Sigurjon Sighvatsson Movies

Acclaimed visual artists Douglas Gordon and Phillipe Parreno turn their attentions to filmmaking -- and one of Europe's leading soccer stars -- in this offbeat documentary. Zinedine Zidane is among the most celebrated athletes in European football; playing for Real Madrid, the Frenchman has earned a reputation for graceful yet aggressive play and a confrontational style. Gordon and Parreno have made a film about Zidane, but viewers of Zidane: A 21st Century Portrait will learn nothing about his life off the field, and only so much about his work on it. Instead of telling Zidane's life story, the filmmakers set up 17 cameras around the field (with the help of cinematographer Darius Khondji) for a April 23, 2005, game against Villarreal and carefully followed Zidane throughout the game, even when he wasn't in play. The subsequent footage was used to create a portrait in motion of the athlete, much in the manner of a painter or photographer, accompanied by excerpts from recorded interviews in which the footballer discusses his attitude toward the game and his feelings on the field. Zidane: A 21st Century Portrait (aka Zidane: Un Portrait du XXIe Siecle) was screened at the 2006 Toronto Film Festival as part of the Visions series, devoted to maverick filmmaking from around the world. ~ Mark Deming, All Movie Guide

A woman studying a crime of the past finds her own life becoming a morass of suspicion and deceit in this drama based on the novel by Anita Shreve. Jean Janes (Catherine McCormack) is a photographer working on a project that would document surviving evidence of a multiple murder that occurred a hundred years ago -- when a man named Louis Wagner (Ciaran Hinds) brutally killed two immigrant women from Norway with an axe, only to discover a third, Maren Hontvedt (Sarah Polley), witnessed the mayhem and survived to identify him in court. Jean travels to the small New Hampshire coastal town where the killings occurred with her husband Thomas (Sean Penn), an award-winning poet; his brother Rich (Josh Lucas); and Rich's girlfriend Adaline (Elizabeth Hurley). As Jean digs deeper into the troubling facts of the long-ago murder, as well as the tangential details of Maren Honvedt's unhappy marriage to John Hontvedt (Ulrich Thomsen) and her incestuous affair with her brother Evan (Anders W. Berthelsen), Jean begins to believe that she has a crisis of her own to contend with: she is convinced Thomas is having an affair with Adaline. The Weight of Water also features Katrin Cartlidge as Maren's sister Karen and Vinessa Shaw as her sister-in-law Anethe. ~ Mark Deming, All Movie Guide

In this tense thriller, a man begins to suspect his neighbors are not what they appear to be -- and their secrets could be deadly. Michael Faraday (played by Jeff Bridges) is a college professor whose wife, an FBI agent, was killed in the line of duty by members of an extremist right-wing terrorist group, leaving him to raise their nine-year-old son by himself. One day, he saves the life of a boy he sees on the street. The child turns out to be the son of his new neighbors, Oliver and Cheryl Lang (Tim Robbins and Joan Cusack). Michael soon becomes friendly with the grateful Langs, who seem as cheerfully bland as anyone could hope from denizens of suburbia. But the better Michael gets to know Oliver, the more he becomes convinced that something isn't quite right; Oliver seems almost too clean and perfect, and Michael begins to notice that small details in Oliver's stories don't quite add up. The question is whether Michael's well-founded paranoia about the radical right is getting the better of him, or are the Langs up to something a lot more sinister than their cheerful smiles and manicured lawn would suggest? Ehren Kruger's screenplay for Arlington Road won the Motion Picture Academy's Nicholl Fellowship prize in 1996; the film was the second directorial effort for Mark Pellington, who debuted with Going All the Way. ~ Mark Deming, All Movie Guide

In this comedy thriller, set in northern California, inept but lovable pot farmers Jack Madsen (Billy Bob Thornton) and Carter (Hank Azaria) work for San Francisco entrepreneur Malcolm Stockman (John Lithgow), who arrives for a visit via copter. As soon as Malcolm steps out, the copter pilot shoots him and takes off, leaving the two aghast along with apprentice Harlan (Ryan Phillippe). Minus a boss, the naive trio deduces no paychecks are forthcoming, so they collect cannabis for a big payoff and head to the nearby town where they meet up with go-between Lucy (Kelly Lynch). However, their explanations of Malcolm's whereabouts and their sudden need to sell some of the crop arouse suspicions, while their lazy days on the dope farm have left them unprepared as businessmen seeking buyers for millions in contraband. They soon find themselves in a shadowy new world of greed, paranoia, and duplicity. ~ Bhob Stewart, All Movie Guide

This noir crime drama set in Arizona and updated for post-modern sensibilities is similar in tone to other hip B-movie homages such as Bad Lieutenant (1992), Pulp Fiction (1994) and the previous year's award winning L.A. Confidential (1997). Ray Liotta stars as Phoenix police detective Harry Collins, a good-hearted cop with an understanding bartender (Anjelica Huston) and a gambling problem that's gotten him $32,000 in debt to a bookie, Chicago (Tom Noonan). Although Chicago offers to forgive Harry's debt in exchange for a murder, and Harry's crooked partner Mike (Anthony LaPaglia) offers to kill Chicago, Harry refuses their generosity, insisting that he will never welsh on a bet or betray a friend. Instead, Harry devises a plan to rip off a sleazy loan shark and strip club owner, Louie (Giancarlo Esposito) with the help of Mike and two fellow corrupt cops, James (Daniel Baldwin) and Fred (Jeremy Piven). ~ Karl Williams, All Movie Guide

Two men return home from the Army to find that their attitudes on life, love, and the town where they grew up have changed in this bittersweet coming-of-age drama. Sonny Burns (Jeremy Davies) and Gunner Casselman (Ben Affleck) are two guys from Indianapolis who were drafted during the Korean War. In high school, Gunner was a football player and big man on campus, while Sonny was a social outcast who kept to himself. Sonny spent most of his hitch in the Army in Kansas City, while Gunner was stationed in Japan and found his perspectives changed by exposure to Asian philosophies. Gunner and Sonny run into each other on a troop train as they return to Indiana in 1954. While they were never close in school, Gunner finds himself reaching out to Sonny, believing that Sonny is a deep thinker, though Sonny spends a lot more time thinking about girls than his place in the universe. Sonny has a girlfriend, Buddy (Amy Locane), who would like to get married; Sonny's mother Alma (Jill Clayburgh) is almost as eager as Buddy to see her son head to the altar, but Sonny doesn't find Buddy very interesting, and he's not sure if he wants to settle in Indianapolis. He's far more attracted to Gail (Rose McGowan), an exotic looking brunette who appeals to his girly-magazine fantasies, but while he can make love to Buddy, he's struck with impotence when Gail offers to sleep with him. Meanwhile, Gunner has fallen in love with Marty Pilcher (Rachel Weisz), a sexy Jewish woman, but Gunner's mother Nina (Lesley Ann Warren), who seems inappropriately fond of her son, doesn't care for Marty and spouts anti-Semitic venom at her son in hopes of driving him away from his new girlfriend. Like Sonny, Gunner finds himself thinking that his destiny lies outside of his home town. Dan Wakefield wrote the screenplay for Going All the Way, based on his own novel. ~ Mark Deming, All Movie Guide

This romantic comedy is the first film from two television veterans, writer Winnie Holzman and director Scott Winant. Gwen Moss (Jeanne Tripplehorn) is a writer working on the life story of former child actress Francesca Lanfield (Sarah Jessica Parker), who is recovering from drug addiction. Nick Dawkan (Dylan McDermott) is an architect working on a housing development that will require razing Gwen's beloved vintage apartment. Gwen frequently visits a restaurant designed by Nick, but she never meets him. In the meantime, she is romantically rebuffed by a college professor (Ken Olin), who reveals that he is bisexual. Eventually, Gwen's crusade to save the apartment complex, which is owned by Francesca, attracts the attention of Nick. ~ Michael Betzold, All Movie Guide

Andy Warhol was a phenomenon who warrants a lot of explaining: a completely colorless mega-star celebrity, and a kind of LaBrea Tarpit for a vivid and talented collection of oddballs in the New York scene. He fostered their continued degeneration into weird lifestyles and heavy drug use; and at the same time acted as their mentor, agent, and sponsor. One artist who came to be part of Warhol's "scene" was Jean Michel Basquiat, an antisocial street-bum who went from writing graffiti on alley walls to being the toast of New York City's art world. This film biography chronicles the progression of Basquiat (Jeffrey Wright) and his progression from living in cardboard boxes to penthouses, his romances, his drug use, and his death in 1988 at age 27. Along the way, he never stopped detesting the rich, including art agent Bruno Bischofberger (Dennis Hopper), and he never lost his naivete. Warhol (David Bowie) picks up some of the pieces as Basquiat lurches through the art scene. Cameo appearances by Tatum O'Neal and Courtney Love add spice to this interesting film. ~ Clarke Fountain, All Movie Guide

This sequel to director Bernard Rose's superb, metaphorical Candyman is a more straightforward Gothic horror project, discarding any association with the events of the previous film (which was based on the short story "The Forbidden" by horror surrealist Clive Barker) aside from the title entity, played again by the imposing Tony Todd. A melancholy but extremely deadly ghost, Candyman is revealed -- in a compelling sequence of flashbacks -- as the vengeful spirit of Daniel Robitaille, a black portraitist in post-Civil War Louisiana who was set upon and horribly mutilated by an angry white mob in retaliation for his affair with a plantation owner's daughter. In present-day New Orleans, at the height of Mardi Gras festivities (the film's title refers to the literal translation of the Latin "Carnival"), Candyman walks the realm of the undead, with a hook in place of the hand he lost to the lynch mob, waiting to be summoned by the recitation of his name five times into a mirror. The latest victims of his evisceration skills include members of the Tarrant family, with young schoolteacher Annie (Kelly Rowan) next in line. Her family's connection with the Candyman legend is eventually revealed when Annie visits the family estate to uncover the link between her ancestors and Daniel Robitaille himself. This is a well-executed horror film, with fine performances and good use of the subtle menace underlying the Mardi Gras ambience, but the deft hand of Barker is clearly absent, leaving a standard horror plot without the mythical resonance of the original. The chilling Philip Glass score is a definite plus, though. ~ Cavett Binion, All Movie Guide

A man discovers that what he doesn't know can hurt him, especially when it comes to his wife, in this suspense drama. Ray Reardon (James Spader) is an architect who has just gone through a messy divorce; while his friends sing the praises of the single life, Ray would prefer to settle into a life of middle-class domesticity with a home, wife, and family. Ray meets a beautiful but mysterious woman named Lena (Madchen Amick) at a party, and for him it's love at first sight; while she remains elusive, Ray pursues her avidly, and before long he proposes, even though he doesn't know her especially well. A few years later, they're seemingly happily married with children. But Lena's behavior starts to become erratic and depressive, and she is no longer willing to account for where she's been or what she's been doing. Ray is convinced that Lena has been having an affair and begins doing some research into her past; he soon discovers her previous life bears little resemblance to what she told him and that she's been lying to him about nearly every part of her history and their relationship. Lena contends that she's just "a regular screwed-up person," but in time, Ray realizes that there's a purpose behind her duplicity: she's trying to convince people that he is insane. Dream Lover was the directorial debut of screenwriter Nicholas Kazan. ~ Mark Deming, All Movie Guide

John Dahl directed and co-wrote (along with his brother Rick Dahl) this quirky and energetic film noir that, after a well-received screening at the Toronto Film Festival, was consigned to oblivion before resurfacing on cable television. When the owner of a San Francisco movie theater, who was a big fan of the film, arranged for a theatrical release, the film clicked and toured the country as an art house hit. The film concerns eternal loser Michael (Nicolas Cage), down to his last five dollars and looking for work. He finds himself at a bar in the town of Red Rock. The bartender, Wayne (J.T. Walsh) eyes him suspiciously and asks him, "You must be Lyle, from Dallas." Michael, eager to earn some cash, agrees. It seems Wayne has a job for Michael, but what Michael doesn't realize until too late is that the job is to kill Wayne's wife for $10,000. Michael heads out to Wayne's farm with the cash to warn Wayne's wife, Suzanne (Lara Flynn Boyle). Suzanne responds by offering to double Michael's fee if he will kill her husband instead. Michael takes the money and tries to leave town, but when a thunderstorm comes up, he runs over a man who was trying to flag him down. The sheriff arrives on the scene to attend to matters -- who turns out to be Wayne. Wayne proceeds to drive Michael out of town for an execution, but Michael manages to elude him. Flagging down a driver on the road who is driving back into Red Rock, they return to the bar, where the driver offers to buy Michael a drink. As Michael accepts the offer of a drink, he realizes that he is drinking with the real "Lyle from Dallas" (Dennis Hopper) who is awaiting Wayne's return. ~ Paul Brenner, All Movie Guide