of conversation: you, me and us." Bernice Bobs Her Hair first aired on PBS' American Playhouse on April 5, 1977. It was telecast in tandem with a dramatization of Sherwood Anderson's oft-adapted I'm a Fool. ~ Hal Erickson, All Movie Guide
- Starring:
- Shelley Duvall, Bud Cort, (more)
Among the first releases in the new wave of independent films of the 1970s, writer/director Joan Micklin Silver's portrait of turn-of-the-century New York is also important for its unflinching portrait of women's issues. Russian Jewish immigrant Gitl (Carol Kane) joins her husband Jake (Steven Keats) in New York after he has gone ahead to establish himself. Jake has quickly assimilated many American customs, much to the dismay of Gitl, who clings to her Old World ways. Gitl's discovery of how Jake was able to finance her trip to America leads to more tension, and Gitl is soon on her own with few resources on which to draw. Although the film performed modestly at the box office, it was a sign of changing times when Kane's quietly assured performance was nominated for an Academy award, a rare recognition by Hollywood of a film made outside the studio system. ~ Tom Wiener, All Movie Guide
- Starring:
- Steven Keats, Carol Kane, (more)
- 1972
- PG
Limbo was one of Hollywood's first big-studio films to concentrate on how Vietnam affected the families of the combatants. Kathleen Nolan, Kate Jackson and Katherine Justice play three service wives living at a Florida Air Force Base. Their husbands have all been called to active duty in Vietnam, and all have either been captured or are MIAs. Avoiding the propagandistic stance of most war films of its period (and of such World War II films as Tender Comrade), Limbo manages to accurately convey the churned-up emotions of women who love their husbands and their country, but do not love what husbands are expected to do on behalf of that country. Before it is overwhelmed by soap opera suds, the film (scripted by Joan Micklin Silver and James Bridges, both on the verge of bigger things) makes several cogent points about personal relationships in the face of national crisis. Limbo has also been released as Chained to Yesterday and Women in Limbo. ~ Hal Erickson, All Movie Guide
- Starring:
- Kate Jackson, Katherine Justice, (more)
